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Do not let arrogance go to your head and despair to your heart; do not let compliments go to your head and criticisms to your heart; do not let success go to your head and failure to your heart.
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criticism
inspiration
inspirational-attitude
inspirational-life
inspirational-quotes
inspire
life-and-living
life-quotes
living
motivation
optimistic
positive-affirmation
positive-life
inspiring
positive
positive-thinking
motivational
success
life-lessons
optimism
heart
life
inspirational
arrogance
compliment
failure
despair
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Roy T. Bennett |
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Let me never fall into the vulgar mistake of dreaming that I am persecuted whenever I am contradicted.
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correcting
criticism
inspirational
correction
contradiction
opinions
paranoia
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Ralph Waldo Emerson |
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A creative life cannot be sustained by approval any more than it can be destroyed by criticism.
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criticism
inspirational
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Will Self |
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Criticism of others is thus an oblique form of self-commendation. We think we make the picture hang straight on our wall by telling our neighbors that all his pictures are crooked.
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criticism
christianity
spirituality
philosophy
judgement
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Fulton J. Sheen |
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Conventionality is not morality. Self-righteousness is not religion. To attack the first is not to assail the last. To pluck the mask from the face of the Pharisee, is not to lift an impious hand to the Crown of Thorns. These things and deeds are diametrically opposed: they are as distinct as is vice from virtue. Men too often confound them: they should not be confounded: appearance should not be mistaken for truth; narrow human doctrines, that only tend to elate and magnify a few, should not be substituted for the world-redeeming creed of Christ. There is - I repeat it - a difference; and it is a good, and not a bad action to mark broadly and clearly the line of separation between them.
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criticism
religion
truth
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Charlotte Brontë |
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The motive behind criticism often determines its validity. Those who care criticize where necessary. Those who envy criticize the moment they think that they have found a weak spot.
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bad-intentions
spot
validity
criticism
kindness
inspirational
good-intentions
necessary
intentions
envy
purity
weakness
sincerity
motives
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Criss Jami |
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I have already settled it for myself so flattery and criticism go down the same drain and I am quite free.
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criticism
inspirational
art
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Georgia O'Keefe |
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The criminal is the creative artist; the detective only the critic.
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criticism
critic
detectives
mystery
crime
creativity
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G.K. Chesterton |
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"1. Everyone is entitled to their opinion about the things they read (or watch, or listen to, or taste, or whatever). They're also entitled to express them online. 2. Sometimes those opinions will be ones you don't like. 3. Sometimes those opinions won't be very nice. 4. The people expressing those may be (but are not always) assholes. 5. However, if your solution to this "problem" is to vex, annoy, threaten or harrass them, you are a bigger asshole. 6. You may also be twelve. 7. You are not responsible for anyone else's actions or karma, but you are responsible for your own. 8. So leave them alone and go about your own life."
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criticism
freedom-of-opinion
reviewers
reviewing
opinions
freedom-of-expression
freedom-of-speech
reviews
bullying
readers
censorship
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John Scalzi |
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We cannot have a world where everyone is a victim. "I'm this way because my father made me this way. I'm this way because my husband made me this way." Yes, we are indeed formed by traumas that happen to us. But then you must take charge, you must take over, you are responsible.
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democrat
sex
criticism
responsibility
america
inspirational
republican
victim
liberal
libertarian
art
culture
trauma
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Camille Paglia |
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Anyone who has the temerity to write about Jane Austen is aware of [two] facts: first, that of all great writers she is the most difficult to catch in the act of greatness; second, that there are twenty-five elderly gentlemen living in the neighbourhood of London who resent any slight upon her genius as if it were an insult to the chastity of their aunts.
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jane-austen
criticism
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Virginia Woolf |
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A man inherited a field in which was an accumulation of old stone, part of an older hall. Of the old stone some had already been used in building the house in which he actually lived, not far from the old house of his fathers. Of the rest he took some and built a tower. But his friends coming perceived at once (without troubling to climb the steps) that these stones had formerly belonged to a more ancient building. So they pushed the tower over, with no little labour, and in order to look for hidden carvings and inscriptions, or to discover whence the man's distant forefathers had obtained their building material. Some suspecting a deposit of coal under the soil began to dig for it, and forgot even the stones. They all said: 'This tower is most interesting.' But they also said (after pushing it over): 'What a muddle it is in!' And even the man's own descendants, who might have been expected to consider what he had been about, were heard to murmur: 'He is such an odd fellow! Imagine using these old stones just to build a nonsensical tower! Why did not he restore the old house? he had no sense of proportion.' But from the top of that tower the man had been able to look out upon the sea.
