After she disappeared inside the hotel, Pasquale entertained the unwieldy thought that he'd somehow summoned her, that after years of living in this place, after months of grief and loneliness and waiting for Americans, he'd created this woman from old bits of cinema and books, from the lost artifacts and ruins of his dreams, from his epic, enduring solitude. He glanced over at Orenzio, who was carrying someone's bags, and the whole world suddenly seemed so unlikely, our time in it so brief and dreamlike. He'd never felt such a detached, existential sensation, such terrifying freedom--it was as if he were hovering above the village, above his own body--and it thrilled him in a way that he could never have explained.