We'll choose knowledge no matter what, we'll maim ourselves in the process, we'll stick our hands into the flames for it if necessary. Curiosity is not our only motive; love or grief or despair or hatred is what drives us on. We'll spy relentlessly on the dead; we'll open their letters, we'll read their journals, we'll go through their trash, hoping for a hint, a final word, an explanation, from those who have deserted us--who've left us holding the bag, which is often a good deal emptier than we'd supposed.
The Three of them were beautiful, in the way all girls of that age are beautiful. It can't be helped, that sort of beauty, nor can it be conserved; it's a freshness, a plumpness of the cells, that's unearned and temporary, and that nothing can replicate. None of them was satisfied with it, however; already they were making attempts to alter themselves into some impossible, imaginary mould, plucking and pencilling away at their faces. I didn't blame them, having done the same once myself.
He wants to see, he wants to know, only to see and know. I'm aware that it is this mentality, this curiosity, which is responsible for the hydrogen bomb and the imminent demise of civilization and that we would all be better off if we were still at the stone-worshipping stage. Though surely it is not this affable inquisitiveness that should be blamed.
The poems that used to entrance me in the days of Miss Violence now struck me as overdone and sickly. --the archaic language of unrequited love. I was irritated with such words, which rendered the unhappy lovers--I could now see--faintly ridiculous, like poor moping Miss Violence herself. Soft-edged, blurry, soggy, like a bun fallen into the water. Nothing you'd want to touch,