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| fc5385d | Christ is, then, the perfect art work in the sense of that reality in whom is realised those goals that all artistic making has as its explicit or implicit ends. Because he is infinite meaning, life and being perfectly synthesised with finite form, the cave painters at Lascaux, or Hesiod penning his hymns, or Beethoven working on his last quartets, were all gesturing towards him though they realised it not. | beauty incarnation theology-of-art christ | Aidan Nichols O.P. | |
| 5b08398 | There is however, one reason why the arts so rarely accept a mission that IS within the power of the Church to alter. In the past, the densest or richest location of baptised art has been the Liturgy. The sacred use of the arts in the liturgical setting has provided inspiration for artists engaged in producing artworks for contexts outside the Liturgy, for consumption beyond the limits of the visible Church. In the modern West, the Muses ha.. | liturgy theology-of-art | Aidan Nichols O.P. |