|
cabc771
|
Spent the fortnight gone in the music room reworking my year's fragments into a 'sextet for overlapping soloists': piano, clarinet, 'cello, flute, oboe, and violin, each in its own language of key, scale, and color. In the first set, each solo is interrupted by its successor; in the second, each interruption is recontinued, in order. Revolutionary or gimmicky? Shan't know until it's finished, and by then it'll be too late.
|
|
music
self-referential
writing
|
David Mitchell |
|
66460b3
|
It's best to have your tools with you. If you don't, you're apt to find something you didn't expect and get discouraged.
|
|
tools
writing
|
Stephen King |
|
e17365e
|
"You have to read widely, constantly refining (and redefining) your own work as you do so. It's hard for me to believe that people who read very little (or not at all in some cases) should presume to write and expect people to like what they have written, but I know it's true. If I had a nickel for every person who ever told me he/she wanted to become a writer but "didn't have time to read," I could buy myself a pretty good steak dinner. Can I be blunt on this subject? If you don't have the time to read, you don't have the time (or the tools) to write. Simple as that. Reading is the creative center of a writer's life. I take a book with me everywhere I go, and find there are all sorts of opportunities to dip in ... Reading at meals is considered rude in polite society, but if you expect to succeed as a writer, rudeness should be the second-to-least of your concerns. The least of all should be polite society and what it expects. If you intend to write as truthfully as you can, your days as a member of polite society are numbered anyway."
|
|
stephen-king
writing
|
Stephen King |
|
49f2bf8
|
...hanging out does not make one an artist. A secondhand wardrobe does not make one an artist. Neither do a hair-trigger temper, melancholic nature, propensity for tears, hating your parents, nor even HIV - I hate to say it - none of these make one an artist. They can help, but just as being gay does not make one witty (you can suck a mile of cock, as my friend Sarah Thyre puts it, it still won't make you Oscar Wilde, believe me), the only thing that makes one an artist is making art. And that requires the precise opposite of hanging out; a deeply lonely and unglamorous task of tolerating oneself long enough to push something out.
|
|
artists
humor
rent
wilde
writers
writing
|
David Rakoff |
|
403324e
|
A Gift for You I send you... A cottage retreat on a hill in Ireland. This cottage is filled with fresh flowers, art supplies, and a double-wide chaise lounge in front of a wood-burning fireplace. There is a cabinet near the front door, where your favorite meals appear, several times a day. Desserts are plentiful and calorie free. The closet is stocked with colorful robes and pajamas, and a painting in the bedroom slides aside to reveal a plasma television screen with every movie you've ever wanted to watch. A wooden mailbox at the end of the lane is filled daily with beguiling invitations to tea parties, horse-and-carriage rides, theatrical performances, and violin concerts. There is no obligation or need to respond. You sleep deeply and peacefully each night, and feel profoundly healthy. This cottage is yours to return to at any time.
|
|
creativity
dreaming
procrastination
writing
|
Susan Ariel Rainbow Kennedy (SARK) |
|
1160079
|
"You know, they ask me if I were on a desert island and I knew nobody would ever see what I wrote, would I go on writing. My answer is most emphatically yes. I would go on writing for company. Because I'm creating an imaginary -- it's always imaginary -- world in which I would like to live.
|
|
imagination
writing
|
William S. Burroughs |
|
7d50422
|
One writes because one has been touched by the yearning for and the despair of ever touching the Other.
|
|
the-other
writing
|
Charles Simic |
|
c4b1d85
|
I am, when you stop to think of it, a member of a fairly select group: the final handful of American novelists who learned to read and write before they learned to eat a daily helping of video bullshit.
|
|
pride
reading
television
thought
writing
|
Stephen King |
|
b17a952
|
The problem of knowledge is that there are many more books on birds written by ornithologists than books on birds written by birds and books on ornithologists written by birds
|
|
art-criticism
critics
insight
knowledge
music-criticism
music-journalism
wisdom
writers
writing
|
Nassim Nicholas Taleb |
|
e74c358
|
I've met talespinners before, Jake, and they're all cut more or less from the same cloth. They tell tales because they're afraid of life.
|
|
writers
writing
|
Stephen King |
|
68a94af
|
It has been well said that an author who expects results from a first novel is in a position similar to that of a man who drops a rose petal down the Grand Canyon of Arizona and listens for the echo.
|
|
novels
writing
|
P.G. Wodehouse |
|
57bcd1a
|
The writer is the duelist who never fights at the stated hour, who gathers up an insult, like another curious object, a collector's item, spreads it out on his desk later, and then engages in a duel with it verbally. Some people call it weakness. I call it postponement. What is weakness in the man becomes a quality in the writer. For he preserves, collects what will explode later in his work. That is why the writer is the loneliest man in the world; because he lives, fights, dies, is reborn always alone; all his roles are played behind a curtain. In life he is an incongruous figure.
|
|
passivity
writer
writing
|
Anaïs Nin |
|
6b1be0d
|
"Don't dash off a six-thousand-word story before breakfast. Don't write too much. Concentrate your sweat on one story, rather than dissipate it over a dozen. Don't loaf and invite inspiration; light out after it with a club, and if you don't get it you will none the less get something that looks remarkably like it. Set yourself a "stint," [London wrote 1,000 words nearly every day of his adult life] and see that you do that "stint" each day; you will have more words to your credit at the end of the year. Study the tricks of the writers who have arrived. They have mastered the tools with which you are cutting your fingers. They are doing things, and their work bears the internal evidence of how it is done. Don't wait for some good Samaritan to tell you, but dig it out for yourself. See that your pores are open and your digestion is good. That is, I am confident, the most important rule of all. Keep a notebook. Travel with it, eat with it, sleep with it. Slap into it every stray thought that flutters up into your brain. Cheap paper is less perishable than gray matter, and lead pencil markings endure longer than memory. And work. Spell it in capital letters. WORK. WORK all the time. Find out about this earth, this universe; this force and matter, and the spirit that glimmers up through force and matter from the maggot to Godhead. And by all this I mean WORK for a philosophy of life. It does not hurt how wrong your philosophy of life may be, so long as you have one and have it well. The three great things are: GOOD HEALTH; WORK; and a PHILOSOPHY OF LIFE. I may add, nay, must add, a fourth--SINCERITY. Without this, the other three are without avail; with it you may cleave to greatness and sit among the giants." [
|
|
writing
|
Jack London |
|
315fabb
|
Writing poetry and reading books causes brain damage.
