7232bf4
|
Maldonado's face was ghastly. 'That' she said, pointing below the bed where the cat lurked, 'and that' - pointing to what lay on the floor - 'prove it was no dream. Do dreams leave marks behind them?' ("I'm Dangerous Tonight")"
|
|
nightmare
nightmares
|
Cornell Woolrich |
6f2c837
|
The sightseers would have been disappointed, as the real thing always makes a poorer show than the fake. ("I'm Dangerous Tonight")"
|
|
authenticity
fake
|
Cornell Woolrich |
bafbb06
|
After that there was silence for a while, only the sound of the shovel biting into the earth and the hissing splatter of the loose dirt. They stood him up, his back to the well.
|
|
death
night
night-sky
sky
|
Cornell Woolrich |
05d0f5d
|
As the bartender struck a match to light her cigarette, she put her hand on his wrist to steady it. Travis saw him jump, draw back. He held his wrist, blew on it, looked at her reproachfully. Travis said: 'Why, you scratched him, Sarah.' 'Did I?' And as she turned and looked at him, he saw her hand twitch a little, and drew still further away from her. 'What - what's got into you?' he faltered. There was some kind of tension spreading all a..
|
|
femme-fatale
uneasy
|
Cornell Woolrich |
00a3707
|
It wasn't an attack. We'd been together too many times before, made love together too many times before, for it to be that. It was just that fear had suddenly entered, and made us dangerous strangers. ("New York Blues")"
|
|
fight
|
Cornell Woolrich |
cc78551
|
There was nothing the matter out there. It was in here, with me. I decided I'd better go to work, maybe that would exorcise me. I fled from the room almost as though it were haunted. It was too late to stop off at a breakfast counter now. I didn't want any, anyway. My stomach kept giving little quivers. In the end I didn't go to work, either. I couldn't, I wouldn't have been any good. I telephoned in that I was too ill to come, and it was..
|
|
darkness
nighmare
night
shadow
shadows
|
Cornell Woolrich |
308dd47
|
It isn't dying I'm afraid of, it isn't that at all; I know what it is to die, I've died already. It is the endless obliteration, the knowledge that there will never be anything else. That's what I can't stand, to try so hard and to end in nothing. You know what I mean, don't you? ... I really loved to write.
|
|
dying
writer
writers
writing
|
Cornell Woolrich |
f35489f
|
That's a man's vital spot, the helpless thing he loves. ("Jane Brown's Body")"
|
|
man
men
weakness
|
Cornell Woolrich |
603333a
|
Fear! Fear again, for the first time since his 'teens. Fear, that he thought he would never know any more. Fear that no weapon, no jeopardy, no natural cataclysm, has ever been able to inspire until now. And now here it is running icily through him in the hot Chinese noon. Fear for the thing he loves, the only fear that can ever wholly cow the reckless and the brave. ("Jane Brown's Body")" --
|
|
fearless
fearlessness
|
Cornell Woolrich |
2a27a58
|
A raging, glowering full moon had come up, was peering down over the side of the sky well above the patio. That was the last thing she saw as she leaned for a moment, inert with fatigue, against the doorway of the room in which her child lay. Then she dragged herself in to topple headlong upon the bed and, already fast asleep, to circle her child with one protective arm, moving as if of its own instinct. Not the meek, the pallid, gentle moo..
|
|
moon
night
|
Cornell Woolrich |
62f5333
|
On hands and knees the figure comes pacing along beside the wall that flanks the patio, lithe, sinuous, knife in mouth perpendicular to its course. In moonlight and out of it, as each successive archway of the portico circles high above it, comes down to join its support, and is gone again to the rear. The moon is a caress on supple skin. The moon of Anahuac understands, the moon is in league, the moon will not betray. ("The Moon of Montezu..
|
|
moon
murder
night
|
Cornell Woolrich |
08839a7
|
I turn my head a little. The radio's caroling "Tonight," velvety smooth and young and filled with plaintive desire. Maria's song from West Side Story. I remember one beautiful night long ago at the Winter Garden, with a beautiful someone beside me. I tilt my nose and breathe in, and I can still smell her perfume, the ghost of her perfume from long ago. But where is she now, where did she go, and what did I do with her? Our paths ran along s..
|
|
relationships
romance
|
Cornell Woolrich |
5dfbfa5
|
I must have roamed dementedly about for a time in the streets. When I at last got back to my own place, Faustine was again there ahead of me, coiled torpid in the bed like a loathsome boa-constrictor. She was already in the never-never land where ghouls like her belonged. I covered her face with one of the pillows, pressed down upon it with the weight of my whole body, held it there until she should have been dead ten times over. Yet when I..
