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18bae26 He began as a minor imitator of Fitzgerald, wrote a novel in the late twenties which won a prize, became dissatisfied with his work, stopped writing for a period of years. When he came back it was to BLACK MASK and the other detective magazines with a curious and terrible fiction which had never been seen before in the genre markets; Hart Crane and certainly Hemingway were writing of people on the edge of their emotions and their possibilit.. dashiel-hammett detective detective-fiction detective-noir detective-novel detective-novels detective-stories ernest-hemingway f-scott-fitzgerald sartre francois-truffaut hart-crane jean-paul-sartre mystery-and-crime-drama mystery-suspense mystery-thriller raymond-chandler truffaut crime-thriller crime-fiction noir noir-fiction detectives mystery crime Barry N. Malzberg
42591d1 Inevitably, his vision verged toward the fantastic; he published a scattering of stories - most included in this volume - which appeared to conform to that genre at least to the degree that the fuller part of his vision could be seen as "mysteries." For Woolrich it all was fantastic; the clock in the tower, hand in the glove, out of control vehicle, errant gunshot which destroyed; whether destructive coincidence was masked in the "naturalis.. science-fiction fantastic gothic cornell-woolrich noir noir-fiction horror suspense Barry N. Malzberg
c23a435 There is no truth which cannot be given in fifty words; the truth is always concise. Barry N. Malzberg
bcd618e Nothing matters at all. Survival is the coin of the realm. Time is a river with banks. Barry N. Malzberg