|
|
poetry
writing
|
Pat Conroy |
|
3482a1e
|
The professional learns to recognize envy-driven criticism and to take it for what it is: the supreme compliment. The critic hates most that which he would have done himself if he had had the guts.
|
|
creativity
envy
writing
|
Steven Pressfield |
|
a6f8360
|
I myself grew up to be not only a Hero, but also a Writer. When I was an adult, I rewrote , and I included not only some descriptions of the various deadly dragon species, and a useful Dragonese Dictionary, but also this story of how the book came to be written in the first place. This is the book that you are holding in your hands right now. Perhaps you even borrowed it from a Library? If so, thank Thor that the sinister figure of the Hairy Scary Librarian is not lurking around a corner, hiding in the shadows, Heart-Slicers at the ready, or that the punishment for your curiosity is not the whirring whine of a Driller Dragon's drill. You, dear reader, I am sure cannot what it might to be like to live in a world in which books are banned. For surely such things will never happen in the Future? Thank Thor that you live in a time and a place where people have the right to live and think and write and read their books in peace, and there are no need for Heroes anymore ... And spare a thought for those who have not been so lucky.
|
|
books
reading
writing
|
Cressida Cowell |
|
0e7c9aa
|
I've been trying to fit everything in, trying to get to the end before it's too late, but I see now how badly I've deceived myself. Words do not allow such things. The closer you come to the end, the more there is to say. The end is only imaginary, a destination you invent to keep yourself going, but a point comes when you realize you will never get there. You might have to stop, but that is only because you have run out of time. You stop, but that does not mean you have come to an end.
|
|
writing
|
Paul Auster |
|
3877393
|
To labor in the arts for any reason other than love is prostitution.
|
|
creativity
inspiration
sociology
writing
|
Steven Pressfield |
|
f34f0e8
|
Learn to write by doing it. Read widely and wisely. Increase your word power. Find your own individual voice though practicing constantly. Go through the world with your eyes and ears open and learn to express that experience in words.
|
|
learning-by-doing
writing
|
P.D. James |
|
55a1deb
|
"To those who care about punctuation, a sentence such as "Thank God its Friday" (without the apostrophe) rouses feelings not only of despair but of violence. The confusion of the possessive "its" (no apostrophe) with the contractive "it's" (with apostrophe) is an unequivocal signal of illiteracy and sets off a Pavlovian "kill" response in the average stickler."
|
|
humor
punctuation
writing
|
Lynne Truss |
|
c3e2357
|
I felt like poisoning a monk.
|
|
writing
|
Umberto Eco |
|
077f9a2
|
The sign of the amateur is overglorification of and preoccupation with the mystery. The professional shuts up. She doesn't talk about it. She does her work.
|
|
art
inspiration
writing
|
Steven Pressfield |
|
51a34de
|
The one thing that you have that nobody else has is you. Your voice, your mind, your story, your vision. So write and draw and build and play and dance and live as only you can.
|
|
identity
individuality
life
writing
|
Neil Gaiman |
|
f792b57
|
"Personally, I think so-called "common language" is more interesting and apropos than "proper English"; it's passionate and powerful in ways that "wherefore art thou ass and thy elbow" just isn't."
|
|
writing
|
J.R. Ward |
|
007bcdf
|
But the purpose of a story is to teach and to please at once, and what it teaches is how to recognize the snares of the world.
|
|
teaching
writing
|
Umberto Eco |
|
57bcb4c
|
Forgiveness. The ability to forgive oneself. Stop here for a few breaths and think about this because it is the key to making art, and very possibly the key to finding any semblance of happiness in life. Every time I have set out to translate the book (or story, or hopelessly long essay) that exists in such brilliant detail on the big screen of my limbic system onto a piece of paper (which, let's face it, was once a towering tree crowned with leaves and a home to birds). I grieve for my own lack of talent and intelligence. Every. Single. Time. Were I smarter, more gifted, I could pin down a closer facsimile of the wonders I see. I believe, more than anything, that this grief of constantly having to face down our own inadequacies is what keeps people from being writers. Forgiveness, therefore, is key. I can't write the book I want to write, but I can and will write the book I am capable of writing. Again and again throughout the course of my life I will forgive myself.
|
|
writing
|
Ann Patchett |
|
fa90452
|
This afternoon, burn down the house. Tomorrow, pour critical water upon the simmering coals. Time enough to think and cut and rewrite tomorrow. But today-explode-fly-apart-disintegrate! The other six or seven drafts are going to be pure torture. So why not enjoy the first draft, in the hope that your joy will seek and find others in the world who, by reading your story, will catch fire, too?
|
|
explode
inspirational
writing
|
Ray Bradbury |
|
46bc524
|
All stories are about wolves. All worth repeating, that is. Anything else is sentimental drivel.
|
|
stories
writing
|
Margaret Atwood |
|
0a80fc2
|
I don't think everyone wants to create the great American novel, but we all have a dream of telling our stories-of realizing what we think, feel, and see before we die. Writing is a path to meet ourselves and become intimate.
|
|
writing
|
Natalie Goldberg |
|
c137c1c
|
The professional loves her work. She is invested in it wholeheartedly. But she does not forget that the work is not her.
|
|
motivation
writing
|
Steven Pressfield |
|
f613cc5
|
You have always written before and you will write now. All you have to do is write one true sentence. Write the truest sentence that you know
|
|
inspirational
writing
|
Ernest Hemingway |
|
146291c
|
Up on the Brooklyn Bridge a man is standing in agony, waiting to jump, or waiting to write a poem, or waiting for the blood to leave his vessels because if he advances another foot the pain of his love will kill him.
