This special moment takes the two pianists--master and student--someplace that no one else can go. The French call this sort of sharing, this meeting of minds, complicite, and the word captures perfectly the special bond that instantly develops as two pianists explore together the edge of music. If chamber music can be likened to a conversation, with a constant give-and-take, a joining and separating of the voices, this is all simultaneity, more like a duo of dancers who perform exactly the same figurations. By some remarkable chemistry a momentum builds that puts the two pianists in perfect concurrence.