7a2752e
|
If something inside of you is real, we will probably find it interesting, and it will probably be universal. So you must risk placing real emotion at the center of your work. Write straight into the emotional center of things. Write toward vulnerability. Risk being unliked. Tell the truth as you understand it. If you're a writer you have a moral obligation to do this. And it is a revolutionary act--truth is always subversive.
|
|
writing-life
writing-advice
|
Anne Lamott |
d8034bc
|
"Thirty years ago my older brother, who was ten years old at the time, was trying to get a report written on birds that he'd had three months to write, which was due the next day. We were out at our family cabin in Bolinas, and he was at the kitchen table close to tears, surrounded by binder paper and pencils and unopened books about birds, immobilized by the hugeness of the task ahead. Then my father sat down beside him put his arm around my brother's shoulder, and said, "Bird by bird, buddy. Just take it bird by bird."
|
|
time
writing
breaking-down-assignment
project-management
homework
project
time-management
encouragement
writing-advice
childhood
school
|
Anne Lamott |
a22ecbc
|
"Start telling the stories that only you can tell, because there'll always be better writers than you and there'll always be smarter writers than you. There will always be people who are much better at doing this or doing that - but you are the only you.
|
|
writing-advice
|
Neil Gaiman |
dbc0272
|
Writing isn't about making money, getting famous, getting dates, getting laid, or making friends. In the end it's about enriching the lives of those who will read your work, and enriching your own life as well. It's about getting up, getting well, and getting over. Getting happy, okay? Getting happy. ...this book...is a permission slip: you can, you should, and if you're brave enough to start, you will. Writing is magic, as much the water of life as any other creative art. The water is free. So drink. Drink and be filled up.
|
|
writing-from-the-heart
writers-on-writing
writing-philosophy
writing-advice
|
Stephen King |
bc7e5a1
|
"Next morning I went over to Paul's for coffee and told him I had finished. "Good for you," he said without looking up. "Start the next one today."
|
|
writing
writing-advice
|
Steven Pressfield |
0f94304
|
Avoid stock expressions (like the plague, as William Safire used to say) and repetitions. Don't say that as a boy your grandmother used to read to you, unless at that stage of her life she really was a boy, in which case you have probably thrown away a better intro. If something is worth hearing or listening to, it's very probably worth reading. So, this above all: Find your own voice.
|
|
writing-advice
|
Christopher Hitchens |
8fd69a5
|
about cliches. Avoid them like the plague.
|
|
writing-advice
|
Khaled Hosseini |
fa35048
|
She thought a writer should work harder writing a book than she did reading it.
|
|
writing
writing-advice
|
Jeffrey Eugenides |
53fbe91
|
Writing is the act of discovery.
|
|
writing-life
writing-advice
|
Natalie Goldberg |
8740c29
|
"Toni Morrison said, "The function of freedom is to free someone else," and if you are no longer wracked or in bondage to a person or a way of life, tell your story. Risk freeing someone else. Not everyone will be glad that you did. Members of your family and other critics may wish you had kept your secrets. Oh, well, what are you going to do? Get it all down. Let it pour out of you and onto the page. Write an incredibly shitty, self-indulgent, whiny, mewling first draft. Then take out as many of the excesses as you can."
|
|
writing-life
writer
writing
anne-lamott
first-draft
first-drafts
bird-by-bird
writing-advice
write
writers
|
Anne Lamott |
bbbb22a
|
I honestly think in order to be a writer, you have to learn to be reverent. If not, why are you writing? Why are you here? Let's think of reverence as awe, as presence in and openness to the world. The alternative is that we stultify, we shut down. Think of those times when you've read prose or poetry that is presented in such a way that you have a fleeting sense of being startled by beauty or insight, by a glimpse into someone's soul. All of a sudden everything seems to fit together or at least to have some meaning for a moment. This is our goal as writers, I think; to help others have this sense of -- please forgive me -- wonder, of seeing things anew, things that can catch us off guard, that break in on our small, bordered worlds.
|
|
reverence
writing-advice
|
Anne Lamott |
c1a7cc3
|
"On Hayao Miyazaki I told Miyazaki I love the "gratuitous motion" in his films; instead of every movement being dictated by the story, sometimes people will just sit for a moment, or they will sigh, or look in a running stream, or do something extra, not to advance the story but only to give the sense of time and place and who they are. "We have a word for that in Japanese," he said, "It's called ma. Emptiness. It's there intentionally."
|
|
writing-advice
|
Roger Ebert |
447d1c5
|
When people shine a little light on their monster, we find out how similar most of our monsters are.
|
|
writing-life
life-quotes
life-lessons
fear-quote
fearless-quotes
writing-philosophy
writing-advice
life-philosophy
fears
monster
monsters
|
Anne Lamott |
2a209a9
|
But let the wise be warned against too great readiness at explanation: it multiplies the sources of mistake, lengthening the sum for reckoners sure to go wrong.