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literature
criticism
fantasy
beowulf
critics
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J.R.R. Tolkien |
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People tend to criticize their spouse most loudly in the area where they themselves have the deepest emotional need.
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criticism
romance
love
need
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Gary Chapman |
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"The moment you say that any idea system is sacred, whether it's a religious belief system or a secular ideology, the moment you declare a set of ideas to be immune from criticism, satire, derision, or contempt, freedom of thought becomes impossible." [
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criticism
freedom-of-opinion
sacrosanct-ideas
immunity
freedom-of-speech
liberty
freedom-of-thought
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Salman Rushdie |
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"Actually, writers have no business writing about their own works. They either wax conceited, saying things like: 'My brilliance is possibly most apparent in my dazzling short story, "The Cookiepants Hypotenuse."' Or else they get unbearably cutesy: 'My cat Ootsywootums has given me all my best ideas, hasn't oo, squeezums?"
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criticism
inspiration
reviewing
critique
reviews
on-writing
creative-process
writers
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Connie Willis |
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It's too easy to criticize a man when he's out of favour, and to make him shoulder the blame for everybody else's mistakes.
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criticism
scapegoat
scapegoating
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Leo Tolstoy |
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The old Amy, the girl of the big laugh and the easy ways, literally shed herself, a pile of skin and soul on the floor, and stepped this new, brittle, bitter Amy ... a razor-wire knot daring me to unloop her, and I was not up to the job with my thick, numb, nervous fingers. Country fingers. Flyover fingers untrained in the intricate, dangerous work of 'solving Amy'. When I'd hold up the bloody stumps, she'd sigh and turn to her secret mental notebooks on which she tallied all my deficiencies, forever noting disappointments, frailties, shortcomings.
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hatred
marriage
criticism
loss
relationships
change
heartbreak
love
change-for-worse
emotional-turmoil
hurtful
i-miss-who-you-were
missing-who-someone-was
puppeteer
heartless
nothing
strangers
turmoil
bullying
scary
failure
flaws
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Gillian Flynn |
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The imagination of the genius vastly surpasses his intellect; the intellect of the academic vastly surpasses his imagination
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criticism
imagination
genius-stupidity
nerdery
critics
art
genius
nerds
nerd
artist
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Nassim Nicholas Taleb |
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She recognized in Kelsey the nationalism of liberal Americans who copiously criticized America but did not like you to do so; they expected you to be silent and grateful, and always reminded you of how much better than wherever you had come from America was.
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criticism
immigrants
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Chimamanda Ngozi Adichie |
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"To those who suspect that intellect is a subversive force in society, it will not do to reply that intellect is really a safe, bland, and emollient thing. In a certain sense, the suspicious Tories and militant philistines are right: intellect is dangerous. Left free, there is nothing it will not reconsider, analyze, throw into question. "Let us admit the case of the conservative," John Dewey once wrote. "If we once start thinking no one can guarantee what will be the outcome, except that many objects, ends and institutions will be surely doomed. Every thinker puts some portion of an apparently stable world in peril, and no one can wholly predict what will emerge in its place." Further, there is no way of guaranteeing that an intellectual class will be discreet and restrained in the use of its influence; the only assurance that can be given to any community is that it will be far worse off if it denies the free uses of the power of intellect than if it permits them. To be sure, intellectuals, contrary to the fantasies of cultural vigilantes, are hardly ever subversive of a society as a whole. But intellect is always on the move against something: some oppression, fraud, illusion, dogma, or interest is constantly falling under the scrutiny of the intellectual class and becoming the object of exposure, indignation, or ridicule." --
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criticism
intellectual
radicalism
intellectualism
intellectuals
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Richard Hofstadter |
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"If you criticize what you're doing too early you'll never write the first line." [
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criticism
writing
self-critique
creative-writing
self-confidence
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Max Frisch |
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Just as no monkey is as good-looking as the ugliest of humans, no academic is worthier than the worst of the creators
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artists
arts
criticism
academics
critics
art-history
art
creativity
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Nassim Nicholas Taleb |
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Making judgments on films is in many ways so peculiarly vaporous an occupation that the only question is why, beyond the obvious opportunities for a few lectures fees and a little careerism at a dispiritingly self-limiting level, anyone does it in the first place.
