"The dead," he had said once, "need nothing from the living, and the living can give nothing to the dead." At twenty-two, it had sounded precocious; at thirty-four, it sounded mature, and this pleased Michael very much. He had liked being mature and reasonable. He disliked ritual and pomposity, routine and false emotion, rhetoric and sweeping gestures. Crowds made him nervous. Pageantry offended him. Essentially a romantic, he had put away the trappings of romance, although he had loved them deeply and never known."