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Large portraits of Mao on wooden boards several feet high stood at main street corners. Painted to make the old man look extremely youthful, healthy, and fat (a sign of well-being in China), these pictures provided a mocking contrast to the thin, pale-faced pedestrians walking listlessly below them. Pg. 193
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cultural-revolution
mao-zedong
propaganda
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Nien Cheng |
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One of the most ugly aspects of life in Communist China during the Mao Zedong era was the Party's demand that people inform on each other routinely and denounce each other during political campaigns. This practice had a profoundly destructive effect on human relationships. Husbands and wives became guarded with each other, and parents were alienated from their children. The practice inhibited all forms of human contact, so that people no lo..
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cultural-revolution
mao
communism
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Nien Cheng |
da99dd9
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Since the very beginning of the Communist regime, I had carefully studied books on Marxism and pronouncements by Chinese Communist Party leaders. It seemed to me that socialism in China was still very much an experiment nad had no fixed course of development for the country had yet been decided upon. This, I thought, was why the government's policy was always changing, like a pendulum swinging from left to right and back again. When things ..
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Nien Cheng |
27ae293
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ultimate in respectability: not only received back into the ranks of the people but also
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Nien Cheng |
a81c65a
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Mr. Hu said:] There always comes a time when a man almost reaches the end of his endurance and is tempted to write down something, however untrue, to satisfy his inquisitors and to free himself from intolerable pressure. But one mustn't do it. [. . .] Once one starts confessing, they will demand more and more admissions of guilt, however false, and exert increasing pressure to get what they want. In the end, one will get into a tangle of un..
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Nien Cheng |
36ea54c
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The poet Tao Yuan-ming (A.D. 376 - 427) used the lotus to represent a man of honor in a famous poem, saying that the lotus rose out of mud but remained unstained. [. . .] Perhaps the poet was too idealistic, I thought as I listened to the laughter of the Red Guards overhead. They seemed to be blissfully happy in their work of destruction because they were sure they were doing something to satisfy their God, Mao Zedong.
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Nien Cheng |
ce4dac6
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I love China! I love my country even though it is not always good ro right,' my daughter proclaimed in a firm voice. Her words brought tears to my eyes. I also had a deep and abiding love for the land of my ancestors even though, because of my class status, I had become an outcast.
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Nien Cheng |
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I must not only keep alive, but I must be as strong as granite, so that no matter how much I was knocked about, I could remain unbroken.
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Nien Cheng |
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It was strange to realize that after this night I would never see it again as it was. The room had never looked so beautiful as it did at that moment.
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Nien Cheng |
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I saw another young man coming down the stairs from the third floor with my blanc de chine Goddess of Mercy, Guanyin, in his hand. [. . .] He swung the arm holding the Guanyin carelessly in the air and declared, 'This is a figure of Buddhist superstition. I'm going to throw it in the trash.' The Guanyin was a perfect specimen and a genuine product of the Dehua kiln in Fujian province. It was the work of the famous 17th century Ming sculptor..
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Nien Cheng |
e8975e7
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It's always best to look ahead and not backwards. Possessions are not important. Think of those beautiful porcelain pieces I had. Before they came to me, they had all passed through the hands of many people, surviving wars and natural disasters. I got them only because someone else lost them. While I had them, I enjoyed them; now some other people will enjoy them. Life itself is transitory. Possessions are not important.
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Nien Cheng |