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42ce5d1 There are few people whom I really love, and still fewer of whom I think well. The more I see of the world, the more am I dissatisfied with it; and every day confirms my belief of the inconsistency of all human characters, and of the little dependence that can be placed on the appearance of merit or sense. jane-austen Jane Austen
a0a51ea Angry people are not always wise. jane-austen wisdom Jane Austen
0338a06 My idea of good company...is the company of clever, well-informed people, who have a great deal of conversation; that is what I call good company.' 'You are mistaken,' said he gently, 'that is not good company, that is the best. jane-austen good-company persuasion Jane Austen
1e63cf0 Do not give way to useless alarm; though it is right to be prepared for the worst, there is no occasion to look on it as certain. jane-austen comfort inspirational pride-and-prejudice Jane Austen
83bfe9e It is happy for you that you possess the talent of flattering with delicacy. May I ask whether these pleasing attentions proceed from the impulse of the moment, or are they the result of previous study? jane-austen mr-collins Jane Austen
337e4ff Anyone who has the temerity to write about Jane Austen is aware of [two] facts: first, that of all great writers she is the most difficult to catch in the act of greatness; second, that there are twenty-five elderly gentlemen living in the neighbourhood of London who resent any slight upon her genius as if it were an insult to the chastity of their aunts. jane-austen criticism Virginia Woolf
516dc69 For [Jane Austen and the readers of Pride and Prejudice], as for Mr. Darcy, [Elizabeth Bennett's] solitary walks express the independence that literally takes the heroine out of the social sphere of the houses and their inhabitants, into a larger, lonelier world where she is free to think: walking articulates both physical and mental freedom. jane-austen page-100 walking Rebecca Solnit
d7dc4ce But some characters in books are really real--Jane Austen's are; and I know those five Bennets at the opening of Pride and Prejudice, simply waiting to raven the young men at Netherfield Park, are not giving one thought to the real facts of marriage. jane-austen marriage Dodie Smith
df7d49f "(Golden Globe acceptance speech in the style of ): "Four A.M. Having just returned from an evening at the Golden Spheres, which despite the inconveniences of heat, noise and overcrowding, was not without its pleasures. Thankfully, there were no dogs and no children. The gowns were middling. There was a good deal of shouting and behavior verging on the profligate, however, people were very free with their compliments and I made several new acquaintances. Miss Lindsay Doran, of Mirage, wherever that might be, who is largely responsible for my presence here, an enchanting companion about whom too much good cannot be said. Mr. Ang Lee, of foreign extraction, who most unexpectedly apppeared to understand me better than I undersand myself. Mr. James Schamus, a copiously erudite gentleman, and Miss Kate Winslet, beautiful in both countenance and spirit. Mr. Pat Doyle, a composer and a Scot, who displayed the kind of wild behavior one has lernt to expect from that race. Mr. Mark Canton, an energetic person with a ready smile who, as I understand it, owes me a vast deal of money. Miss Lisa Henson -- a lovely girl, and Mr. Gareth Wigan -- a lovely boy. I attempted to converse with Mr. Sydney Pollack, but his charms and wisdom are so generally pleasing that it proved impossible to get within ten feet of him. The room was full of interesting activitiy until eleven P.M. when it emptied rather suddenly. The lateness of the hour is due therefore not to the dance, but to the waiting, in a long line for horseless vehicles of unconscionable size. The modern world has clearly done nothing for transport. P.S. Managed to avoid the hoyden who has purloined my creation and added things of her own. Nefarious creature." "With gratitude and apologies to , thank you." -- jane-austen humor golden-globes sense-and-sensibility speeches movies Emma Thompson
