99ef1fa
|
The whole of life is just like watching a film. Only it's as though you always get in ten minutes after the big picture has started, and no-one will tell you the plot, so you have to work it out all yourself from the clues.
|
|
life
movies
|
Terry Pratchett |
e53f5ed
|
Only the gentle are ever really strong.
|
|
inspirational
actor
movies
|
James Dean |
99fd141
|
It's funny how the colors of the real world only seem really real when you watch them on a screen.
|
|
reality
real
movies
|
anthony burgess |
2e6fd0b
|
Can you be happy with the movies, and the ads, and the clothes in the stores, and the doctors, and the eyes as you walk down the street all telling you there is something wrong with you? No. You cannot be happy. Because, you poor darling baby, you believe them.
|
|
happiness
society
judgement
movies
eyes
|
Katherine Dunn |
b841379
|
A good movie can take you out of your dull funk and the hopelessness that so often goes with slipping into a theatre; a good movie can make you feel alive again, in contact, not just lost in another city. Good movies make you care, make you believe in possibilities again. If somewhere in the Hollywood-entertainment world someone has managed to break through with something that speaks to you, then it isn't all corruption. The movie doesn't have to be great; it can be stupid and empty and you can still have the joy of a good performance, or the joy in just a good line. An actor's scowl, a small subversive gesture, a dirty remark that someone tosses off with a mock-innocent face, and the world makes a little bit of sense. Sitting there alone or painfully alone because those with you do not react as you do, you know there must be others perhaps in this very theatre or in this city, surely in other theatres in other cities, now, in the past or future, who react as you do. And because movies are the most total and encompassing art form we have, these reactions can seem the most personal and, maybe the most important, imaginable. The romance of movies is not just in those stories and those people on the screen but in the adolescent dream of meeting others who feel as you do about what you've seen. You do meet them, of course, and you know each other at once because you talk less about good movies than about what you love in bad movies.
|
|
loneliness
films
society
movies
|
Pauline Kael |
a6e47b5
|
people see so many movies that when they finally see one not so bad as the others, they think it's great. an Academy Award means that you don't stink quite as much as your cousin.
|
|
theatre
academy-awards
film
movies
theater
|
Charles Bukowski |
bcbd232
|
That's what I do. Watch movies and read. Sometimes I even pretend to write, but I'm not fooling anyone. Oh, and I go to the mailbox.
|
|
reading
life
love
everyday-life
write
movies
thinking
|
Nicole Krauss |
45467f1
|
some soap opera, you know, real people pretending to be fake people with made-up problems being watched by real people to forget their real problems.
|
|
reality
truth
soap-opera
tv
problems
movies
|
Chuck Palahniuk |
024177f
|
A while back, when Dick & Barry & I agreed that what really matters is what you like, not what you *are* like, Barry proposed the idea of a questionnaire for potential partners, a 2 or 3 page multiple-choice document that covered all the music/film/TV/book bases. It was intended: a) to dispense with awkward conversation, and b) to prevent a chap from leaping into bed with someone who might, at a later date, turn out to have every Julio Iglesias record ever made. It amused us at the time... But there was an important & essential truth contained in the idea, and the truth was that these things matter, and it's no good pretending that any relationship has a future if your record collections disagree violently, or if your favorite films wouldn't even speak to each other if they met at a party.
|
|
relationships
music
movies
|
Nick Hornby |
ed43b80
|
"NOOOO!" On the screen, a woman's eyes bugged almost out of her head, and I tried not to scream. Tried not to scream in exasperation, I mean. The serial killer was right in front of her, wide open! Clearly, instead of weeping like a moron, she could be lunging forward and administering a swift uppercut to the chin. Then this entire pointless ordeal would be over with, and I could go home."
