|
6523cd3
|
"Well, this is the hardest part to believe; look, you can suspend me if you want to, but it's the God's honest truth. This man Tompkins came all the way down to where I was bending over the body at the foot of the stairs. I straightened up and covered him with my gun. It didn't faze him in the least, he kept moving right on past me toward the street-door. Not quickly, either; as slowly as if he was just going out for a walk. He said, 'It isn't my time yet. You can't do anything to me with that.' ("Speak To Me Of Death")"
|
|
fate
|
Cornell Woolrich |
|
0524a08
|
No matter how careful we are, if we live long enough, eventually one of us will die. It is not a happy thought, but it is the truth. Such is the way of the world.
|
|
fate
|
Christopher Paolini |
|
d1ac890
|
No Viking believed he could change his destiny, ordained as it was by the Norns who wove the fates of gods and men alike (Note 4) but, for all that, the way in which he lived his life was up to him. This sentiment is perfectly expressed by Skirnir in 'Skirnir's Journey': 'Fearlessness is better than a faint heart for any man who puts his nose out of doors. The length of my life and the day of my death were fated long ago.
|
|
fate
vikings
|
Kevin Crossley-Holland |
|
eeb59af
|
I think there are some who live on a knife-edge in the soul, and at times are driven to hurl themselves into the air, at the mercy of heaven or he'll which way to fall.
|
|
fate
mercy
mystery
|
Ellis Peters |
|
a34701b
|
It was a sordid scene. Philip leaned over the rail, staring down, and he ceased to hear the music. They danced furiously. They danced round the room, slowly, talking very little, with all their attention given to the dance. The room was hot, and their faces shone with sweat. It seemed to Philip that they had thrown off the guard which people wear on their expression, the homage to convention, and he saw them now as they really were. In that moment of abandon they were strangely animal: some were foxy and some were wolflike; and others had the long, foolish face of sheep. Their skins were sallow from the unhealthy life the led and the poor food they ate. Their features were blunted by mean interests, and their little eyes were shifty and cunning. There was nothing of nobility in their bearing, and you felt that for all of them life was a long succession of petty concerns and sordid thoughts. The air was heavy with the musty smell of humanity. But they danced furiously as though impelled by some strange power within them, and it seemed to Philip that they were driven forward by a rage for enjoyment. They were seeking desperately to escape from a world of horror. The desire for pleasure which Cronshaw said was the only motive of human action urged them blindly on, and the very vehemence of the desire seemed to rob it of all pleasure. The were hurried on by a great wind, helplessly, they knew not why and they knew not whither. Fate seemed to tower above them, and they danced as though everlasting darkness were beneath their feet. Their silence was vaguely alarming. It was as if life terrified them and robbed them of power of speech so that the shriek which was in their hearts died at their throats. Their eyes were haggard and grim; and notwithstanding the beastly lust that disfigured them, and the meanness of their faces, and the cruelty, notwithstanding the stupidness which was the worst of all, the anguish of those fixed eyes made all that crowd terrible and pathetic. Philip loathed them, and yet his heart ached with the infinite pity which filled him. He took his coat from the cloak-room and went out into the bitter coldness of the night.
|
|
dance
fate
horror
pity
pleasure
sordid
|
W. Somerset Maugham |
|
0829536
|
"Xerxes, I read, 'halted his unwieldy army for days that he might contemplate to his satisfaction' the beauty of a single sycamore. You are Xerxes in Persia. Your army spreads on a vast and arid peneplain...you call to you all your sad captains, and give the order to halt. You have seen the tree with the lights in it, haven't you? You must have. Xerxes buffeted on a plain, ambition drained in a puff. Your men are bewildered...there is nothing to catch the eye in this flatness, nothing but a hollow, hammering sky, a waste of sedge in the lee of windblown rocks, a meager ribbon of scrub willow tracing a slumbering watercourse...and that sycamore. You saw it; you will stand rapt and mute, exalted, remembering or not remembering over a period of days to shade your head with your robe. "He had its form wrought upon a medal of gold to help him remember it the rest of his life." We all ought to have a goldsmith following us around. But it goes without saying, doesn't it, Xerxes, that no gold medal worn around your neck will bring back the glad hour, keep those lights kindled so long as you live, forever present? Pascal saw it; he grabbed pen and paper and scrawled the one word, and wore it sewn in his shirt the rest of his life. I don't know what Pascal saw. I saw a cedar. Xerxes saw a sycamore."
