| Link | Quote | Stars | Tags | Author |
| 22e09e5 | Forgery is just the most dramatic example of the importance of origin. Arthur Koestler described a friend who owned a drawing that she first took to be a reproduction. When she later discovered that it was an original by Picasso, she displayed it more prominently, claimed that she saw it differently, and enjoyed it more. For her, its value went up. | Paul Bloom | ||
| acb4d4a | Our selectivity in who to care about makes a difference. About twenty years ago, Walter Isaacson expressed his frustration over the American public's focus on the crisis in Somalia and relative disregard of the (objectively greater) tragedy in the Sudan, when he plaintively asked: "Will the world end up rescuing Somalia while ignoring the Sudan mainly because the former proves more photogenic?" Before" | Paul Bloom |