|
|
scream
movies
nevermore
|
James Patterson |
27b91da
|
How long is forever? Sometimes just one second
|
|
lewis-caroll
movies
tim-burton
|
Lewis Carroll |
b006460
|
Love is a temporary madness, it erupts like volcanoes and then subsides. And when it subsides you have to make a decision. You have to work out whether your roots have so entwined together that it is inconceivable that you should ever part. Because this is what love is. Love is not breathlessness, it is not excitement, it is not the promulgation of promises of eternal passion. That is just being in love, which any fool can do. Love itself is what is left over when being in love has burned away, and this is both an art and a fortunate accident. Those that truly love have roots that grow towards each other underground, and, when all the pretty blossoms have fallen from their branches, they find that they are one tree and not two.
|
|
madness
love
movies
|
Louis de Bernières |
df7d49f
|
"(Golden Globe acceptance speech in the style of ): "Four A.M. Having just returned from an evening at the Golden Spheres, which despite the inconveniences of heat, noise and overcrowding, was not without its pleasures. Thankfully, there were no dogs and no children. The gowns were middling. There was a good deal of shouting and behavior verging on the profligate, however, people were very free with their compliments and I made several new acquaintances. Miss Lindsay Doran, of Mirage, wherever that might be, who is largely responsible for my presence here, an enchanting companion about whom too much good cannot be said. Mr. Ang Lee, of foreign extraction, who most unexpectedly apppeared to understand me better than I undersand myself. Mr. James Schamus, a copiously erudite gentleman, and Miss Kate Winslet, beautiful in both countenance and spirit. Mr. Pat Doyle, a composer and a Scot, who displayed the kind of wild behavior one has lernt to expect from that race. Mr. Mark Canton, an energetic person with a ready smile who, as I understand it, owes me a vast deal of money. Miss Lisa Henson -- a lovely girl, and Mr. Gareth Wigan -- a lovely boy. I attempted to converse with Mr. Sydney Pollack, but his charms and wisdom are so generally pleasing that it proved impossible to get within ten feet of him. The room was full of interesting activitiy until eleven P.M. when it emptied rather suddenly. The lateness of the hour is due therefore not to the dance, but to the waiting, in a long line for horseless vehicles of unconscionable size. The modern world has clearly done nothing for transport. P.S. Managed to avoid the hoyden who has purloined my creation and added things of her own. Nefarious creature." "With gratitude and apologies to , thank you." --
|
|
jane-austen
humor
golden-globes
sense-and-sensibility
speeches
movies
|
Emma Thompson |
d977a0a
|
"Dear Hunger Games : Screw you for helping cowards pretend you have to be great with a bow to fight evil. You don't need to be drafted into a monkey-infested jungle to fight evil. You don't need your father's light sabre, or to be bitten by a radioactive spider. You don't need to be stalked by a creepy ancient vampire who is basically a pedophile if you're younger than a redwood. Screw you mainstream media for making it look like moral courage requires hair gel, thousands of sit ups and millions of dollars of fake ass CGI. Moral courage is the gritty, scary and mostly anonymous process of challenging friends, co-workers and family on issues like spanking, taxation, debt, circumcision and war. Moral courage is standing up to bullies when the audience is not cheering, but jeering. It is helping broken people out of abusive relationships, and promoting the inner peace of self knowledge in a shallow and empty pseudo-culture. Moral courage does not ask for - or receive - permission or the praise of the masses. If the masses praise you, it is because you are helping distract them from their own moral cowardice and conformity. Those who provoke discomfort create change - no one else. So forget your politics and vampires and magic wands and photon torpedoes. Forget passively waiting for the world to provoke and corner you into being virtuous. It never will. Stop watching fictional courage and go live some; it is harder and better than anything you will ever see on a screen. Let's make the world change the classification of courage from 'fantasy' to 'documentary.'
|
|
philosophy
mainstream-media
media
movies
|
Stefan Molyneux |
44c93c3
|
My whole life I though I was the star of an overly earnest romance movie, and it turns out I was in a goddamned buddy comedy all along.