|
|
beauty
belief
consciousness
creation
curiosity
disbelief
energy
enoughness
epiphany
exploration
exultant
faith
fate
fearless
fire
free
freedom
gaps
god
grace
growth
hallelujah
humility
illumination
intricacy
joy
joyful
joyfulness
life-force
light
living-in-the-present-moment
mindfulness
multiplicity
mystery
nature
philosopher-s-stone
philosophy
poem
poet
poetry
power
praise
prayer
prayers
praying
religion
religious-diversity
science
seeing
seeking
soul
spirit
stalking-the-gaps
the-tree-with-the-lights-in-it
tolerance
walking
watching
wonder
|
Annie Dillard |
|
4c3f37a
|
"Mathematically speaking, the probable (that in 6,000,000,000 throws with a regular six-sided die the die will come up proximately 1 ,000,000,000 times) and the improbable (that in six throws with the same die the one will come approximately up six times) are not different in kind, but only in frequency, whereby the more frequent appears a priori more probable. But the occasional occurrence of the improbable does not imply the intervention of a higher power, something in the nature of a miracle, as the layman is so ready to assume. The term "probability" includes improbability at the extreme limits of probability, and when the improbable does occur this is no cause for surprise, bewilderment or mystification. Cf. Ernst Mally's Probability and Law, Hans Reichenbach The theory Probability, Whitehead and Russell's Principia Mathematica, von Mises' Probability, Statistics and Truth"
|
|
coincidence
fate
mysticism
probability
|
Max Frisch |
|
099ad33
|
Shadow is the blue patch where the light doesn't hit. It is mystery itself, and mystery is the ancients' ultima Thule, the modern explorer's Point of Relative Inaccessibility, that boreal point most distant from all known lands. There the twin oceans of beauty and horror meet. The great glaciers are calving. Ice that sifted to earth as snow in the time of Christ shears from the pack with a roar and crumbles to water. It could be that our instruments have not looked deeply enough. The RNA deep in the mantis's jaw is a beautiful ribbon. Did the crawling Polyphemus moth have in its watery heart one cell, and in that cell one special molecule, and that molecule one hydrogen atom, and round that atom's nucleus one wild, distant electron that split showed a forest, swaying?
|
|
beauty
belief
creation
curiosity
disbelief
energy
epiphany
exploration
exultant
faith
fate
fearless
fire
free
freedom
gaps
god
grace
growth
hallelujah
humility
illumination
intricacy
joy
joyful
joyfulness
life-force
light
mindfulness
multiplicity
mystery
nature
philosopher-s-stone
philosophy
poem
poet
poetry
power
praise
prayer
prayers
praying
religion
religious-diversity
science
seeing
seeking
soul
spirit
stalking-the-gaps
the-tree-with-the-lights-in-it
tolerance
walking
watching
wonder
|
Annie Dillard |
|
74035e9
|
Sometimes one feels suddenly doomed by fate.
|
|
doomed
fate
foreboding
iris-murdoch
premonition
the-black-prince
|
Iris Murdoch |
|
3b41102
|
"Say you could view a time-lapse film of our planet: what would you see? Transparent images moving through light, "an infinite storm of beauty." The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth's face through only random patches of clarity. The land shudders and splits, like pack ice rent by a widening lead. Mountains burst up, jutting and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up-mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too swift and intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and then crumble, like patches of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues that roamed the earth's surface, are a wavering blur whose split second in the light was too brief an exposure to yield any images. The great herds of caribou pour into the valleys and trickle back, and pour, a brown fluid. Slow it down more, come closer still. A dot appears, like a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life."
|
|
beauty
belief
consciousness
creation
curiosity
disbelief
energy
enoughness
epiphany
exploration
exultant
faith
fate
fearless
fire
free
freedom
gaps
god
grace
growth
hallelujah
humility
illumination
intricacy
joy
joyful
joyfulness
life-force
light
living-in-the-present-moment
mindfulness
multiplicity
mystery
nature
philosopher-s-stone
philosophy
poem
poet
poetry
power
praise
prayer
prayers
praying
religion
religious-diversity
ring-the-bells
science
seeing
seeking
soul
spirit
stalking-the-gaps
the-tree-with-the-lights-in-it
tolerance
walking
watching
wonder
|
Annie Dillard |
|
6744dc1
|
Those people who shoot endless time-lapse films of unfurling roses and tulips have the wrong idea. They should train their cameras instead on the melting of pack ice, the green filling of ponds, the tidal swings...They should film the glaciers of Greenland, some of which creak along at such a fast clip that even the dogs bark at them. They should film the invasion of the southernmost Canadian tundra by the northernmost spruce-fir forest, which is happening right now at the rate of a mile every 10 years. When the last ice sheet receded from the North American continent, the earth rebounded 10 feet. Wouldn't that have been a sight to see?
