Only after they charged him with the crime of silence did Babel discover how many kinds of silences existed. When he heard music he no longer listened to the notes, but the silences in between. When he read a book he gave himself over entirely to commas and semicolons, to the space after the period and before the capital letter of the next sentence. He discovered the places in a room where silence gathered; the folds of curtain drapes, the deep bowls of the family silver. When people spoke to him, he heard less and less of what they were saying, and more and more of what they were not.