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32d8b54 Li i libri erano ammassati dappertutto. Non erano solo sugli scaffali come nelle altre case, no: da loro erano accatastati sotto i tavoli, sulle sedie, negli angoli piu remoti. Ce n'erano in cucina e in bagno, sul televisore e nell'armadio; pile basse e pile alte. Grossi, piccoli, vecchi, nuovi... libri e ancora libri. Accoglievano Meggie sulla tavola apparecchiata per la colazione, invitanti; l'aiutavano a scacciare la noia... e qualche volta la mandavano lunga distesa per terra! writing Cornelia Funke
b4744be - Voglio dire che io fiuto le belle storie a chilometri di distanza. Quindi non tenti di nascondermene una. Sputi fuori, forza, e in cambio si guadagna una fetta di questo fantastico dolce con i buchi - soggiunse in tono scherzoso. writing Cornelia Funke
bf04dbc Da dove devo cominciare? Intanto, va chiarita subito una cosa fondamentale: un romanziere non scrive mai tutto quello che sa sui suoi personaggi. I lettori non devono venire a sapere tutto. Alcuni aspetti e meglio che restino un segreto fra lo scrittore e le sue creature. writing Cornelia Funke
ca6ffed I'm only a kind of book doctor. I can give books new bindings, rejuvenate them a little, stop the bookworms from eating them, and prevent them from losing their pages over the years like a man loses his hair. But inventing the stories in them, filling new, empty pages with right words-- I can't do that. That's a very different trade. A famous writer once wrote, 'An author can be seen as three things: a storyteller, a teacher, or magician-- but a magician, the enchanter, is in the ascendant. magic writing Cornelia Funke
e5891b3 I would like there to exist places that are stable, unmoving, intangible, untouched and almost untouchable, unchanging, deep-rooted; places that might be points of reference, of departure, of origin: My birthplace, the cradle of my family, the house where I may have been born, the tree I may have seen grow (that my father may have planted the day I was born), the attic of my childhood filled with intact memories... My spaces are fragile: time is going to wear them away, to destroy them. Nothing will any longer resemble what was, my memories will betray me, oblivion will infiltrate my memory, I shall look at a few old yellowing photographs with broken edges without recognising them... Space melts like sand running through one's fingers. Time bears it away and leaves me only shapeless shreds: To write: To try meticulously to retain something, to cause something to survive; to wrest a few precise scraps from the void as it grows, to leave somewhere a furrow, a trace, a mark or a few signs. memory mortality space time writing Georges Perec
fd7bb52 "It may be that the most striking thing about members of my literary generation in retrospect will be that we were allowed to say absolutely anything without fear of punishment. Our American heirs may find it incredible, as most foreigners do right now, that a nation would want to enforce as a law something which sounds more like a dream, which reads as follows: "Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof, or abridging the freedom of the press, or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances." How could a nation with such a law raise its children in an atmosphere of decency? It couldn't--it can't. So the law will surely be repealed soon for the sake of children." constitution first-amendment free-speech freedom-of-the-press literary-freedom literature writers writing Kurt Vonnegut Jr.
