I AM PUSHING a rusty wheelbarrow in a town where the air smells of blood and burnt flesh. The breeze brings the faint cries of those whose last breaths are leaving their mangled bodies. I walk past them. Their arms and legs are missing; their intestines spill out through the bullet holes in their stomachs; brain matter comes out of their noses and ears. The flies are so excited and intoxicated that they fall on the pools of blood and die. The eyes of the nearly dead are redder than the blood that comes out of them, and it seems that their bones will tear through the skin of their taut faces at any minute. I turn my face to the ground to look at my feet. My tattered crapes are soaked with blood, which seems to be running down my army shorts. I feel no physical pain, so I am not sure whether I've been wounded. I can feel the warmth of my AK-47's barrel on my back; I don't remember when I last fired it. It feels as if needles have been hammered into my brain, and it is hard to be sure whether it is day or night. The wheelbarrow in front of me contains a dead body wrapped in white bedsheets. I do not know why I am taking this particular body to the cemetery. When I arrive at the cemetery, I struggle to lift it from the wheelbarrow; it feels as if the body is resisting. I carry it in my arms, looking for a suitable place to lay it to rest. My body begins to ache and I can't lift a foot without feeling a rush of pain from my toes to my spine. I collapse on the ground and hold the body in my arms. Blood spots begin to emerge on the white bedsheets covering it. Setting the body on the ground, I start to unwrap it, beginning at the feet. All the way up to the neck, there are bullet holes. One bullet has crushed the Adam's apple and sent the remains of it to the back of the throat. I lift the cloth from the body's face. I am looking at my own. I