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6c09794 The seasonal urge is strong in poets. Milton wrote chiefly in winter. Keats looked for spring to wake him up (as it did in the miraculous months of April and May, 1819). Burns chose autumn. Longfellow liked the month of September. Shelley flourished in the hot months. Some poets, like Wordsworth, have gone outdoors to work. Others, like Auden, keep to the curtained room. Schiller needed the smell of rotten apples about him to make a poem. Tennyson and Walter de la Mare had to smoke. Auden drinks lots of tea, Spender coffee; Hart Crane drank alcohol. Pope, Byron, and William Morris were creative late at night. And so it goes. seasons winter poets poetry writing apple april auden byron de-la-mare insomnia longfellow may morris nocturnal season september shelley spender tennyson pope apples coffee spring wordsworth milton fall hart-crane autumn tea keats night writers burns schiller Helen Bevington
33f0b46 "[Adam picks up the camera] "I have to get a shot of this." The reaction in the room was swift, and unanimous: every single person except me raised their hands at once to cover their faces. The accompanying utterances, though, were varied. I heard everything from "Please no" (Maggie), to "Jesus Christ" (Wallace), to "Stop it or die" (I'm assuming it's obvious)." camera photo auden eli Sarah Dessen
c9df8a3 In short, it became possible - never easy, but possible - in the poet Auden's phrase to find the mortal world enough. renaissance auden Stephen Greenblatt