c05e506
|
We don't see the ocean, not ever, but in July and August when the worst heat seems to rise from the hard clay of this valley, you could be walking through a fig orchard when suddenly the wind cools and for a moment you get a whiff of salt, and in that moment you can almost believe something is waiting beyond the Pacheco Pass, something massive, irrational, and so powerful even the mountains that rise east of here have no word for it. You probably think I'm nuts saying the mountains have no word for ocean, but if you live here you begin to believe they know everything. They maintain that huge silence we think of as divine, a silence that grows in autumn when snow falls slowly between the pines and the wind dies to less than a whisper and you can barely catch your breath because you're thrilled and terrified. You have to remember this isn't your land. It belongs to no one, like the sea you once lived beside and thought was yours. Remember the small boats that bobbed out as the waves rode in, and the men who carved a living from it only to find themselves carved down to nothing. Now you say this is home, so go ahead, worship the mountains as they dissolve in dust, wait on the wind, catch a scent of salt, call it our life.
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|
poetry
|
Philip Levine |
94abd19
|
"Let us go then, you and I, When the evening is spread out against the sky Like a patient etherized upon a table. Let us go, through certain half-deserted streets, The muttering retreats Of restless nights in one-night cheap hotels And sawdust restaurants with oyster shells: Streets that follow like a tedious argument Of insidious intent To lead you to an overwhelming question... Oh, do not ask, "What is it?" Let us go and make our visit. We have lingered in the chambers of the sea By sea-girls wreathed with seaweed red and brown Till human voices wake us, and we drown."
|
|
poetry
prufrock
tfios
hazel
|
T.S. Eliot |
5401b15
|
This tiger is sprawled So still and so flat, A question arises When glancing thereat. Is he asleep? to be Perfectly frank, He looks more as if He was creamed by a tank!
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|
poetry
napping
naps
tiger
|
Bill Watterson |
f80a855
|
Have you ever plunged into the immensity of space and time by reading the geological treatises of Cuvier? Borne away on the wings of his genius, have you hovered over the illimitable abyss of the past as if a magician's hand were holding you aloft? As one penetrates from seam to seam, from stratum to stratum and discovers, under the quarries of Montmartre or in the schists of the Urals, those animals whose fossilized remains belong to antediluvian civilizations, the mind is startled to catch a vista of the milliards of years and the millions of peoples which the feeble memory of man and an indestructible divine tradition have forgotten and whose ashes heaped on the surface of our globe, form the two feet of earth which furnish us with bread and flowers. Is not Cuvier the greatest poet of our century? Certainly Lord Byron has expressed in words some aspects of spiritual turmoil; but our immortal natural historian has reconstructed worlds from bleached bones.
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|
time
mind
discovery
poetry
science
fossils
cuvier
discoverer
feeble
george-byron
george-gordon-byron
george-gordon-noel
george-gordon-noel-byron
georges-cuvier
historian
montmartre
treatise
urals
lord-byron
immensity
civilization
geology
space
genius
natural
turmoil
poet
memory
|
Honoré de Balzac |
e79ac39
|
Think of the great poetry, the music and dance and ritual that spring forth from our aspiring to a life beyond death. Maybe these things are justification enough for our hopes and dreams, although I wouldn't say that to a dying man.
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|
dance
arts
hopes
poetry
dream
death
dreams
music
hope
life-after-death
posterity
ritual
dying
|
Don DeLillo |
a21eaab
|
..giving power to negative thoughts or fears was bringing ideas to life in physical world,idea in mind became emotion in heart,emotion turned into words spoken,written,painted,strummed across guitar strings,or vibrantly held note by Tibetan singing bowl, thoughts affected physical world.
|
|
photography
fiction
emotion
poetry
auras
negative-thoughts
physical-world
power-of-ideas
tibetan-singing-bowl
chakras
christina-westover
energy-manipulation
telepathy
san-francisco
personal-power
guitar
power-of-thoughts
beatnik
|
Christina Westover |
ee2e689
|
Since they weren't sleepy and nothing had been left unsaid, they began to read poetry to each other, taking turns like children and enjoying it. Bachir had a lovely voice, one that was already that of a man. He knew many poems by heart. He lovingly recited Victor Hugo, with warmth Rimbaud's Le bateau ivre, and poems written by young people going into battle; he then moved on to the poets of liberty - Rimbaud again, Eluard, and Desnos.
|
|
poetry
algerian-revolution
arthur-rimbaud
paul-eluard
robert-desnos
victor-hugo
|
Assia Djebar |
736a922
|
... unfools of unbeing ... means quite clearly people who are too stereotyped to be eccentric - people who are too dead spiritually to exist at all and who call alive individual fools
|
|
stereotypes
poetry
spirituality
|
Norman Friedman |
4a876ac
|
They're auras, Davey. I see them, too. The longer you stare at them, the wider the energy field expands until more colors begin to show themselves.
|
|
poetry
energy-field
literature-in-translation
chakras
christina-westover
energy-manipulation
telepathy
san-francisco
colors
beatnik
jack-kerouac
|
Christina Westover |
ed98d7c
|
Its snaky acids kiss. It petrifies the will. These are the isolate, slow faults That kill, that kill, that kill.
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|
poetry
|
Sylvia Plath |
058f4c9
|
"Harold's Bow and Food Bowl bowl bowl bowl Food food food food The miracle of the heavenly restaurant I mouth this great dark sad evening Suddenly they come for me in a limousine How could I have believed I was vanquished I never lay slain I am the victor this parade is for me Now they have led me to the doors of God Long ago and forever I was in this place on the other side of eating where I am full and the empty
|
|
grief
poetry
unleashed
|
Denis Johnson |
05d7f25
|
How does a poet know when a poem is ended? Because it lies flat, taut; nothing can be added or subtracted. How does a woman know when a marriage is over? Because of the way her life suddenly shears off in just two directions: past and future.
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|
poetry
|
Carol Shields |
b59fbee
|
"Say you could view a time lapse film of our planet: what would you see? Transparent images moving through light, "an infinite storm of beauty." The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth's face through only random patches of clarity. The land shudders and splits, like pack ice rent by widening lead. Mountains burst up, jutting, and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up- mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash-frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and crumble, like paths of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues whose split second in the light was too brief an exposure to yield any image but the hunched shadowless figures of ghosts. Slow it down more, come closer still. A dot appears, a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life."
|
|
seeing
poetry
spirituality
|
Annie Dillard |
eb24781
|
Do not look for my heart any more; the beasts have eaten it.
|
|
poetry
|
Charles Baudelaire |
9dba995
|
Me--a teenager? If she suddenly stood, here, now, before me, would I need to treat her as near and dear, although she's strange to me, and distant? Shed a tear, kiss her brow for the simple reason that we share a birthdate? So many dissimilarities between us that only the bones are likely still the same, the cranial vault, the eye sockets. Since her eyes seem a little larger, her eyelashes are longer, she's taller, and the whole body is tightly sheathed in smooth, unblemished skin. Relatives and friends still link us, it is true, but in her world nearly all are living, while in mine almost no one survives from that shared circle. We differ so profoundly, talk and think about completely different things. She knows next to nothing-- but with a doggedness deserving better causes. I know much more-- but not for sure. She shows me poems, written in a clear and careful script I haven't used for years. I read the poems, read them. Well, maybe that one if it were shorter and touched up in a couple of places. The rest do not bode well. The conversation stumbles. On her pathetic watch time is still cheap and unsteady. On mine it's far more precious and precise. Nothing in parting, a fixed smile and no emotion. Only when she vanishes, leaving her scarf in her haste. A scarf of genuine wool, in colored stripes crocheted for her by our mother. I've still got it.
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|
youth
poetry
change
growth
self
|
Wisława Szymborska |
e6c330d
|
The reason Milton wrote in fetters when he wrote of Angels & God, and at liberty when of Devils & Hell, is because he was a true Poet and of the Devil's party without knowing it.
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|
poetry
god
milton
liberty
devil
hell
|
William Blake |
e18293e
|
lsh`r lm yktb mn 'jl tHlylh wdrsth , bl mn 'jl 'n yb`th llhm fy lnfws dwn sbb wDH , w 'n ylms lwjdn dwn fhm w`
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|
poetry
novel
|
Nicholas Sparks |
707732d
|
"Now as to magic. It is surely absurd to hold me "weak" or otherwise because I choose to persist in a study which I decided deliberately four or five years ago to make, next to my poetry, the most important pursuit of my life...If I had not made magic my constant study I could not have written a single word of my Blake book [
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|
poetry
|
William Butler Yeats |
3700497
|
"CELL Now look objectively. You have to admit the cancer cell is beautiful. If it were a flower, you'd say, with its mauve centre and pink petals of if a cover for a pulpy thirties sci-fi magazine. as an alien, a success, all purple eye and jelly tentacles and spines, or are they gills, creeping around on granular Martian dirt red as the inside of the body, while its tender walls expand and burst, its spores scatter elsewhere, take root, like money, drifting like a fiction or miasma in and out of people's brains, digging themselves industriously in. The lab technician says, But why remember? All it wants is more amnesia. More life, and more abundantly. to take more. to eat more. To replicate itself. To keep on
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poetry
|
Margaret Atwood |
898f119
|
Poems should be like pins which prick the skin of boredom and leave a glow equal in its pride to the gate of the sadist who stuck the pin and walked away
|
|
poems
poetry
writing
pins
ennui
pin
sadism
sadist
pride
|
Norman Mailer |
45ea848
|
I will go to campus alone dressed in antique silk slips and beat-up cowboy boots and gypsy beads, and I will study poetry. I will sit on the edge of the fountain in the plaza and write.