|
|
beauty
belief
consciousness
creation
curiosity
disbelief
energy
enoughness
epiphany
exploration
exultant
faith
fate
fearless
fire
free
freedom
gaps
god
grace
growth
hallelujah
humility
illumination
intricacy
joy
joyful
joyfulness
life-force
light
living-in-the-present-moment
mindfulness
multiplicity
mystery
nature
philosopher-s-stone
philosophy
poem
poet
poetry
power
praise
prayer
prayers
praying
religion
religious-diversity
ring-the-bells
science
seeing
seeking
soul
spirit
stalking-the-gaps
the-tree-with-the-lights-in-it
tolerance
walking
watching
wonder
|
Annie Dillard |
|
e8657a9
|
"Last year I had a very unusual experience. I was awake, with my eyes closed, when I had a dream. It was a small dream about time. I was dead, I guess, in deep blank space high up above many white stars. My own consciousness had been disclosed to me, and I was happy. Then I saw far below me a long, curved band of color. As I came closer, I saw that it stretched endlessly in either direction, and I understood that I was seeing all the time of the planet where I had lived. It looked like a woman's tweed scarf; the longer I studied any one spot, the more dots of color I saw. There was no end to the deepness and variety of dots. At length I started to look for my time, but, although more and more specks of color and deeper and more intricate textures appeared in the fabric, I couldn't find my time, or any time at all that I recognized as being near my time. I couldn't make out so much as a pyramid. Yet as I looked at the band of time, all the individual people, I understood with special clarity, were living at that very moment with great emotion, in intricate, detail, in their individual times and places, and they were dying and being replaced by ever more people, one by one, like stitches in which wholly worlds of feeling and energy were wrapped in a never-ending cloth. I remembered suddenly the color and texture of our life as we knew it- these things had been utterly forgotten- and I thought as I searched for it on the limitless band, "that was a good time then, a good time to be living." And I began to remember our time. I recalled green fields with carrots growing, one by one, in slender rows. Men and women in bright vests and scarves came and pulled the carrots out of the soil and carried them in baskets to shaded kitchens, where they scrubbed them with yellow brushes under running water. I saw white-faced cattle lowing and wading in creeks. I saw May apples in forests, erupting through leaf-strewn paths. Cells on the root hairs of sycamores split and divided, and apples grew spotted and striped in the fall. Mountains kept their cool caves and squirrels raced home to their nests through sunlight and shade. I remembered the ocean, and I seemed to be in the ocean myself, swimming over orange crabs that looked like coral, or off the deep Atlantic banks where whitefish school. Or again I saw the tops of poplars, and the whole sky brushed with clouds in pallid streaks, under which wild ducks flew with outstretched necks, and called, one by one, and flew on. All these things I saw. Scenes grew in depth and sunlit detail before my eyes, and were replaced by ever more scenes, as I remember the life of my time with increasing feeling. At last I saw the earth as a globe in space, and I recalled the ocean's shape and the form of continents, saying to myself with surprise as I looked at the planet, "yes, that's how it was then, that part there was called France." I was filled with the deep affection of nostalgia- and then I opened my eyes.
|
|
beauty
belief
consciousness
creation
curiosity
disbelief
energy
enoughness
epiphany
exploration
exultant
faith
fate
fearless
fire
free
freedom
gaps
god
grace
growth
hallelujah
humility
illumination
intricacy
joy
joyful
joyfulness
life-force
light
living-in-the-present-moment
mindfulness
multiplicity
mystery
nature
philosopher-s-stone
philosophy
poem
poet
poetry
power
praise
prayer
prayers
praying
religion
religious-diversity
ring-the-bells
science
seeing
seeking
soul
spirit
stalking-the-gaps
the-tree-with-the-lights-in-it
tolerance
walking
watching
wonder
|
Annie Dillard |
|
aa5d42c
|
Lemties neimanoma izvelgti, nebent jei sapnuoji ar esi apsvaiges is meiles.