d1404fe One can forgive Shakespeare anything, except one's own bad lines. oscar-wilde shakespeare writing Peter Ackroyd
feae4ac "One journalist complemented another that his article on a dispute, "had made both sides see themselves as they are." communication objectivity writing Doris Kearns Goodwin
6857729 There's a little trick called the Rule of Three: if you use any three of the five senses, it will make the scene immediately three-dimensional. sex writing Diana Gabaldon
207d343 Good sex scene is about the exchange of emotions, not bodily fluids sex writing Diana Gabaldon
f89d15d Dimenticano che la vita non e qui. Altre leggi, nero su bianco, vigono qui. Un batter d'occhio durera quanto dico io, si lascera dividere in piccole eternita piene di pallottole fermate in volo. Non una cosa avverra qui se non voglio. Senza il mio assenso non cadra foglia, ne si pieghera stelo sotto il punto del piccolo zoccolo. C'e dunque un mondo di cui reggo le sorti indipendenti? Un tempo che lego con catene di segni? Un esistere a mio comando incessante? La gioia di scrivere. Il potere di perpetuare. La vendetta d'una mano mortale. writing Wisława Szymborska
c89c09e [T]hey are trying to find the right word, to choose, finally, the one that is most exact, most incisive. It's a process of sifting, which is exhausting and, at times, exasperating. Writers can't avoid it. The heart of the craft lies there. writing Jhumpa Lahiri
6ef74cc We like to take credit when we get a new idea, as if we originated the idea in our brain, but what we actually did was no less extraordinary: we channeled the idea. creative ideas inspiration life new-ideas read reading writing Chris Prentiss
3b707a4 I lost my voice, but I had words. words writer writing Roxane Gay
e9fa27b Often in literary criticism, writers are told that a character isn't likable, as if a character's likability is directly proportional to the quality of a novel's writing. likeability writing Roxane Gay
1836504 That economics has a considerable conceptual apparatus with an appropriate terminology can not be a serious ground for complaint. Economic phenomena, ideas, instruments of analysis exist. They require names. Education in economics is, in considerable measure, an introduction to this terminology and to the ideas that it denotes. Anyone who has difficulties with the ideas should complete his education or, following an exceedingly well-beaten path, leave the subject alone. It is sometimes said that the economist has a special obligation to make himself understood because his subject is of such great and popular importance. By this rule the nuclear physicist would have to speak in monosyllables. writing John Kenneth Galbraith
2dab91a "But we were chumps and we knew it. As makers of sentences we were practically fetal, beneath notice, unlaunched, fooling around in our spare time or on somebody else's dime. Nobody loved our sentences as we loved them, and so they congealed or grew sour on our tongues. We barely glanced at our wall-scribblings for fear of what a few weeks or even hours might expose in our infatuations. Our photocopied fortune slips we'd find in muddy clogs in storm drains, tangled with advertising flyers, unheeded. Our manuscripts? Those were unspeakable secrets, kept not only from the world but from each other. writing Jonathan Lethem
5517c17 "Ayon kay Georges Simenon, ang dahilan daw ng pagsusulat n'ya ay "to exorcise the demon in me." Totoo yon para sa karamihan ng mga manunulat. Ang pagpuksa sa mga personal na demonyo ang nagsilbing makina sa likod ng mga di na mabilang na sanaysay, kwento, at tula. Ang manunulat ay biktima ng isang sumpa na para sa karaniwang tao ay ligo lang ang katapat." pagsusulat writing Bob Ong
d3aad0c A good story is [a] kind of irritant. You read it, then you cannot stop thinking about it. Eventually, your mind and heart encyst about it, and what occurs is a pearl of the soul. writing Jane Yolen
40aa0c2 We write not just to show off, not just to tell, or only to have written. We write to know ourselves. self-discovery writers writers-on-writing writing Jane Yolen
8dee5b1 "I contend that good children's stories are always about the Getting of Wisdom. That's another way of saying, "Let your characters grow. Up." And good stories for adults are about the Holding of Wisdom. Another way of saying, "Recognize you are grown up." -- writing Jane Yolen
2cbe5a9 "If Laura was so prolific with poems, and in truth she was, then what was the problem with Megan's request? Couldn't Laura, with a little doing, keep stringing together line after line of words and construct, in time, a novel? It seemed logical, but there was the matter of finding an idea and sustaining it. Only fire could do that. The fire of rebellion. Mario Vargas Llosa had not used the term "fire" exactly, but rather had discussed the presence of "seditious roots" that could "dynamite the world" the writer inhabited. He claimed that writing stories was an exercise in freedom and quarreling--out-and-out rebellion, whether or not the writer was conscious of it. And this rebellion, Vargas Llosa reminded his readers, was why the Spanish Inquisition had strictly censored works of fiction, prohibiting them for three hundred years in the American colonies." mario-vargas-llosa novel-writing writer writing writing-a-novel L.L. Barkat
e3772d4 I was born with the ability to see in metaphor. experience listen listening metaphor seeing writing Mark Nepo
ad1ffbf If he (John Adams) could not control events, he could at least record them for posterity - perhaps the ultimate form of control. journalism perspective writing Joseph J. Ellis