0e50e5c It was as easy as breathing to go and have tea near the place where Jane Austen had so wittily scribbled and so painfully died. One of the things that causes some critics to marvel at Miss Austen is the laconic way in which, as a daughter of the epoch that saw the Napoleonic Wars, she contrives like a Greek dramatist to keep it off the stage while she concentrates on the human factor. I think this comes close to affectation on the part of some of her admirers. Captain Frederick Wentworth in , for example, is partly of interest to the female sex because of the 'prize' loot he has extracted from his encounters with Bonaparte's navy. Still, as one born after Hiroshima I can testify that a small Hampshire township, however large the number of names of the fallen on its village-green war memorial, is more than a world away from any unpleasantness on the European mainland or the high or narrow seas that lie between. (I used to love the detail that Hampshire's 'New Forest' is so called because it was only planted for the hunt in the late eleventh century.) I remember watching with my father and brother through the fence of Stanstead House, the Sussex mansion of the Earl of Bessborough, one evening in the early 1960s, and seeing an immense golden meadow carpeted entirely by grazing rabbits. I'll never keep that quiet, or be that still, again. This was around the time of countrywide protest against the introduction of a horrible laboratory-confected disease, named 'myxomatosis,' into the warrens of old England to keep down the number of nibbling rodents. Richard Adams's lapine masterpiece is the remarkable work that it is, not merely because it evokes the world of hedgerows and chalk-downs and streams and spinneys better than anything since , but because it is only really possible to imagine gassing and massacre and organized cruelty on this ancient and green and gently rounded landscape if it is organized and carried out against herbivores. jane-austen literature silence women 1960s earl-of-bessborough gassing hampshire hiroshima mansions myxomatosis napoleonic-wars new-forest persuasion-novel richard-adams sussex theatre-of-ancient-greece townships war-memorials watership-down wind-in-the-willows napoleon countryside meadow massacre rabbits cruelty world-war-ii quiet england europe literary-criticism Christopher Hitchens
534d743 I am Emma Woodhouse. I feel for her, of her and in her. I have a different sort of snobbism, but I understand her snobbism. Her priggishness. I admire it. I know she does wrong things, she tries to organize other people's lives, she can't see Mr Knightley is a man in a million. She's temporarily silly, yet all the time one knows she's basically intelligent. Creative, determined to set the highest standards. A real human being. jane-austen intelligence mr-knightley snobbery John Fowles
7ac2ce6 I resolutely refuse to believe that the state of Edward's health had anything to do with this, and I don't say this only because I was once later accused of attacking him 'on his deathbed.' He was entirely lucid to the end, and the positions he took were easily recognizable by me as extensions or outgrowths of views he had expressed (and also declined to express) in the past. Alas, it is true that he was closer to the end than anybody knew when the thirtieth anniversary reissue of his was published, but his long-precarious condition would hardly argue for giving him a lenient review, let alone denying him one altogether, which would have been the only alternatives. In the introduction he wrote for the new edition, he generally declined the opportunity to answer his scholarly critics, and instead gave the recent American arrival in Baghdad as a grand example of 'Orientalism' in action. The looting and destruction of the exhibits in the Iraq National Museum had, he wrote, been a deliberate piece of United States vandalism, perpetrated in order to shear the Iraqi people of their cultural patrimony and demonstrate to them their new servitude. Even at a time when anything at all could be said and believed so long as it was sufficiently and hysterically anti-Bush, this could be described as exceptionally mendacious. So when the invited me to review Edward's revised edition, I decided I'd suspect myself more if I declined than if I agreed, and I wrote what I felt I had to. Not long afterward, an Iraqi comrade sent me without comment an article Edward had contributed to a magazine in London that was published by a princeling of the Saudi royal family. In it, Edward quoted some sentences about the Iraq war that he off-handedly described as 'racist.' The sentences in question had been written by me. I felt myself assailed by a reaction that was at once hot-eyed and frigidly cold. He had cited the words without naming their author, and this I briefly thought could be construed as a friendly hesitance. Or as cowardice... I can never quite act the stern role of Mr. Darcy with any conviction, but privately I sometimes resolve that that's 'it' as it were. I didn't say anything to Edward but then, I never said anything to him again, either. I believe that one or two charges simply must retain their face value and not become debauched or devalued. 'Racist' is one such. It is an accusation that must either be made good upon, or fully retracted. I would not have as a friend somebody whom I suspected of that prejudice, and I decided to presume that Edward was honest and serious enough to feel the same way. I feel misery stealing over me again as I set this down: I wrote the best tribute I could manage when he died not long afterward (and there was no strain in that, as I was relieved to find), but I didn't go to, and wasn't invited to, his funeral. jane-austen prejudice fitzwilliam-darcy house-of-saud iraqis mendacity national-museum-of-iraq orientalism-book race-card the-atlantic vandalism pride-and-prejudice george-w-bush iraq iraq-war edward-said imperialism united-states cowardice london Christopher Hitchens