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|
poetry
writing
|
Francesca Lia Block |
e880810
|
something genuine like a mark in a toilet, graced with guts and gutted with grace
|
|
poetry
|
E.E. Cummings |
2b664bd
|
THIS IS WHY He will never be given to wonder much if he was the mouth for some cruel force that said it. But if he were (this will comfort her) less than one moment out of millions had he meant it. So many years and so many turns they had swerved around the subject. And he will swear for many more the kitchen and everything in it vanished -- the oak table, their guests, the refrigerator door he had been surely propped against-- all changed to rusted ironwork and ash except in the center in her linen caftan: she was not touched. He remembers the silence before he spoke and her nodding a little, as if in the meat of this gray waste here was the signal for him to speak what they had long agreed, what somewhere they had prepared together. And this one moment in the desert of ash stretches into forever. They had been having a dinner party. She had been lonely. A friend asked her almost joking if she had ever felt really crazy, and when she started to unwind her answer in long, lovely sentences like scarves within her he saw this was the way they could no longer talk together. And that is when he said it, in front of the guests, because he couldn't bear to hear her. And this is why the guests have left and she screams as he comes near her.
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|
poetry
desperation
crazy
|
Michael Ryan |
7f997ba
|
Some people flee some other people. In some country under a sun and some clouds. They abandon something close to all they've got, sown fields, some chickens, dogs, mirrors in which fire now preens. Their shoulders bear pitchers and bundles. The emptier they get, the heavier they grow. What happens quietly: someone's dropping from exhaustion. What happens loudly: someone's bread is ripped away, someone tries to shake a limp child back to life. Always another wrong road ahead of them, always another wrong bridge across an oddly reddish river. Around them, some gunshots, now nearer, now farther away, above them a plane seems to circle. Some invisibility would come in handy, some grayish stoniness, or, better yet, some nonexistence for a shorter or a longer while. Something else will happen, only where and what. Someone will come at them, only when and who, in how many shapes, with what intentions. If he has a choice, maybe he won't be the enemy and will leave them to some sort of life.
|
|
poetry
oppression
|
Wisława Szymborska |
26feb63
|
A poem is a piece of semiotic sport, in which the signifier has been momentarily released from its grim communicative labours and can disport itself disgracefully. Freed from a loveless marriage to a single meaning, it can play the field, wax promiscous, gambol outrageously with similar unattached signifiers. If the guardians of conventional morality knew what scandalous stuff they were inscribing on their tombstones, they would cease to do so immediately.
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|
poetry
|
Terry Eagleton |
6459073
|
"A few cold words on yonder stone, A corpse as cold as they can be - Vain words, and mouldering dust, alone - Can this be all that's left of thee? O, no! thy spirit lingers still Where'er thy sunny smile was seen: There's less of darkness, less of chill On earth, than if thou hadst not been. Thou breathest in my bosom yet, And dwellest in my beating heart;
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|
loss
poetry
|
Anne Brontë |
0dde95b
|
Men call you fayre, and you doe credit it, For that your self ye daily such doe see: But the trew fayre, that is the gentle wit, And vertuous mind, is much more praysd of me. For all the rest, how ever fayre it be, Shall turne to nought and loose that glorious hew: But onely that is permanent and free From frayle corruption, that doth flesh ensew. That is true beautie: that doth argue you To be divine and borne of heavenly seed: Deriv'd from that fayre Spirit, from whom al true And perfect beauty did at first proceed. He onely fayre, and what he fayre hath made, All other fayre lyke flowres untymely fade.
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|
poetry
british-literature
edmund-spenser
sonnet
|
Edmund Spenser |
08f7659
|
Though I knew how this failure would hurt you, I had to fold like a grey moth and let go. You could not believe I was more than your echo.
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|
poetry
greek-mythology
mythology
|
Margaret Atwood |
b361b17
|
This world is not enough, but it will have to do. You can either hold on or let go.
|
|
poetry
true-stories
|
Margaret Atwood |
b808c0c
|
You trip over a word while carrying a tray of vocabulary out to the pool only to discover that broken glass is a good topic.
|
|
poetry
verse
|
Billy Collins |
46fd189
|
What we encounter in works of art and philosophy are objective versions of our own pains and struggles, evoked and defined in sound, language or image. Artists and philosophers not only show us what we have felt, they present our experiences more poignantly and intelligently than we have been able; they give shape to aspects of our lives that we recognise as our own, yet could never have understood so clearly on our own. They explain our condition to us, and thereby help us to be less lonely with, and confused by it.
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|
self-knowledge
poetry
philosophy
|
Alain de Botton |
b657a28
|
It is possible to be struck by a meteor or a single-engine plane while reading in a chair at home. Safes drop from rooftops and flatten the odd pedestrian mostly within the panels of the comics, but still, we know it is possible, as well as the flash of summer lightning, the thermos toppling over, spilling out on the grass. And we know the message can be delivered from within. The heart, no valentine, decides to quit after lunch, the power shut off like a switch, or a tiny dark ship is unmoored into the flow of the body's rivers, the brain a monastery, defenseless on the shore. This is what I think about when I shovel compost into a wheelbarrow, and when I fill the long flower boxes, then press into rows the limp roots of red impatiens-- the instant hand of Death always ready to burst forth from the sleeve of his voluminous cloak. Then the soil is full of marvels, bits of leaf like flakes off a fresco, red-brown pine needles, a beetle quick to burrow back under the loam. Then the wheelbarrow is a wilder blue, the clouds a brighter white, and all I hear is the rasp of the steel edge against a round stone, the small plants singing with lifted faces, and the click of the sundial as one hour sweeps into the next.
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|
poetry
living
life
|
Billy Collins |
60b729b
|
"I have often noticed that these things, which obsess me, neither bother nor impress other people even slightly. I am horribly apt to approach some innocent at a gathering, and like the ancient mariner, fix him with a wild, glitt'ring eye and say, "Do you know that in the head of the caterpillar of the ordinary goat moth there are two hundred twenty-eight separate muscles?" The poor wretch flees. I am not making chatter; I mean to change his life."
|
|
fate
seeing
free
light
poem
prayer
nature
poetry
freedom
joy
spirit
wonder
faith
beauty
religion
science
god
philosophy
enoughness
exultant
illumination
intricacy
joyfulness
living-in-the-present-moment
religious-diversity
stalking-the-gaps
the-tree-with-the-lights-in-it
gaps
philosopher-s-stone
multiplicity
praying
prayers
hallelujah
life-force
seeking
exploration
praise
joyful
mindfulness
epiphany
tolerance
grace
energy
disbelief
watching
growth
belief
fearless
humility
consciousness
walking
fire
mystery
curiosity
power
soul
poet
creation
|
Annie Dillard |
1ff72f5
|
THE PRESOCRATIC PROBLEM [all snap flags] Parmenides named his gun The Hot Power of the Stars. His gun was one, uncreated, imperishable, timeless, changeless, perfect, spherical. Spherical was the problem.
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|
poetry
religion
philosophy
|
Anne Carson |
8882f49
|
Love is bitter, death is sweet.
|
|
poetry
life
love
|
Jack Kerouac |
9794056
|
Some have won a wild delight, By daring wilder sorrow; Could I gain thy love to-night, I'd hazard death to-morrow.
|
|
daring
risk
poetry
love
|
Charlotte Brontë |
886c895
|
I suppose that's how it looks in prose. But it's very different if you look at it through poetry...and I think it's nicer...' Anne recovered herself and her eyes shone and her cheeks flushed... 'to look at it through poetry.
|
|
poetry
prose
|
L.M. Montgomery |
95e4c4e
|
To write poetry and to commit suicide, apparently so contradictory, had really been the same, attempts at escape. And my feelings, at the end of that wretched term, were those of a man who knows he's in a cage, exposed to the jeers of all his old ambitions until he dies.
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|
poetry
|
John Fowles |
df2d2c0
|
Man is no form no mighty molecule no just idea alone -- all that Thing -- I feel man tender radiance at Heart between breast and belly, that physical place where the Self urges -- delicate sensation
|
|
poetry
humanity
|
Allen Ginsberg |
c8f9abe
|
Of all the art forms, poetry is the most economical. It is the one which is the most secret, which requires the least physical labor, the least material, and the one which can be done between shifts, in the hospital pantry, on the subway, and on scraps of surplus paper. Over the last few years, writing a novel on tight finances, I came to appreciate the enormous differences in the material demands between poetry and prose. As we reclaim our literature, poetry has been the major voice of poor, working class, and Colored women. A room of one's own may be a necessity for writing prose, but so are reams of paper, a typewriter, and plenty of time.
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|
literature
poetry
prose
class
race
gender
|
Audre Lorde |
52bb09e
|
It has rained for five days running the world is a round puddle of sunless water where small islands are only beginning to cope a young boy in my garden is bailing out water from his flower patch when I ask him why he tells me young seeds that have not seen sun forget and drown easily.
