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When you realize that eternity is right here now, that it is within your possibility to experience the eternity of your own truth and being, then you grasp the following: That which you are was never born and will never die. . . . (90)
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death
life
now
eternity
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Joseph Campbell |
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The future is an infinite succession of presents, and to live now as we think human beings should live, in defiance of all that is bad around us, is itself a marvelous victory.
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future
hope
the-present
now
victory
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Howard Zinn |
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Sometimes now was enough. Sometimes it was everything.
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now
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Mary Balogh |
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You knew the sweetness of now, now, TONIGHT! who cares for tomorrow, tomorrow is nothing, yesterday is over and done, tonight live, tonight!
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live
yesterday
now
tonight
tomorrow
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Ray Bradbury |
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"Until now, I've been writing about "now" as if it were literally an instant of time, but of course human faculties are not infinitely precise. It is simplistic to suppose that physical events and mental events march along exactly in step, with the stream of "actual moments" in the outside world and the stream of conscious awareness of them perfectly synchronized. The cinema industry depends on the phenomenon that what seems to us a movie is really a succession of still pictures, running at twenty-five [sic] frames per second. We don't notice the joins. Evidently the "now" of our conscious awareness stretches over at least 1/25 of a second. In fact, psychologists are convinced it can last a lot longer than that. Take he familiar "tick-tock" of the clock. Well, the clock doesn't go "tick-tock" at all; it goes "tick-tick," every tick producing the same sound. It's just that our consciousness runs two successive ticks into a singe "tick-tock" experience--but only if the duration between ticks is less than about three seconds. A really bug pendulum clock just goes "tock . . . tock . . . tock," whereas a bedside clock chatters away: "ticktockticktock..." Two to three seconds seems to be the duration over which our minds integrate sense data into a unitary experience, a fact reflected in the structure of human music and poetry."
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time
reality
now
time-passing
physics
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Paul Davies |
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When you beat a drum, you create NOW, when silence becomes a sound so enormous and alive it feels like you're breathing in the clouds and the sky, and your heart is the rain and the thunder.
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present
time
music
now
time-passing
present-moment
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Ruth Ozeki |
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That's all anyone has, and it's always brief, although, of course, some people believe they have a past where they can accumulate things and a future where they will accumulate still more. By the way, speaking of the present moment, do you masturbate a lot?
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present
now
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Paulo Coelho |
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"Psychologists have devised some ingenious ways to help unpack the human "now." Consider how we run those jerky movie frames together into a smooth and continuous stream. This is known as the "phi phenomenon." The essence of phi shows up in experiments in a darkened room where two small spots are briefly lit in quick succession, at slightly separated locations. What the subjects report seeing is not a succession of spots, but a spot moving continuously back and forth. Typically, the spots are illuminated for 150 milliseconds separated by an interval of fifty milliseconds. Evidently the brain somehow "fills in" the fifty-millisecond gap. Presumably this "hallucination" or embellishment occurs after the event, because until the second light flashes the subject cannot know the light is "supposed" to move. This hints that the human now is not simultaneous with the visual stimulus, but a bit delayed, allowing time for the brain to reconstruct a plausible fiction of what has happened a few milliseconds before. In a fascinating refinement of the experiment, the first spot is colored red, the second green. This clearly presents the brain with a problem. How will it join together the two discontinuous experiences--red spot, green spot--smoothly? By blending the colors seamlessly into one another? Or something else? In fact, subjects report seeing the spot change color abruptly in the middle of the imagined trajectory, and are even able to indicate exactly where using a pointer. This result leaves us wondering how the subject can apparently experience the "correct" color sensation the green spot lights up. Is it a type of precognition? Commenting on this eerie phenomenon, the philosopher wrote suggestively: "The intervening motion is produced retrospectively, built only after the second flash occurs and projected backwards in time." In his book , philosopher points out that the illusion of color switch cannot actually be created by the brain until after the green spot appears. "But if the second spot is already 'in conscious experience,' wouldn't it be too late to interpose the illusory content between the conscious experience of the red spot and the conscious experience of the green spot?"
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time
reality
phi-phenomenon
now
time-passing
psychology
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Paul Davies |
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"Perhaps there are many "nows" of varying duration, depending on just what it is we are doing. We must face up to the fact that, at least in the case of humans, the subject experiencing subjective time is not a perfect, structureless observer, but a complex, multilayered, multifaceted psyche. Different levels of our consciousness may experience time in quite different ways. This is evidently the case in terms of response time. You have probably had the slightly unnerving experience of jumping at the sound of a telephone a moment or two before you actually hear it ring. The shrill noise induces a reflex response through the nervous system much faster than the time it takes to create the conscious experience of the sound. It is fashionable to attribute certain qualities, such as speech ability, to the left side of the brain, whereas others, such as musical appreciation, belong to processes occurring on the right side. But why should both hemispheres experience a common time? And why should the subconscious use the same mental clock as the conscious?"
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time
now
time-passing
physics
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Paul Davies |
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Now everybody-
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now
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Thomas Pynchon |
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The idea of the past is as useless as the idea of the future. Both could be invoked by anybody about anything. There is never any more beauty than there is now. There is no more joy or sorrow or wonder than there is now, nor perfection, nor any more evil nor any more good than there is now.
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present
time
past
now
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Richard Flanagan |
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"Let's have a bet, then. If I'm right, you kiss me," he says. "And if I'm right?" "Name it." It's like taking candy from a baby. Mr. Macho Guy's ego is about to be taken down a notch, and I'm all too happy to be the one to do it. "If I win you take me and the class project seriously," I tell him. "No teasing me, no making ridiculous comments." "Deal. I'd feel terrible if I didn't tell you I have a photographic memory." "Alex, I'd feel terrible if I didn't tell you I copied the info straight from the book." I look at the research I'd done, then flip open to the corresponding page in my chem book. "Without looking, what does it need to be cooled at?" I ask. Alex is a guy who thrives on challenges. But this time the tough guy is going to lose. He closes his own book and stares at me, his jaw set. "Twenty degrees. And it needs to be dissolved at one hundred degrees, not seventy," he answers confidently. I scan the page, then my notes. Then back at the page again. I can't be wrong. Which page did I- "Oh, yeah. One hundred degrees." I look up at him in complete shock. "You're right." "You gonna kiss me now, or later?" "Right now," I say, which I can tell shocks him because his hands go still. At home, my life is dictated by my mom and dad. At school, it's different. I need to keep it that way, because if I have no control in every aspect of my life I might as well be a mannequin. "Really?" he asks. "Yeah." I take one of his hands in mine. I'd never be this bold if we had an audience, and am thankful for the privacy of the nonfiction titles surrounding us. His breathing slows as I sit up on my knees and lean into him. I'm ignoring the fact that his fingers are long and rough and that I've never actually touched him before. I'm nervous. I shouldn't be, though. I'm the one in control this time. I can feel him restraining himself. He's letting me make the move, which is a good thing. I'm afraid of what this boy would do if he let loose. I place his hand against my cheek so it cups my face and I hear him groan. I want to smile because his reaction proves I have the power. He's unmoving as our eyes meet. Time stops again. Then I turn my head into his hand and kiss the inside of his palm. "There, I kissed you," I say, giving him back his hand and ending the game. Mr. Latino with the big ego got bested by a ditzy, blond bimbo."
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bet
brittany-ellis
now
kissed
tricked
right
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Simone Elkeles |