I believe that the infinite and mysterious charm that lies in the contemplation of a moving vessel is caused, firstly, by the regularity and symmetry that are among the primordial needs of the human spirit, to the same degree as complication and harmony - and, secondly, by the multiplication and generation of all the imaginary curves and figures produced in space by the real elements of the object. The poetic idea released by this operation of movement in the lines is the hypothesis of a being that is vast, immense, complicated but eurythmic, an animal full of genius, suffering and sighing all the sighs and all the human ambitions.