8b4037d
|
So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall. Then fill the shelves with lots of books.
|
|
humor
television
|
Roald Dahl |
129f87d
|
If you can't run, you crawl. If you can't crawl-- you find someone to carry you.
|
|
inspirational
television
willpower
|
Joss Whedon |
11d1d4b
|
On Friday night, I was reading my new book, but my brain got tired, so I decided to watch some television instead.
|
|
funny
reading
television
|
Stephen Chbosky |
31a1663
|
Do you know we are being led to Slaughters by placid admirals & that fat slow generals are getting Obscene on young blood Do you know we are ruled by t.v.
|
|
corruption
media
television
|
Jim Morrison |
b808ac5
|
The essence of capitalism is to turn nature into commodities and commodities into capital. The live green earth is transformed into dead gold bricks, with luxury items for the few and toxic slag heaps for the many. The glittering mansion overlooks a vast sprawl of shanty towns, wherein a desperate, demoralized humanity is kept in line with drugs, television, and armed force.
|
|
drugs
humanity
miltary
nature
television
|
Michael Parenti |
6886bc6
|
It's a beautiful day in this neighborhood
|
|
childhood
inspirational
love
mister-rogers-neighborhood
television
|
Fred Rogers |
d1cd904
|
The television is 'real'. It is immediate, it has dimension. It tells you what to think and blasts it in. It must be right. It seems so right. It rushes you on so quickly to its own conclusions your mind hasn't time to protest, 'What nonsense!'.
|
|
manipulation
media
television
|
Ray Bradbury |
b125714
|
"Calvin:"It says here that 'religion is the opiate of the masses.'...what do you suppose that means?" Television: "...it means that Karl Marx hadn't seen anything yet"
|
|
karl-marx
philosophy
television
|
Bill Watterson |
a3d3f84
|
Actually, watching television and surfing the Internet are really excellent practice for being dead.
|
|
death-and-dying
humor
humorous
humorous-quotations
internet
television
wisdom
wisdom-in-fiction
|
Chuck Palahniuk |
5e42417
|
I'm the idiot box. I'm the TV. I'm the all-seeing eye and the world of the cathode ray. I'm the boob tube. I'm the little shrine the family gathers to adore.' 'You're the television? Or someone in the television?' 'The TV's the altar. I'm what people are sacrificing to.' 'What do they sacrifice?' asked Shadow. 'Their time, mostly,' said Lucy. 'Sometimes each other.' She raised two fingers, blew imaginary gunsmoke from the tips. Then she winked, a big old I Love Lucy wink. 'You're a God?' said Shadow. Lucy smirked, and took a ladylike puff of her cigarette. 'You could say that,' she said.
|
|
television
|
Neil Gaiman |
c4b1d85
|
I am, when you stop to think of it, a member of a fairly select group: the final handful of American novelists who learned to read and write before they learned to eat a daily helping of video bullshit.
|
|
pride
reading
television
thought
writing
|
Stephen King |
15a3fcc
|
...and he just sat back and stared at the tube, almost interested in what was happening, trying to find the ability to believe in that lie so he could believe the one within.
|
|
television
|
Hubert Selby Jr. |
150c93d
|
In honor of Oprah Winfrey: Even greater than the ability to inspire others with hope is the power to motivate them to give as much to the lives of others as they would give to their own; and to empower them to confront the worst in themselves in order to discover and claim the best in themselves.
|
|
blog-quotes
celebrities
coaching
empowerment
famous-authors
famous-poets
grace
gratitude
hope
inspiration
motivation
oprah-winfrey
personal-growth
philanthropy
positive-motivation
quotes-by-aberjhani
rare-personalities
spirituality
television
world-suicide-prevention-day
|
Aberjhani |
dbabc68
|
A democratic civilization will save itself only if it makes the language of the image into a stimulus for critical reflection -- not an invitation for hypnosis.
|
|
images
mass-media
reflection
symbols
television
|
Umberto Eco |
f232ace
|
Sometimes I look around my living room, and the most real thing in the room is the television. It's bright and vivid, and the rest of my life looks drab. So I turn the damn thing off. That does it every time. Get my life back.
