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What has our culture lost in 1980 that the avant-garde had in 1890? Ebullience, idealism, confidence, the belief that there was plenty of territory to explore, and above all the sense that art, in the most disinterested and noble way, could find the necessary metaphors by which a radically changing culture could be explained to its inhabitants.
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metaphor
irony
idealism
confidence
avant-garde
ebullience
meta-modernism
shia-lebouf
david-foster-wallace
post-ironic
art
culture
postmodernism
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Robert Hughes |
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In America, nostalgia for things is apt to set in before they go.
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Robert Hughes |
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What strip-mining is to nature, the art market has become to culture.
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Robert Hughes |
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The sense of not having the whole story that comes from living close up to traumatic events.
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Robert Hughes |
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The hallmark of the minor artist is to be obsessed with style as an end in itself.
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Robert Hughes |
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How immeasurably fortunate my father was in his faith!
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Robert Hughes |