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criticism
reviewers
film
movie
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Joan Didion |
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Giving importance to what we think because we thought it, taking our own selves not only (to quote the Greek philosopher) as the measure of all things but as their norm or standard, we create in ourselves, if not an interpretation, at least a criticism of the universe, which we don't even know and therefore cannot criticize. The giddiest, most weak-minded of us then promote that criticism to an interpretation that's superimposed, like a hallucination; induced rather than deduced. It's a hallucination in the strict sense, being an illusion based on something only dimly seen.
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criticism
philosophy
opinions
thought
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Fernando Pessoa |
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[L]ife is a phenomenon in need of criticism, for we are, as fallen creatures, in permanent danger of worshipping false gods, of failing to understand ourselves and misinterpreting the behaviour of others, of growing unproductively anxious or desirous, and of losing ourselves to vanity and error. Surreptitiously and beguilingly, then, with humour or gravity, works of art--novels, poems, plays, paintings or films--can function as vehicles to explain our condition to us. They may act as guides to a truer, more judicious, more intelligent understanding of the world.
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understanding
criticism
poems
humor
life
paintings
self-understanding
plays
films
gravity
art
novels
vanity
desire
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Alain de Botton |
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"Religion, a mediaeval form of unreason, when combined with modern weaponry becomes a real threat to our freedoms. This religious totalitarianism has caused a deadly mutation in the heart of Islam and we see the tragic consequences in Paris today. I stand with Charlie Hebdo, as we all must, to defend the art of satire, which has always been a force for liberty and against tyranny, dishonesty and stupidity. 'Respect for religion' has become a code phrase meaning 'fear of religion.' Religions, like all other ideas, deserve criticism, satire, and, yes, our fearless disrespect." [
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criticism
freedom
hebdo
freedom-of-expression
totalitarianism
terrorism
orthodoxy
satire
islam
free-speech
paris
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Salman Rushdie |
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I have tonight begun reading a stupid, shitty book by Kerouac called , and I would give a ball to wake up tomorrow on some empty ridge with a herd of beatniks grazing in the clearing about 200 yards below the house. And then to squat with the big boomer and feel it on my shoulder with the smell of grease and powder and, later, a little blood.
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criticism
big-sur
correspondence
kerouac
hunting
beatnik
letters
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Hunter S. Thompson |
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With the growth of civilisation in Europe, and with the revival of letters and of science in the fourteenth and fifteenth centuries, the ethical and intellectual criticism of theology once more recommenced, and arrived at a temporary resting-place in the confessions of the various reformed Protestant sects in the sixteenth century; almost all of which, as soon as they were strong enough, began to persecute those who carried criticism beyond their own limit. But the movement was not arrested by these ecclesiastical barriers, as their constructors fondly imagined it would be; it was continued, tacitly or openly, by , by , by , and especially by , in the seventeenth century; by the English Freethinkers, by , by the , and by the German Rationalists, among whom stands out a head and shoulders taller than the rest, throughout the eighteenth century; by the historians, the philologers, the Biblical critics, the geologists, and the biologists in the nineteenth century, until it is obvious to all who can see that the moral sense and the really scientific method of seeking for truth are once more predominating over false science. Once more ethics and theology are parting company.
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criticism
science
baruch-spinoza
d-holbach
denis-diderot
diderot
gotthold-ephraim-lessing
gotthold-lessing
jean-jacque-rousseau
jean-meslier
lessing
meslier
paul-henri-d-holbach
thomas-hobbes
hobbes
rousseau
protestant
spinoza
science-vs-religion
civilization
geologists
europe
science-and-religion
persecution
descartes
galileo
galileo-galilei
rene-descartes
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Thomas Henry Huxley |
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I went on writing reviews for the newspaper, and critical articles crying out for a different approach to culture, as even the most inattentive reader could hardly fail to notice if he scratched the surface a little, critical articles crying out, indeed begging, for a return to the Greek and Latin greats, to the Troubadours, to the dolce stil nuovo and the classics of Spain, France and England, more culture! more culture! read Whitman and Pound and Eliot, read Neruda and Borges and Vallejo, read Victor Hugo, for God's sake, and Tolstoy, and proudly I cried myself hoarse in the desert, but my vociferations and on occasions my howling could only be heard by those who were able to scratch the surface of my writings with the nails of their index fingers, and they were not many, but enough for me, and life went on and on and on, like a necklace of rice grains, on each grain of which a landscape had been painted, tiny grains and microscopic landscapes, and I knew that everyone was putting that necklace on and wearing it, but no one had the patience or the strength or the courage to take it off and look at it closely and decipher each landscape grain by grain, partly because to do so required the vision of a lynx or an eagle, and partly because the landscapes usually turned out to contain unpleasant surprises like coffins, makeshift cemeteries, ghost towns, the void and the horror, the smallness of being and its ridiculous will, people watching television, people going to football matches, boredom navigating the Chilean imagination like an enormous aircraft carrier. And that's the truth. We were bored. We intellectuals. Because you can't read all day and all night. You can't write all day and all night. Splendid isolation has never been our style...
