"Meyer summarizes his code of honor as "(1) Show up. (2) Work hard. (3) Be kind. (4) Take the high road." As he contributed in ways that revealed his skills without spawning jealousy, colleagues began to admire and trust his comedic genius. "People started to see him as somebody who wasn't just motivated personally," Tim Long explains. "You don't think of him as a competitor. He's someone you can think of on a higher plane, and can trust creatively." Carolyn Omine adds, "Compared to other writers' rooms I've been in, I would say The Simpsons tends to look longer for jokes. I think it's because we have writers, like George, who will say, 'No, that's not quite right,' even if it's late, even if we're all tired. I think that's an important quality. We need those people, like George, who aren't afraid to say, 'No, this isn't good enough. We can do better.'" In a classic article, the psychologist Edwin Hollander argued that when people act generously in groups, they earn idiosyncrasy credits--positive impressions that accumulate in the minds of group members. Since many people think like matchers, when they work in groups, it's very common for them to keep track of each member's credits and debits. Once a group member earns idiosyncrasy credits through giving, matchers grant that member a license to deviate from a group's norms or expectations. As Berkeley sociologist Robb Willer summarizes, "Groups reward individual sacrifice." On The Simpsons, Meyer amassed plenty of idiosyncrasy credits, earning latitude to contribute original ideas and shift the creative direction of the show. "One of the best things about developing that credibility was if I wanted to try something that was fairly strange, people would be willing to at least give it a shot at the table read," Meyer reflects. "They ended up not rewriting my stuff as much as they had early on, because they knew I had a decent track record. I think people saw that my heart was in the right place--my intentions were good. That goes a long way."