|
|
reality
television
|
Michael Crichton |
62005dc
|
You know, you spend your childhood watching TV, assuming that at some point in the future everything you see will one day happen to you: that you too will win a Formula One race, hop a train, foil a group of terrorists, tell someone 'Give me the gun', etc. Then you start secondary school, and suddenly everyone's asking you about your career plans and your long-term goals, and by goals they don't mean the kind you are planning to score in the FA Cup. Gradually the awful truth dawns on you: that Santa Claus was just the tip of the iceberg - that your future will not be the rollercoaster ride you'd imagined,that the world occupied by your parents, the world of washing dishes, going to the dentist, weekend trips to the DIY superstore to buy floor-tiles, is actually largely what people mean when they speak of 'life'.
|
|
goals
humor
life
television
|
Paul Murray |
4131837
|
"Would you ever sleep with me?" he questioned once. "Never," she'd replied, her large eyes shining in the bluish glow from his TV set, "but I love you... in a different way. I'll always be loyal to you, I'll never betray you, that's how I love people."
|
|
asexuality
betrayal
glow
love
loyal
sleep
television
|
Rebecca McNutt |
dd5715f
|
"Anyone who watches even the slightest amount of TV is familiar with the scene: An agent knocks on the door of some seemingly ordinary home or office. The door opens, and the person holding the knob is asked to identify himself. The agent then says, "I'm going to ask you to come with me."
|
|
television
tv
|
David Sedaris |
770f88d
|
Understanding knowledge as an essential element of love is vital because we are bombarded daily with messages that tell us love is about mystery, about that which cannot be known. We see movies in which people are represented as being in love who never talk with one another, who fall into bed without ever discussing their bodies, their sexual needs, their likes and dislikes. Indeed, the message is received from the mass media is that knowledge makes love less compelling; that it is ignorance that gives love its erotic and transgressive edge. These messages are brought to us by profiteering producers who have no clue about the art of loving, who substitute their mystified visions because they do not really know how to genuinely portray loving interaction.
|
|
knowledge
love
love-at-first-sight
love-quotes
mass-media
pop-culture
romance
romantic
television
truth
tv
|
bell hooks |
f5e2ed3
|
The television commercial has mounted the most serious assault on capitalist ideology since the publication of Das Kapital. To understand why, we must remind ourselves that capitalism, like science and liberal democracy, was an outgrowth of the Enlightenment. Its principal theorists, even its most prosperous practitioners, believed capitalism to be based on the idea that both buyer and seller are sufficiently mature, well informed and reasonable to engage in transactions of mutual self-interest. If greed was taken to be the fuel of the capitalist engine, the surely rationality was the driver. The theory states, in part, that competition in the marketplace requires that the buyer not only knows what is good for him but also what is good. If the seller produces nothing of value, as determined by a rational marketplace, then he loses out. It is the assumption of rationality among buyers that spurs competitors to become winners, and winners to keep on winning. Where it is assumed that a buyer is unable to make rational decisions, laws are passed to invalidate transactions, as, for example, those which prohibit children from making contracts...Of course, the practice of capitalism has its contradictions...But television commercials make hash of it...By substituting images for claims, the pictorial commercial made emotional appeal, not tests of truth, the basis of consumer decisions. The distance between rationality and advertising is now so wide that it is difficult to remember that there once existed a connection between them. Today, on television commercials, propositions are as scarce as unattractive people. The truth or falsity of an advertiser's claim is simply not an issue. A McDonald's commercial, for example, is not a series of testable, logically ordered assertions. It is a drama--a mythology, if you will--of handsome people selling, buying and eating hamburgers, and being driven to near ecstasy by their good fortune. No claim are made, except those the viewer projects onto or infers from the drama. One can like or dislike a television commercial, of course. But one cannot refute it.