|
|
|
Cornell Woolrich |
6540685
|
So much for the recreational side of night life in the upper-bracket-income hotels of Manhattan. And in its root-origins the very word itself is implicit with implication: re-create. Analyze it and you'll see it also means to reproduce. But clever, ingenious Man has managed to sidetrack it into making life more livable. ("New York Blues")"
|
|
|
Cornell Woolrich |
5585986
|
The massive bronze gates were wide open now, too late. Inside, the cemetery had been turned into a grotesque place gleaming with high-powered searchlights, blue flashlight flares, winking pocket torches. Uniformed men were already swarming about. Red cigarette-embers showed oddly amidst the headstones here and there. ("The Street Of Jungle Death")"
|
|
cemetery-gates
crime-scene
crime-scenes
|
Cornell Woolrich |
422dae6
|
But it doesn't happen that way, I keep telling myself knowingly and sadly. Only in our fraternity pledges and masonic inductions, our cowboy movies and magazine stories, not in our real-life lives. For, the seventeenth-century humanist to the contrary, each man is an island complete unto himself, and as he sinks, the moving feet go on around him, from nowhere to nowhere and with no time to lose. The world is long past the Boy Scout stage of..
|
|
alone
|
Cornell Woolrich |
55ac53d
|
She had signed her own death-warrant. He kept telling himself over and over that he was not to blame, she had brought it on herself. He had never seen the man. He knew there was one. He had known for six weeks now. Little things had told him. One day he came home and there was a cigar-butt in an ashtray, still moist at one end, still warm at the other. There were gasoline-drippings on the asphalt in front of their house, and they didn't own..
|
|
concussion
crime
cuckold
homicide
jealousy
murder
|
Cornell Woolrich |
9017673
|
The honky-tonk bartender, who doubled as bouncer, waiter, and cashier, was in no mood to compromise. Mercy was not in him. He came out around the open end of the long counter, waddled threatening across the floor in a sullen, red-faced fury and began to shake the inanimate figure lying across the table with its head bedded on its arms. "Hey, you! Do your sleeping in the gutter!" If you gave these bums an inch; they took a yard. And this o..
|
|
barfly
bartender
bum-s-rush
bums
drunk
|
Cornell Woolrich |
d575219
|
Three o'clock in the morning. The highway is empty, under a malignant moon. The oil drippings make the roadway gleam like a blue-satin ribbon. The night is still but for a humming noise coming up somewhere behind a rise of ground. Two other, fiercer, whiter moons, set close together, suddenly top the rise, shoot a fan of blinding platinum far down ahead of them. Headlights. The humming burgeons into a roar. The touring car is going so f..
|
|
car
drive
driving
night
|
Cornell Woolrich |
06161e0
|
All guys are scared of each other, didn't you know that? I'm not the only one. We're all born afraid. ("New York Blues")"
|
|
fear
maculinity
noir
|
Cornell Woolrich |
589c0cd
|
A scattering of pinpoint lights shows up in the blackness ahead. A town or village straddling the highway. The indicator on the speedometer begins to lose ground. The man glances in his mirror at the girl, a little anxiously as if this oncoming town were some kind of test to be met. An illuminated road sign flashes by: CAUTION! MAIN STREET AHEAD - SLOW UP The man nods grimly, as if agreeing with that first word. But not in the way it i..
|
|
night
small-town
small-town-life
small-towns
|
Cornell Woolrich |
252559d
|
One of them hasn't got a uniform on or plainclothes either like the rest. He has on the white coat that is my nightmare and my horror. And in the crotch of one arm he is upending two long poles intertwined with canvas. The long-drawn-out death within life. The burial-alive of the mind, covering it over with fresh graveyard earth each time it tries to struggle through to the light. In this kind of death you never finish dying. ("New York Blu..
|
|
insanity
mental-illness
|
Cornell Woolrich |
03fc635
|
He's prowling back and forth like a lion with distemper now. There's a shiny streak down one side of his face. "I shouldn't have let her go ahead - I ought to be hung! Something's gone wrong. I can't stand this any more!" he says with a choked sound. "I'm starting now -" "But how are you -" "Spring for it and fire as I go if they try to stop me." And then as he barges out, the fat lady waddling solicitously after him, "Stay there; take ..