|
|
artists-life
blocks
bridge
brooklyn
creativity
love
poem
poetry
suffering
suicide
writing
|
Henry Miller |
|
8880343
|
Story is honorable and trustworthy; plot is shifty, and best kept under house arrest.
|
|
plot
story
writing
|
Stephen King |
|
81204a6
|
"Fiction that adds up, that suggests a "logical consistency," or an explanation of some kind, is surely second-rate fiction; for the truth of life is its mystery."
|
|
on-fiction
writing
|
Joyce Carol Oates |
|
5c50322
|
We're all pros already. 1) We show up every day 2) We show up no matter what 3) We stay on the job all day 4) We are committed over the long haul 5) The stakes for us are high and real 6) We accept remuneration for our labor 7) We do not overidentify with our jobs 8 ) We master the technique of our jobs 9) We have a sense of humor about our jobs 10) We receive praise or blame in the real world
|
|
professional
work
writing
|
Steven Pressfield |
|
9253092
|
"If we're lucky, writer and reader alike, we'll finish the last line or two of a short story and then just sit for a minute, quietly. Ideally, we'll ponder what we've just written or read; maybe our hearts or intellects will have been moved off the peg just a little from where they were before. Our body temperature will have gone up, or down, by a degree. Then, breathing evenly and steadily once more, we'll collect ourselves, writers and readers alike, get up, "created of warm blood and nerves" as a Chekhov character puts it, and go on to the next thing: Life. Always life."
|
|
short-stories
thought
writing
|
Raymond Carver |
|
65a4bed
|
The one duty we owe to history is to rewrite it.
|
|
writing
|
Oscar Wilde |
|
17dc5cb
|
One should be a painter. As a writer, I feel the beauty, which is almost entirely colour, very subtle, very changeable, running over my pen, as if you poured a large jug of champagne over a hairpin.
|
|
colour
writing
|
Virginia Woolf |
|
3cb0444
|
I got this story from someone who had no business in the telling of it.
|
|
jungle
storytelling
writing
|
Edgar Rice Burroughs |
|
ecb279e
|
It is no worse, because I write of it. It would be no better, if I stopped my most unwilling hand. Nothing can undo it; nothing can make it otherwise than as it was.
|
|
writer
writing
|
Charles Dickens |
|
4b4bfa3
|
The ability to tell your own story, in words or images, is already a victory, already a revolt.
|
|
feminism
tell-your-own-story
writing
|
Rebecca Solnit |
|
840eb37
|
All writing problems are psychological problems. Blocks usually stem from the fear of being judged. If you imagine the world listening, you'll never write a line. That's why privacy is so important. You should write first drafts as if they will never be shown to anyone.
|
|
drafting
psychology
writers-block
writing
|
Erica Jong |
|
48e56bc
|
If you end your story, it's a static work of art, a finite circle. But if you don't, it belongs to anyone's imagination. It stays alive forever.
|
|
writing
|
Jodi Picoult |
|
58c11d8
|
An unfinished book. left unattended, turns feral, and she would need all her focus, will and ruthless determination to tame it again.
|
|
writing
|
Ruth Ozeki |
|
b4e7139
|
You may think novelists always have fixed plans to which they work, so that the future predicted by Chapter One is always inexorably the actuality of Chapter Thirteen. But novelists write for countless different reasons: for money, for fame, for reviewers, for parents, for friends, for loved ones; for vanity, for pride, for curiosity, for amusement: as skilled furniture makers enjoy making furniture, as drunkards like drinking, as judges like judging, as Sicilians like emptying a shotgun into an enemy's back. I could fill a book with reasons, and they would all be true, though not true of all. Only one same reason is shared by all of us: Or was. This is why we cannot plan. We know a world is an organism, not a machine. We also know that a genuinely created world must be independent of its creator; a planned world (a world that fully reveals its planning) is a dead world. It is only when our characters and events begin to disobey us that they begin to live.
|
|
writing
|
John Fowles |
|
66b4774
|
No one writes anything worth writing, unless he writes entirely for the sake of his subject.
|
|
authorship
truth
writing
|
Arthur Schopenhauer |
|
9bf6792
|
Who are your friends? Do they believe in you? Or do they stunt your growth with ridicule and disbelief? If the latter, you haven't friends. Go find some.
|
|
writing
|
Ray Bradbury |
|
153998b
|
"Literature was not promulgated by a pale and emasculated critical priesthood singing their litanies in empty churches - nor is it a game for the cloistered elect, the tinhorn mendicants of low calorie despair. Literature is as old as speech. It grew out of human need for it, and it has not changed except to become more needed.
|
|
writing
|
John Steinbeck |
|
f96d317
|
Writing is one method of dealing with being human or wanting to suicide cause in order to write you kill yourself at the same time while remaining alive.
|
|
language
suicide
words
writing
|
Kathy Acker |
|
bc7e5a1
|
"Next morning I went over to Paul's for coffee and told him I had finished. "Good for you," he said without looking up. "Start the next one today."
|
|
writing
writing-advice
|
Steven Pressfield |
|
a478aad
|
The best life for a writer is the life which helps him write the best books he can.
|
|
writers
writing
|
Julian Barnes |
|
25f4435
|
Think of Shakespeare and Melville and you think of thunder, lightning, wind. They all knew the joy of creating in large or small forms, on unlimited or restricted canvases. These are the children of the gods.
|
|
shakespeare
writers
writing
|
Ray Bradbury |
|
43469cc
|
The hotel shop only had two decent books, and I'd written both of them
|
|
writing
|
Douglas Adams |
|
10ea348
|
In the glad old days, before the rise of modern morbidities...it used to be thought a disadvantage to be misunderstood.
|
|
writing
|
G.K. Chesterton |
|
ffdb8f0
|
The one test of the really weird (story) is simply this--whether or not there be excited in the reader a profound sense of dread, and of contact with unknown spheres and powers; a subtle attitude of awed listening, as if for the beating of black wings or the scratching of outside shapes and entities on the known universe's utmost rim.