|
|
writing-advice
|
George Eliot |
ef67fbc
|
One idea to a sentence is still the best advice that anyone has ever given on writing.
|
|
writing-advice
|
Bill Bryson |
c139396
|
Writers will often find themselves steering by stars that are disturbingly in motion.
|
|
writer
writing
e-b-white
eb-white
strunk-and-white
strunk-white
the-elements-of-style
william-strunk-jr
author
authors
writing-advice
write
|
William Strunk Jr. |
478de4d
|
Do you know what the difference is between PR and advertising? Advertising is when you say how great you are. PR is when other people say how great you are. PR is better.
|
|
pr
writing-advice
|
Guy Kawasaki |
eee35bb
|
Your story is not a picture of life; it lacks the elements of truth. And why? Simply because you run straight on to the end; because you do not analyze. Your heroes do this thing or that from this or that motive, which you assign without ever a thought of dissecting their mental and moral natures. Our feelings, you must remember, are far more complex than all that. In real life every act is the resultant of a hundred thoughts that come and go, and these you must study, each by itself, if you would create a living character. 'But,' you will say, 'in order to note these fleeting thoughts one must know them, must be able to follow them in their capricious meanderings.You have simply to make use of hypnotism, electrical or human, which gives one a two-fold being, setting free the witness-personality so that it may see, understand, and remember the reasons which determine the personality that acts.
|
|
character-building
writing-advice
|
Jules Verne |
edae8e2
|
"If you ask a twenty-one-year-old poet whose poetry he likes, he might say, unblushing, "Nobody's," In his youth, he has not yet understood that poets like poetry, and novelists like novels; he himself likes only the role, the thought of himself in a hat."
|
|
literature
writer
poetry
writing
pretentious
pretentiousness
the-writing-life
poetic
writing-advice
write
artistry
poet
|
Annie Dillard |
49a3b27
|
Upon the one thing every writer absolutely must have, and that is intellectual curiosity.
|
|
writing-advice
intellect
curiosity
writers
|
Phillip Athans |
ea4b750
|
If the passage absolutely demands cursing, be moderate. A little of it goes a long way. I've seen beginning writers pepper curse words through sentence after sentence. 'If you don't -blanking- get your -blanking-blank-blank- in to this house this -blanking- minute, I'm going to -blank- your -blank- and nail it to the -blanking- door.' Two things happen when I read this junk: I get bored and I get angry. I didn't pick up your book to read garbage. If this is as clever as you can be, I don't want to read your prose. In life if you met someone who spoke like this, you'd want to flee. Then why put this stuff on the page? As near as I can determine, this abomination occurs because a writer is corrupted by the awful -blanking- dialog that movies inflict on us these days. It's also a sign of insecurity. The writer wonders if the dialog is strong enough and decides a lot of -blanking-blank- will do the trick. Someone might object that this kind of dialog is realistic in certain situations--intense scenes involving policemen or soldiers for example. I can only reply that in my research I spend considerable time with policemen and soldiers. Few of them curse any more than a normal person would. This garbage isn't realistic. It merely draws attention to itself and holds back the story. Use it sparingly.
|
|
writing
writing-craft
writing-advice
|
David Morrell |
910f65b
|
"There are a lot of ways for a novelist to create suspense, but also really only two: one a trick, one an art.
|
|
writing
writing-craft
writing-advice
writing-process
|
Charles Finch |
27d1aab
|
"Only after a writer lets literature shape her can she perhaps shape literature. In working-class France, when an apprentice got hurt, or when he got tired, the experienced workers said, "It is the trade entering his body." The art must enter the body, too."
|
|
literature
reading
writer
writing
the-writing-life
art
writing-advice
write
artistry
read
discipline
reader
artist
|
Annie Dillard |
abe96b5
|
"Francie always remembered what that kind teacher told her. "You know, Francie, a lot of people would think that these stories that you're making up all the time were terrible lies because they are not the truth as people see the truth. In the future, when something comes up, you tell exactly how it happened but write down for yourself the way you think it should have happened. Tell the truth and write the story. Then you won't get mixed up."
|
|
writing
truth
writing-advice
teachers
storytelling
stories
|
Betty Smith |
236271d
|
People who want to write books do so because they feel it to be the easiest thing they can do. They can read and write, they can afford any of the instruments of book writing such as pens, paper, computers, tape recorders, and generally by the time they have reached this decision, they have had a simple education.
|
|
writing-books
writing-advice
writing-process
|
Muriel Spark |
4046c4d
|
The mind has plenty of ways of preventing you from writing, and paralysing self-consciousness is a good one. The only thing to do is ignore it, and remember what Vincent van Gogh said in one of his letters about the painter's fear of the blank canvas - the canvas, he said, is far more afraid of the painter.
