af76fae
|
What we, or at any rate what I, refer to confidently as memory--meaning a moment, a scene, a fact that has been subjected to a fixative and thereby rescued from oblivion--is really a form of storytelling that goes on continually in the mind and often changes with the telling. Too many conflicting emotional interests are involved for life ever to be wholly acceptable, and possibly it is the work of the storyteller to rearrange things so that they conform to this end. In any case, in talking about the past we lie with every breath we draw.
|
|
the-past
revisionism
revision
|
William Maxwell |
48fbbb6
|
You had to been there, kid. Everybody thinks now the Eisenhower years were so quaint and cute and boring, but all that had a price, just underneath was the pure terror. Midnight forever. If you stopped even for a minute to think, there it was and you could fall into it so easily. Some fell. Some went nuts, some even took their own lives.
|
|
idealism
revisionism
|
Thomas Pynchon |
e8405ed
|
We were revisionists; what we revised was ourselves.
|
|
revisionism
self
|
Margaret Atwood |
2c31d73
|
Kilmartin wrote a highly amusing and illuminating account of his experience as a Proust revisionist, which appeared in the first issue of Ben Sonnenberg's quarterly in the autumn of 1981. The essay opened with a kind of encouragement: 'There used to be a story that discerning Frenchmen preferred to read Marcel Proust in English on the grounds that the prose of was deeply un-French and heavily influenced by English writers such as Ruskin.' I cling to this even though Kilmartin thought it to be ridiculous Parisian snobbery; I shall never be able to read Proust in French, and one's opportunities for outfacing Gallic self-regard are relatively scarce.
|
|
ben-sonnenberg
essays
french-people
grand-street-magazine
in-search-of-lost-time
john-ruskin
marcel-proust
revisionism
snobbery
terence-kilmartin
english
french
paris
|
Christopher Hitchens |
c773f5a
|
Scattered across the Roman Empire, it was only natural for the gospel writers to distance themselves from the Jewish independence movement by erasing, as much as possible, any hint of radicalism or violence, revolution or zealotry, from the story of Jesus, and to adapt Jesus's words and actions to the new political situation in which they found themselves.
|
|
revisionism
|
Reza Aslan |