|
|
weird-tales
writing
|
H.P. Lovecraft |
|
9ca8c97
|
As Mo had said: writing stories is a kind of magic, too.
|
|
writing
|
Cornelia Funke |
|
73a2544
|
Prison always has been a good place for writers, killing, as it does, the twin demons of mobility and diversion
|
|
writing
|
Dan Simmons |
|
aa9c89e
|
not to find out new principles, or new arguments, never before thought of . . . but to place before mankind the common sense of the subject, in terms so plain and firm as to command their assent, and to justify ourselves in the independent stand we are compelled to take.
|
|
writing
|
Thomas Jefferson |
|
de740e3
|
No harm's done to history by making it something someone would want to read.
|
|
writing
|
David McCullough |
|
0daddae
|
They know a million tricks, those novelists. Take Doctor Goebbels; that's how he started out, writing fiction. Appeals to the base lusts that hide in everyone no matter how respectable on the surface. Yes, the novelist knows humanity, how worthless they are, ruled by their testicles, swayed by cowardice, selling out every cause because of their greed - all he's got to do is thump on the drum, and there's his response. And he's laughing, of course, behind his hand at the effect he gets.
|
|
novelists
writing
|
Philip K. Dick |
|
979bab6
|
And why is it all men think everything a woman writes is trivial or trashy-or just plain silly drivel? Don't men have romantic notions? Don't men dream of finding the perfect love?
|
|
finding-love
love
romance
romantic
romantic-notions
writing
|
V.C. Andrews |
|
6aa8e03
|
Writers are great lovers. They fall in love with other writers. That's how they learn to write. They take on a writer, read everything by him or her, read it over again until they understand how the writer moves, pauses, and sees. That's what being a lover is: stepping out of yourself, stepping into someone else's skin.
|
|
love
writing
|
Natalie Goldberg |
|
933f25c
|
Where would David Copperfield be if Dickens had gone to writing classes? Probably about seventy minor characters short, is where. (Did you know that Dickens is estimated to have invented thirteen thousand characters? Thirteen thousand! The population of a small town!)
|
|
humor
writing
|
Nick Hornby |
|
5c47124
|
"How do I know you're not crazy?" she asks. "How do I know you're not the craziest dude I've ever met?" "You'll have to test me out." "You have my info," she says. "I'll think about it." "Rain," I say. "That's not your real name." "Does it matter?" "Well, it makes me wonder what else isn't real." "That's because you're a writer," she says. "That's because you make things up for a living." "And?" "And"-- she shrugs--"I've noticed that writers tend to worry about things like that."
|
|
lies
reality
sanity
socializing
truth
writing
|
Bret Easton Ellis |
|
b9b3f3a
|
It is a melancholy illusion of those who write books and articles that the printed word survives. Alas, it rarely does.
|
|
writing
|
Eric Hobsbawm |
|
d48c653
|
When the last autumn of Dickens's life was over, he continued to work through his final winter and into spring. This is how all of us writers give away the days and years and decades of our lives in exchange for stacks of paper with scratches and squiggles on them. And when Death calls, how many of us would trade all those pages, all that squandered lifetime-worth of painfully achieved scratches and squiggles, for just one more day, one more fully lived and experienced day? And what price would we writers pay for that one extra day spent with those we ignored while we were locked away scratching and squiggling in our arrogant years of solipsistic isolation? Would we trade all those pages for a single hour? Or all of our books for one real minute?
|
|
charles-dickens
death
life
old-age
regret
time
writers
writing
|
Dan Simmons |
|
95cde29
|
Rule number four for me as a writer? Plotlines are like sharks: They either keep moving or they die. ~J.R. Ward
|
|
tips
writing
|
J.R. Ward |
|
4769a26
|
Literature, like magic, has always been about the handling of secrets, about the pain, the destruction, and the marvelous liberation that can result when they are revealed. Telling the truth when the truth matters most is almost always a frightening prospect. If a writer doesn't give away secrets, his own or those of the people he loves; if she doesn't court disapproval, reproach, and general wrath, whether of friends, family, or party apparatchiks; if the writer submits his work to an internal censor long before anyone else can get their hands on it, the result is pallid, inanimate, a lump of earth.
|
|
revelation
secrets
self-revelation
truth
writing
|
Michael Chabon |
|
10cf827
|
Behind the perfection of a man's style, must lie the passion of a man's soul.
|
|
prose
soul
style
walter-pater
writing
|
Oscar Wilde |
|
f53b2bd
|
The key to understanding any people is in its art: its writing, painting, sculpture.
|
|
painting
people
sculpture
understanding
writing
|
Louis L'Amour |
|
20cb403
|
A fine gentleman like that, they said, had no need of books. Let him leave books, they said, to the palsied or the dying. But worse was to come. For once the disease of reading has laid hold upon the system it weakens it so that it falls an easy prey to that other scourge which dwells in the ink pot and festers in the quill. The wretch takes to writing.
|
|
writing
|
Virginia Woolf |
|
5e2a1ec
|
I'd write of people and places like I knew, and I'd make my characters talk everyday English; and I'd let the sun rise and set in the usual quiet way without much fuss over the fact. If I had to have villains at all, I'd give them a chance, Anne--I'd give them a chance. There are some terrible bad men the world, I suppose, but you'd have to go a long piece to find them...But most of us have got a little decency somewhere in us. Keep on writing, Anne.
|
|
characters
villians
writing
|
L.M. Montgomery |
|
d1e7fde
|
...Writings can be stolen, or changed, or used for evil purposes. But isn't the risk worth taking? The more people who share knowledge, the greater safeguard for it. Isn't there more danger in ignorance than knowledge?
|
|
knowledge
writing
|
Lloyd Alexander |
|
33b2cb4
|
The artist and the mother are vehicles, not originators. They don't create the new life, they only bear it. This is why birth is such a humbling experience. The new mom weeps in awe at the little miracle in her arms. She knows it came out of her but not from her, through her but not of her.
