"The Godfather amounts to a visual parable of a challenge and critique that dogs the Cultural Liturgies project: while I extol the formative power of historic Christian worship practices, it would seem that there can be--and are--people who have spent entire lifetimes immersed in the rites of historic Christian worship who nonetheless emerge from them not only unformed but perhaps even malformed.2 Or, to put it otherwise: clearly, regular participation in the church's "orthodox" liturgy is not enough to prevent such "worshipers" from leaving the sanctuary to become (sometimes enthusiastic) participants in all sorts of unjust systems, structures, and behaviors."