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|
coping
poem
poetry
black-unicorn
|
Audre Lorde |
a25af6f
|
I have died too many deaths that were not mine.
|
|
poetry
not-mine
sequelae
|
Audre Lorde |
ae047b4
|
Shared emotions experienced by two souls,empathy on unequivocal level which Davey believed would change entire species of mankind if only secret of empathy could be telepathically shared with humanity,one soul after another, until every soul understood true meaning of love.
|
|
photography
fiction
poetry
empathy
humanity
love
chakras
christina-westover
telepathy
san-francisco
soul
jack-kerouac
|
Christina Westover |
4ef2647
|
"Postscript And some time make the time to drive out west Into County Clare, along the Flaggy Shore, In September or October, when the wind And the light are working off each other So that the ocean on one side is wild With foam and glitter, and inland among stones The surface of a slate-grey lake is lit By the earthed lightning of a flock of swans, Their feathers roughed and ruffling, white on white, Their fully grown headstrong-looking heads Tucked or cresting or busy underwater. Useless to think you'll park and capture it More thoroughly. You are neither here nor there, A hurry through which known and strange things pass
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|
poetry
|
Seamus Heaney |
8d906e0
|
First, her tippet made of tulle, easily lifted off her shoulders and laid on the back of a wooden chair. And her bonnet, the bow undone with a light forward pull. Then the long white dress, a more complicated matter with mother-of-pearl buttons down the back, so tiny and numerous that it takes forever before my hands can part the fabric, like a swimmer's dividing water, and slip inside. You will want to know that she was standing by an open window in an upstairs bedroom, motionless, a little wide-eyed, looking out at the orchard below, the white dress puddled at her feet on the wide-board, hardwood floor. The complexity of women's undergarments in nineteenth-century America is not to be waved off, and I proceeded like a polar explorer through clips, clasps, and moorings, catches, straps, and whalebone stays, sailing toward the iceberg of her nakedness. Later, I wrote in a notebook it was like riding a swan into the night, but, of course, I cannot tell you everything-- the way she closed her eyes to the orchard, how her hair tumbled free of its pins, how there were sudden dashes whenever we spoke. What I can tell you is it was terribly quiet in Amherst that Sabbath afternoon, nothing but a carriage passing the house, a fly buzzing in a windowpane. So I could plainly hear her inhale when I undid the very top hook-and-eye fastener of her corset and I could hear her sigh when finally it was unloosed, the way some readers sigh when they realize that Hope has feathers, that Reason is a plank, that Life is a loaded gun that looks right at you with a yellow eye.
|
|
poetry
|
Billy Collins |
d0014cf
|
When I no longer have your heart I will not request your body your presence or even your polite conversation. I will go away to a far country separated from you by the sea -- on which I cannot walk -- and refrain even from sending letters describing my pain.
|
|
poems
relationships
poetry
heartbreak
heartache
|
Alice Walker |
9307d5c
|
Is there a better method of departure by night than this quiet bon voyage with an open book, the sole companion who has come to see you off, to wave you into the dark waters beyond language?
|
|
words
reading
poetry
language
|
Billy Collins |
86bfbae
|
Poets often describe love as an emotion that we can't control, one that overwhelms logic and common sense. That's what it was like for me. I didn't plan on falling in love with you, and I doubt if you planned on falling in love with me. But once we met, it was clear that neither of us could control what was happening to us. We fell in love, despite our differences, and once we did, something rare and beautiful was created. For me, love like that has happened only once, and that's why every minute we spent together has been seared in my memory. I'll never forget a single moment of it.
|
|
romantic
romance
poetry
poetic
|
Nicholas Sparks |
415fcf9
|
O Canada I have not forgotten you, as I kneel in my canoe, beholding this vision of a bookcase. You are the paddle, the snowshoe, the cabin in the pines. You are the moose in the clearing and the moosehead on the wall. You are the rapids, the propeller, the kerosene lamp. You are the dust that coats the roadside berries. But not only that, you are the two boys with pails walking along that road.
|
|
poetry
|
Billy Collins |
ef32a68
|
The kind of poem I produced in those days was hardly anything more than a sign I made of being alive, of passing or having passed, or hoping to pass, through certain intense human emotions. It was a phenomenon of orientation rather than of art, thus comparable to stripes of paint on a roadside rock or to a pillared heap of stones marking a mountain trail.
|
|
poetry
writing
|
Vladimir Nabokov |
edae8e2
|
"If you ask a twenty-one-year-old poet whose poetry he likes, he might say, unblushing, "Nobody's," In his youth, he has not yet understood that poets like poetry, and novelists like novels; he himself likes only the role, the thought of himself in a hat."
|
|
literature
writer
poetry
writing
pretentious
pretentiousness
the-writing-life
poetic
writing-advice
write
artistry
poet
|
Annie Dillard |
ae68f1b
|
How heavy the days are. There's not a fire that can warm me, Not a sun to laugh with me, Everything bare, Everything cold and merciless, And even the beloved, clear Stars look desolately down, Since I learned in my heart that Love can die.
|
|
poetry
love
|
Hermann Hesse |
9d3b7c0
|
It is not death that allows us to understand each other, but poetry.
|
|
history
poetry
life
love
inspirational
life-philosophy
|
Ursula K. Le Guin |
ee66f4f
|
The Tao Te Ching is partly in prose, partly in verse; but as we define poetry now, not by rhyme and meter but as a patterned intensity of language, the whole thing is poetry. I wanted to catch that poetry, its terse, strange beauty. Most translations have caught meanings in their net, but prosily, letting the beauty slip through. And in poetry, beauty is no ornament; it is the meaning. It is the truth. We have that on good authority.
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|
poetry
meaning
tao-te-ching
translation
prose
|
Ursula K. Le Guin |
6478149
|
A kind of northing is what I wish to accomplish, a single-minded trek towards that place where any shutter left open to the zenith at night will record the wheeling of all the sky's stars as a pattern of perfect, concentric circles. I seek a reduction, a shedding, a sloughing off. At the seashore you often see a shell, or fragment of a shell, that sharp sands and surf have thinned to a wisp. There is no way you can tell what kind of shell it had been, what creature it had housed; it could have been a whelk or a scallop, a cowrie, limpet, or conch. The animal is long since dissolved, and its blood spread and thinned in the general sea. All you hold in your hand is a cool shred of shell, an inch long, pared so thin that it passes a faint pink light. It is an essence, a smooth condensation of the air, a curve. I long for the North where unimpeded winds would hone me to such a pure slip of bone. But I'll not go northing this year. I'll stalk that floating pole and frigid air by waiting here. I wait on bridges; I wait, struck, on forest paths and meadow's fringes, hilltops and banksides, day in and day out, and I receive a southing as a gift. The North washes down the mountains like a waterfall, like a tidal wave, and pours across the valley; it comes to me. It sweetens the persimmons and numbs the last of the crickets and hornets; it fans the flames of the forest maples, bows the meadow's seeded grasses and pokes it chilling fingers under the leaf litter, thrusting the springtails and the earthworms deeper into the earth. The sun heaves to the south by day, and at night wild Orion emerges looming like the Specter over Dead Man Mountain. Something is already here, and more is coming.
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|
fate
seeing
free
light
poem
prayer
nature
poetry
freedom
joy
spirit
wonder
faith
beauty
religion
science
god
philosophy
ring-the-bells
enoughness
exultant
illumination
intricacy
joyfulness
living-in-the-present-moment
religious-diversity
stalking-the-gaps
the-tree-with-the-lights-in-it
gaps
philosopher-s-stone
multiplicity
praying
prayers
hallelujah
life-force
seeking
exploration
praise
joyful
mindfulness
epiphany
tolerance
grace
energy
disbelief
watching
growth
belief
fearless
humility
consciousness
walking
fire
mystery
curiosity
power
soul
poet
creation
|
Annie Dillard |
9c3138d
|
"Years have passed, I suppose. I'm not really counting them anymore. But I think of this thing often: Perhaps there is a Golden Age someplace, a Renaissance for me sometime, a special time somewhere, somewhere but a ticket, a visa, a diary-page away. I don't know where or when. Who does? Where are all the rains of yesterday? In the invisible city? Inside me?
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|
poetry
life
melancholy
|
Roger Zelazny |
7bd1a85
|
Memories come to mind like excavated statues that have misplaced their heads.
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|
poetry
|
Wisława Szymborska |
d820067
|
I really don't know what 'I love you' means. I think it means 'Don't leave me here alone'.
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|
poetry
love
sonnet
|
Neil Gaiman |
b05bb0a
|
Si la liberacion no esta dentro de mi, no esta, para mi, en ninguna parte.
|
|
poets
poetry
freedom
self-esteem
|
Fernando Pessoa |
9171e34
|
STONE Let my heart turn to stone. Maybe then I can sleep without nightmares. May be then I can eat without a stomachache. Maybe then I can read without fear of an unhappy ending. Take the knife out of my heart and,please, let it turn to stone.
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|
poetry
heart
life
unhappy-endings
stone
nightmares
|
Lisa Schroeder |
6251019
|
"THE DAY THE SAUCERS CAME "That day, the saucer day the zombie day The Ragnarok and fairies day, the day the great winds came And snows, and the cities turned to crystal, the day All plants died, plastics dissolved, the day the Computers turned, the screens telling us we would obey, the day Angels, drunk and muddled, stumbled from the bars, And all the bells of London were sounded, the day Animals spoke to us in Assyrian, the Yeti day, The fluttering capes and arrival of the Time Machine day, You didn't notice any of this because you were sitting in your room, not doing anything not even reading, not really, just
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|
poetry
|
Neil Gaiman |
b941a28
|
(Wallace) Stevens turns to the idea of the weather precisely as the religious man turns to the idea of God.
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|
poetry
religion
wallace-stevens
weather
|
Harold Bloom |
8f4b98f
|
[The unicorn] sighed and plodded on, both amused and disappointed. It serves you right, she told herself. You know better than to expect a butterfly to know your name. All they know are songs and poetry, and anything else they hear. They mean well, but they can't keep things straight. And why should they, they die so soon.
