I remain steady in my belief that well-written literary fiction doesn't have to be high-brow; it has to embrace ideas about destiny in a storyline that holds the readers' attention. From his classic presentation at the 200th anniversary writers' conference of North American Review, the nation's oldest literary magazine, where he poked fun at his own early novels for their obscurity, implying clarity in the digital age equals salvation. Then he toyed with the digital age itself: Some nut will find a way to blow up the electric grid. All these electronic gadgets that rely on electricity will go dark. The batteries will run down. We're talking Cormac McCarthy darkness, black on black . . . except for one distant flicker of light. It's on a beach probably Australia. Survivors will make their way through the dark and find the light from a single candle. Next to the candle will be a lad with a note book scribbling away with the last pencil on earth. He's writing about what happened. He hopes someone will read what he writes. That's what writers do. They hope.