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95c4c9d
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A certain atmosphere of breathless and unexplainable dread of outer, unknown forces must be present; and there must be a hint, expressed with a seriousness and portentousness becoming its subject, of that most terrible conception of the human brain - a malign and particular suspension or defeat of those laws of Nature which are our only safeguard against the assaults of chaos and the daemons of unplumbed space .... Therefore we must judge a weird tale not by the author's intent, or by the mere mechanics of the plot; but by the emotional level which it attains at its least mundane point... The one test of the really weird is simply this - whether or not there be excited in the reader a profound sense of dread, and of contact with unknown spheres and powers; a subtle attitude of awed listening, as if for the beating of black wings or the scratching of outside shapes and entities on the known universe's utmost rim.
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fantasy
weird
fantastic
horror
supernatural
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H.P. Lovecraft |
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930afe5
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It was like when we were little kids and we played games on the ivy-covered hillside in the backyard. We were warriors and wizards and angels and high elves and that was our reality. If someone said, Isn't it cute, look at them playing, we would have smiled back, humoring them, but it wasn't playing. It was transformation. It was our own world. Our own rules.
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reality
fantasy
playing-games
playing
pretending
pretend
fantastic
games
fantasies
game
children
childhood
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Francesca Lia Block |
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ff1d7ca
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Fairy tales make rivers run with wine only to make us remember, for one wild moment, that they run with water.
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nature
noticed
observation
fantastic
nature-s-beauty
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G.K. Chesterton |
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42591d1
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"Inevitably, his vision verged toward the fantastic; he published a scattering of stories - most included in this volume - which appeared to conform to that genre at least to the degree that the fuller part of his vision could be seen as "mysteries." For Woolrich it all was fantastic; the clock in the tower, hand in the glove, out of control vehicle, errant gunshot which destroyed; whether destructive coincidence was masked in the "naturalistic" or the "incredible" was all pretty much the same to him. RENDEZVOUS IN BLACK, THE BRIDE WORE BLACK, NIGHTMARE are all great swollen dreams, turgid constructions of the night, obsession and grotesque outcome; to turn from these to the "fantastic" was not to turn at all. The work, as is usually the case with a major writer was perfectly formed, perfectly consistent, the vision leached into every area and pulled the book together. "Jane Brown's Body" is a suspense story. THE BRIDE WORE BLACK is science fiction. PHANTOM LADY is a gothic. RENDEZVOUS IN BLACK was a bildungsroman. It does not matter."
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science-fiction
fantastic
gothic
cornell-woolrich
noir
noir-fiction
horror
suspense
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Barry N. Malzberg |