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1527746
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The latter part of our Journey from the entrance of Wiltshire into Salisbury was very rough and abounded with Jolts, the Holes we were obliged to go through being very many and some of them Deep; and so it was with much Relief that we left the Coach at Salisbury and hired two Horses for the road across the Avon to the Plain and Stone-henge. When we came to the edge of this sacred Place, we tethered our Horses to the Posts provided and then, with the Sunne direct above us, walked over the short grass which (continually cropt by the flocks of Sheep) seemed to spring us forward to the great Stones. I stood back a little as Sir Chris. walked on, and I considered the Edifice with steadinesse: there was nothing here to break the Angles of Sight and as I gaz'd I opened my Mouth to cry out but my Cry was silent; I was struck by an exstatic Reverie in which all the surface of this Place seemed to me Stone, and the Sky itself Stone, and I became Stone as I joined the Earth which flew on like a Stone through the Firmament. And thus I stood until the Kaw of a Crow rous'd me: and yet even the call of the black Bird was an Occasion for Terrour, since it was not of this Time. I know not how long a Period I had traversed in my Mind, but Sir Chris. was still within my Sight when my Eyes were cleard of Mist. He was walking steadily towards the massie Structure and I rushed violently to catch him, for I greatly wished to enter the Circle before him. I stopped him with a Cry and then ran on: when Crows kaw more than ordinary, said I when I came up to him all out of Breath, we may expect Rain. Pish, he replied. He stopped to tye his Shooe, so then I flew ahead of him and first reached the Circle which was the Place of Sacrifice. And I bowed down.
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stonehenge
occult-architecture
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Peter Ackroyd |
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64d53d1
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And across these mean Dwellings of Black Step Lane, where as a Boy I dwell'd for a while, the Shaddowe of my last Church will fall: what the Mobb has torn down I will build again in Splendour. And thus will I compleet the Figure: Spittle-Fields, Wapping and Lime-house have made the Triangle; Bloomsbury and St Mary Woolnoth have next created the major Pentacle-starre; and, with Greenwich, all these will form the Sextuple abode of Baal-Berith or the Lord of the Covenant. Then, with the church of Little St Hugh, the Septilateral Figure will rise about Black Step Lane and, in this Pattern, every Straight line is enrich'd with a point at Infinity and every Plane with a line at Infinity. Let him that has Understanding count the Number: the seven Churches are built in conjunction with the seven Planets in the lower Orbs of Heaven, the seven Circles of the Heavens, the seven Starres in Ursa Minor and the seven Starres in the Pleiades. Little St Hugh was flung in the Pitte with the seven Marks upon his Hands, Feet, Sides and Breast which thus exhibit the seven Demons - Beydelus, Metucgayn, Adulec, Demeymes, Gadix, Uquizuz and Sol. I have built an everlasting Order, which I may run through laughing: no one can catch me now.
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occult-philosophy
occult-architecture
occultism
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Peter Ackroyd |
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059593b
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There are those who say further that these are meer Dreames and no true Relations, but I say back to them: look upon my Churches in the Spittle-fields, in Limehouse, and now in the Parish of Wapping Stepney, and do you not wonder why they lead you into a darker World which on Reflection you know to be your own? Every Patch of Ground by them has its Hypochondriack Distemper and Disorder; every Stone of them bears the marks of Scorching by which you may follow the true Path of God.
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occult-philosophy
occult-architecture
occultism
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Peter Ackroyd |
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58e3df6
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The rest I omit, for many a bitter Pill can be swallowed under a golden Cover: I make no Mencion that in each of my Churches I put a Signe so that he who sees the Fabrick may see also the Shaddowe of the Reality of which it is the Pattern or Figure. Thus, in the church of Lime-house, the nineteen Pillars in the Aisles will represent the Names of Baal-Berith, the seven Pillars of the Chappell will signify the Chapters of his Covenant. All those who wish to know more of this may take up Clavis Salomonis, Niceron's Thaumaturgus Opticus where he speaks of Line and Distance, Cornelius Agrippa his De occuItia philosophia and Giordano Bruno his De magia and De vinculis in genere where he speaks of Hieroglyphs and the Raising of the Devilles.
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psychogeography
occult-architecture
occultism
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Peter Ackroyd |
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7f35a20
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...that Figure so impressd it self upon my Mind that I have been in a manner walking towards it all my Life. Then I peered into Wendel Dietterlin his Architectura, and there were unveiled to me the several Orders: of the Tuscan, which is now mine own, I was then mov'd by its Strangeness and Awefulness; the obscured Shapes, the Shaddowes and the massie Openings so in-chanted my Spirit that when looking on them I imagined my self to be lock'd in some dark and Enclosed space. The heavinesse of Stone did so oppress me that I was close to Extinction, and I fancied that I could see in the Engraver's lines the sides of Demons, crumbled Walls, and half-humane Creatures rising from the Dust. There was some thing that waited for me there, already in Ruines.
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occult-architecture
occultism
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Peter Ackroyd |
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b9c1903
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To explain this Matter, and to wind up Time so that I am returned to my present State: Beside my Church at Limehouse there had antiently been a great Fen or Morass which had been a burying-place of Saxon times, with Graves lined with chalk-stones and beneath them earlier Tombs. Here my work men have found Urns and Ivory Pins once fasten'd to wooden Shrouds, and beside them Ashes and Skulls. This was indeed a massive Necropolis but it has Power still withinne it, for the ancient Dead emit a certain Material Vertue that will come to inhere in the Fabrick of this new Edifice. By day my House of Lime will catch and intangle all those who come near to it; by Night it will be one vast Mound of Shaddowe and Mistinesse, the effect of many Ages before History. And yet I had hot and present Work on hand, for I was in want of the Sacrifice to consecrate this Place: the Observations of Mirabilis upon the Rites, which I explained further back, are pertinent to this Matter; but this onely by the way.
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occult
occult-architecture
occultism
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Peter Ackroyd |
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29544fe
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...the true God is to be venerated in obscure and fearful Places, with Horror in their Approaches, and thus did our Ancestors worship the Daemon in the form of great Stones.
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occult-architecture
occultism
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Peter Ackroyd |