The true danger of romanticism is that the principles through which it rules itself are of such nature that everybody can invoke them to grant themselves the category of artist. Taking the anxiety of an unreachable happiness, the angst of unrealized dreams, the indifference towards action and life, as the defining criteria of genius or talent, immediately facilitates everyone who feels or has felt that same anxiety, suffers that same angst and is prey of that particular indifference, to feel themselves convinced that they themselves are an interesting individuality, and that Destiny, granting them that longing, suffering and dreams, implicitly bestowed on them intellectual greatness.