|
|
writing
writing-advice
writing-process
|
Philip Pullman |
469ab53
|
"Don't wait. Writers are the only artists I know of who expect to get somewhere by waiting. Everyone knows you have to dance to be a dancer, you have to sing to be a singer, you have to act to be an actor, but far too many people seem to believe that you. don't have to write to be a writer. So, instead of writing, they wait. Isaac Asimov said it beautifully in just six words: "It's the writing that teaches you." Writing is what teaches you. Writing is what leads to "inspiration." Writing is what generates ideas. Nothing else-and nothing less. Don't meditate, don't do yoga, don't do drugs. Just write." --
|
|
writing-advice
|
Daniel Quinn |
e687b72
|
You are lucky to be one of those people who wishes to build sand castles with words, who is willing to create a place where your imagination can wander.
|
|
words
writing-life
writer
writing
imagination
writing-inspiration
sandcastles
writing-quotes
writing-philosophy
writing-craft
writing-advice
writing-process
|
Anne Lamott |
b43cf71
|
The beauty of Goodreads is that you know you're sowing in a field where everyone, by definition and self-selection, loves to read.
|
|
writing
writing-advice
|
Guy Kawasaki |
e5ac3ed
|
The solution to entrapment in the narcissistic hothouse of self is to not relinquish autobiographical writing, but to expand the self by bringing one's curiosity to interface with more and more history and the present world.
|
|
writing-craft
writing-advice
|
Phillip Lopate |
91b90b6
|
"Don't give in to doubt. Never be discouraged if your first draft isn't what you thought it would be. Given skill and a story that compels you, muster your determination and make what's on the page closer to what you have in your mind. The chances are that you'll never make them identical. That's one reason I'm still hitting the keyboard. Obsessed by the secrets of my past, I try to put metaphorical versions of them on the page, but each time, no matter how honest and hard my effort, what's in my mind hasn't been fully expressed, compelling me to keep trying. To paraphrase a passage from John Barth's "Lost in the Funhouse," I'll die telling stories to myself in the dark. But there's never enough time. There was never enough time."
|
|
writing-life
writing-craft
writing-advice
writing-process
|
David Morrell |
c2e4244
|
There may be a Nurse Ratched-like listing of things that must be done right this moment: foods that must come out of the freezer, appointments that must be canceled or made, hairs that must be tweezed. But you hold an imaginary gun to your head and make yourself stay at the desk.
|
|
writer
writing
bird-by-bird
the-writing-process
writing-help
writing-advice
write
on-writing
|
Anne Lamott |
ed31329
|
Let at least one word of my writings impregnate the reader's heart.
|
|
writing-advice
|
Vladimir Nabokov |
b130f56
|
"So they spread the paintings on the lawn, and the boy explained each of them. "This is the school, and this is the playground, and these are my friends." He stared at the paintings for a long time and then shook his head in discouragement. "In my mind, they were a whole lot better." Isn't that the truth? Every morning, I go to my desk and reread yesterday's pages, only to be discouraged that the prose isn't as good as it seemed during the excitement of composition. In my mind, it was a whole lot better. Don't give in to doubt. Never be discouraged if your first draft isn't what you thought it would be. Given skill and a story that compels you, muster your determination and make what's on the page closer to what you have in your mind."
|
|
writing-life
writing-craft
writing-advice
writing-process
|
David Morrell |
fe35fa6
|
Stories aren't made of language: they're made of something else. A little earlier I said that stories were about life; perhaps they're made of life.
|
|
writing
writing-advice
stories
|
Philip Pullman |
43311a4
|
For me and most of the other writers I know, writing is not rapturous. In fact, the only way I can get anything written at all is to write really, really shitty first drafts.
|
|
writer
writing
the-writing-process
writing-advice
write
on-writing
|
Anne Lamott |
1b7af55
|
"I would write: "The soft melting hunk of butter trickled in gold down the stringy grooves of the split yam." Or: "The child's clumsy fingers fumbled in sleep, feeling vainly for the wish of its dream." "The old man huddled in the dark doorway, his bony face lit by the burning yellow in the windows of distant skycrapers." My purpose was to capture a physical state or movement that carried a strong subjective impression, an accomplishment which seemed supremely worth struggling for. If I could fasten the mind of the reader upon words so firmly that he would forget words and be conscious only of his response, I felt that I would be in sight of knowing how to write narrative."
|
|
swooning-over-sentences
writing-advice
on-writing
writing-process
|
Richard Wright |
7fd8cd7
|
It is very important to go home if you want your work to be whole. You don't have to move in with your parents and collect an allowance, but you must claim where you come from and look deep into it. Come to honor and embrace it, or at least, accept it.
|
|
writing
writing-advice
|
Natalie Goldberg |
de278bc
|
YA doesn't get librarians fired!
|
|
book-selling
book-writing
verbal-exchange
writing-advice
librarians
|
Cory Doctorow |