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|
poetry
songs
unicorns
|
Peter S. Beagle |
d051a43
|
I saw it from that hidden, silent place Where the old wood half shuts the meadow in. It shone through all the sunset's glories - thin At first, but with a slowly brightening face. Night came, and that lone beacon, amber-hued, Beat on my sight as never it did of old; The evening star - but grown a thousandfold More haunting in this hush and solitude. It traced strange pictures on the quivering air - Half-memories that had always filled my eyes - Vast towers and gardens; curious seas and skies Of some dim life - I never could tell where. But I knew that through the cosmic dome Those rays were calling from my far, lost home.
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|
poetry
lovecraft
star
|
H.P. Lovecraft |
80ac127
|
He / thought of women. / What is it like to be a woman / listening in the dark? Black mantle of silence / stretches between them like geothermal pressure. / Ascent of the rapist up the stairs seems as slow as / lava. She listens / to the blank space where / his consciousness is, moving towards her. Lava can / move as slow as / nine hours per inch. [...] She wonders if / he is listening too. The cruel thing is, she falls asleep / listening.
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|
poetry
autobiography-of-red
|
Anne Carson |
54a3539
|
In 1881, being on a visit to Boston, my wife and I found ourselves in the Parker House with the 's, and went over to Charleston to hear him lecture. His subject was 'Some Mistakes of Moses,' and it was a memorable experience. Our lost leaders, -- , , Theodore Parker, -- who had really spoken to disciples rather than to the nation, seemed to have contributed something to form this organ by which their voice could reach the people. . The wonderful power which Washington's Attorney-general, Edmund Randolph, ascribed to of insinuating his ideas equally into learned and unlearned had passed from 's pen to 's tongue. . { }
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|
laughter
sympathy
emotion
poetry
morality
reason
imagination
friendship
humor
love
truth
wisdom
inspirational
lecture
henry-d-thoreau
henry-thoreau
mirth
orator
pathos
ralph-e-emerson
ralph-emerson
ralph-waldo-emerson
some-mistakes-of-moses
henry-david-thoreau
ingersoll
robert-g-ingersoll
robert-green-ingersoll
robert-ingersoll
emerson
memorable
praise
boston
art
thoreau
simplicity
paine
thomas-paine
tears
respect
logic
honor
power
speech
voice
|
Moncure Daniel Conway |
36f2dea
|
" . Six thousand pounds of muscle powering a hoop of butcher's knives. The only animal
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|
poetry
shark
jaws
|
Mark Haddon |
40ea440
|
Why has not England a great mythology? Our folklore has never advanced beyond daintiness, and the greater melodies about our country-side have all issued through the pipes of Greece. Deep and true as the native imagination can be, it seems to have failed here. It has stopped with the witches and the fairies. It cannot vivify one fraction of a summer field, or give names to half a dozen stars. England still waits for the supreme moment of her literature--for the great poet who shall voice her, or, better still for the thousand little poets whose voices shall pass into our common talk.
|
|
tolkien
poetry
witches
fairies
myths
mythology
|
E. M. Forster |
0ccd0db
|
...It is colder now, There are many stars, We are drifting North by the Great Bear, The leaves are falling, The water is stone in the scooped rocks, To southward Red sun grey air: The crows are Slow on their crooked wings, The jays have left us: Long since we passed the flares of Orion. Each man believes in his heart he will die. Many have written last thoughts and last letters. None know if our deaths are now or forever: None know if this wandering earth will be found. We lie down and the snow covers our garments. I pray you, You (if any open this writing) Make in your mouths the words that were our names. I will tell you all we have learned, I will tell you everything: The earth is round, There are springs under the orchards, The loam cuts with a blunt knife, Beware of Elms in thunder, The lights in the sky are stars-- We think they do not see, We think also The trees do not know nor the leaves of the grasses hear us: The birds too are ignorant. Do not listen. Do not stand at dark in the open windows. We before you have heard this: They are voices: They are not words at all but the wind rising. Also none among us has seen God. (...We have thought often The flaws of sun in the late and driving weather Pointed to one tree but it was not so.) As for the nights I warn you the nights are dangerous: The wind changes at night and the dreams come. It is very cold, There are strange stars near Arcturus, Voices are crying an unknown name in the sky
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poetry
|
Archibald MacLeish |
ac7dd9f
|
Folly, error, sin, avarice Occupy our minds and labor our bodies, And we feed our pleasant remorse As beggars nourish their vermin.
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|
poetry
|
Charles Baudelaire |
bc728ed
|
Birth, coupling, death. The more she thinks about it, the more it seems that that is all there is: a wheel turning over and over, moving so fast that sometimes you cannot even make out the spokes. It is a wonder there is any room for poetry.
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|
poetry
meaning
|
Sarah Dunant |
6648b70
|
"At Night on the High Seas At night, when the sea cradles me And the pale star gleam Lies down on its broad waves, Then I free myself wholly From all activity and all the love And stand silent and breathe purely, Alone, alone cradled by the sea That lies there, cold and silent, with a thousand lights. Then I have to think of my friends And my gaze sinks into their eyes, And I ask each one, silent and alone: "Are you still mine? Is my sorrow a sorrow to you, my death a death? Do you feel from my love, my grief, Just a breath, just an echo?" And the sea peacefully gazes back, silent,
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|
grief
poetry
love
hermann-hesse
|
Hermann Hesse |
9c59823
|
"Severed and gone, so many years! And art thou still so dear to me,
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|
poetry
|
Anne Brontë |
c6b5196
|
The vastest things are those we may not learn. We are not taught to die, nor to be born, Nor how to burn With love. How pitiful is our enforced return To those small things we are the masters of.
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|
poetry
death
love
mervyn-peake
humans
|
Mervyn Peake |
b776567
|
I refuse to consider Art a drain-pipe for passion, a kind of chamberpot, a slightly more elegant substitute for gossip and confidences. No, no! Genuine poetry is not the scum of the heart.
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|
poetry
chamberpot
drainpipe
|
Gustave Flaubert |
b811be2
|
Some people make tunes, but it is lines that run like moving messages through my head. Whatever else I am saying and doing often has no bearing on this inner, verbal life.
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|
words
poetry
|
Susan Hill |
6773255
|
Poems are lenses, mirrors, and X-ray machines.
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|
poetry
|
David Mitchell |
3e3f2f3
|
An artist is identical with an anarchist,' he cried. 'You might transpose the words anywhere. An anarchist is an artist. The man who throws a bomb is an artist, because he prefers a great moment to everything. He sees how much more valuable is one burst of blazing light, one peal of perfect thunder, than the mere common bodies of a few shapeless policemen. An artist disregards all governments, abolishes all conventions. The poet delights in disorder only. If it were not so, the most poetical thing in the world would be the Underground Railway.' 'So it is,' said Mr. Syme. 'Nonsense!' said Gregory, who was very rational when any one else attempted paradox.
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|
poetry
poet
|
G.K. Chesterton |
4803093
|
" The new grass rising in the hills, the cows loitering in the morning chill, a dozen or more old browns hidden in the shadows of the cottonwoods beside the streambed. I go higher to where the road gives up and there's only a faint path strewn with lupine between the mountain oaks. I don't ask myself what I'm looking for. I didn't come for answers to a place like this, I came to walk on the earth, still cold, still silent. Still ungiving, I've said to myself, although it greets me with last year's dead thistles and this year's hard spines, early blooming wild onions, the curling remains of spider's cloth. What did I bring to the dance? In my back pocket a crushed letter from a woman I've never met bearing bad news I can do nothing about. So I wander these woods half sightless while a west wind picks up in the trees clustered above. The pines make a music like no other, rising and falling like a distant surf at night that calms the darkness before first light. "Soughing" we call it, from Old English, no less. How weightless words are when nothing will do."
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|
words
poetry
|
Philip Levine |
b91a7ea
|
Is there life before death? That's chalked up In Ballymurphy. Competence with pain, Coherent miseries, a bite and a sup, We hug our little destiny again.
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|
poetry
life
|
Seamus Heaney |
3d245e5
|
Mr. Morris's poem is ushered into the world with a very florid birthday speech from the pen of the author of the too famous ,--a circumstance, we apprehend, in no small degree prejudicial to its success. But we hasten to assure all persons whom the knowledge of Mr. Swinburne's enthusiasm may have led to mistrust the character of the work, that it has to our perception nothing in common with this gentleman's own productions, and that his article proves very little more than that his sympathies are wiser than his performance. If Mr. Morris's poem may be said to remind us of the manner of any other writer, it is simply of that of Chaucer; and to resemble Chaucer is a great safeguard against resembling Swinburne.
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|
poetry
geoffrey-chaucer
william-morris
literary-criticism
|
Henry James |
fe13ec8
|
There are dreamed anguishes that are more real Than the ones life brings us, there are sensations Felt only by imagining Which are more ours than our own life is. There's so often a thing which, not existing, Does exist, exists lingeringly And lingeringly is ours and us...
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|
poetry
living
dreams
|
Fernando Pessoa |
53ca6ca
|
Tambien yo quiero dejarte si pienso como se piensa. Pero voy donde tu vas. Tu tambien. Da un paso. Prueba. Clavos de luna nos funden mi cintura y tus caderas.
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|
poetry
federico-garcia-lorca
teatro
poesía
|
Federico García Lorca |
2a67d00
|
It made me happy that poems are referred to in the present tense even when the poet is in the past tense.
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|
poems
poetry
poet
|
David Benioff |
1feeb32
|
Hesitate once, hesitate twice, hesitate a hundred times before employing political standards as a device for the analysis and appreciation of poetry.
