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| b24cf96 | IN 1967 YOUNG Tom Stoppard had his breakthrough hit, Rosencrantz and Guildenstern Are Dead, a brilliant play about actors playing characters playing actors playing characters, and the amusing, confusing jumble of fiction and reality. Stoppard knew he was onto something new and important. "I have a feeling," he said at the time, "that almost everybody today is more trying to match himself up with an external image he has of himself, almost a.. | Kurt Andersen |