Perceptions trained in another climate and another landscape have had to be modified. That means we have had to learn to quit depending on perceptual habit. Our first and hardest adaptation was to learn all over again how to see. Our second was to learn to like the new forms and colors and light and scale when we had learned to see them. Our third was to develop new techniques, a new palette, to communicate them. And our fourth, unfortunately out of of our control, was to train an audience that would respond to what we wrote or painted.