|
|
commercials
drama
emotional-appeal
falsities
idiocy
logic
mcdonalds
public-discourse
television
television-commercials
|
Neil Postman |
c437587
|
"Pettiness often leads both to error and to the digging of a trap for oneself. Wondering (which I am sure he didn't) 'if by the 1990s [Hitchens] was morphing into someone I didn't quite recognize", Blumenthal recalls with horror the night that I 'gave' a farewell party for Martin Walker of the
|
|
argumentation
betrayal
bill-clinton
diana-princess-of-wales
england
friendship
journalism
london
martin-walker-reporter
marty-peretz
mother-teresa
new-york
nightline
oxford
pettiness
politics
presidency-of-bill-clinton
sidney-blumenthal
television
the-guardian
the-new-republic
united-states
university-of-oxford
|
Christopher Hitchens |
4dc4a38
|
Gore Vidal, for instance, once languidly told me that one should never miss a chance either to have sex or to appear on television. My efforts to live up to this maxim have mainly resulted in my passing many unglamorous hours on off-peak cable TV. It was actually Vidal's great foe William F. Buckley who launched my part-time television career, by inviting me on to when I was still quite young, and giving me one of the American Right's less towering intellects as my foil. The response to the show made my day, and then my week. Yet almost every time I go to a TV studio, I feel faintly guilty. This is pre-eminently the 'soft' world of dream and illusion and 'perception': it has only a surrogate relationship to the 'hard' world of printed words and written-down concepts to which I've tried to dedicate my life, and that surrogate relationship, while it, too, may be 'verbal,' consists of being glib rather than fluent, fast rather than quick, sharp rather than pointed. It means reveling in the fact that I have a meretricious, want-it-both-ways side. My only excuse is to say that at least I do not pretend that this is not so.
|
|
cable-television
cable-television-in-the-us
conservatism
conservatism-in-the-us
gore-vidal
guilt
illusion
literature
perception
sex
television
united-states
william-f-buckley
|
Christopher Hitchens |
efd305b
|
Alford, Massachusetts: Mandy stood there with her old Nikon film camera, snapping photo after photo of the rural landscape. It was difficult to describe the wonderful feeling of there not being a single cell phone in sight; the only modern technology around was the faint blue glow of a cathode ray tube television in the window of a nearby house, and a few cars and trucks parked in crumbling gravel driveways. She was allowed to see this place, one that would likely be ruined by the 21st century as time went on... places like these were extremely hard to find these days. A world of wood-burning cookstoves and the waxy smell of Paraffin, laundry hung out to dry, rusty steel bridges over streams that reflected the bright blue skies, apple pies left out on windowsills... a world of hard work with very little to show for it aside from the sunlight beaming down on a proud community. And Mandy wanted to trap it all in her Kodak film rolls and rescue it from the future.
|
|
cell-phone
cook-stove
country
digital
earth
farm
film
future
glow
grim
kodachrome
kodak
laundry
love
massachusetts
missing
nikon
nostalgic
past
peace
photography
pie
small-town
television
texting
traditional
|
Rebecca McNutt |
b159670
|
fuzzy black lines hiccuped across the screen.
|
|
lines
maximum-ride
television
|
James Patterson |
78b5c6b
|
"At last evil and corruption take over," Mearth laughed icily, her eyes filled with a wild glow. "Someday you'll become so unstable that you'll kill anyone you've ever cared about in your life, and when that happens I only hope that you leave any outsider witnesses alone as you fade out of the world." Alecto froze for a moment, completely silent, setting the camera down on the fence and thinking things over. Mandy could see him clearly now that he was on the video, but he looked obscure. "What's on your corrupted mind, pretty little Sydney Tar Ponds?" Mearth asked, dropping the wire cutters and stepping closer to him. "I hate you," he answered icily. "Oh, no you don't, you just think you hate me," Mearth insisted, her voice kind, caring, almost loving. "You didn't mean to try and kill me, you've been worn-out by life, you've been alive a very long time, your mind is a storm and your usual insight is gone." Mandy was inclined to agree with Mearth; he looked like a storm, his eyes had dark shadows under them, he was limping when he walked, he was shivering and coughing and his head was leaning to one side slightly. Nonetheless, he still seemed to be able to reason, because when he noticed Mearth's falsely cheerful words he glared at her hatefully, smoke trailing from his cigarette. "I'm going to tell Cheryl what you've done, all those times you tried to kill me, I'll tell her and she'll know what you did," he threatened. "No Sydney Tar Ponds, you won't," Mearth replied softly, "because if you tell her, I'll kill her and you'll have a few more super 8 home videos to add to the collection of celluloid memories." "...You wouldn't," Alecto exclaimed. "If you really do love her, if you really care about her and she's your friend, you'll stay silent," Mearth told him. "You think what I'm doing is cruel, sadistic, but it isn't... you aren't even a real person, you don't understand." Alecto said nothing back to her. The television screen faded to black and Mandy just sat there in the darkness, her expression blank."