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|
poetry
politics
ts-eliot
|
Christopher Hitchens |
d89c9c8
|
To be silent and consumed by fire is the worst punishment on earth,
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|
poetry
|
Federico García Lorca |
d115b59
|
[H]e initially conceived of Olivier as a man of the greatest promise destroyed by a fatal flaw, the unreasoning passion for a woman dissolving into violence, desperately weakening everything he tried to do. For how could learning and poetry be defended when it produced such dreadful results and was advanced by such imperfect creatures? At least Julien did not see the desperate fate of the ruined lover as a nineteenth-century novelist or a poet might have done, recasting the tale to create some appealing romantic hero, dashed to pieces against the unyielding society that produced him. Rather, his initial opinion -- held almost to the last -- was of Olivier as a failure, ruined by a terible weakness.
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|
passion
poetry
love
romanticism
perception
|
Iain Pears |
77bb95d
|
"...I went away from your side, in love without knowing it. Now I don't know how your eyes look, nor your hands, nor your hair.
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|
poetry
love
lorca
|
Federico García Lorca |
c513f16
|
...for poets, at least, experiencing something inexpressible does not mean silence. It's precisely the inexpressible something that poetry is meant to help us see or feel. If it were merely expressible - if there were nothing ineffable about it - there would be no need for a poem. But everywhere in the Bible we meet reality that exceeds our expectations.
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|
poetry
|
John Piper |
73e68f0
|
In the beginning was the word, and primitive societies venerated poets second only to their leaders. A poet had the power to name and so to control; he was, literally, the living memory of a group or tribe who would perpetuate their history in song; his inspiration was god given and he was in effect a medium.
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|
poetry
spoken
word
language
poet
|
Kevin Crossley-Holland |
f285331
|
Energy manipulation took place completely in mind,same way believing in telepathy caused telepathic abilities to grow STRONGER.
|
|
literature
fiction
poetry
imagination
inspirational
chakras
christina-westover
energy-manipulation
telepathist
telepathy
san-francisco
art
jack-kerouac
|
Christina Westover |
ec388df
|
It was pretty silly quoting poetry around free and easy like that. It was the act of a silly damn snob. Give man a few lines of verse and he thinks he's the Lord of all Creation. You think you can walk on water with all your books. Well, the world can get by just fine without them.
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|
literature
reading
poetry
|
Ray Bradbury |
4874b08
|
an English girl might well believe that time is how you spend your love.
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|
time
poem
poetry
nick-laird
the-last-saturday-in-ulster
zadie-smith
|
Nick Laird |
caa04ea
|
To be a poet, I realized, a true poet, was to become the Avatar of humanity incarnate; to accept the mantle of poet is to carry the cross of the Son of Man, to suffer the birth pangs of the Soul-Mother of Humanity.
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|
poetry
inspirational
|
Dan Simmons |
84abdf0
|
I will not stop singing the Muses who set me dancing.
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|
tragedy
writer
poetry
joy
work
inspiration
inspirational-quotes
happiness
life
love
euripides
muses
dancing
sing
creativity
poet
|
Anne Carson |
5caaca4
|
This is what I think about when I shovel compost into a wheelbarrow, and when I fill the long flower boxes, then press into rows the limp roots of red impatiens-- the instant hand of Death always ready to burst forth from the sleeve of his voluminous cloak. Then the soil is full of marvels, bits of leaf like flakes off a fresco, red-brown pine needles, a beetle quick to burrow back under the loam. Then the wheelbarrow is a wilder blue, the clouds a brighter white, and all I hear is the rasp of the steel edge against a round stone, the small plants singing with lifted faces, and the click of the sundial as one hour sweeps into the next.
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|
time
poetry
living
|
Billy Collins |
0587128
|
All that we saw was owing to your metaphysics.
|
|
poetry
romantics
william-blake
|
William Blake |
5bca36b
|
Vous rappelez-vous notre douce vie, Lorsque nous etions si jeunes tous deux, Et que nous n'avions au coeur d'autre envie Que d'etre bien mis et d'etre amoureux, Lorsqu'en ajoutant votre age a mon age, Nous ne comptions pas a deux quarante ans, Et que, dans notre humble et petit menage, Tout, meme l'hiver, nous etait printemps?
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|
poetry
revolutionary
|
Victor Hugo |
9f3fc72
|
"30 cents, two transfers, love Thinking hard about you I got on the bus and paid 30 cents car fare and asked the driver for two transfers before discovering
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|
poetry
love
longing
|
Richard Brautigan |
f1f3c26
|
"In the forty minutes I watched the muskrat, he never saw me, smelled me, or heard me at all. When he was in full view of course I never moved except to breathe. My eyes would move, too, following his, but he never noticed. Only once, when he was feeding from the opposite bank about eight feet away did he suddenly rise upright, all alert- and then he immediately resumed foraging. But he never knew I was there. I never knew I was there, either. For that forty minutes last night I was as purely sensitive and mute as a photographic plate; I received impressions, but I did not print out captions. My own self-awareness had disappeared; it seems now almost as though, had I been wired to electrodes, my EEG would have been flat. I have done this sort of thing so often that I have lost self-consciousness about moving slowly and halting suddenly. And I have often noticed that even a few minutes of this self-forgetfulness is tremendously invigorating. I wonder if we do not waste most of our energy just by spending every waking minute saying hello to ourselves. Martin Buber quotes an old Hasid master who said, "When you walk across the field with your mind pure and holy, then from all the stones, and all growing things, and all animals, the sparks of their souls come out and cling to you, and then they are purified and become a holy fire in you."
|
|
fate
seeing
free
light
poem
prayer
nature
poetry
freedom
joy
spirit
wonder
faith
beauty
religion
science
god
philosophy
ring-the-bells
enoughness
exultant
illumination
intricacy
joyfulness
living-in-the-present-moment
religious-diversity
stalking-the-gaps
the-tree-with-the-lights-in-it
gaps
philosopher-s-stone
multiplicity
praying
prayers
hallelujah
life-force
seeking
exploration
praise
joyful
mindfulness
epiphany
tolerance
grace
energy
disbelief
watching
growth
belief
fearless
humility
consciousness
walking
fire
mystery
curiosity
power
soul
poet
creation
|
Annie Dillard |
7879b53
|
I want to think about trees. Trees have a curious relationship to the subject of the present moment. There are many created things in the universe that outlive us, that outlive the sun, even, but I can't think about them. I live with trees. There are creatures under our feet, creatures that live over our heads, but trees live quite convincingly in the same filament of air we inhabit, and in addition, they extend impressively in both directions, up and down, shearing rock and fanning air, doing their real business just out of reach.
|
|
fate
seeing
free
light
poem
prayer
nature
poetry
freedom
joy
spirit
wonder
faith
beauty
religion
science
god
philosophy
enoughness
exultant
illumination
intricacy
joyfulness
living-in-the-present-moment
religious-diversity
stalking-the-gaps
the-tree-with-the-lights-in-it
gaps
philosopher-s-stone
multiplicity
praying
prayers
hallelujah
life-force
seeking
exploration
praise
joyful
mindfulness
epiphany
tolerance
grace
energy
disbelief
watching
trees
growth
belief
fearless
humility
consciousness
walking
fire
mystery
curiosity
power
soul
poet
creation
|
Annie Dillard |
9b573e9
|
"The color-patches of vision part, shift, and reform as I move through space in time. The present is the object of vision, and what I see before me at any given second is a full field of color patches scattered just so. The configuration will never be repeated. Living is moving; time is a live creek bearing changing lights. As I move, or as the world moves around me, the fullness of what I see shatters. "Last forever!" Who hasn't prayed that prayer? You were lucky to get it in the first place. The present is a freely given canvas. That it is constantly being ripped apart and washed downstream goes without saying; it is a canvas, nevertheless. But there is more to the present than a series of snapshots. We are not merely sensitized film; we have feelings, a memory for information and an eidetic memory for the imagery of our pasts. Our layered consciousness is a tiered track for an unmatched assortment of concentrically wound reels. Each one plays out for all of life its dazzle and blur of translucent shadow-pictures; each one hums at every moment its own secret melody in its own unique key. We tune in and out. But moments are not lost. Time out of mind is time nevertheless, cumulative, informing the present. From even the deepest slumber you wake with a jolt- older, closer to death, and wiser, grateful for breath. But time is the one thing we have been given, and we have been given to time. Time gives us a whirl. We keep waking from a dream we can't recall, looking around in surprise, and lapsing back, for years on end. All I want to do is stay awake, keep my head up, prop my eyes open, with toothpicks, with trees."
|
|
fate
seeing
free
light
poem
prayer
nature
poetry
freedom
joy
spirit
wonder
faith
beauty
religion
science
god
philosophy
enoughness
exultant
illumination
intricacy
joyfulness
living-in-the-present-moment
religious-diversity
stalking-the-gaps
the-tree-with-the-lights-in-it
gaps
philosopher-s-stone
multiplicity
praying
prayers
hallelujah
life-force
seeking
exploration
praise
joyful
mindfulness
epiphany
tolerance
grace
energy
disbelief
watching
growth
belief
fearless
humility
consciousness
walking
fire
mystery
curiosity
power
soul
poet
creation
|
Annie Dillard |
dd484dc
|
"Poetry, I tell my students, is idiosyncratic. Poetry is where we are ourselves, (though Sterling Brown said "Every 'I' is a dramatic 'I'") digging in the clam flats for the shell that snaps, emptying the proverbial pocketbook. Poetry is what you find in the dirt in the corner, overhear on the bus, God in the details, the only way to get from here to there. Poetry (and now my voice is rising) is not all love, love, love and I'm sorry the dog died. Poetry (here I hear myself loudest) is the human voice, and are we not of interest to each other?"
|
|
poetry
love
inspirational
social-media
|
Elizabeth Alexander |
33eb27d
|
I find my data first in myself, not first in the poets. For if I did not find it in myself, I would not be able to find it in the poets.
|
|
poets
poetry
philosophy
peter-kreeft
sea
water
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Peter Kreeft |
ca9b83e
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"He is a Londoner, too, in his writings. In his familiar letters he displays a rambling urban vivacity, a tendency to to veer off the point and to muddle his syntax. He had a brilliantly eclectic mind, picking up words and images while at the same time forging them in new and unexpected combinations. He conceived several ideas all at once, and sometimes forgot to separate them into their component parts. This was true of his lectures, too, in which brilliant perceptions were scattered in a wilderness of words. As he wrote on another occasion, "The lake babbled not less, and the wind murmured not, nor the little fishes leaped for joy that their tormentor was not." This strangely contorted and convoluted style also characterizes his verses, most of which were appended as commentaries upon his paintings. Like Blake, whose prophetic books bring words and images in exalted combination, Turner wished to make a complete statement. Like Blake, he seemed to consider the poet's role as being in part prophetic. His was a voice calling in the wilderness, and, perhaps secretly, he had an elevated sense of his status and his vocation. And like Blake, too, he was often considered to be mad. He lacked, however, the poetic genius of Blake - compensated perhaps by the fact that by general agreement he is the greater artist."