|
|
fate
love
|
John Irving |
|
ad9643d
|
..I buried myself in accomplishments, because with accomplishments, I believed I could control things, I could squeeze in every last piece of happiness before I got sick and died.. which I figured was my natural fate.
|
|
achieve
control
death
fate
happy
life
perspective
thought
|
Mitch Albom |
|
6f04210
|
I have always felt like a pawn... My skin color's been a curse, my missionary parents made me sober and intense, my school days brought me up against political crimes against Animals, my love life imploded and my lover died, and if I had any life's work of my own, I haven't found it yet, except in animal husbandry, if you could call it that.
|
|
destiny
fate
free-will
|
Gregory Maguire |
|
d545521
|
The past is a novel, written by Fate, weaving the same themes: love and its glory, hate and its prisoners, the soul and its price. Our decisions become narratives: fated choices that unknowably change the course of the living river. In the present, where decisions and connections are made, Fate waits on the riverbank of Story, leaving us to our mistakes and miracles, because it's our will alone that leads us to one or the other.
|
|
fate
glory
hope
love
past
prison
|
Gregory David Roberts |
|
53d77f1
|
Few people know so clearly what they want. Most people can't even think what to hope for when they throw a penny in a fountain. Almost no one gets a chance to alter the course of human events on purpose, in the exact same way they wish for it to be altered.
|
|
clearly
destiny
events
fate
fountain
human
penny
wish
|
Barbara Kingsolver |
|
7cabb24
|
GOD HAS TAKEN YOUR MOTHER. MY HANDS WERE THE INSTRUMENT. GOD HAS TAKEN MY HANDS. I AM GOD'S INSTRUMENT.
|
|
fate
religion
|
John Irving |
|
16efd56
|
It took only a second for another to arrive on the same path as yours and change your life to a point it couldn't change back. One second.
|
|
fate
|
Dennis Lehane |
|
e4478bb
|
If there was no imperative, it was not love.
|
|
certainty
fate
love
predestined
|
Rachel Kushner |
|
4af26f7
|
Tutti siamo soggetti al fato. Pero tutti dobbiamo agire come se non lo fossimo. O morire di disperazione.
|
|
fate
|
Philip Pullman |
|
52191ab
|
I'm not absolutely certain of my facts, but I rather fancy it's Shakespeare - or, if not, it's some equally brainy lad - who says that it's always just when a chappie is feeling particularly top-hole, and more than usually braced with things in general that Fate sneaks up behind him with a bit of lead piping.
|
|
chappie
fate
lead-piping
shakespeare
top-hole
|
P. G. Wodehouse |
|
dea4822
|
"And then there's the other thing. The thing I'm trying to ignore. The thing I shouldn't want, the thing I can't have. And he's standing in front of me right now. So what do I wish for? Something I'm not sure I want? Someone I'm not sure I need? Or someone I know I can't have? Screw it. Let the fates decide. How's that for a generalization? I open my eyes, and the wind is blowing harder. St. Clair pushes a strand of hair from his eyes. "Must have been a good one," he says."
|
|
fate
wish
wishes
|
Stephanie Perkins |
|
e409e27
|
Is all ordained? Foreknowledge is not fate, and we may choose our paths, yet fate says we may not choose them. So if fate is real, do we have a choice?
|
|
fate
paths
|
Bernard Cornwell |
|
993eb63
|
We were that generation called silent, but we were silent neither, as some thought, because we shared the period's official optimism nor, as others thought, because we feared its official repression. We were silent because the exhilaration of social action seemed to many of us just one more way of escaping the personal, of masking for a while that dread of the meaningless which was man's fate.
|
|
fate
meaningless
silent-generation
|
Joan Didion |
|
792f10d
|
What is to be will be, and what isn't to be happens sometimes.
|
|
fate
future
|
L.M. Montgomery |
|
2a8d618
|
"Your Life is always a result of your thoughts. [...] Events, occurrences, happenings, conditions, circumstances - all are created out of consciousness. [...] "Fate" can be an acronym for "From All Thoughts Everywhere." In other words, the consciousness of the planet. The "collective consciousness"."
|
|
fate
focus
how-the-world-works
mass-consciousness
new-age
power-of-thought
powerful-thinking
powerful-thoughts
spiritual
|
Neale Donald Walsch |
|
6d1b7b8
|
...knew the futility of agonizing over why things had transpired as they had. What could have happened, did.
|
|
dwelling-on-the-past
fate
|
Raymond E. Feist |