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It is only a novel... or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language
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reading
novels
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Jane Austen |
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No one says a novel has to be one thing. It can be anything it wants to be, a vaudeville show, the six o'clock news, the mumblings of wild men saddled by demons.
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writing
novels
writers
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Ishmael Reed |
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Writers remember everything...especially the hurts. Strip a writer to the buff, point to the scars, and he'll tell you the story of each small one. From the big ones you get novels. A little talent is a nice thing to have if you want to be a writer, but the only real requirement is the ability to remember the story of every scar. Art consists of the persistence of memory.
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persistence
hurts
stephen-king
novels
requirements
talent
misery
remember
scars
writers
memory
stories
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Stephen King |
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Find the things that matter, and hold on to them, and fight for them, and refuse to let them go.
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lauren-oliver
romance
love
inspirational
delirium
novels
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Lauren Oliver |
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I like shape very much. A novel has to have shape, and life doesn't have any.
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novels
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Jean Rhys |
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The stupidity of people comes from having an answer for everything. The wisdom of the novel comes from having a question for everything....The novelist teaches the reader to comprehend the world as a question. There is wisdom and tolerance in that attitude. In a world built on sacrosanct certainties the novel is dead. The totalitarian world, whether founded on Marx, Islam, or anything else, is a world of answers rather than questions. There, the novel has no place.
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gulag
novels
utopia
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Milan Kundera |
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You don't read Gatsby, I said, to learn whether adultery is good or bad but to learn about how complicated issues such as adultery and fidelity and marriage are. A great novel heightens your senses and sensitivity to the complexities of life and of individuals, and prevents you from the self-righteousness that sees morality in fixed formulas about good and evil.
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individuality
reading
morality
learning
life
self-righteousness
issues
sensitivity
novels
society
insight
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Azar Nafisi |
92b919d
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Up until then, whenever anyone had mentioned the possibility of making a film adaptation, my answer had always been, 'No, I'm not interested.' I believe that each reader creates his own film inside his head, gives faces to the characters, constructs every scene, hears the voices, smells the smells. And that is why, whenever a reader goes to see a film based on a novel that he likes, he leaves feeling disappointed, saying: 'the book is so much better than the film.
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films-based-on-novels
novels
film
readers
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Paulo Coelho |
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Oh! And they read English novels! David! Did you ever look into an English novel? Well, do not trouble yourself. It is nothing but a lot of nonsense about girls with fanciful names getting married.
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literature
novels
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Susanna Clarke |
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Life is painful and disappointing. It is useless, therefore, to write new realistic novels. We generally know where we stand in relation to reality and don't care to know any more.
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writing
reality
novels
realism
writers
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Michel Houellebecq |
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Marriage is a partnership, not a democracy.
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marriage
romance
nicholas-sparks
wedding
novels
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Nicholas Sparks |
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It has been well said that an author who expects results from a first novel is in a position similar to that of a man who drops a rose petal down the Grand Canyon of Arizona and listens for the echo.
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writing
novels
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P.G. Wodehouse |
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He shivered. His coat was thin, and it was obvious he would not get his kiss, which he found puzzling. The manly heroes of the penny dreadfuls and shilling novels never had these problems getting kissed.
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novels
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Neil Gaiman |
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Sir,' said Stephen, 'I read novels with the utmost pertinacity. I look upon them--I look upon good novels--as a very valuable part of literature, conveying more exact and finely-distinguished knowledge of the human heart and mind than almost any other, with greater breadth and depth and fewer constraints.
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literature
novels
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Patrick O'Brian |
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Does rough weather choose men over women? Does the sun beat on men, leaving women nice and cool?' Nyawira asked rather sharply. 'Women bear the brunt of poverty. What choices does a woman have in life, especially in times of misery? She can marry or live with a man. She can bear children and bring them up, and be abused by her man. Have you read Buchi Emecheta of Nigeria, Joys of Motherhood? Tsitsi Dangarembga of Zimbabwe, say, Nervous Conditions? Miriama Ba of Senegal, So Long A Letter? Three women from different parts of Africa, giving words to similar thoughts about the condition of women in Africa.' 'I am not much of a reader of fiction,' Kamiti said. 'Especially novels by African women. In India such books are hard to find.' 'Surely even in India there are women writers? Indian women writers?' Nyawira pressed. 'Arundhati Roy, for instance, The God of Small Things? Meena Alexander, Fault Lines? Susie Tharu. Read Women Writing in India. Or her other book, We Were Making History, about women in the struggle!' 'I have sampled the epics of Indian literature,' Kamiti said, trying to redeem himself. 'Mahabharata, Ramayana, and mostly Bhagavad Gita. There are a few others, what they call Purana, Rig-Veda, Upanishads ... Not that I read everything, but ...' 'I am sure that those epics and Puranas, even the Gita, were all written by men,' Nyawira said. 'The same men who invented the caste system. When will you learn to listen to the voices of women?