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poetry
turner
language
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Peter Ackroyd |
0b34c64
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I do understand that they fall when I'm least able to pay attention because poems fall not from a tree, really, but from the richly pollinated boughs of an ordinary life, buzzing, as lives do, with clamor and glory. They are easy to miss but everywhere: poetry just is, whether we revere it or try to put it in prison. It is elementary grace, communicated from one soul to another.
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poems
poetry
life
grace
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Barbara Kingsolver |
349a411
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"Robert Frost didn't like to explain his poems--and for good reason: to explain a poem is to suck the air from its lungs. This does not mean, however, that poets shouldn't talk about their poetry, or that one shouldn't ask questions about it. Rather, it suggests that any discussion of poetry should celebrate its ultimate ineffability and in so doing lead one to further inquiry. I think of that wonderful scene from Elie Wiesel's memoir, , where Mosche the Beadle of the local synagogue, in dialogue with the young, precocious author, explains: "Every question possesses a power that does not lie in the answer."
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poems
poetry
ineffability
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Tony Leuzzi |
d145720
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Under the rough and ridiculous circumstances of life in the Rocky Mountains there was something exciting and vital, full of rude poetry: the heartbeat of the West as it fought its way upward toward civilization.
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poetry
roughness
rocky-mountains
heartbeat
rough
west
civilization
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Wallace Stegner |
6ebda76
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Then you are a poet?' she asked, fingering the flyer in her pocket. 'No not at all,' he waved his hand. 'I am merely a character in a poem.
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poets
poems
poetry
identity
karen-tei-yamashita
tropic-of-orange
self
poet
stories
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Karen Tei Yamashita |
b51cba9
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Though solitude, endured too long, Bids youthful joys too soon decay, Makes mirth a stranger to my tongue, And overclouds my noon of day; When kindly thoughts that would have way, Flow back discouraged to my breast; I know there is, though far away, A home where heart and soul may rest. Warm hands are there, that, clasped in mine, The warmer heart will not belie; While mirth, and truth, and friendship shine In smiling lip and earnest eye. The ice that gathers round my heart May there be thawed; and sweetly, then, The joys of youth, that now depart, Will come to cheer my soul again.
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solitude
poetry
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Anne Brontë |
b8606e9
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Companera, cuando amabamos (for Juanita Ramos and other spik dykes) ?Volveran, campanera, esas tardes sordas Cuando nos amabamos tiradas en las sombras bajo otono? Mis ojos clavados en tu mirada Tu mirada que siempre retiraba al mundo Esas tardes cuando nos acostabamos en las nubes Mano en mano nos paseabamos por las calles Entre ninos jugando handball Vendedores y sus sabores de carne chamuzcada. La gente mirando nuestras manos Nos pescaban los ojos y se sonreian complices en este asunto del aire suave. En un cafe u otro nos sentabamos bien cerquita. Nos gustaba todo: las bodegas tiznadas La musica de Silvio, el ruido de los trenes Y habichuelas. Companera, ?Volveran esas tardes sordas cuando nos amabamos? ?Te acuerdas cuando te decia !tocame!? ?Cuando ilesa carne buscaba carne y dientes labios En los laberintos de tus bocas? Esas tardes, islas no descubiertas Cuando caminabamos hasta la orilla. Mis dedos lentos andaban las lomas de tus pechos, Recorriendo la llanura de tu espalda Tus moras hinchandose en mi boca La cueva mojada y racima. Tu corazon en mi lengua hasta en mis suenos. Dos pescadoras nadando en los mares Buscando esa perla. ?No te acuerdas como nos amabamos, companera? ?Volveran esas tardes cuando vacilabamos Pasos largos, manos entrelazadas en la playa? Las gaviotas y las brizas Dos manfloras vagas en una isla de mutua melodia. Tus tiernas palmas y los planetas que se caian. Esas tardes tinadas de mojo Cuando nos entregabamos a las olas Cuando nos tirabamos En el zacate del parque Dos cuerpos de mujer bajo los arboles Mirando los barcos cruzando el rio Tus pestanas barriendo mi cara Dormitando, oliendo tu piel de amapola. Dos extranjeras al borde del abismo Yo caia descabellada encima de tu cuerpo Sobre las lunas llenas de tus pechos Esas tardes cuando se mecia el mundo con mi resuello Dos mujeres que hacian una sola sombra bailarina Esas tardes andabamos hasta que las lamparas Se prendian en las avenidas. ?Volveran, Companera, esas tardes cuando nos amabanos?
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poetry
queer
sapphic
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Gloria E. Anzaldúa |
6b164b3
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This gesture is one of the motifs of modernity's turn against the principle of imitating nature, that is to say, imitating predefined morphological expectations. It is still capable of perceiving message-totalities and autonomous thing-signals when no morphologically intact figures are left - indeed, precisely then. The sense for perfection withdraws from the forms of nature - probably because nature itself is in the process of losing its ontological authority. The popularization of photography also increasingly devalues the standard views of things. As the first edition of the visible, nature comes into discredit. It can no longer assert its authority as the sender of binding messages - for reasons that ultimately come from its disenchantment through being scientifically explored and technically outdone. After this shift, 'being perfect' takes on an altered meaning: it means having something to say that is more meaningful than the chatter of conventional totalities. Now the torsos and their ilk have their turn: the hour of those forms that do not remind us of anything has come. Fragments, cripples and hybrids formulate something that cannot be conveyed by the common whole forms and happy integrities; intensity beats standard perfection.
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|
photography
perfection
nature
poetry
science
perfect
cripples
fragments
hybrids
intensity
technique
rilke
thing-poem
modernity
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Peter Sloterdijk |
e38b31e
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"So what can they tell us, the writers of dream books, the scholars of oneiric signs and omens, the doctors with couches for analyses-- if anything fits, it's accidental, and for one reason only, that in our dreamings, in their shadowings and gleamings, in their multiplings, inconceivablings, in their haphazardings and widescatterings
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poetry
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Wisława Szymborska |
acfdad0
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Then there's the two of us. This word is far too short for us, it has only four letters, too sparse to fill those deep bare vacuums between the stars that press on us with their deafness. It's not love we don't wish to fall into, but that fear. This word is not enough but it will have to do. It's a single vowel in this metallic silence, a mouth that says O again and again in wonder and pain, a breath, a finger grip on a cliffside. You can hold on or let go.
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poetry
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Margaret Atwood |
d90ee72
|
It looked as though the leaves of the autumn forest had taken flight, and were pouring down the valley like a waterfall, like a tidal wave, all the leaves of the hardwoods from here to Hudson's Bay. It was as if the season's colors were draining away like lifeblood, as if the year were molting and shedding. The year was rolling down, and a vital curve had been reached, the tilt that gives way to headlong rush. And when the monarch butterflies had passed and were gone, the skies were vacant, the air poised. The dark night into which the year was plunging was not a sleep but an awakening, a new and necessary austerity, the sparer climate for which I longed. The shed trees were brittle and still, the creek light and cold, and my spirit holding its breath.
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|
fate
seeing
free
light
poem
prayer
nature
poetry
freedom
joy
spirit
wonder
faith
beauty
religion
science
god
philosophy
ring-the-bells
enoughness
exultant
illumination
intricacy
joyfulness
living-in-the-present-moment
religious-diversity
stalking-the-gaps
the-tree-with-the-lights-in-it
gaps
philosopher-s-stone
multiplicity
praying
prayers
hallelujah
life-force
seeking
exploration
praise
joyful
mindfulness
epiphany
tolerance
grace
energy
disbelief
watching
growth
belief
fearless
humility
consciousness
walking
fire
mystery
curiosity
power
soul
poet
creation
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Annie Dillard |
ab8890c
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"Answer Professor Mandell's letter when you get a chance and the patience. Ask him not to send me any more poetry books. I already have enough for 1 year anyway. I am quite sick of it anyway. A man walks along the beach and unfortunately gets hit in the head by a cocoanut. His head unfortunately cracks open in two halves. Then his wife comes along the beach singing a song and sees the 2 halves and recognizes them and cries heart breakingly. That is exactly where I am tired of poetry. Supposing the lady just picks up the 2 halves and shouts into them very angrily "Stop that!" Do not mention this when you answer his letter, however. It is quite controversial and Mrs. Mandell is a poet besides."