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criticism
reading
writing
intellectual
intellectualism
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Roberto Bolaño |
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There are those who maintain that you can't demand anything of the reader. They say the reader knows nothing about art, and that if you are going to reach him, you have to be humble enough to descend to his level. This supposes either that the aim of art is to teach, which it is not, or that to create anything which is simply a good-in-itself is a waste of time. Art never responds to the wish to make it democratic; it is not for everybody; it is only for those who are willing to undergo the effort needed to understand it. We hear a great deal about humility being required to lower oneself, but it requires an equal humility and a real love of the truth to raise oneself and by hard labor to acquire higher standards.
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criticism
beauty
truth
disicipline
appreciation
art
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Flannery O'Connor |
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"In his book Real Presences, George Steiner asks us to "imagine a society in which all talk about the arts, music and literature is prohibited." In such a society there would be no more essays on whether Hamlet was mad or only pretending to be, no reviews of the latest exhibitions or novels, no profiles of writers or artists. There would be no secondary, or parasitic, discussion - let alone tertiary: commentary on commentary. We would have, instead, a "republic for writers and readers" with no cushion of professional opinion-makers to come between creators and audience. While the Sunday papers presently serve as a substitute for the experiencing of the actual exhibition or book, in Steiner's imagined republic the review pages would be turned into listings:catalogues and guides to what is about to open, be published, or be released. What would this republic be like? Would the arts suffer from the obliteration of this ozone of comment? Certainly not, says Steiner, for each performance of a Mahler symphony is also a critique of that symphony. Unlike the reviewer, however, the performer "invests his own being in the process of interpretation." Such interpretation is automatically responsible because the performer is answerable to the work in a way that even the most scrupulous reviewer is not. Although, most obviously, it is not only the case for drama and music; all art is also criticism. This is most clearly so when a writer or composer quotes or reworks material from another writer or composer. All literature, music, and art "embody an expository reflection which they pertain". In other words it is not only in their letters, essays, or conversation that writers like Henry James reveal themselves also to be the best critics; rather, The Portrait of a Lady is itself, among other things, a commentary on and a critique of Middlemarch. "The best readings of art are art." No sooner has Steiner summoned this imaginary republic into existence than he sighs, "The fantasy I have sketched is only that." Well, it is not. It is a real place and for much of the century it has provided a global home for millions of people. It is a republic with a simple name: jazz."
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criticism
jazz
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Geoff Dyer |
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To point out nonepistemic motives in another's view of the world, therefore, is always a criticism, as it serves to cast doubt upon a person's connection to the world as it is.
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criticism
skepticism
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Sam Harris |
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When you lay down a proposition which is forthwith controverted, it is of course optional with you to take up the cudgels in its defence. If you are deeply convinced of its truth, you will perhaps be content to leave it to take care of itself; or, at all events, you will not go out of your way to push its fortunes; for you will reflect that in the long run an opinion often borrows credit from the forbearance of its patrons. In the long run, we say; it will meanwhile cost you an occasional pang to see your cherished theory turned into a football by the critics. A football is not, as such, a very respectable object, and the more numerous the players, the more ridiculous it becomes. Unless, therefore, you are very confident of your ability to rescue it from the chaos of kicks, you will best consult its interests by not mingling in the game.
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criticism
truth
opinion
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Henry James |
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Every author believes, when his first book is published, that those that acclaim it are his personal friends or impersonal peers, while its revilers can only be envious rogues and nonentities.
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criticism
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Vladimir Nabokov |
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(Commentary by J.-P. Quelin, food critic for Le Monde). [New York and London chefs] are cooking, he says, at a level of originality that defies judgment, defies criticism, defies the grammar of cuisine. (This I think is true. When I took my brother to L'Arpege for his birthday we got fourteen -small- courses ... that made even the best of the old cuisine look like sludge.) /289
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criticism
cuisine
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Adam Gopnik |