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poverty
feminism
suffering
women
arundhati-roy
buchi-emecheta
indian-literature
meena-alexander
miriama-ba
susie-tharu
tsitsi-dangarembga
novels
gender-equality
women-s-fiction
women-writers
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Ngũgĩ wa Thiong’o |
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After all, isn't the purpose of the novel, or of a museum, for that matter, to relate our memories with such sincerity as to transform individual happiness into a happiness all can share?
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memories
museums
novels
sincerity
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Orhan Pamuk |
4405039
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"Do not start me on
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writing
the-davinci-code
novels
literary-criticism
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Salman Rushdie |
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She'd obviously read the book many times before, and so she read flawlessly and confidently, and I could hear her smile in the reading of it, and the sound of that smile made me think that maybe I would like novels better if Alaska Young read them to me.
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i-would-like-novels-better
john-green
looking-for-alaska
novels
smile
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John Green |
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Reading a novel after reading semiotic theory was like jogging empty-handed after jogging with hand weights. What exquisite guilt she felt, wickedly enjoying narrative! Madeleine felt safe with a nineteenth century novel. There were going to be people in it. Something was going to happen to them in a place resembling the world. Then too there were lots of weddings in Wharton and Austen. There were all kinds of irresistible gloomy men.
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|
reading
nineteenth-century
victorians
semiotics
narrative
plot
novels
literary-theory
postmodernism
literary-criticism
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Jeffrey Eugenides |
e1a3a1b
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Novels institutionalize the ruse of eros. It becomes a narrative texture of sustained incongruence, emotional and cognitive. It permits the reader to stand in triangular relation to the characters in the story and reach into the text after the objects of their desire, sharing their longing but also detached from it, seeing their view of reality but also its mistakenness. It is almost like being in love.
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literature
reading
writing
philosophy
eros-the-bittersweet
novels
writing-craft
eros
desire
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Anne Carson |
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Of course, reading novels was just another form of escape. As soon as he closed their pages he had to come back to the real world. But at some point Tengo noticed that returning to reality from the world of a novel was not as devastating a blow as returning from the world of mathematics. Why should that have been? After much deep thought, he reached a conclusion. No matter how clear the relationships of things might become in the forest of story, there was never a clear-cut solution. That was how it differed from math. The role of a story was, in the broadest terms, to transpose a single problem into another form. Depending on the nature and direction of the problem, a solution could be suggested in the narrative. Tengo would return to the real world with that suggestion in hand. It was like a piece of paper bearing the indecipherable text of a magic spell. At times it lacked coherence and served no immediate practical purpose. But it would contain a possibility. Someday he might be able to decipher the spell. That possibility would gently warm his heart from within.
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reading
novels
mathematics
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Haruki Murakami |
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Writing a novel is actually searching for victims. As I write I keep looking for casualties. The stories uncover the casualties.
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writing
victims
craft
novels
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John Irving |
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The novels we read allow us to encounter possible persons, versions of ourselves hat we would never see, never permit ourselves to see, never permit ourselves to become, in places we can never go and might not care to, while assuring that we get to return home again
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novels
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Thomas C. Foster |
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mn lmstHyl 'n tHmy 'Tflk mn lHbT 'w khyb@ l'ml lty sySdfwnh fy Hythm
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life-lessons
foil
novels
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Nicholas Sparks |
58e0a9c
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[L]ife is a phenomenon in need of criticism, for we are, as fallen creatures, in permanent danger of worshipping false gods, of failing to understand ourselves and misinterpreting the behaviour of others, of growing unproductively anxious or desirous, and of losing ourselves to vanity and error. Surreptitiously and beguilingly, then, with humour or gravity, works of art--novels, poems, plays, paintings or films--can function as vehicles to explain our condition to us. They may act as guides to a truer, more judicious, more intelligent understanding of the world.
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understanding
criticism
poems
humor
life
paintings
self-understanding
plays
films
gravity
art
novels
vanity
desire
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Alain de Botton |
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...a novel, like a myth or any great work of art, can become an initiation that helps us to make a painful rite of passage from one phase of life, one state of mind, to another. A novel, like a myth, teaches us to see the world differently; it shows us how to look into our own hearts and to see our world from a perspective that goes beyond our own self-interest.
