Can you be happy with the movies, and the ads, and the clothes in the stores, and the doctors, and the eyes as you walk down the street all telling you there is something wrong with you? No. You cannot be happy. Because, you poor darling baby, you believe them.
But when they made love he was offended by her eyes. They behaved as though they belonged to someone else. Someone watching. Looking out of the window at the sea. At a boat in the river. Or a passerby in the mist in a hat. He was exasperated because he didn't know what that look . He put it somewhere between indifference and despair. He didn't know that in some places, like the country that Rahel came from, various kinds of despair competed for primacy. And that despair could never be desperate enough. That something happened when personal turmoil dropped by at the wayside shrine of the vast, violent, circling, driving, ridiculous, insane, unfeasible, public turmoil of a nation. That Big God howled like a hot wind, and demanded obeisance. Then Small God (cozy and contained, private and limited) came away cauterized, laughing numbly at his own temerity. Inured by the confirmation of his own inconsequence, he became resilient and truly indifferent. Nothing mattered much. Nothing much mattered. And the less it mattered, the less it mattered. It was never important enough. Because Worse Things had happened. In the country that she came from, poised forever between the terror of war and the horror of peace, Worse Things kept happening. So Small God laughed a hollow laugh, and skipped away cheerfully. Like a rich boy in shorts. He whistled, kicked stones. The source of his brittle elation was the relative smallness of his misfortune. He climbed into people's eyes and became an exasperating expression.
"Calvin said, "Do you know that this is the first time I've seen you without your glasses?" "I'm blind as a bat without them. I'm near-sighted, like father." "Well, you know what, you've got dream-boat eyes," Calvin said. "Listen, you go right on wearing your glasses. I don't think I want anybody else to see what gorgeous eyes you have."
She was looking into my eyes with that way she had of looking that made you wonder whether she really saw out of her own eyes. They would look on and on after every one else's eyes in the world would have stopped looking. She looked as though there were nothing on earth she would not look at like that, and really she was afraid of so many things.
"We don't take orders from you, Sergeant." Quain said. "Your man tried to assassinate-" "He isn't mine. man has eyes that change color with the seasons."
"Her eyes were of different colors, the left as brown as autumn, the right as gray as Atlantic wind. Both seemed alive with questions that would never be voiced, as if no words yet existed with which to frame them. She was nineteen years old, or thereabouts; her exact age was unknown. Her face was as fresh as an apple and as delicate as blossom, but a marked depression in the bones beneath her left eye gave her features a disturbing asymmetry. Her mouth never curved into a smile. God, it seemed, had withheld that possibility, as surely as from a blind man the power of sight. He had withheld much else. Amparo was touched--by genius, by madness, by the Devil, or by a conspiracy of all these and more. She took no sacraments and appeared incapable of prayer. She had a horror of clocks and mirrors. By her own account she spoke with Angels and could hear the thoughts of animals and trees. She was passionately kind to all living things. She was a beam of starlight trapped in flesh and awaiting only the moment when it would continue on its journey into forever." (p.33)"
"Perception requires imagination because the data people encounter in their lives are never complete and always equivocal. For example, most people consider that the greatest evidence of an event one can obtain is to see it with their own eyes, and in a court of law little is held in more esteem than eyewitness testimony. Yet if you asked to display for a court a video of the same quality as the unprocessed data catptured on the retina of a human eye, the judge might wonder what you were tryig to put over. For one thing, the view will have a blind spot where the optic nerve attaches to the retina. Moreover, the only part of our field of vision with good resolution is a narrow area of about 1 degree of visual angle around the retina's center, an area the width of our thumb as it looks when held at arm's length. Outside that region, resolution drops off sharply. To compensate, we constantly move our eyes to bring the sharper region to bear on different portions of the scene we wish to observe. And so the pattern of raw data sent to the brain is a shaky, badly pixilated picture with a hole in it. Fortunately the brain processes the data, combining input from both eyes, filling in gaps on the assumption that the visual properties of neighboring locations are similar and interpolating. The result - at least until age, injury, disease, or an excess of mai tais takes its toll - is a happy human being suffering from the compelling illusion that his or her vision is sharp and clear. We also use our imagination and take shortcuts to fill gaps in patterns of nonvisual data. As with visual input, we draw conclusions and make judgments based on uncertain and incomplete information, and we conclude, when we are done analyzing the patterns, that out "picture" is clear and accurate. But is it?" --
The stars were only sparks of the fire which devoured us. Should that fire die out one day, there would be nothing left in the sky but dead stars, dead eyes.
We scarcely know how much of our pleasure and interest in life comes to us through our eyes until we have to do without them; and part of that pleasure is that the eyes can choose where to look. But the ears can't choose where to listen.
If you had weak eyes, they needed exercise to get strong. Glasses were like crutches. They prevented people with feeble eyes from seeing the world on their own.