|
|
romance
life
comedy
romance-movie
star
film
movie
movies
|
John Green |
cff9439
|
"In the movie I was played by an actor who actually looked more like me than the character the author portrayed in the book: I wasn't blond, I wasn't tan, and neither was the actor. I also suddenly became the movie's moral compass, spouting AA jargon, castigating everyone's drug use and trying to save Julian. (I'll sell my car," I warn the actor playing Julian's dealer. "Whatever it takes.") This was slightly less true of Blair's character, played by a girl who actually seemed like she belonged in our group-- jittery, sexually available, easily wounded. Julian became the sentimentalized version of himself, acted by a talented, sad-faced clown, who has an affair with Blair and then realizes he has to let her go because I was his best bud. "Be good to her," Julian tells Clay. "She really deserves it." The sheer hypocrisy of this scene must have made the author blanch. Smiling secretly to myself with perverse satisfaction when the actor delivered that line, I then glanced at Blair in the darkness of the screening room."
|
|
movies
|
Bret Easton Ellis |
536e825
|
"Remember the great film with Bette Davis, All About Eve? There's a scene after the scheming Eve steals Margo's role through trickery & then gets this magnificent review. Margo of course is effing & blinding all over the place. And crying. Her director rushes into her house, puts his arms around her & says, "I ran all the way". That's what I want."
|
|
celebrity
hollywood
film
movies
power
|
Martha Grimes |
1900ca1
|
Social Note: I have sought escape in the Prytania on more than one occasion, pulled by the attractions of some technicolored horrors, filmed abortions that were offenses against any criteria of taste and decency, reels and reels of perversion and blasphemy that stunned my disbelieving eyes, the shocked my virginal mind, and sealed my valve.
|
|
movies
|
John Kennedy Toole |
8e27c78
|
I'm only happy when I forget to exist. When just my eyes or my ears or my skin exist.
|
|
reading
movies
|
John Fowles |
583235c
|
In New York I'd go to the movies three or four times a week. Here I've upped it to six or seven, mainly because I'm too lazy to do anything else. Fortunately, going to the movies seems to suddenly qualify as an intellectual accomplishment, on a par with reading a book or devoting time to serious thought. It's not that the movies have gotten any more strenuous, it's just that a lot of people are as lazy as I am, and together we've agreed to lower the bar.
|
|
humor
movies
|
David Sedaris |
de97001
|
That's what the movies do. They don't entertain us, they don't send the message: 'We care.' They give us lines to say, they assign us parts: John Wayne, Theda Bara, Shirley Temple, take your pick.
|
|
movies
|
Connie Willis |
6167e05
|
Music shouldn't be just a tune, it should be a touch.
|
|
story
writing
music
song
motivational
philosophy
wisdom
inspirational
advertisement
album
alliterations
amit-kalantri
amit-kalantri-quotes
amit-kalantri-writer
background-music
background-score
band
catch-lines
catchphrases
concert
drums
michael-jackson
movie-dialogue
music-director
music-industry
music-quotes
musicians
playing
pop
script-writing
scriptwriting
speechwriting
tag-lines
vocal
singer
book-writing
essay
script
instruments
sound
proverbs
rock
creative-writing
rhetoric
guitar
singing
novel-writing
movie
public-speaking
quotes
tune
movies
melody
characters
knowledge
speech
artist
soul
touch
|
Amit Kalantri |
8016d31
|
Just watch any husband arguing with his wife about something insignificant; listen to what they say and watch how their residual emotions manifest when the fight is over. It's so formulaic and unsurprising that you wouldn't dare re-create it in a movie. All the critics would mock it. They'd all say the screenwriter was a hack who didn't even try. This is why movies have less value than we like to pretend -- movies can't show reality, because honest depictions of reality offend intelligent people.
|
|
stereotypes
reality
films
film
movies
gender-stereotypes
|
Chuck Klosterman |
f5342bd
|
...I might mention my belief that girls who like Woody Allen movies are nicer girls than girls who don't...
|
|
woody-allen
movies
|
Adam Levin |
3a1b3df
|
I was feeling rational and restless, which is horrible for watching movies
|
|
lessons
life
lit
restless
quotes
movies
|
Sinclair Lewis |
2a90b8c
|
The worst thing about movie-making is that it's like life: nobody can go back to correct the mistakes.