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myth
reading-books
novels
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Karen Armstrong |
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"[T]he success of every novel -- if it's a novel of action -- depends on the high spots. The thing to do is to say to yourself, "What are my big scenes?" and then get every drop of juice out of them."
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writing
novels
focus
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P.G. Wodehouse |
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I now understand that writing fiction was a seed planted in my soul, though I would not be ready to grow that seed for a long time.
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writing
novels
novelists
writers
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Sue Monk Kidd |
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Art, though, is never the voice of a country; it is an even more precious thing, the voice of the individual, doing its best to speak, not comfort of any sort, but truth. And the art that speaks it most unmistakably, most directly, most variously, most fully, is fiction; in particular, the novel.
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fiction
writing
novels
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Eudora Welty |
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Cecy, I do think it is unfair. People in novels are fainting all the time, and I never can, no matter how badly I need to.
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novels
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Patricia C. Wrede |
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Now the son whose father's existance in this world is historical and speculative even before the son has entered it in a bad way. All his life he carries before him the idol of a perfection to which he can never attain. The father dead has euchered his son of his patrimony. For it is the death of the father to which the son is entitled and to which he is heir, more than his goods.He will not hear of the small mean ways that tempered the man in life. He will not see him struggling in follies of his own devising. No. The world which he inherits bears him false witness. He is broken before a frozen god and he will never find his way.
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|
loss
great
novels
honor
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Cormac McCarthy |
0c94656
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Every serious novel is, beyond its immediate thematic preoccupations, a discussion of the craft, a conquest of the form, a conflict with its difficulties and a pursuit of its felicities and beauty.
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writing
writing-philosophy
novels
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Ralph Ellison |
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Ending a novel is almost like putting a child to sleep - it can't be done abruptly.
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writing
craft
novels
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Colm Tóibín |
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"Henry James said there isn't any difference between "the English novel" and "the American novel" since there are only two kinds of novels at all, the good and the bad."
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henry-james
novels
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Eudora Welty |
598dc10
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I lived through those books, songs, television shows, and movies - the way the characters talked, looked, acted. I thought that could translate over into reality, that I could make their world my world. I wanted so badly to run away from my life. But you can't bury yourself in other people's pages and scenes. You aren't David Copperfield or Tom Sawyer. Those love songs on the radio might speak to you, but they're not about you or the person you pine for. Life is not a John Hughes film.
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life
tv-shows
novels
movies
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Jason Diamond |
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We read a good novel not in order to know more people, but in order to know fewer. Instead of the humming swarm of human beings, relatives, customers, servants, postmen, afternoon callers, tradesmen, strangers who tell us the time, strangers who remark on the weather, beggars, waiters, and telegraph-boys--instead of this bewildering human swarm which passes us every day, fiction asks us to follow one figure (say the postman) consistently through his ecstasies and agonies. That is what makes one impatient with that type of pessimistic rebel who is always complaining of the narrowness of his life and demanding a larger sphere. Life is too large for us as it is: we have all too many things to attend to. All true romance is an attempt to simplify it, to cut it down to plainer and more pictorial proportions. What dullness there is in our life arises mostly from its rapidity; people pass us too quickly to show us their interesting side. By the end of the week we have talked to a hundred bores; whereas, if we had stuck to one of them, we might have found ourselves talking to a new friend, or a humorist, or a murderer, or a man who had seen a ghost.
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essential
novels
simplicity
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G.K. Chesterton |
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[Patricia Highsmith] was a figure of contradictions: a lesbian who didn't particularly like women; a writer of the most insightful psychological novels who, at times, appeared bored by people; a misanthrope with a gentle, sweet nature.
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|
psychological
writer
nature
people
women
writing
gentle
misanthrope
contradictions
lesbian
novels
insightful
sweet
like
insight
|
Andrew Wilson |
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"The only time I've ever learned anything from a review was when wrote a piece in the Guardian about my second novel, . He said that, together with the previous novel, it represented a diptych about the aftermath of Irish independence. I simply hadn't known that - and I loved the grandeur of the word "diptych". I went around quite snooty for a few days, thinking: "I wrote a diptych."