|
|
mother-earth
movie
sadistic
screen
silent
super-8
sydney-tar-ponds
television
watching
|
Rebecca McNutt |
c17b32f
|
"What we are confronted with now is the problem posed by the economic and symbolic structure of television. Those who run television do not limit our access to information but in fact widen it. Our Ministry of Culture is
|
|
aldous-huxley
america
brave-new-world
george-orwell
huxley
orwell
politics
society
television
|
Neil Postman |
11f7d05
|
"You should've thought of that before becoming a fireman." "Thought!" he said. "Was I given a choice? I was raised to think the best thing in the world to read. The best thing is television and radio and ball games and a home I can't afford and, Good Lord, now, only now I realize what I've done. My grandfather and father were firemen. Walking in my sleep I followed them."
|
|
radio
read
reading
reading-books
sleep-walking
television
tv
|
Ray Bradbury |
7eff9ca
|
"Call no man lucky until he is dead, but there have been moment of rare satisfaction in the often random and fragmented life of the radical freelance scribbler. I have lived to see Ronald Reagan called "a useful idiot for Kremlin propaganda" by his former idolators; to see the General Secretary of the Communist Party of the Soviet Union regarded with fear and suspicion by the Communist Party of Czechoslovakia (which blacked out an interview with Milos Forman broadcast live on Moscow TV); to see Mao Zedong relegated like a despot of antiquity. I have also had the extraordinary pleasure of revisiting countries--Greece, Spain, Zimbabwe, and others--that were dictatorships or colonies when first I saw them. Other mini-Reichs have melted like dew, often bringing exiled and imprisoned friends blinking modestly and honorably into the glare. --it still moves, all right."
|
|
cold-war
colonialism
communism
czechoslovakia
despotism
dictatorship
freedom
greece
journalism
liberation
mao-zedong
milos-forman
moscow
postcolonialism
propaganda
ronald-reagan
russia
soviet-union
spain
television
united-states
zimbabwe
|
Christopher Hitchens |
b1e5223
|
Every television program must be a complete package in itself. No previous knowledge is to be required. There must not be even a hint that learning is hierarchical, that it is an edifice constructed on a foundation. The learner must be allowed to enter at any point without prejudice. This is why you shall never hear or see a television program begin with the caution that if the viewer has not seen the previous programs, this one will be meaningless. Television is a nongraded curriculum and excludes no viewer for any reason, at any time. In other words, in doing away with the idea of sequence and continuity in education, television undermines the idea that sequence and continuity have anything to do with thought itself.
|
|
epistemology
knowledge
learning
rational-thought
television
|
Neil Postman |
af5203e
|
There are different ways people make this place. Sweat, exercise and pain is one way. You can see them in the gyms, in the well-ordered swimming pools. You can see them jogging in the small, worn parks. Another way to make your place is TV. A bright, brash place, always well lit, full of fun and jokes that tell you when to laugh so you never miss them. World news carefully edited so that it's not too disturbing, but disturbing enough to make you glad that you weren't born in a foreign country. News with music to tell you who to hate, who to feel sorry for, and who laugh at.
|
|
television
truth
world
|
David Mitchell |
6bf5fc8
|
I should go so far as to say that embedded in the surrealistic frame of a television news show is a theory of anticommunication, featuring a type of discourse that abandons logic, reason, sequence and rules of contradiction. In aesthetics, I believe the name given to this theory is Dadaism; in philosophy, nihilism; in psychiatry, schizophrenia. In the parlance of the theater, it is known as vaudeville.