|
|
movies
|
Pauline Kael |
1425b78
|
Hugh Laurie (playing Mr. Palmer) felt the line 'Don't palm all your abuses [of language upon me]' was possibly too rude. 'It's in the book,' I said. He didn't hit me.
|
|
jane-austen
writing
books
screenplays
language
movies
|
Emma Thompson |
1aed5a2
|
People always ask me if I hate the nuns. Do I make my movies extra dirty to piss them off? I always say no, that's not the point. To a Catholic, a movie is only dirty if it makes you want to have sex more. If it makes you feel sick, disgusted, ashamed of your own body, then it's not a dirty movie at all. It's a Catholic movie. And I make very Catholic movies.
|
|
sex
movies
|
Kevin Smith |
d371f8d
|
A good movie had never once affected me in the same life-changing way a good book could. Books had the power to alter my view of the world forever. A great movie could change my perceptions for a day.
|
|
movies
|
Pat Conroy |
58d4a20
|
They saw me. Milton's smile curled off his face like unsticky tape. And I knew immediately, I was a boy band, a boondoggle, born fool. He was going to pull a Danny Zuko in when Sandy says hello to him in front of the T-Birds, a Mrs. Robinson when she tells Elaine she didn't seduce Benjamin, a Daisy when she chooses Tom with the disposition of a sour kiwi over Gatsby, a self-made man, a man engorged with dreams, who didn't mind throwing a pile of shirts around a room if he wanted too. My heart landslided. My legs earthquaked.
|
|
daisy-buchanan
jay-gatsby
rude-awakening
the-graduate
tom-buchanan
grease
the-great-gatsby
pop-culture
nervous
rude
cruelty
denial
embarrassment
movies
teenagers
rejection
disappointment
|
Marisha Pessl |
47e5bec
|
Other than along certain emotional tangents there was little in the book that felt as if it had actually been lived. It was a fiction produced by someone who knew only fictions, The Tempest as written by isolate Miranda, raised on the romances in her father's library.
|
|
fiction
writing
movies
|
Michael Chabon |
1eb6ec7
|
I put it to the great man [Hitchcock], the key to fictitious terror is partition or containment: so long as the Bates Motel is sealed off from our world, we want to peer in, like at a scorpion enclosure. But a film that shows the world is a Bates Motel, well, that's... the stuff of Buchloe, dystopia, depression. We'll dip our toes in a predatory, amoral, godless unive3rse, but only our toes.
|
|
thriller
movies
horror
|
David Mitchell |
598dc10
|
I lived through those books, songs, television shows, and movies - the way the characters talked, looked, acted. I thought that could translate over into reality, that I could make their world my world. I wanted so badly to run away from my life. But you can't bury yourself in other people's pages and scenes. You aren't David Copperfield or Tom Sawyer. Those love songs on the radio might speak to you, but they're not about you or the person you pine for. Life is not a John Hughes film.
|
|
life
tv-shows
novels
movies
|
Jason Diamond |
37a3286
|
"By eroding their sense of shame we've made immorality normal, not only in the world but also in the forbidden squadron. ...their new Christian friends recommended some of the movies Fletcher had been wondering if he should now avoid. I was delighted one of them said, "This is a great movie--only one sex scene, and the f-word's only used a few times." 'Titanic' is one of my favorites. How many Christian young people have watched it in their own homes? Think of it, Squaltaint. Suppose someone in the youth group said to the boys, 'There's an attractive girl down the street. Let's get together and go look through her window and watch her undress and lay back on a couch and pose naked from the waist up. Then this girl and her boyfriend will get in a car and have sex--let's get as close as we can and listen to them and watch the windows steam up.' The strategy would never work. They'd know immediately it was wrong. But you can get them to do exactly the same thing by using a television instead of a window. That's all is takes! Think of it, Squaltaint. Every day Christians across the country, including many squadron leaders, watch women and men undress and commit acts of fornication and adultery the Enemy calls an abomination. We've made them a bunch of voyeurs! Churches full of peeping toms."
