|
c241f04
|
The artistic life is a long and lovely suicide precisely because it involves the negation of self; as Highsmith imagined herself as her characters, so Ripley takes on the personae of others and in doing so metamorphoses himself into a 'living' work of art. A return to the 'real life' after a period of creativity resulted in a fall in spirits, an agony Highsmith felt acutely. She voiced this pain in the novel via Bernard's quotation of an ex..
|
|
artistic-life
creativity
depression
metamorphosis
negation-of-self
pain
real-life
work-of-art
|
Andrew Wilson |
|
f1afd0e
|
Patricia Highsmith] was overwhelmed by sensory stimulation - there were too many people and too much noise and she just could not handle the supermarket. She continually jumped, afraid that someone might recognise or touch her. She could not make the simplest of decisions - which type of bread did she want, or what kind of salami? I tried to do the shopping as quickly as possible, but at the check-out she started to panic. She took out her ..
|
|
asperger-s
asperger-s-syndrome
aspergers
aspergers-syndrome
autism
check-out
decision
decisions
fear
glasses
jump
jumped
money
noise
overwhelmed
panic
people
quickly
recognise
sensory-stimulation
shopping
stuff
supermarket
touch
wallet
|
Andrew Wilson |
|
3af427d
|
Patricia Highsmith] was an extremely unbalanced person, extremely hostile and misanthropic and totally incapable of any kind of relationship, not just intimate ones. I felt sorry for her, because it wasn't her fault. There was something in her early days or whatever that made her incapable. She drove everybody away and people who really wanted to be friends ended up putting the phone down on her. It seemed to me as if she had to ape feeling..
|
|
autism
behaviour
hostile
incapable
misanthropy
relationship
social-behaviour
unbalanced
|
Andrew Wilson |
|
665df0f
|
Patricia Highsmith] was a figure of contradictions: a lesbian who didn't particularly like women; a writer of the most insightful psychological novels who, at times, appeared bored by people; a misanthrope with a gentle, sweet nature.
|
|
contradictions
gentle
insight
insightful
lesbian
like
misanthrope
nature
novels
people
psychological
sweet
women
writer
writing
|
Andrew Wilson |
|
3ad1027
|
Early in 1967 Highsmith's agent told her why her books did not sell in paperback in America. It was, said Patricia Schartle Myrer, because they were 'too subtle', combined with the fact that none of her characters were likeable. 'Perhaps it is because I don't like anyone,' Highsmith replied. 'My last books may be about animals'.
|
|
fiction
likeability
misanthropy
sold
subtle
writing
|
Andrew Wilson |