|
|
culture
epistemology
ideology
philosophy
public-discourse
television
|
Neil Postman |
ad6ba8e
|
Moreover, we have seen enough by now to know that technological changes in our modes of communication are even more ideology-laden than changes in our modes of transportation. Introduce the alphabet to a culture and you change its cognitive habits, its social relations, its notions of community, history and religion. Introduce the printing press with movable type, and you do the same. Introduce speed-of-light transmission of images and you make a cultural revolution. Without a vote. Without polemics. Without guerrilla resistance. Here is ideology, pure if not serene. Here is ideology without words, and all the more powerful for their absence. All that is required to make it stick is a population that devoutly believes in the inevitability of progress. And in this sense, all Americans are Marxists, for we believe nothing if not that history is moving us toward some preordained paradise and that technology is the force behind that movement.
|
|
culture
ideology
progress
technology
television
utopia
|
Neil Postman |
69e26c7
|
When I was your age I knew how to listen to television and learn a few things.
|
|
television
|
Lewis Nordan |
ffb3f5d
|
"But it is not time constraints alone that produce such fragmented and discontinuous language. When a television show is in process, it is very nearly impermissible to say, "Let me think about that" or "I don't know" or "What do you mean when you say...?" or "From what sources does your information come?" This type of discourse not only slows down the tempo of the show but creates the impression of uncertainty or lack of finish. It tends to reveal people in the , which is as disconcerting and boring on television as it is on a Las Vegas stage. Thinking does not play well on television, a fact that television directors discovered long ago. There is not much to in it. It is, in a phrase, not a performing art. But television demands a performing art."
|
|
intelligence
public-discourse
television
thinking
|
Neil Postman |
25ad3e0
|
"This is the lesson of all great television commercials: They provide a slogan, a symbol or a focus that creates for viewers a comprehensive and compelling image of themselves. In the shift from party politics to television politics, the same goal is sought. We are not permitted to know who is best at being President or Governor or Senator, but whose image is best in touching and soothing the deep reaches of our discontent. We look at the television screen and ask, in the same voracious way as the Queen in , "Mirror, mirror on the wall, who is the fairest one of all?" We are inclined to vote for those whose personality, family life, and style, as imaged on the screen, give back a better answer than the Queen received. As Xenophanes remarked twenty-five centuries ago, men always make their gods in their own image. But to this, television politics has added a new wrinkle: Those who would be gods refashion themselves into images the viewers would have them be."
|
|
politics
psychology
television
|
Neil Postman |
c318383
|
Millie? Does the White Clown love you?
|
|
television
|
Ray Bradbury |
aca0ad9
|
So I ask you: whose job is it in this country to wake up comatose parents? Someone better do it soon because knowing television's potential for harm and keeping that knowledge to ourselves instead of sharing it with parents amounts to covering up a land mine on a busy street.
|
|
reading
television
|
Jim Trelease |
a792988
|
"In saying no one knew about the ideas implicit in the telegraph, I am not quite accurate. Thoreau knew. Or so one may surmise. It is alleged that upon being told that through the telegraph a man in Maine could instantly send a message to a man in Texas, Thoreau asked, "But what do they have to say to each other?" In asking this question, to which no serious interest was paid, Thoreau was directing attention to the psychological and social meaning of the telegraph, and in particular to its capacity to change the character of information -- from the personal and regional to the impersonal and global."
|
|
media
social-science
society
telegraph
television
|
Neil Postman |
fb6743d
|
"Of course, in television's presentation of the "news of the day," we may see the Now...this" mode of discourse in it's boldest and most embarrassing form. For there, we are presented not only with fragmented news but news without context, without consequences, without value, and therefore without essential seriousness; that is to say, news as pure entertainment."
|
|
discourse
embarrassing
entertainment
fragment
news
news-of-the-day
presentation
technology
television
|
Neil Postman |
37a3286
|
"By eroding their sense of shame we've made immorality normal, not only in the world but also in the forbidden squadron. ...their new Christian friends recommended some of the movies Fletcher had been wondering if he should now avoid. I was delighted one of them said, "This is a great movie--only one sex scene, and the f-word's only used a few times." 'Titanic' is one of my favorites. How many Christian young people have watched it in their own homes? Think of it, Squaltaint. Suppose someone in the youth group said to the boys, 'There's an attractive girl down the street. Let's get together and go look through her window and watch her undress and lay back on a couch and pose naked from the waist up. Then this girl and her boyfriend will get in a car and have sex--let's get as close as we can and listen to them and watch the windows steam up.' The strategy would never work. They'd know immediately it was wrong. But you can get them to do exactly the same thing by using a television instead of a window. That's all is takes! Think of it, Squaltaint. Every day Christians across the country, including many squadron leaders, watch women and men undress and commit acts of fornication and adultery the Enemy calls an abomination. We've made them a bunch of voyeurs! Churches full of peeping toms."
