|
c0656f6
|
*For eleven years, I've been worked over and abused in ways you can't imagine by things you don't want to know about. I've killed every kind of vile, black-souled, dead-eyed nightmare that ever made you piss your pjs and cry for mommy in the middle of the night. I kill monsters and, if I wanted, I could say a word and burn you to powder from the inside out. I can tear any human you ever met to rages with my bare hands. Give me one good reason why I could possibly need you? *She looks straight at me, not blinking. No fear in her eyes. *Because you might be the Tasmanian Devil and the Angel of Death all rolled into one, but you don't even know how to get a phone. *I hate to admit it, but she has a point.
|
|
phones
monsters
|
Richard Kadrey |
|
571babc
|
Seemed to me a phone was an impersonal instrument. If it like it, it let your personality go through its wires. If it didn't to, it just drained your personality away until what slipped through at the other end was some cold fish of a voice, all steel, copper, plastic, no warmth, no reality. It's easy to say the wrong thing on telephones; the telephone changes your meaning on you. First thing you know, you've made an enemy. Then, of course, the telephone's such a thing; it just sits there and you call someone who doesn't want to be called. Friends were always calling, calling, calling me. Hell, I hadn't any time of my own.
|
|
time
telephones
phones
technology
|
Ray Bradbury |
|
475af1f
|
What had happened in these ten years for there suddenly be so much to say -- so much so pressing that it couldn't wait to be said? Everywhere I walked, somebody was approaching me talking on a phone and someone was behind me talking on a phone. Inside the cars, the drivers were on the phone. When I took a taxi, the cabbie was on the phone. For one who frequently went without talking to anyone for days at a time, I had to wonder what that had previously held them up had collapsed in people to make incessant talking into a telephone preferable to walking about under no one's surveillance, momentarily solitary, assimilating the streets through one's animal senses and thinking the myriad thoughts that the activities of a city inspire. For me it made the streets appear comic and the people ridiculous. And yet it seemed like a real tragedy, too. To eradicate the experience of separation must inevitably have a dramatic effect. What will the consequence be? You know you can reach the other person anytime, and if you can't, you get impatient--impatient and angry like a stupid little god.
|
|
loneliness
phones
|
Philip Roth |
|
a1581da
|
Your friend Lila is calling from her car phone,' Ned said, half amused and half annoyed. 'Apparently something earth-shattering has come up, and unless she can talk to you this very second, she claims she will die.
|
|
dramatic
phones
teenage-girls
sweet-valley
|
Francine Pascal |
|
a70f64a
|
In their phones were antennas, and these antennas sniffed out an invisible world, as if by magic, a world that was all around them, and also nowhere, transporting them to places distant and near, and to places that had never been and would never be.
|
|
connectivity
mobile-phones
phones
internet
|
Mohsin Hamid |
|
7069d2b
|
I feel about my phone the way horror-movie ventriloquists feel about their dummies: It's smarter than me, better than me, and I will kill anyone who comes between us.
|
|
smartphones
ventriloquist-dummies
ventriloquists
phones
|
Colson Whitehead |