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I hear the question upon your lips: What is it to be a colour? Colour is the touch of the eye, music to the deaf, a word out of the darkness. Because I've listened to souls whispering - like the susurrus of the wind - from book to book and object to object for tens or thousands of years, allow me to say that my touch resembles the touch of angels. Part of me, the serious half, calls out to your vision while the mirthful half sours through the air with your glances. I'm so fortunate to be red! I'm fiery. I'm strong. I know men take notice of me and that I cannot be resisted. I do not conceal myself: For me, delicacy manifests itself neither in weakness nor in subtlety, but through determination and will. So, I draw attention to myself. I'm not afraid of other colours, shadows, crowds or even of loneliness. How wonderful it is to cover a surface that awaits me with my own victorious being! Wherever I'm spread, I see eyes shine, passions increase, eyebrows rise and heartbeats quicken. Behold how wonderful it is to live! Behold how wonderful to see. I am everywhere. Life begins with and returns to me. Have faith in what I tell you.
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color
colour
red
painting
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Orhan Pamuk |
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The phrase and the day and the scene harmonized in a chord. Words. Was it their colours? He allowed them to glow and fade, hue after hue: sunrise gold, the russet and green of apple orchards, azure of waves, the greyfringed fleece of clouds. No it was not their colours: it was the poise and balance of the period itself. Did he then love the rhythmic rise and fall of words better than their associations of legend and colour? Or was it that, being as weak of sight as he was shy of mind, he drew less pleasure from the reflection of the glowing sensible world through the prism of a language manycoloured and richly storied than from the contemplation of an inner world of individual emotions mirrored perfectly in a lucid supple periodic prose?
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words
inspirational
colour
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James Joyce |
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One should be a painter. As a writer, I feel the beauty, which is almost entirely colour, very subtle, very changeable, running over my pen, as if you poured a large jug of champagne over a hairpin.
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writing
colour
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Virginia Woolf |
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Was it the case that colours dimmed as the eye grew elderly? Or was it rather that in youth your excitement about the world transferred itself onto everything you saw and made it brighter?
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youth
colour
ageing
perspective
excitement
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Julian Barnes |
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"Drawing makes you look at the world more closely. It helps you to see what you're looking at more clearly. Did you know that?" I said nothing. "What colour's a blackbird?" she said. "Black" "Typical!"
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nature
noticing
drawing
colour
observation
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David Almond |
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Mumbai is the sweet, sweaty smell of hope, which is the opposite of hate; and it's the sour, stifled smell of greed, which is the opposite of love. It's the smell of Gods, demons, empires, and civilizations in resurrection and decay. Its the blue skin-smell of the sea, no matter where you are in the island city, and the blood metal smell of machines. It smells of the stir and sleep and the waste of sixty million animals, more than half of them humans and rats. It smells of heartbreak, and the struggle to live, and of the crucial failures and love that produces courage. It smells of ten thousand restaurants, five thousand temples, shrines, churches and mosques, and of hunderd bazaar devoted exclusively to perfume, spices, incense, and freshly cut flowers. That smell, above all things - is that what welcomes me and tells me that I have come home. Then there were people. Assamese, Jats, and Punjabis; people from Rajasthan, Bengal, and Tamil Nadu; from Pushkar, Cochin, and Konark; warrior caste, Brahmin, and untouchable; Hindi, Muslim, Christian, Buddhist, Jain, Parsee, Animist; fair skin and dark, green eyes and golden brown and black; every different face and form of that extravagant variety, that incoparable beauty, India.
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sleep
hate
human
hope
love
smell-sea
mumbai
shantaram
colour
empire
sweat
sweet
beautiful
city
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Gregory David Roberts |
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Some powerful magnificence not human in other words, seemed under me. And it was the same mild pink colour, like the water of a watermelon, that did it. At once I recognised the importance of this, as throughout my life I had known these moments when the dumb begin to speak, when I hear the voices of objects and colours; then the physical universe starts to wrinkle and change and heave and rise and smooth, so it seems even the dogs have to lean against a tree, shivering.
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inspirational
hallucinations
colour
imagery
vision
revelation
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Saul Bellow |
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In keeping with your policy of bringing Pollution the latest in death and violence, and in living colour, there's going to be something entirely different... death without remediation.
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violence
television
living
death
christine-chubbuck
remediation
policy
pop-culture
colour
pollution
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Rebecca McNutt |