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|
grandeur
critique
diptychs
reviews
self-importance
novels
conceit
novelists
writers
|
Colm Tóibín |
69f6c00
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"Taut, intelligent, and intense suspense that is deeply human."--Mark Greaney, New York Times Bestselling Author of Gunmetal Gray "Exciting and well-layered....David Bell is a master storyteller with a sure hand at crafting characters you feel for and stories you relish."--Allen Eskens, USA Today Bestselling Author of The Life We Bury "A tense and twisty suspense novel about the dark secrets that lie buried within a community and a father who can save his daughter only by uncovering them. Will leave parents wondering just how well they truly know their children."--Hester Young, author of The Gates of Evangeline and The Shimmering Road "A gripping, immersive tour-de-force full of twists and turns. BRING HER HOME kept me flipping the pages late into the night. Don't expect to sleep until you've finished reading this book. I could not put it down!"--A. J. Banner, bestselling author of The Good Neighbor and The Twilight Wife "In David Bell's riveting BRING HER HOME, the unthinkable is only the beginning. From there, the story races through stunning twists all the way to its revelation, without letting its heart fall away in the action. Intense, emotional, and deeply satisfying. This one will keep you up late into the night. Don't miss it!"--Jamie Mason, author of Three Graves Full and Monday's Lie "Spellbinding and pulse-raising, BRING HER HOME hooked me from the first sentence and surprised me until the final pages. Sharply written and richly observed, this book is about the secrets we keep, the mysteries that keep us, and the lengths a father will go to for the daughter he loves. David Bell is a masterful storyteller who has perfected the art of suspense in BRING HER HOME."--Sarah Domet, author of The Guineveres"
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|
fiction
david-bell
domestic-suspense
summer-read
thrillers
book
novels
suspense
|
David J. Bell |
02a1d4c
|
Imagination in these works is equated with empathy; we can't experience all that others have gone through, but we can understand even the most monstrous individuals in works of fiction. A good novel is one that shows the complexity of individuals, and creates enough space for all these characters to have a voice; in this way a novel is called democratic--not that it advocates democracy but that by nature it is so. Empathy lies at the heart of , like so many other great novels--the biggest sin is to be blind to others' problems and pains. Not seeing them means denying their existence.
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novels
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Azar Nafisi |
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We did photograph albums, best dresses, favourite novels, and once someone's own novel. It was about a week in a telephone box with a pair of pyjamas called Adolf Hitler. The heroine was a piece of string with a knot in it.
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|
humour
novels
|
Jeanette Winterson |
f73c888
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We need to insist on making culture out of our desire: making paintings, novels, plays and films potent and seductive and authentic enough to undermine and overwhelm the Iron Maiden.
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|
beauty-myth
authentic-self
authentic-living
novels
painting
women-s-strength
artist
|
Naomi Wolf |
bb6211b
|
Novels are what I know, and the novel door in my personality is always open.
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personality
reading
novels
|
Zadie Smith |
9056146
|
"Playdate. (n) A Date arranged by adults in which young children are brought together, usually at the home of one of them, for the premeditated purpose of "playing". A feature of contemporary American upscale suburban life in which "neighborhoods" have ceased to exist, and children no longer trail in and out of "neighbor childrens" houses or play in "backyards". In the absence of sidewalks in newer "gated" coummunities, children cannot "walk" to playdates but must be driven by adults, usually mothers. A "playdate" is never initiated by the players (i.e., children), but only by their mothers. In American-suburban social climbing through playdating, this is the chapter you've been awaiting."
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literature
fiction
novels
mystery
|
Joyce Carol Oates |
6fd4db3
|
The stories we read in books, what's presented to us as being interesting - they have very little to do with real life as it's lived today. I'm not talking about straight-up escapism, your vampires, serial killers, codes hidden in paintings, and so on. I mean so-called serious literature. A boy goes hunting with his emotionally volatile father, a bereaved woman befriends an asylum seeker, a composer with a rare neurological disorder walks around New York, thinking about the nature of art. People looking back over their lives, people having revelations, people discovering meaning. Meaning, that's the big thing. The way these books have it, you trip over a rock you'll find some hidden meaning waiting there. Everyone's constantly on the verge of some soul-shaking transformation. And it's - if you'll forgive my language - it's bullshit. Modern people live in a state of distraction. They go from one distraction to the next, and that's how they like it. They don't transform, they don't stop to smell the roses, they don't sit around recollecting long passages of their childhood - Jesus, I can hardly remember what I was doing two days ago. My point is, people aren't waiting to be restored to some ineffable moment. They're not looking for meaning. That whole idea of the novel - that's finished.
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literature
meaning
modern-life
novels
modernity
|
Paul Murray |