|
|
sex
television
faith
truth
entertainment
movies
|
Randy Alcorn |
aca6ea1
|
How long does it take to see something, to know someone? If you put in years, you realize how little you grasped at the start, even when you thought you knew. We move through life mostly not seeing what is around us, not knowing who is around us, not understanding the forces at play, not understanding ourselves. Unless we stay with it, and maybe this is a movie about staying with it.
|
|
understanding
life-lessons
movies
|
Rebecca Solnit |
bd0c651
|
And eventually in that house where everyone, even the fugitive hiding in the cellar from his faceless enemies, finds his tongue cleaving dryly to the roof of his mouth, where even the sons of the house have to go into the cornfield with the rickshaw boy to joke about whores and compare the length of their members and whisper furtively about dreams of being film directors (Hanif's dream, which horrifies his dream-invading mother, who believes the cinema to be an extension of the brothel business), where life has been transmuted into grotesquery by the irruption into it of history, eventually in the murkiness of the underworld he cannot help himself, he finds his eyes straying upwards, up along delicate sandals and baggy pajamas and past loose kurta and above the dupatta, the cloth of modesty, until eyes meet eyes, and then
|
|
silence
history
penises
mothers
movies
sexuality
|
Salman Rushdie |
02e8e79
|
A stage adaptation of The Giver has been performed in cities and towns across the USA for years. More recently an opera has been composed and performed. And soon there will be a film. Does The Giver have the same effect when it is presented in a different way: It's hard to know. A book, to me is almost sacrosanct: such an individual and private thing. The reader brings his or her own history and beliefs and concerns, and reads in solitude, creating each scene from his own imagination as he does. There is no fellow ticket-holder in the next seat. The important thing is that another medium--stage, film, music--doesn't obliterate a book. The movie is here now, on a big screen, with stars and costumes and a score. But the book hasn't gone away. It has simply grown up, grown larger, and begun to glisten in a new way.
|
|
movies
|
Lois Lowry |
52266ce
|
I climb behind the steering wheel... I drive off immediately without once looking back; it's a long journey but it leads to freedom.
|
|
freedom
switzerland
road-trip
movies
journey
|
Corinne Hofmann |
96ece0d
|
Even though some individual scholars try to tell us there is no direct connection between images of violence and the violence confronting us in our lives, the commonsense truth remains- we are affected by the images we consume and by the states of mind we are in when watching them. If consumers want to be entertained, and the images shown us as entertaining are images of violent dehumanization, it makes sense that these acts become more acceptable in our daily lives and that we become less likely to respond to them with moral outrage or concern. Were we all seeing more images of loving human interaction, it would undoubtedly have a positive impact on our lives.
|
|
violence
television
mass-media
pop-culture
violent
movies
|
bell hooks |
e1d5d9d
|
"Her first really great role, the one that cemented the "Jean Arthur character," was as the wisecracking big-city reporter who eventually melts for country rube Gary Cooper in Frank Capra's Mr. Deeds Goes to Town (1936). It was the first of three terrific films for Capra: Jean played the down-to-earth daughter of an annoyingly wacky family in Capra's rendition of Kaufman and Hart's You Can't Take It With You (1938), and she was another hard-boiled city gal won over by a starry-eyed yokel in Mr. Smith Goes to Washington (1939). "Jean Arthur is my favorite actress," said Capra, who had successfully worked with Stanwyck, Colbert and Hepburn. ". . . push that neurotic girl . . . in front of the camera . . . and that whining mop would magically blossom into a warm, lovely, poised and confident actress." Capra obviously recognized that Jean was often frustrated in her career choice."
|
|
classic-hollywood
frank-capra
jean-arthur
films
hollywood
film
movies
|
Eve Golden |
151989b
|
"(Sadie)"I'm not judging you, Dylan. I love vampire movies. If I looked surprised it was only because it's so different from your TV work, that's all." His shoulders relaxed a notch. "Sorry. Olly gives me a lot of shit for selling out. He doesn't get that no one is ever going to make his movie about two old men on a fishing trip. Or, even if they do, no one is every going to go see it." --
|
|
work
movies
|
Sarah Mayberry |
cebe995
|
His voice was the elaborately casual voice of the tough guy in pictures. Pictures have made them all like that.