|
|
entertainment
faith
movies
sex
television
truth
|
Randy Alcorn |
d9aa55a
|
I was hungry when I left Pyongyang. I wasn't hungry just for a bookshop that sold books that weren't about Fat Man and Little Boy. I wasn't ravenous just for a newspaper that had no pictures of F.M. and L.B. I wasn't starving just for a TV program or a piece of music or theater or cinema that wasn't cultist and hero-worshiping. I was . I got off the North Korean plane in Shenyang, one of the provincial capitals of Manchuria, and the airport buffet looked like a cornucopia. I fell on the food, only to find that I couldn't do it justice, because my stomach had shrunk. And as a foreign tourist in North Korea, under the care of vigilant minders who wanted me to see only the best, I had enjoyed the finest fare available.
|
|
airports
books
cinema
cults
food
hero-worship
hunger
kim-il-sung
kim-jong-il
literature
manchuria
music
newspapers
north-korea
propaganda
pyongyang
shenyang
television
theatre
totalitarianism
tourism
tourism-in-north-korea
|
Christopher Hitchens |
690d99e
|
rip the prisons open put the convicts on television
|
|
convicts
criminal
criminals
guilty
jail
prison
prisoners
prisons
television
tv
usa
|
Norman Mailer |
356e263
|
What is new is that we know so very much about the world, or at least the part of it that is most picturesquely exploding on any given day, that we're left with a desperate sense that all of it is exploding, all the time. As far as I can tell, that is the intent and purpose of television news. We see so much, understand so little, and are simultaneously told so much about What We Think, as a populace polled minute by minute, that is begins to feel like an extraneous effort to listen at all to our hearts.
|
|
news
television
truth
|
Barbara Kingsolver |
61efde3
|
We welcome into our homes the machines that vacuum the thoughts out of our heads and pump in someone else's. John Berger in Ways of Seeing said that television advertisers succeeded by persuading viewers to envy themselves as they would be if they bought the product. These programmes do something similar, by persuading the viewer to envy himself as he would be if his life were that little bit more exciting and melodramatic than it actually is. They can make things seem normal that are not.
|
|
television
|
Peter Hitchens |
2cc4db6
|
The President is also captured in a well-worn TV news clip, making a boilerplate response to a question on terrorism and then asking the reporters to watch his drive. Well, that's what you get if you catch the President on a golf course. If Eisenhower had done this, as he often did, it would have been presented as calm statesmanship. If Clinton had done it, as he often did, it would have shown his charm.
|
|
charm
double-standards
dwight-d-eisenhower
george-w-bush
golf
hypocrisy
statesmanship
television
terrorism
united-states
war-on-terror
|
Christopher Hitchens |
36901a3
|
We chose younger and younger politicians to lead us because they looked good on television and were sharp. But really we should be looking for wisdom, and choosing people who had acquired it; and such people, in general, looked bad on television - gray, lined, thoughtful.
|
|
politicians
television
youth
|
Alexander McCall Smith |
96ece0d
|
Even though some individual scholars try to tell us there is no direct connection between images of violence and the violence confronting us in our lives, the commonsense truth remains- we are affected by the images we consume and by the states of mind we are in when watching them. If consumers want to be entertained, and the images shown us as entertaining are images of violent dehumanization, it makes sense that these acts become more acceptable in our daily lives and that we become less likely to respond to them with moral outrage or concern. Were we all seeing more images of loving human interaction, it would undoubtedly have a positive impact on our lives.
|
|
mass-media
movies
pop-culture
television
violence
violent
|
bell hooks |
34c50fc
|
No matter what it is, if you don't move your eyes and set the pace yourself, your intellect is sentenced to death. The mind, you see, is like a muscle. For it to remain agile and strong, it must work. Television rules that out.
|
|
mind
television
|
Mark Helprin |
1c067f1
|
Watching hours of television seemed to help, but it took brainpower to be so dumb.
|
|
dumb
flunk
klub
television
|
Chuck Palahniuk |
aeee981
|
"There was one moment of intersection, when the topic of hate-watching came up. "Why do you watch TV shows--and keep watching them--if you don't like them?" Terrence asked. Simple: Some days, all you have is gazing upon horror, and the small comfort of being surprised that it is not yours."