|
|
motherhood
writing
|
Steven Pressfield |
|
f247fa3
|
I've never trusted collaborations, because most people in this world are not closers. They don't finish what they start; they don't live what they dream; they sabotage their own progress because they're afraid they won't find what they seek.
|
|
success
writing
|
Neil Strauss |
|
d9df51a
|
USURY: Everybody's looking for the job in which you never have to pay anyone their pound of flesh. Self-employed nirvana. A lot of artists like to think of themselves as uncompromising; a lot of management consultants won't tell you what they do until they've sunk five pints. I don't think anybody should give themselves air just because they don't have to hand over a pound of flesh every day at 5pm, and I don't think anyone should beat themselves with broken glass because they do. If you're an artist, well, good for you. Thank your lucky stars every evening and dance in the garden with the fairies. But don't fool yourself that you occupy some kind of higher moral ground. You have to work for that. Writing a few lines, painting a pretty picture - that just won't do it.
|
|
writing
|
Zadie Smith |
|
d50868e
|
Muses are fickle, and many a writer, peering into the voice, has escaped paralysis by ascribing the creative responsibility to a talisman: a lucky charm, a brand of paper, but most often a writing instrument. Am I writing well? Thank my pen. Am I writing badly? Don't blame me blame my pen. By such displacements does the fearful imagination defend itself.
|
|
muses
paper
pen
writer
writing
|
Anne Fadiman |
|
8a0ae11
|
"A writer or any artist can't expect to be embraced by the people. I've done records where it seemed like no one listened to them. You write poetry books that maybe 50 people read. And you just keep doing your work because you have to, because it's your calling. But it's beautiful to be embraced by the people. Some people have said to me, "Well, don't you think that kind of success spoils one as an artist? If you're a punk rocker, you don't want to have a hit record..." And I say to them, "Fuck you!"
|
|
art
creativity
writing
|
Patti Smith |
|
9ab3209
|
"Mrs. Todds my English teacher gives an automatic if anyone ever writes "I woke up and it was all a dream" at the end of a story. She says it violates the deal between reader and writer, that it's a cop-out, it's the Boy Who Cried Wolf. But every single morning we really do wake up and it really was all a dream."
|
|
dreams
english
reading
writing
|
David Mitchell |
|
fee258e
|
And what is wrong with playing with words? Words love to be played with, just like children or kittens do!
|
|
words
writing
|
David Almond |
|
8359502
|
Doing fine, thank you, I would say, never knowing how to talk about what I do. If I could talk about it, I would not have to do it. I make art, sometimes I make true art, and sometimes it fills the empty places in my heart. Some of them. Not all.
|
|
writing
|
Neil Gaiman |
|
c431345
|
Anyone and everyone taking a writing class knows that the secret of good writing is to cut it back, pare it down, winnow, chop, hack, prune, and trim, remove every superfluous word, compress, compress, compress... Actually, when you think about it, not many novels in the Spare tradition are terribly cheerful. Jokes you can usually pluck out whole, by the roots, so if you're doing some heavy-duty prose-weeding, they're the first to go. And there's some stuff about the whole winnowing process I just don't get. Why does it always stop when the work in question has been reduced to sixty or seventy thousand words--entirely coincidentally, I'm sure, the minimum length for a publishable novel? I'm sure you could get it down to twenty or thirty if you tried hard enough. In fact, why stop at twenty or thirty? Why write at all? Why not just jot the plot and a couple of themes down on the back of an envelope and leave it at that? The truth is, there's nothing very utilitarian about fiction or its creation, and I suspect that people are desperate to make it sound manly, back-breaking labor because it's such a wussy thing to do in the first place. The obsession with austerity is an attempt to compensate, to make writing resemble a real job, like farming, or logging. (It's also why people who work in advertising put in twenty-hour days.) Go on, young writers--treat yourself to a joke, or an adverb! Spoil yourself! Readers won't mind!
|
|
humor
work
writing
|
Nick Hornby |
|
5391e1e
|
She's a writer. The kind of writer who wouldn't be published outside. She believes that when one deals with words, one deals with the mind.
|
|
john-galt
mind
writing
|
Ayn Rand |
|
cecd3d8
|
In Irena's head the alcohol plays a double role: it frees her fantasy, encourages her boldness, makes her sensual, and at the same time it dims her memory. She makes love wildly, lasciviously, and at the same time the curtain of oblivion wraps her lewdness in an all-concealing darkness. As if a poet were writing his greatest poem with ink that instantly disappears.
|
|
drinking
forget
forgetting
love
personality
poet
poetry
sex
writing
|
Milan Kundera |
|
9df62ca
|
In a way, I was safe writing
|
|
way
writing
|
Franz Kafka |
|
4405039
|
"Do not start me on
|
|
literary-criticism
novels
the-davinci-code
writing
|
Salman Rushdie |
|
0b6eab7
|
If the writer were more like a reader, he'd be a reader, not a writer. It's as uncomplicated as that.
|
|
readers
writers
writing
|
Julian Barnes |
|
b0f8149
|
"The writer must have a good imagination to begin with, but the imagination has to be muscular, which means it must be exercised in a disciplined way, day in and day out, by writing, failing, succeeding and revising." [
|
|
exercise
failure
imagination
revision
writing
|
Stephen King |
|
ee05a8a
|
Perfectionism means that you try not to leave so much mess to clean up. But clutter and mess show us that life is being lived.
|
|
inspirational
perfection
writing
|
Anne Lamott |
|
3d82ae4
|
It is a lie to write in such way as to be rewarded by fame offered you by some snobbish quasi-literary groups in the intellectual gazettes.
|
|
writing
|
Ray Bradbury |
|
2eeea06
|
It's not the writing part that's hard. What's hard is sitting down to write. What keeps us from sitting down is Resistance.