|
|
chase
crime
gun
gunplay
mob
mobsters
noir
|
Cornell Woolrich |
b2baedf
|
He just lingers long enough to see his plane put to bed properly, then grabs a cab at the airport-gate. "The Settlement" and forgetting that he's not inland any more, that Shanghai's snappier than Chicago, "Chop-chop." "Sure, Mike," grins the slant-eyed driver. "Hop in." A change has come over the city since he went away, he can feel that the minute they hit the outskirts, clear the congested native sections, and cross the bridge into the..
|
|
|
Cornell Woolrich |
30cb13a
|
There was a pause, while I fought against this other, lesser kind of death that was creeping over me - this death called strangeness, this snapping of all the customary little threads of cause and effect that are our moorings at other times. Slowly they all drew back from me step by step, until I was left there alone, cut off. ("All At Once, No Alice")"
|
|
strangeness
|
Cornell Woolrich |
c492bf5
|
I got another chestful of air in, tore loose with it. 'Somebody help me! You people standing around looking, isn't there one of you will help me? I brought my wife here last night; now she's gone and they're trying to tell me I never -' ("All At Once, No Alice")"
|
|
|
Cornell Woolrich |
9abe81c
|
She was ready to be a fugitive with him for the rest of her life - 'Whither thou goest, I will go; thy people shall be my people' - and when a Parisienne is ready to leave Paris behind forever, that's something. ("I'm Dangerous Tonight")"
|
|
parisienne
|
Cornell Woolrich |
41364af
|
Evans made himself their spokesman. "Charlie and Joe," he offered. "Remember us? We brought a friend back with us this time." Girls evidently didn't count in this little subdivision of the underworld; a miscalculation many a shady character has made."
|
|
noir
noir-fiction
|
Cornell Woolrich |
24004ce
|
She turned and walked down the musty, dimly-lighted corridor, along a strip of carpeting that still clung together only out of sheer stubbornness of skeletal weave. Doors, dark, oblivious, inscrutable, sidling by; enough to give you the creeps just to look at them. All hope gone from them, and from those who passed in and out through them. Just one more row of stopped-up orifices in this giant honeycomb that was the city. Human beings shoul..
|
|
death
despair
hopeless
loneliness
|
Cornell Woolrich |
180c556
|
The glove comes off, flops loosely over, and there's suddenly horror beating into his brain, smashing, pounding, battering. He reels a little in his chair, has to hold onto the edge of the table with both hands, at the impact of it. A clawlike thing - two of the finger extremities already bare of flesh as far as the second joint; two more with only shriveled, bloodless, rotting remnants of it adhering, only the thumb intact, and that alre..
|
|
walking-dead
zombie
|
Cornell Woolrich |
3a9f6e8
|
One of the two owners, the man who had been sitting in the front room, was stretched out in there asleep, stockinged-toes pointed at the ceiling, one hand backed defensively against his eyes to ward off the light. He'd taken off his vest and shoes, and that strap that wasn't straight enough to be a suspender-strap was dangling now around one of the knobs at the foot of the bed. It ended in a holster, with a black, cross-grained slab of meta..
|
|
crime-thriller
noir
noir-fiction
|
Cornell Woolrich |
57e1fb9
|
The remaining chain swung down, he wrenched the door out and he was free. The last thing he heard behind him was the oncoming stomp of running feet. Now began flight, that excruciating accompaniment to both the sleep-dream and the drug-dream as well. Down endless flights of stairs that seemed to have increased decimally since he had come up them so many days before. Four, fourteen, forty - there seemed no end to them, no bottom. Round and r..
|
|
chased
crime-fiction
crime-thriller
noir
noir-fiction
pursuit
|
Cornell Woolrich |
1482faa
|
His fear-inflamed mind sent the control-signal to his finger-joint to fold back. The trigger sliced back. The blast seemed to lift the booth clear off the floor, drop it down again. A pin-wheel of vacancy appeared in the glass, flinging off shards and slivers.
|
|
crime-thriller
gun
gunplay
guns
noir
noir-fiction
pistol
shooter
shooting
shootings
|
Cornell Woolrich |
d00da30
|
I saw her sign the register, but her name isn't on it any more. The bellboy says he never saw her. Now they've got me so I'm scared and shaky, like a little kid is of the dark. I want you men to help me. Won't you men help me?' 'We'll help you' - said the lieutenant in charge. Slowly, awfully slowly; I didn't like that slowness - 'if we're able to.' And I knew what he meant; if we find any evidence that your story is true. ("All At Once, ..