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horror
television
tv
tv-shows
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Colson Whitehead |
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Many decisions about the form and content of news programs are made on the basis of information about the viewer, the purpose of which is to keep the viewers watching so that they will be exposed to the commercials
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television
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Neil Postman |
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TV families and your own are hard to tell apart, except your isn't interrupted every six minutes by commercials and theirs don't get bogged down into nothingness, a state where nothing happens, no skit, no zany visitors, no outburst on the laugh track, nothing at all but boredom and a lost feeling, especially when you get up in the morning and the moon is still shining and men are making noisy bets on the first tee.
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family
golf
sitcom
television
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John Updike |
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"When your friend who died was still alive, did you ever tell him?" "Tell him what?" "That you're... what's the word? Celibate?" Tony asked, trailing his fingers along the buttons on the remote control but not really finding himself able to change the channel. His name, his daughter's name, it all could've easily become a statistic, an obituary, had they not left the tower when they did. "I'm asexual, not a celibate," replied the lawyer, "and sure, I told him..." She froze for a moment, averting her eyes to the ugly gray-and-red carpeting on the floor. "Clarence didn't care, he was married, anyway. He always used to tell me, "you know, you'd make one hell of an ace attorney, Bailey!"
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asexuality
attorney
carpet
celibate
lawyer
television
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Rebecca McNutt |
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"In the middle of it all is Hitler, of course." "He was on again last night." "He's always on. We couldn't have television without him."
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television
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Don DeLillo |
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This is what comes from the wrong kind of attentiveness. People get brain fade. This is because they've forgotten how to listen and look as children. They've forgotten how to collect data. In the psychic sense a forest fire on TV is on a lower plane than a ten-second spot for Automatic Dishwasher All. The commercial has deeper waves, deeper emanations. But we have reversed the relative significance of these things. This is why people's eyes, ears, brains and nervous systems have grown weary. It's a simple case of misuse.
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disaster
fade
sign
signal
television
transmission
tv
waves
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Don DeLillo |
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One day the English language is going to perish. The easy spokenness of it will perish and go black and crumbly -- maybe -- and it will become a language like Latin that learned people learn. And scholars will write studies of and and and and and , and everyone will see that the sitcom is the great American art form. American poetry will perish with the language; the sitcoms, on the other hand, are new to human evolution and therefore will be less perishable.
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language
poetry
sitcom
television
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Nicholson Baker |
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Six men control almost all the media in the United States--book publishing, magazines, television, movie studios, newspapers, and radio. They are not friendly toward feminism, which has almost disappeared from the surface of our society. You will almost never see a feminist column on an op-ed page, a feminist article in a magazine, or newspaper, actual (not satirized) feminist ideas on television or in the movies. Only magazines & radio controlled by feminists--and these are few and not well-funded--offer information on the feminist perspective. This might be understandable if feminism were a wild-eyed manic philosophy. But it is a belief, a politics, based on one simple fact: women are human beings who matter as much as men. That is all that feminism claims. As human beings, women have the right to control their own bodies, to walk freely in the world, to train their minds and bodies, and to love and hate at will. Only those who wish to continue to coerce women into a servant/slave class for men cannot accept this principle.
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feminism
gender
human-rights
inequality
magazines
media
movies
newspapers
politics
preface
radio
sexism
television
women
women-s-rights
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Marilyn French |
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In keeping with your policy of bringing Pollution the latest in death and violence, and in living colour, there's going to be something entirely different... death without remediation.
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christine-chubbuck
colour
death
living
policy
pollution
pop-culture
remediation
television
violence
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Rebecca McNutt |