|
|
write
writing
writing-life
writing-process
|
Steven Pressfield |
|
b6301ed
|
When a book leaves its author's desk it changes. Even before anyone has read it, before eyes other than its creator's have looked upon a single phrase, it is irretrievably altered. It has become , that no longer belongs to its maker. It has acquired, in a sense, free will. It will make its journey through the world and there is no longer anything the author can do about it. Even he, as he looks at its sentences, reads them differently now that they can be read by others. They look like different sentences. The book has gone out into the world and the world has remade it.
|
|
books
books-and-authors
books-and-reading
metamorphosis
perception
published-books
publishing
reading
writing
|
Salman Rushdie |
|
8190f7f
|
Writing takes a combination of sophistication and innocence; it takes conscience, our belief that something is beautiful because it is right.
|
|
innocence
writing
|
Anne Lamott |
|
196e747
|
It's such a confidence trick, writing a novel. The main person you have to trick into confidence is yourself. This is hard to do alone.
|
|
writing
writing-process
|
Zadie Smith |
|
9d7f959
|
I have never created anything in my life that did not make me feel, at some point or another, like I was the guy who just walked into a fancy ball wearing a homemade lobster costume.
|
|
lobster
writing
|
Elizabeth Gilbert |
|
fa35048
|
She thought a writer should work harder writing a book than she did reading it.
|
|
writing
writing-advice
|
Jeffrey Eugenides |
|
cf3ccd9
|
If the artist does not fling himself, without reflecting, into his work, as Curtis flung himself into the yawning gulf, as the soldier flings himself into the enemy's trenches, and if, once in this crater, he does not work like a miner on whom the walls of his gallery have fallen in; if he contemplates difficulties instead of overcoming them one by one ... he is simply looking on at the suicide of his own talent.
|
|
creative-process
determination
devotion
empowerment
energy
talent
writing
|
Honoré de Balzac |
|
74d39d9
|
The impulse to write things down is a peculiarly compulsive one, inexplicable to those who do not share it, useful only accidentally, only secondarily, in the way that any compulsion tries to justify itself. I suppose that it begins or does not begin in the cradle.
|
|
writing
|
Joan Didion |
|
b67317c
|
I don't know if you have had the same experience, but the snag I always come up against when I'm telling a story is this dashed difficult problem of where to begin it.
|
|
humour
jeeves
jeeves-and-wooster
wodehouse
wooster
writing
writing-craft
|
P.G. Wodehouse |
|
8adf337
|
I would walk along the quais when I had finished work or when I was trying to think something out. It was easier to think if I was walking and doing something or seeing people doing something that they understood.
|
|
understanding
walking
work
writing
|
Ernest Hemingway |
|
52ffd5e
|
"I often said that writers are of two types. There is the architect, which is one type. The architect, as if designing a building, lays out the entire novel at a time. He knows how many rooms there will be or what a roof will be made of or how high it will be, or where the plumbing will run and where the electrical outlets will be in its room. All that before he drives the first nail. Everything is there in the blueprint.
|
|
authors
creative-writing
gardner
writers
writing
|
George R.R. Martin |
|
4a840e5
|
There is, of course, always the personal satisfaction of writing down one's experiences so they may be saved, caught and pinned under glass, hoarded against the winter of forgetfulness. Time has been cheated a little, at least in one's own life, and a personal, trivial immortality of an old self assured. And there is another personal satisfaction: that of the people who like to recount their adventures, the diary-keepers, the story-tellers, the letter-writers, a strange race of people who feel half cheated of an experience unless it is retold. It does not really exist until it is put into words. As though a little doubting or dull, they could not see it until it is repeated. For, paradoxically enough, the more unreal an experience becomes - translated from real action into unreal words, dead symbols for life itself - the more vivid it grows. Not only does it seem more vivid, but its essential core becomes clearer. One says excitedly to an audience, 'Do you see - I can't tell you how strange it was - we all of us felt...' although actually, at the time of incident, one was not conscious of such a feeling, and only became so in the retelling. It is as inexplicable as looking all afternoon at a gray stone of a beach, and not realizing, until one tries to put it on canvas, that is in reality bright blue.
|
|
feeling
journals
meaning
stories
time
writing
|
Anne Morrow Lindbergh |
|
5c6597b
|
All true histories contain instruction; though, in some, the treasure may be hard to find, and when found, so trivial in quantity, that the dry, shriveled kernel scarcely compensates for the trouble of cracking the nut.
|
|
thought
truth
writing
|
Anne Brontë |
|
ca8cc1e
|
James's critical genius comes out most tellingly in his mastery over, his baffling escape from, Ideas; a mastery and an escape which are perhaps the last test of a superior intelligence. [...] In England, ideas run wild and pasture on the emotions; instead of thinking with our feelings (a very different thing) we corrupt our feelings with ideas; we produce the public, the political, the emotional idea, evading sensation and thought. [...] James in his novels is like the best French critics in maintaining a point of view, a view-point untouched by the parasite idea. He is the most intelligent man of his generation.
|
|
ideas
literary
writing
|
T.S. Eliot |
|
fd83ea6
|
"It starts by forgetting about perfect. We don't have time for perfect. In any event, perfection is unachievable: It's a myth and a trap and a hamster wheel that will run you to death. The writer Rebecca Solnit puts it well: "So many of us believe in perfection, which ruins everything else, because the perfect is not only the enemy of the good; it's also the enemy of the realistic, the possible, and the fun... The most evil trick about perfectionism, though, is that it disguises itself as a virtue."
|
|
perfectionism
writing
|
Elizabeth Gilbert |
|
190abff
|
Everything in art depends on execution: the story of a louse can be as beautiful as the story of Alexander. You must write according to your feelings, be sure those feelings are true, and let everything else go hang. When a line is good it ceases to belong to any school. A line of prose must be as immutable as a line of poetry.
|
|
writers
writing
|
Julian Barnes |
|
3875ef4
|
Write. Don't talk about writing. Don't tell me about your wonderful story ideas. Don't give me a bunch of 'somedays'. Plant your ass and scribble, type, keyboard. If you have any talent at all it will leak out despite your failure to pay attention in English.