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kids
poetry
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J.D. Salinger |
ed0e752
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"Havin loved enough and lost enough, I'm no longer searching, just opening, no longer trying to make sense of pain but trying to be a soft and sturdy home in which real things can land. These are the irritations that rub into a pearl. So we can talk for a while but then we must listen, the way rocks listen to the sea. And we can churn at all that goes wrong but then we must lay all distractions down and water every living seed. And yes, on nights like tonight I too feel along. But seldom do I face it squarely enough to see that it's a door into the endless berath that has no breather,
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pain
poetry
optimism
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Mark Nepo |
b488979
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"All at once, something wonderful happened, although at first, it seemed perfectly ordinary. A female goldfinch suddenly hove into view. She lighted weightlessly on the head of a bankside purple thistle and began emptying the seedcase, sowing the air with down. The lighted frame of my window filled. The down rose and spread in all directions, wafting over the dam's waterfall and wavering between the tulip trunks and into the meadow. It vaulted towards the orchard in a puff; it hovered over the ripening pawpaw fruit and staggered up the steep faced terrace. It jerked, floated, rolled, veered, swayed. The thistle down faltered down toward the cottage and gusted clear to the woods; it rose and entered the shaggy arms of pecans. At last it strayed like snow, blind and sweet, into the pool of the creek upstream, and into the race of the creek over rocks down. It shuddered onto the tips of growing grasses, where it poised, light, still wracked by errant quivers. I was holding my breath. Is this where we live, I thought, in this place in this moment, with the air so light and wild? The same fixity that collapses stars and drives the mantis to devour her mate eased these creatures together before my eyes: the thick adept bill of the goldfinch, and the feathery coded down. How could anything be amiss? If I myself were lighter and frayed, I could ride these small winds, too, taking my chances, for the pleasure of being so purely played. The thistle is part of Adam's curse. "Cursed is the ground for thy sake, in sorrow shalt thou eat of it; thorns also and thistles shall it bring forth to thee." A terrible curse: But does the goldfinch eat thorny sorrow with the thistle or do I? If this furling air is fallen, then the fall was happy indeed. If this creekside garden is sorrow, then I seek martyrdom. I was weightless; my bones were taut skins blown with buoyant gas; it seemed that if I inhaled too deeply, my shoulders and head would waft off. Alleluia."
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|
fate
seeing
free
light
poem
prayer
nature
poetry
freedom
joy
spirit
wonder
faith
beauty
religion
science
god
philosophy
ring-the-bells
enoughness
exultant
illumination
intricacy
joyfulness
living-in-the-present-moment
religious-diversity
stalking-the-gaps
the-tree-with-the-lights-in-it
gaps
philosopher-s-stone
multiplicity
praying
prayers
hallelujah
life-force
seeking
exploration
praise
joyful
mindfulness
epiphany
tolerance
grace
energy
disbelief
watching
growth
belief
fearless
humility
consciousness
walking
fire
mystery
curiosity
power
soul
poet
creation
|
Annie Dillard |
8d2b141
|
God Appears & God is Light To those poor Souls who dwell in Night But does a Human Form Display To those who Dwell in Realms of day
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poetry
|
William Blake |
ca9f610
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I'd never recited poetry to anyone before; I've never done it since. I have a highly sensitive, built-in fuse mechanism that keeps me from opening up too far, from revealing my feelings, and reciting poetry makes me feel as though I'm talking about my feelings and standing on one leg at the same time.
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poetry
kundera
vulnerability
intimacy
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Milan Kundera |
0285bcd
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I dragged myself to my feet, and with my hellhound in tow started off once more through the fastness of the wood, feeling, as the poet did before me, that my companion would be with me through the nights and through the days and down the arches of the years, and I should never be rid of him.
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poetry
remembrance
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Daphne du Maurier |
524d064
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"Sir U__ fell down from a speeding train, Which did some damage to his brain,
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poetry
|
Gorey Edward |
d1e88f6
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La Nature est un temple ou de vivants piliers Laissent parfois sortir de confuses paroles ; L'homme y passe a travers des forets de symboles Qui l'observent avec des regards familiers.
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poetry
french-literature
french-poetry
symbolism
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charles Baudelaire |
b420487
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What appears in the former statue of Apollo, however, cannot simply be equated with the Olympian of the same name, who had to ensure light, contours, foreknowledge and security of form in his days of completeness. Rather, as the poem's title implies, he stands for something much older, something rising from prehistoric sources. He symbolizes a divine magma in which something of the first ordering force, as old as the world itself, becomes manifest. There is no doubt that memories of Rodin and his cyclopian work ethic had an effect on Rilke here. During his work with the great artist, he experienced what it means to work on the surfaces of bodies until they are nothing but a fabric of carefully shaped, luminous, almost seeing 'places'. A few years earlier, he had written of Rodin's sculptures that 'there were endless places, and none of them did not have something happening in them'. Each place is a point at which Apollo, the god of forms and surfaces, makes a visually intense and haptically palpable compromise with his older opponent Dionysus, the god of urges and currents. That this energized Apollo embodies a manifestation of Dionysus is indicated by the statement that the stone glistens 'like wild beasts' fur'.
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poetry
rodin
sculpture
rilke
thing-poem
dionysus
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Peter Sloterdijk |
600e16c
|
The aesthetic construct, and nothing else, has taught us to expose ourselves to a non-enslaving experience of rank differences. The work of art is even allowed to 'tell' us, those who have run away from form, something, because it quite obviously does not embody the intention to confine us. 'La poesie ne s'impose plus, elle s'expose' Something that exposes itself and proves itself in this test gains unpresumed authority. In the space of aesthetic simulation, which is at once the emergency space for the success and failure of the artistic construct, the powerless superiority of the works can affect observers who otherwise take pains to ensure that they have no lord, old or new, above them.
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poetry
authority
rilke
creativity
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Peter Sloterdijk |
ca1bd59
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"Oh, Youth may listen patiently, While sad Experience tells her tale, But Doubt sits smiling in his eye, For ardent Hope will still prevail! He hears how feeble Pleasure dies, By guilt destroyed, and pain and woe; He turns to Hope--and she replies, "Believe it not-it is not so!"
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poetry
hope
life
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Anne Brontë |
a73201d
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Enmerson's interest is in the workshop phase, the birthing stage of art, not the museum moment, the embalming phase. Poetry mimics Creation and is therefore sacred. More precisely, just as God may indeed be a verb (as Mary Daly insists), poetry is the act of . The process of poetry also mimics the process of nature. 'This expression or naming is not art, but a second nature, grown out of the first, as a leaf out of a tree. What we call nature is a certain self-regulated motion or change.' Another aspect of nature is genius, which, as Emerson observes, 'is the activity which repairs the decays of things.
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|
nature
poetry
writing
definition-of-genius
mary-daly
workshop
writing-tips
ralph-waldo-emerson
emerson
transcendentalism
decay
creative-process
genius
process
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Robert D. Richardson |
cc6c1c6
|
"Outside the study hall the next fall, the fall of our senior year, the Nabisco plant baked sweet white bread twice a week. If I sharpened a pencil at the back of the room I could smell the baking bread and the cedar shavings from the pencil.... Pretty soon all twenty of us - our class - would be leaving. A core of my classmates had been together since kindergarten. I'd been there eight years. We twenty knew by bored heart the very weave of each other's socks.... The poems I loved were in French, or translated from the Chinese, Portuguese, Arabic, Sanskrit, Greek. I murmured their heartbreaking sylllables. I knew almost nothing of the diverse and energetic city I lived in. The poems whispered in my ear the password phrase, and I memorized it behind enemy lines: There is a world. There is another world. I knew already that I would go to Hollins College in Virginia; our headmistress sent all her problems there, to her alma mater. "For the English department," she told me.... But, "To smooth off her rough edges," she had told my parents. They repeated the phrase to me, vividly. I had hopes for my rough edges. I wanted to use them as a can opener, to cut myself a hole in the world's surface, and exit through it. Would I be ground, instead, to a nub? Would they send me home, an ornament to my breed, in a jewelry bag?"
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poetry
awakening
college
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Annie Dillard |
ac44f92
|
In paintings, music, poetry, architecture, we feel the elusive energy that moves through us and the air and the ground all the time, that usually disperses and turns chaotic in our busy-ness and distractedness and moodiness. Artists channel it, corral it, make it visible to the rest of us. The best works of art are like semaphores of our experience, signaling what we didn't know was true but do now.
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poetry
music
life-philosophy
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Anne Lamott |
900bb3a
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And under the cicadas, deeper down that the longest taproot, between and beneath the rounded black rocks and slanting slabs of sandstone in the earth, ground water is creeping. Ground water seeps and slides, across and down, across and down, leaking from here to there, minutely at a rate of a mile a year. What a tug of waters goes on! There are flings and pulls in every direction at every moment. The world is a wild wrestle under the grass; earth shall be moved. What else is going on right this minute while ground water creeps under my feet? The galaxy is careening in a slow, muffled widening. If a million solar systems are born every hour, then surely hundreds burst into being as I shift my weight to the other elbow. The sun's surface is now exploding; other stars implode and vanish, heavy and black, out of sight. Meteorites are arcing to earth invisibly all day long. On the planet, the winds are blowing: the polar easterlies, the westerlies, the northeast and southeast trades. Somewhere, someone under full sail is becalmed, in the horse latitudes, in the doldrums; in the northland, a trapper is maddened, crazed, by the eerie scent of the chinook, the sweater, a wind that can melt two feet of snow in a day. The pampero blows, and the tramontane, and the Boro, sirocco, levanter, mistral. Lick a finger; feel the now. Spring is seeping north, towards me and away from me, at sixteen miles a day. Along estuary banks of tidal rivers all over the world, snails in black clusters like currants are gliding up and down the stems of reed and sedge, migrating every moment with the dip and swing of tides. Behind me, Tinker Mountain is eroding one thousandth of an inch a year. The sharks I saw are roving up and down the coast. If the sharks cease roving, if they still their twist and rest for a moment, they die. They need new water pushed into their gills; they need dance. Somewhere east of me, on another continent, it is sunset, and starlings in breathtaking bands are winding high in the sky to their evening roost. The mantis egg cases are tied to the mock-orange hedge; within each case, within each egg, cells elongate, narrow, and split; cells bubble and curve inward, align, harden or hollow or stretch. And where are you now?