|
|
noir
movies
|
Raymond Chandler |
bf81d56
|
Oftentimes she wondered what had happened to super 8. Sure, it made perfect sense that nobody wanted the hassle of spending money on a three-minute cartridge of film and threading it through a projector, but though digital cameras were convenient and cheap, Mandy didn't care. Super 8 had integrity, it wasn't just nostalgia, it was art, it was history, it was a little recording medium that somehow possessed the power to evoke lost memories, to turn back time, and there was something dazzling about waiting excitedly for a reel of film to come back in its yellow and red Kodak envelope, eating buttered popcorn while the projector paraded life's best moments, and capturing something beautiful in only three minutes.
|
|
photography
integrity
future
future-shock
home-movies
kodak
projector
retro
super-8
vintage
popcorn
digital
lonliness
movies
nostalgia
|
Rebecca McNutt |
fb64e39
|
Six men control almost all the media in the United States--book publishing, magazines, television, movie studios, newspapers, and radio. They are not friendly toward feminism, which has almost disappeared from the surface of our society. You will almost never see a feminist column on an op-ed page, a feminist article in a magazine, or newspaper, actual (not satirized) feminist ideas on television or in the movies. Only magazines & radio controlled by feminists--and these are few and not well-funded--offer information on the feminist perspective. This might be understandable if feminism were a wild-eyed manic philosophy. But it is a belief, a politics, based on one simple fact: women are human beings who matter as much as men. That is all that feminism claims. As human beings, women have the right to control their own bodies, to walk freely in the world, to train their minds and bodies, and to love and hate at will. Only those who wish to continue to coerce women into a servant/slave class for men cannot accept this principle.
|
|
human-rights
feminism
women-s-rights
television
women
politics
inequality
magazines
media
newspapers
preface
radio
movies
gender
sexism
|
Marilyn French |
329d336
|
Hollywood movies, however, have brainwashed us into thinking that we can defeat the alien invaders if they are a few decades or centuries ahead of us in technology. Hollywood assumes that we can win by using some primitive, clever trick. In Independence Day, all we have to do is inject a simple computer virus into their operating system to bring them to their knees, as if the aliens use Microsoft Windows.
|
|
future
computers
science-fiction
movies
technology
|
Michio Kaku |
a4fed29
|
"I am slightly offended by the way busy working women my age are presented in film. I'm not, like, always barking orders into my hands-free phone device and telling people constantly, "I have no time for this!" I didn't completely forget how to be nice and feminine because I have a career."
|
|
women
film-industry
women-in-film
working-women
movies
|
Mindy Kaling |
fdc8727
|
All Sam Peckinpah ever did in his movies was show that getting hit on the chin doesn't sound like [makes a small popping noise]. When one grown man hits another grown man in the face, it splatters like an overripe tomato. And it's not fun getting killed. It's bloody and gory and altogether unpleasant. That's all Sam Peckinpah ever did.
|
|
violence
sam-peckinpah
film
movies
|
Harry Crews |
825cd77
|
The fact is I am quite happy in a movie, even a bad movie. Other people, so I have read, treasure memorable moments in their lives: the time one climbed the Parthenon at sunrise, the summer night one met a lonely girl in Central Park and achieved with her a sweet and natural relationship, as they say in books. I too once met a girl in Central Park, but it was not much to remember. What I remember is the time John Wayne killed three men with a carbine as he was falling to the dusty street in Stagecoach, and the time the kitten found Orson Wells in the doorway in the Third Man.
|
|
the-third-man
orson-welles
kittens
movies
|
Walker Percy |
7243642
|
...she found it made things easier if she dramatised them. Or melodramatised them. It was easier, for example, to face the fact of Uncle Philip if she saw him as a character in a film, possibly played by Orson Welles.
|
|
orson-welles
film
movies
|
Angela Carter |
a1ea85e
|
Watching a film was like being a voyeur, living vicariously.
|
|
movies
|
Angela Carter |