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7432f31 And we feel that those characters couldn't be anywhere but where they are, that those characters couldn't say the things they say if they were uprooted and planted in, say, Minnesota or Scotland. Thomas C. Foster
c45ba4d History is story, too. Thomas C. Foster
db2464b Literary works are not democracies. We hold this truth to be self-evident, that all men and women are created equal. We may, but the country of Novels, Etc., doesn't. In that faraway place, no character is created equal. One or two of them get all the breaks; the rest exist to get them to the finish line. literature equality heroes sidekicks Thomas C. Foster
3a4b2a5 Going After Cacciato Thomas C. Foster
dd49c2a corollaries--where have I seen his face, don't I know that Thomas C. Foster
e25b198 Ishmael Reed Thomas C. Foster
52b41fc In Eudora Welty's masterful story "Why I Live at the P.O." (1941), the narrator is engaged in a sibling rivalry with her younger sister, who has come home after leaving under suspicious if not actually disgraceful circumstances. The narrator, Sister, is outraged at having to cook two chickens to feed five people and a small child just because her "spoiled" sister has come home. What Sister can't see, but we can, is that those two fowl are r.. Thomas C. Foster
0e22102 Reading is a full contact sport; we crash up against the wave of words with all of our intellectual, imaginative, and emotional resources. What results can sometimes be as much our creation as the novelist's or playwright's. literature reading reading-life Thomas C. Foster
eef77f8 We sometimes hear of the death of literature or of this or that genre, but literature doesn't die, just as it doesn't 'progress' or 'decay.' It expands, it increases. When we feel that it has become stagnant or stale, that usually just means we ourselves are not paying sufficient attention. progress literature death-of-literature stagnant Thomas C. Foster
e2294b8 There is, in fact, no form of dysfunctional family or no personal disintegration of character for which there is not a Greek or Roman model. Thomas C. Foster
3a8c85d So he drove out the man; and he placed at the east of the garden Thomas C. Foster