06886c8 "More than anything, I began to hate women writers. Frances Burney, Jane Austen, Elizabeth Browning, Mary Shelley, George Eliot, Virginia Woolf. Bronte, Bronte, and Bronte. I began to resent Emily, Anne, and Charlotte--my old friends--with a terrifying passion. They were not only talented; they were brave, a trait I admired more than anything but couldn't seem to possess. The world that raised these women hadn't allowed them to write, yet they had spun fiery novels in spite of all the odds. Meanwhile, I was failing with all the odds tipped in my favor. Here I was, living out Virginia Woolf's wildest feminist fantasy. I was in a room of my own. The world was no longer saying, "Write? What's the good of your writing?" but was instead saying "Write if you choose; it makes no difference to me." jane-austen feminism elizabeth-browning female-authors female-empowerment female-writers george-eliot mary-shelley virginia-woolf Catherine Lowell
7d53e29 You know, there was a time when childbirth was possibly the most terrifying thing you could do in your life, and you were literally looking death in the face when you went ahead with it. And so this is a kind of flashback to a time when that's what every woman went through. Not that they got ripped apart, but they had no guarantees about whether they were going to live through it or not. You know, I recently read - and I don't read nonfiction, generally - Becoming Jane Austen. That's the one subject that would get me to go out and read nonfiction. And the author's conclusion was that one of the reason's Jane Austen might not have married when she did have the opportunity...well, she watched her very dear nieces and friends die in childbirth! And it was like a death sentence: You get married and you will have children. You have children and you will die. (Laughs) I mean, it was a terrifying world. jane-austen childbirth horror Stephenie Meyer
1425b78 Hugh Laurie (playing Mr. Palmer) felt the line 'Don't palm all your abuses [of language upon me]' was possibly too rude. 'It's in the book,' I said. He didn't hit me. jane-austen writing books screenplays language movies Emma Thompson
7ffb5ed She remembered love, though, and a feeling of warmth. It was like remembering light, or the glow that sometimes persists after a light has gone out. mccall modern-retelling jane-austen love-quotes love smith emma metaphors Alexander McCall Smith
1423062 ...the long blue shadows of afternoon advanced before me like cheerful ghosts of last summer's growth, dancing past the withered flower borders and the stiff hedges to fall at the feet of a stone nymph, her cascade of water frozen in her urn. jane-austen mystery Stephanie Barron
dc1462a "That innovator is the aforementioned Hugh Thomson, who might be called the Colin Firth of Austen-inspired book illustration." (P. 52)" -- jane-austen colin-firth devoney-looser hugh-thomson Devoney Looser
5e30c16 It's your fault because you got me into Morag Fraser. I'd never even heard of the Hebridean Harpies series till you dragged me along to her event. And now I am totally hooked. I was reading Vampires on Vatersay till one in the morning. I just had to finish it. And then I started Banshees of Berneray at breakfast and I could hardly drag myself away from it to come and meet you. jane-austen val-mcdermid northanger-abbey Val McDermid
42a7f72 Incapaci di decifrare o di capire tutto cio che fosse complicato o fuori dagli schemi, infuriati con quelli che consideravano serpi in seno, gli integralisti furono costretti a imporre le loro formule rudimentali anche alla narrativa. E cosi come perseguitarono i colori della realta, cercando di adattarla al loro mondo in bianco e nero, si accanirono - al pari dei loro antagonisti ideologici - contro qualsiasi forma di interiorita in narrativa, finendo per perseguitare proprio i romanzi privi di contenuti politici. Come quelli della pericolosissima Jane Austen, ad esempio. jane-austen fundamentalism Azar Nafisi
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