An undertaker contemplates his funeral, the rich man his destitution, the gaoler his imprisonment, the debauchee his impotence. An actor's greatest terror, I am told, is to watch the theatre empty itself while he wrestles in a void for his lines, and what else is that but a premature vision of his dying? For the civil servant, it is the moment when his protective walls of privilege collapse around him and he finds himself no safer than the next man, exposed to the gaze of the overt world, answering like a lying husband for his laxities and evasions.