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|
fate
seeing
free
light
poem
prayer
nature
poetry
freedom
joy
spirit
wonder
faith
beauty
religion
science
god
philosophy
enoughness
exultant
illumination
intricacy
joyfulness
living-in-the-present-moment
religious-diversity
stalking-the-gaps
the-tree-with-the-lights-in-it
gaps
philosopher-s-stone
multiplicity
praying
prayers
hallelujah
life-force
seeking
exploration
praise
joyful
mindfulness
epiphany
tolerance
grace
energy
disbelief
watching
growth
belief
fearless
humility
consciousness
walking
fire
mystery
curiosity
power
soul
poet
creation
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Annie Dillard |
c5fa88d
|
We do not admire their president. We know why the White House is white. We do not find their children irresistible; We do not agree they should inherit the earth.
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|
poems
poetry
us
united-states-of-america
native-americans
whites
usa
united-states
race-relations
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Alice Walker |
75a0eec
|
Without intending to, without even knowing it, he demonstrated with his life that his father had been right when he repeated until his dying day that there was no one with more common sense, no stonecutter more obstinate, no manager so lucid or dangerous, than a poet.
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poets
poetry
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Gabriel García Márquez |
388ac77
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Et ce monde etrange continue de tourner.
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|
poetry
hope
traduction
vers
mélancolie
français
keep-going
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Paul Auster |
4b1ddcc
|
"The winter sunset, flaming beyond spires And chimneys half-detached from this dull sphere, Opens great gates to some forgotten year Of elder splendours and divine desires. Expectant wonders burn in those rich fires, Adventure-fraught, and not untinged with fear; A row of sphinxes where the way leads clear Toward walls and turrets quivering to far lyres. It is the land where beauty's meaning flowers, Where every unplaced memory has a source, Where the great river Time begins its course Down the vast void in starlit streams of hours.
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poetry
lovecraft
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H.P. Lovecraft |
cd3f6bc
|
A black boy brought Wilson's gin and he sipped it very slowly because he had nothing else to do except to return to his hot and squalid room and read a novel - or a poem. Wilson liked poetry, but he absorbed it secretly, like a drug. The Golden Treasury accompanied him wherever he went, but it was taken at night in small doses - a finger of Longfellow, Macaulay, Mangan: 'Go on to tell how, with genius wasted, Betrayed in friendship, befooled in love...' His taste was romantic. For public exhibition he has his Wallace. He wanted passionately to be indistinguishable on the surface from other men: he wore his moustache like a club tie - it was his highest common factor, but his eyes betrayed him - brown dog's eyes, a setter's eyes, pointing mournfully towards Bond Street.
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|
reading
poetry
mustache
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Graham Greene |
b27c51e
|
You are a poem--and that is to be the best part of a poet--what makes up the poet's consciousness in his best moods.
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poetry
|
George Eliot |
0859f25
|
"If he had known unstructured space is a deluge and stocked his log house- boat with all the animals even the wolves, he might have floated. But obstinate he stated, The land is solid and stamped, watching his foot sink down through the stone up to his knee. From "Progressive insanities of a pioneer"
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nature
poetry
pioneer
farmer
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Margaret Atwood |
0f961b2
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Just as the hare is zipping across the finish line, the tortoise has stopped once again by the roadside, this time to stick out his neck and nibble a bit of sweet grass, unlike the previous time when he was distracted by a bee humming in the heart of a wildflower.
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poetry
living
mindfulness
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Billy Collins |
311dd9f
|
"The Law of the Jungle NOW this is the Law of the Jungle -- as old and as true as the sky; And the Wolf that shall keep it may prosper, but the Wolf that shall break it must die. As the creeper that girdles the tree-trunk the Law runneth forward and back -- For the strength of the Pack is the Wolf, and the strength of the Wolf is the Pack. Wash daily from nose-tip to tail-tip; drink deeply, but never too deep; And remember the night is for hunting, and forget not the day is for sleep. The Jackal may follow the Tiger, but, Cub, when thy whiskers are grown, Remember the Wolf is a Hunter -- go forth and get food of thine own. Keep peace withe Lords of the Jungle -- the Tiger, the Panther, and Bear. And trouble not Hathi the Silent, and mock not the Boar in his lair. When Pack meets with Pack in the Jungle, and neither will go from the trail, Lie down till the leaders have spoken -- it may be fair words shall prevail. When ye fight with a Wolf of the Pack, ye must fight him alone and afar, Lest others take part in the quarrel, and the Pack be diminished by war. The Lair of the Wolf is his refuge, and where he has made him his home, Not even the Head Wolf may enter, not even the Council may come. The Lair of the Wolf is his refuge, but where he has digged it too plain, The Council shall send him a message, and so he shall change it again. If ye kill before midnight, be silent, and wake not the woods with your bay, Lest ye frighten the deer from the crop, and your brothers go empty away. Ye may kill for yourselves, and your mates, and your cubs as they need, and ye can; But kill not for pleasure of killing, and seven times never kill Man! If ye plunder his Kill from a weaker, devour not all in thy pride; Pack-Right is the right of the meanest; so leave him the head and the hide. The Kill of the Pack is the meat of the Pack. Ye must eat where it lies; And no one may carry away of that meat to his lair, or he dies. The Kill of the Wolf is the meat of the Wolf. He may do what he will; But, till he has given permission, the Pack may not eat of that Kill. Cub-Right is the right of the Yearling. From all of his Pack he may claim Full-gorge when the killer has eaten; and none may refuse him the same. Lair-Right is the right of the Mother. From all of her year she may claim One haunch of each kill for her litter, and none may deny her the same. Cave-Right is the right of the Father -- to hunt by himself for his own: He is freed of all calls to the Pack; he is judged by the Council alone. Because of his age and his cunning, because of his gripe and his paw, In all that the Law leaveth open, the word of your Head Wolf is Law.
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poem
poetry
wolf
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Rudyard Kipling |
a563f28
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Like Princes crowned they bore them-- Like Demi-Gods they wrought, When the New World lay before them In headlong fact and thought. Fate and their foemen proved them Above all meed of praise, And Gloriana loved them, And Shakespeare wrote them plays! . . . . . . . Now Valour, Youth, and Life's delight break forth In flames of wondrous deed, and thought sublime--- Lightly to mould new worlds or lightly loose Words that shall shake and shape all after-time! Giants with giants, wits with wits engage, And England-England-England takes the breath Of morning, body and soul, till the great Age Fulfills in one great chord:--Elizabeth!
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poetry
royalty
england
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Rudyard Kipling |
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Every poet begins (however 'unconsciously') by rebelling more strongly against the fear of death than all other men and women do.
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poetry
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Harold Bloom |
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"Today is the winter solstice. The planet tilts just so to its star, lists and holds circling in a fixed tension between veering and longing, and spins helpless, exalted, in and out of that fleet blazing touch. Last night Orion vaulted and spread all over the sky, pagan and lunatic, his shoulder and knee on fire, his sword three suns at the ready-for what? I won't see this year again, not again so innocent; and longing wrapped round my throat like a scarf. "For the Heavenly Father desires that we should see," says Ruysbroeck, "and that is why He is ever saying to our inmost spirit one deep unfathomable word and nothing else." But what is the word? Is this mystery or coyness? A cast-iron bell hung from the arch of my rib cage; when I stirred, it rang, or it tolled, a long syllable pulsing ripples up my lungs and down the gritty sap inside my bones, and I couldn't make it out; I felt the voiced vowel like a sigh or a note but I couldn't catch the consonant that shaped it into sense."
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fate
seeing
free
light
poem
prayer
nature
poetry
freedom
joy
spirit
wonder
faith
beauty
religion
science
god
philosophy
ring-the-bells
enoughness
exultant
illumination
intricacy
joyfulness
living-in-the-present-moment
religious-diversity
stalking-the-gaps
the-tree-with-the-lights-in-it
gaps
philosopher-s-stone
multiplicity
praying
prayers
hallelujah
life-force
seeking
exploration
praise
joyful
mindfulness
epiphany
tolerance
grace
energy
disbelief
watching
growth
belief
fearless
humility
consciousness
walking
fire
mystery
curiosity
power
soul
longing
poet
creation
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Annie Dillard |
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They were wrong about the sun. It does not go down into the underworld at night. The sun leaves merely and the underworld emerges. It can happen at any moment. It can happen in the morning, you in the kitchen going through your mild routines. Plate, cup, knife. All at once there's no blue, no green, no warning.
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poetry
underworld
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Margaret Atwood |
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"Conflicting stories continue to circulate concerning the death of the President. A second White House announcement has now called attention to the President's schedule for the day, pointing out that no mention is made there of dying. Also released was the President's schedule for tomorrow, wherein there also appears to be no plan on the part of the President or his advisers for him to die. "I think it would be best," said the White House Bilge Secretary, "in the light of these schcedules, to wait for a statement, one way or another, from the President himself."
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poetry
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Philip Roth |