|
|
creativity
diligence
discipline
resilience
talent
writing
|
Glen Cook |
|
6dadc80
|
I sit in my tree I sing like the birds My beak is my pen My songs are my poems.
|
|
writing
|
David Almond |
|
16913f0
|
To care about words, to have a stake in what is written, to believe in the power of books - this overwhelms the rest, and beside it one's life becomes very small.
|
|
reading
words
writing
|
Paul Auster |
|
805d64c
|
Evan Connell said once that he knew he was finished with a short story when he found himself going through it and taking out commas and then going through the story again and putting the commas back in the same places. I like that way of working on something. I respect that kind of care for what is being done. That's all we have, finally, the words, and they had better be the right ones, with the punctuation in the right places so that they an best say what they are meant to say. If the words are heavy with the writer's own unbridled emotions, or if they are imprecise and inaccurate for some other reason -- if the worlds are in any way blurred -- the reader's eyes will slide right over them and nothing will be achieved. Henry James called this sort of hapless writing 'weak specification'.
|
|
advice
language
on-writing
words
writing
|
Raymond Carver |
|
a7d7518
|
Hard writing makes easy reading.
|
|
writing
|
Wallace Stegner |
|
1c6eb71
|
Expansion. That is the idea the novelist must cling to. Not completion. Not rounding off, but opening out.
|
|
expansion
opening-up
writing
|
E.M. Forster |
|
f71452c
|
Writing from memory like this, I often feel a pang of dread. What if I've forgotten the most important thing? What if somewhere inside me there is a dark limbo where all the the truly important memories are heaped and slowly turning into mud?
|
|
memories
memory
nostalgia
writing
|
Haruki Murakami |
|
b3a85e1
|
That's how it is with art. Mere humans who root through their refrigerators at three o'clock in the morning are incapable of such writing.
|
|
writing
|
Haruki Murakami |
|
9cd9db2
|
"The irritating question they ask us -- us being writers -- is: "Where do you get your ideas?" And the answer is: Confluence. Things come together. The right ingredients and suddenly: "
|
|
confluence
creative-process
ideas
writing
|
Neil Gaiman |
|
bd67998
|
In the very act of writing I felt pleased with what I did. There was the pleasure of having words come to me, and the pleasure of ordering them, re-ordering them, weighing one against another. Pleasure also in the imagination of the story, the feeling that it could mean something. Mostly I was glad to find out that I could write at all. In writing you work toward a result you won't see for years, and can't be sure you'll ever see. It takes stamina and self-mastery and faith. It demands those things of you, then gives them back with a little extra, a surprise to keep you coming. It toughens you and clears your head. I could feel it happening. I was saving my life with every word I wrote, and I knew it.
|
|
motivation
writing
|
Tobias Wolff |
|
90b22b6
|
lktb@ mthl lsh`wdh@ : lykfy khrj 'rnb mn lqb`@ , bl yjb `ml dhlk b'nq@ wTryq@ mmt`@
|
|
writing
|
Isabel Allende |
|
2596845
|
"I'm sitting in my office trying to squeeze a story from my head. It is that kind of morning when you feel like melting the typewriter into a bar of steel and clubbing yourself to death with it. ("Advance Notice")"
|
|
writing
|
Richard Matheson |
|
450db90
|
It took me a long time to realise that there are two kinds of writing: the one you write and the one that writes you. The one that writes you is dangerous. You go where you don't want to go. You look where you don't want to look.
|
|
inspirational
writing
|
Jeanette Winterson |
|
16ac8fd
|
I think talent is like a water table under the earth--you tap it with your effort and it comes through you.
|
|
writing
|
Natalie Goldberg |
|
b3b8348
|
"A couple of months ago I had a dream, which I remember with the utmost clarity. (I don't usually remember my dreams.) I dreamed I had died and gone to Heaven. I looked about and knew where I was-green fields, fleecy clouds, perfumed air, and the distant, ravishing sound of the heavenly choir. And there was the recording angel smiling broadly at me in greeting. I said, in wonder, "Is this Heaven?" The recording angel said, "It is." I said (and on waking and remembering, I was proud of my integrity), "But there must be a mistake. I don't belong here. I'm an atheist." "No mistake," said the recording angel. "But as an atheist how can I qualify?" The recording angel said sternly, "We decide who qualifies. Not you." "I see," I said. I looked about, pondered for a moment, then turned to the recording angel and asked, "Is there a typewriter here that I can use?" The significance of the dream was clear to me. I felt Heaven to be the act of writing, and I have been in Heaven for over half a century and I have always known this."
|
|
heaven
writing
|
Isaac Asimov |
|
74aa30f
|
The true life is not reducible to words spoken or written, not by anyone, ever.
|
|
life
speech
words
writing
|
Don DeLillo |
|
14c44b5
|
We are now living in an age which doubts both fact and value. It is the life of this age that we wish to see and judge.
|
|
writing
|
Flannery O'Connor |
|
8e7914c
|
The novelist's happy discovery was to think of substituting for those opaque sections, impenetrable by the human spirit, their equivalent in immaterial sections, things, that is, which the spirit can assimilate to itself. After which it matters not that the actions, the feelings of this new order of creatures appear to us in the guise of truth, since we have made them our own, since it is in ourselves that they are happening, that they are holding in thrall, while we turn over, feverishly, the pages of the book, our quickened breath and staring eyes. And once the novelist has brought us to that state, in which, as in all purely mental states, every emotion is multiplied ten-fold, into which his book comes to disturb us as might a dream, but a dream more lucid, and of a more lasting impression than those which come to us in sleep; why, then, for the space of an hour he sets free within us all the joys and sorrows in the world, a few of which, only, we should have to spend years of our actual life in getting to know, and the keenest, the most intense of which would never have been revealed to us because the slow course of their development stops our perception of them.