|
|
evidence
police
|
Cornell Woolrich |
ae5e039
|
The shears found his throat this time. He fell down on top of them and was silent. Something dark like mucilage glistened where he lay. She had jumped back - not in remorse, but to keep the bottom of her skirt clear of his blood. ("I'm Dangerous Tonight")"
|
|
dress
murder
|
Cornell Woolrich |
f8206b6
|
The big weekend rush is on. The big city emptying itself out at once. Just a skeleton crew left to keep it going until Monday morning. Everybody getting out - everybody but me, everybody but those who are coming here for me tonight. We're going to have the whole damned town to ourselves. ("New York Blues")" --
|
|
|
Cornell Woolrich |
6a8f0d3
|
He handed me something done up in paper. 'Your mask,' he said. 'Don't put it on until we get past the city-limits.' It was a frightening-looking thing when I did so. It was not a mask but a hood for the entire head, canvas and cardboard, chalk-white to simulate a skull, with deep black hollows for the eyes and grinning teeth for the mouth. The private highway, as we neared the house, was lined on both sides with parked cars. I counted fif..
|
|
horror
pulp
secret-society
secret-societys
|
Cornell Woolrich |
07ead82
|
The struggle doesn't last long; it's too unequal. Their momentary surprise overcome, they close in on him. The well-directed slice of a gun-butt slackens the good arm; it's easy to pry the disabled one from around the racketeer's collar. Tereshko is trembling with his anger. 'Now him again!' he protests, as though at an injustice. 'All they do is die and then get up and walk around again! What'sa matter, you guys using spitballs for slugs? ..
|
|
mobsters
noir
|
Cornell Woolrich |
16f9b6d
|
Stahl trailed him upstairs, across a mezzanine, and out into the darkness of the sloping balcony. Tom gave the aisle his torch so his guest could see. On the screen below a woman's head was wavering, two or three times larger than life. A metallic voice clanged out, echoing sepulchrally all over the house, like a modern Delphic Oracle. 'Go back, go back!' she said. 'This is no place for you!'
|
|
film
movie
movie-theater
movie-theatre
|
Cornell Woolrich |
1ab1284
|
It takes will power and nerve to hold the stick that way, to keep his eyes open and watch the rocky face of the cliff, pine-bearded, rush up at them. O'Shaughnessy's mouth flattens, his face goes white. And then in that final fraction of a moment, he laughs, a little crazily - a laugh of defiance, of mocking farewell, and, somehow, of conquest. 'Here we go, baby!' he shouts, teeth bared. 'Now I'm going to find out what it really feels like ..
|
|
plane
plane-crash
suicide
|
Cornell Woolrich |
3ca90a1
|
You his brother?' 'Yes, damn it!' I burst out. "And all I want is to get my hands on whoever did this to him!' 'Funny,' said a dick dryly, 'but so do we.' I didn't like him much after that. Sarcasm is out of place when a man has just been brought face to face with personal tragedy. ("Walls That Hear You")"
|
|
tragedy
|
Cornell Woolrich |
3036142
|
Play it, Eddie, don't be foolish;' she urges. 'Now's the time, break the spell once and for all, prove to yourself that it can't hurt you. If you don't do it now, you'll never get over the idea. It'll stay with you all your life. Go ahead. I'll dance it just like I am.' 'Okay,' he says. He taps. It's been quite some time, but he can rely on his outfit. Slow and low like thunder far away, coming nearer. Boom-putta-putta-boom! Judy whirls o..
|
|
fear
voodoo
|
Cornell Woolrich |
4ad3021
|
Now the moon of the Aztecs is at the zenith, and all the world lies still. Full and white, the white of bones, the white of a skull; blistering the center of the sky well with its throbbing, not touching it on any side. Now the patio is a piebald place of black and white, burning in the downward-teeming light. Not a leaf moves, not a petal falls, in this fierce amalgam. ("The Moon Of Montezuma")"
|
|
moon
night
|
Cornell Woolrich |
e2df096
|
She gave a little sob deep in her throat. 'Call it a prophecy, call it a prediction, call it fate - call it what you will. I fought against it hard enough, God knows. But the evidence of my own eyes, my own ears, my own senses, is too much for me. And the time's too short now. I'm afraid to take a chance. I haven't got the nerve to bluff it out, to sit pat. You don't gamble with a human life. Today's the 13th, isn't it? It's too close to ..
|
|
death
fate-destiny
inescapable
prediction
prophecy
|
Cornell Woolrich |