I've been in auditions without screens, and I can assure you that I was prejudiced. I began to listen with my eyes, and there is no way that your eyes don't affect your judgement. The only true way to listen is with your ears and your heart. (p.251)
"Oh, now my Erin, she'd smile down on me no matter where I walked." Grandpop smiled that little smile again. "But I'd be separated from her, and I'd feel that separation in my soul, you see?" Nathan shook his head. Grandpop sighed. "You have the Irish eyes, boy. One of these days, you'll see from eyes, not your own, feel with a heart outside your chest. Wild Irish eyes. Nathan. When you love, love well and love true, and take care, lad, because those Irish eyes are windows into not just your own soul, but the soul of the one you love." Grandpop looked out at his Erin's grave. "And when you lose that heart, you can't leave the places where your memories are the best. And if I left her, I'd not be buried beside her."
I've traveled. All over. I've never seen anything like you. How could anything be put together like you? Do you know how beautiful you are? Have you looked at yourself?' 'I'm looking now.
St. John's eyes, though clear enough in a literal sense, in a figurative one were difficult to fathom. He seemed to use them rather as instruments to search other people's thoughts, than as agents to reveal his own: the which combination of keenness and reserve was considerably more calculated to embarrass than to encourage.
But I know Jesus arose. I feel his presence now, here, with me. I see the evidence of his Word everyday. From creation forth, the whole world is witness to God's plan revealed through his Son. From the beginning, he prepared us. In the passing of the seasons; in the way flowers spring forth, die, and drop seeds for life to begin again; in the sunset and sunrise. Jesus' sacrifice is reenacted every day of our lives if we but have the eyes to see.
She is trying to control me with fear, because she cannot control me any other way. My eyes open wide. They burn as if they are on fire--no, as if they are made of fire. Eyes are the window to the soul.
"He said, "Were he only like his sister--what a difference that would make! For there never was such a sweet and gentle lady! I hear her footsteps, as she goes about the world. I hear the swish-swish-swish of her silken gown and the jingle-jangle of the silver chain about her neck. Her smile is full of comfort and her eyes are kind and happy! How I long to see her!" "Who, sir?" asked Paramore, puzzled. "Why, his sister, John. His sister."
Then turn your eyes back on me, and tell me that Cathy and I are still children to be treated with condescension, and are incapable of understanding adult subjects.
"...I love you," he said to her, although at that point he was certain she could no longer comprehend the words. "I'd trade places with you in an instant, Mandy Valems... you never deserved this... why would anyone do something so terrible!?" A cold chill froze his heart when he saw her empty eyes again. The fluorescent lights in the dim room sparked to life all of a sudden, brightness so sharp that it startled him. In a flash, sharp and sudden, quicker than a lightning strike, the bulbs flickered and exploded with a few jingling pops."
There was something about those cold, cold eyes that set off sparks in her. Not just sparks. A timber fire. He found something deep inside her that had never been touched before and it ignited just for him.
Jemima was not pretty, the flatness and shortness of her face made her almost plain; yet most people looked twice at her expressive countenance, at the eyes which flamed or melted at every trifle, at the rich colour which came at every expressed emotion into her usually sallow face, at the faultless teeth which made her smile like a sunbeam.
"They met in the library searching for old Sidney Sheldon books. Her silence and calmness drew her to him. His brooding nature drew him to her. Conversations flowed like the waters of a water-fall! And every time they met their conversations sparked flames like the forest caught in a wild fire!
"Geraldine keeps her eyes trained on him as she slowly reaches into her purse, wrapping her fingers around her gun. "...Callo, I'm so sorry that your life ended up this way," she sighs as she gets out of her side of the car, her feet burning from the cold as her high heels sink into the fallen snow. "Aren't you scared?" "I'm you, Geraldine... I fell into the same trap as you, anyway," Callo answers. His large eyes are shining with tears, but he doesn't seem afraid in the least. "...The dead don't feel anything, you know... not even guilt or regret. So, what is there to be afraid of?"
Then turn your eyes back on me, and tell me that Cathy and I are still children to be treated with condescension, and are incapable of understanding adult subjects. We haven't remained idle, twiddling our thumbs while you were off having a good time.
Or was that fatalism another good move in design space? Did the universe evolve eyes and wings and sense organs and bitter amusement at the prospect of death all the same way?
Waiting in the reception area, she had flicked through a news magazine that had been lying on the table for clients to read while waiting for their appointment. On the cover there had been a picture of a well-known politician, a man famous for his rudeness and aggression. She had looked at the eyes--the piercing, accusing eyes, and had seen only an impenetrable, defensive anger. Nothing--no forced smiles nor rehearsed protestation of concern, could cancel out the cold selfishness of those eyes.
I closed my eyes then but it was too dark to clearly see that vision that my body would conjure out of blood and the inside of skin when light hit it, but I'd seen it so often, examined it so carefully, that it wasn't hard for me to call to mind.