|
|
literature
reading
words
writing
|
Marcel Proust |
|
3c21108
|
This too to remember. If a man writes clearly enough any one can see if he fakes. If he mystifies to avoid a straight statement, which is very different from breaking so-called rules of syntax or grammar to make an efffect which can be obtained in no other way, the writer takes a longer time to be known as a fake and other writers who are afflicted by the same necessity will praise him in their own defense. True mysticism should not be confused with incompetence in writing which seeks to mystify where there is no mystery but is really only the necessity to fake to cover lack of knowledge or the inability to state clearly. Mysticism implies a mystery and there are many mysteries; but incompetence is not one of them; nor is overwritten journalism made literature by the injection of a false epic qulaity. Remember this too: all bad writers are in love with the epic.
|
|
writing
|
Ernest Hemingway |
|
defa418
|
As an experienced editor, I disapprove of flashbacks, foreshadowings, and tricksy devices; they belong in the 1980s with M.A.s in postmodernism and chaos theory.
|
|
satire
writing
|
David Mitchell |
|
b1498a7
|
Nobody with any real sense of humor *can* write a love story. . . . Shakespeare is the exception that proves the rule. (90-91)
|
|
love-story
romance
shakespeare
writing
|
L.M. Montgomery |
|
86472dd
|
There is only one thing that you write for yourself, and that is a shopping list.
|
|
craft
readers
reasons
why
writers
writing
|
Umberto Eco |
|
8e8b374
|
We all are rich and ignore the buried fact of accumulated wisdom.
|
|
life-experience
writing
|
Ray Bradbury |
|
ef8a1ee
|
A writing may be lost; a lie may be written; but what the eye has seen is truth and remains in the mind!
|
|
reality
writing
|
Joseph Conrad |
|
e66e3cc
|
"What is the greatest reward a writer can have? Isn't it that day when someone rushes up to you, his face bursting with honesty, his eyes afire with admiration and cries, "That new story of yours was fine, really wonderful!"
|
|
writing
|
Ray Bradbury |
|
81b9cc8
|
She looked at her hand: Just some hand, holding a cheap pen. Some girls' hand. She had nothing to do with that hand. Let that hand do whatever it wanted to.
|
|
freedom
girl
incest
pen
rape
teen
writing
|
Cynthia Voigt |
|
566eb71
|
The best and only thing that one artist can do for another is to serve as an example and an inspiration.
|
|
inspiration
motivation
writing
|
Steven Pressfield |
|
79c8c70
|
How can I tell Bob that my happiness streams from having wrenched a piece out of my life, a piece of hurt and beauty, and transformed it to typewritten words on paper? How can he know I am justifying my life, my keen emotions, my feeling, by turning it into print?
|
|
poetry
writing
|
Sylvia Plath |
|
8bd80b6
|
Don Quixote could never manage without his patient servant Sancho Panza.
|
|
companionship
writing
|
Nicholas Tucker |
|
f8dcffa
|
She continued weeping until the heat of her tear water, the sheer velocity of its flow, finally obscured the already vague circumstances of its origins.
|
|
inspirational
writing
|
Tom Robbins |
|
91e4357
|
Unicorns, dragons, witches may be creatures conjured up in dreams, but on the page their needs, joys, anguishes, and redemptions should be just as true as those of Madame Bovary or Martin Chuzzlewit.
|
|
genre
writing
|
Alberto Manguel |
|
7b2142d
|
Literature represents the triumph of language over writing: the subversion of writing for purposes that have little or nothing to do with social and economic control.
|
|
literature
writing
|
Robert Bringhurst |
|
ef2399f
|
"Not that the story need be long, but it will take a long while to make it short." [ ; November 16, 1857]"
|
|
precision
storytelling
writing
|
Henry David Thoreau |
|
c132b7a
|
"The principle I always go on in writing a novel is to think of the characters in terms of actors in a play. I say to myself, if a big name were playing this part, and if he found that after a strong first act he had practically nothing to do in the second act, he would walk out. Now, then, can I twist the story so as to give him plenty to do all the way through? I believe the only way a writer can keep himself up to the mark is by examining each story quite coldly before he starts writing it and asking himself it is all right . I mean, once you go saying to yourself, "This is a pretty weak plot as it stands, but if I'm such a hell of a writer that my magic touch will make it okay," you're sunk. If they aren't in interesting situations, characters can't be major characters, not even if you have the rest of the troop talk their heads off about them."
|
|
creative-process
plot
storytelling
writing
|
P.G. Wodehouse |
|
0d3f9bf
|
Good evening, Lord Corwin,' said the lean, cadaverous figure who rested against a storage rack, smoking his pipe, grinning around it. Good evening, Roger. How are things in the nether world?' A rat, a bat, a spider. Nothing much else astir. Peaceful.' You enjoy this duty?' He nodded. I am writing a philosophical romance shot through with elements of horror and morbidity. I work on those parts down here.
|
|
humor
metafiction
writing
|
Roger Zelazny |
|
c08f235
|
A distinction must be made between that writing which enables us to hold on to life even as we are clinging to old hurts and wounds and that writing which offers to us a space where we are able to confront reality in such a way that we live more fully. Such writing is not an anchor that we mistakenly cling to so as not to drown. It is writing that truly rescues, that enables us to reach the shore, to recover.
|
|
feminism
memoir
writing
|
bell hooks |
|
05e63be
|
We teach our children one thing only, as we were taught: to wake up. We teach our children to look alive there, to join by words and activities the life of human culture on this planet's crust. As adults we are almost all adept at waking up. We have so mastered the transition we make a hundred times a day, as, like so many will-less dolphins, we plunge and surface, lapse and emerge. We live half our waking lives and all of our sleeping lives in some private, useless, and insensible waters we never mention or recall. Useless, I say. Valueless, I might add -- until someone hauls their wealth up to the surface and into the wide-awake city, in a form that people can use.
|
|
writing
|
Annie Dillard |
|
6b77363
|
On of the reasons that I wanted to study literature was because it exposed everything. Writers looked for secrets that had never been mined. Every writer has to invent their own magical language, in order to describe the indescribable. They might seem to be writing in French, English, or Spanish, but really they were writing in the language of butterflies, crows, and hanged men.
|
|
literature
writing
|
Heather O'Neill |