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e823c1c Like the character Moliere who discovered to his astonishment that he had been speaking prose all his life, I discovered to my astonishment that I had been immersed in philosophical problems all my life. And I had been drawn into the same problems as great philosophers by the same felt need to make sense of the world...The chief difference between me and them, of course, was that whereas they had something to offer by way of solutions to th.. Bryan Magee
a7bd4df Ignorance is ignorance, not a licence to believe what we like. Bryan Magee
54df7bc Men presumably always have looked at flowers and been moved by their beauty and their smell: but only since the last century has it been possible to take a flower in your hand and know that you have between your fingers a complex association of organic compounds containing carbon, hydrogen, oxygen, nitrogen, phosphorus, and a great many other elements, in a complex structure of cells, all of which have evolved from a single cell; and to kno.. knowledge science Bryan Magee
6ce90dc Human knowledge as it actually is and can only ever be is not a revelation of something objectively and timelessly true, an assured grasp of something existing 'out there' independently of ourselves. It is what we have the best grounds at any given time for believing. Because this is what it is, it does indeed provide the best possible basis for our suppositions and actions. But it always remains our belief, our, conjecture, our hypothesis,.. Bryan Magee
4009bf0 Even if it could be shown that all explanations can be reduced ultimately to those of science, and even if all the reductions were then to be carried out, the mystery of the world as such would be as great at the end of the process as it had been at the beginning. Bryan Magee
42b5792 It follows from Schopenhauer's analysis that evert genuine work of art must have its origin in direct perception; that is to say it does not originate in concepts, and concepts are not what it communicates. This is what more than anything else differentiates good art from bad, or more accurately authentic from inauthentic art. The latter often originates in a desire on the part of the artist to meet some demand external to himself - to win .. authenticity Bryan Magee