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6c09794 The seasonal urge is strong in poets. Milton wrote chiefly in winter. Keats looked for spring to wake him up (as it did in the miraculous months of April and May, 1819). Burns chose autumn. Longfellow liked the month of September. Shelley flourished in the hot months. Some poets, like Wordsworth, have gone outdoors to work. Others, like Auden, keep to the curtained room. Schiller needed the smell of rotten apples about him to make a poem. Tennyson and Walter de la Mare had to smoke. Auden drinks lots of tea, Spender coffee; Hart Crane drank alcohol. Pope, Byron, and William Morris were creative late at night. And so it goes. apple apples april auden autumn burns byron coffee de-la-mare fall hart-crane insomnia keats longfellow may milton morris night nocturnal poetry poets pope schiller season seasons september shelley spender spring tea tennyson winter wordsworth writers writing Helen Bevington
33f0b46 "[Adam picks up the camera] "I have to get a shot of this." The reaction in the room was swift, and unanimous: every single person except me raised their hands at once to cover their faces. The accompanying utterances, though, were varied. I heard everything from "Please no" (Maggie), to "Jesus Christ" (Wallace), to "Stop it or die" (I'm assuming it's obvious)." auden camera eli photo Sarah Dessen
c9df8a3 In short, it became possible - never easy, but possible - in the poet Auden's phrase to find the mortal world enough. auden renaissance Stephen Greenblatt