db4bb16 Why bother with fictional characters and plots when the world was full of more marvelous stories that were true, with characters so fresh, so powerful, so new, that they stepped from into the narratives under their own power? human-interest writing Doris Kearns Goodwin
a3bf42b I suppose one has to be desperate, to be a successful writer. One has to reach a rock-bottom at which one can afford to let everything go hang. One has got to damn the public, chance one's living, say what one thinks, and be oneself. Then something may come out. writing T.H. White
c1fac72 We're always thinking we should be writing no matter what else we might be doing. It's not fun. The life of an artist isn't easy. You're never free unless you are doing your art. inspirational writing Natalie Goldberg
f60da6c Shigure: G'morning. Tohru: Good morning! Yuki: Um, Shigure, it's . Why don't you get a sleep pattern? Shigure: I became an author so I wouldn't have to. writing writing-life Natsuki Takaya
db8c931 When I first began to write, I had been a child for most of my life, and my childhood memories were vivid and potent, and the forces that shaped me, Most of them have grown fainter with time, and whenever I write one down, I give it away: it ceases to have the shadowy life of memory and becomes fixed in letters: it ceases to be mine; it loses that mobile unreliability of the live. memory nostalgia writing Rebecca Solnit
4753e09 I struggled with a nebulous work which seemed now a , now a vast novel, wherein a hero not unlike myself pursued, amid ghostly incidents, a series of reflections about life and art. iris-murdoch meta plot struggling the-black-prince writer writing Iris Murdoch
8d0063a There is a kind of despair involved in creation which I am sure any artist knows all about. In art, as in morality, great things go by the board because at the crucial moment we blink our eyes. When is the crucial moment? Greatness is to recognize it and be able to hold it and to extend it. But for most of us the space between 'dreaming on things to come' and 'it is too late, it is all over' is too tiny to enter. And so we let each thing go, thinking vaguely that it will always be given to us to try again. Thus works of art, and thus whole lives of men, are spoilt by blinking and moving quickly on. I often found that I had ideas for stories, but by the time I had thought them out in detail they seemed to me hardly worth writing, as if I had already 'done' them: not because they were bad, but because they already belonged to the past and I had lost interest. My thoughts were soon stale to me. Some things I ruined by starting them too soon. Others by thinking them so intensely in my head that they were over before they began. Projects would change in a second from hazy uncommitted dreams into unsalvageable ancient history. Whole novels existed only in their titles. creative-process crucial-moment elusive inspiration iris-murdoch the-black-prince writer writing Iris Murdoch
c76b899 This is what is behind the special relationship between tale and travel, and, perhaps, the reason why narrative writing is so closely bound up with walking. To write is to carve a new path through the terrain of the imagination, or to point out new features on a familiar route. To read is to travel through that terrain that the author as guide - a guide one may not always agree with our trust, but who can at least be counted upon to take one somewhere. I have have often wished that my sentences could be written out as a single line running into distances so that it would be clear that a sentence is likewise a road and reading is traveling. traveling walking writing Rebecca Solnit
fbf3479 Only now, years after having read though the works of Shakespeare, Dickens, Scott, Poe, Balzac did he realise that even the most prolific writer created only one novel; throw away the individual bindings and the whole of each man's writing constituted one book: the true and complete portrait of himself. An artist had one thing to say, and one only; he might flail about, seek new techniques, forms, colour combinations, subjects, but intrinsically he would always paint the same canvas, write the same book. writing Irving Stone
6634ce7 Truth-telling is difficult because the varieties of untruth are so many and so well disguised. Lies are hard to identify when they come in the form of apparently innocuous imprecision, socially acceptable slippage, hyperbole masquerading as enthusiasm, or well-placed propaganda. These forms of falsehood are so common, and even so normal, in media-saturated, corporately controlled culture that truth often looks pale, understated, alarmist, rude, or indecisive by comparison. Flannery O'Connor's much-quoted line 'You shall know the truth, and the truth shall make you odd' has a certain prophetic force in the face of more and more commonly accepted facsimiles of truth - from PR to advertising claims to propaganda masquerading as news. language marilyn-chandler-mcentyre truth writing Marilyn Chandler McEntyre
f79dd82 "There is one myth about writers that I have always felt was particularly pernicious and untruthful--the myth of the "lonely writer," the myth that writing is a lonely occupation, involving much suffering because, supposedly, the writer exists in a state of sensitivity which cuts him off, or raises him above, or casts him below the community around him. This is a common cliche, a hangover probably from the romantic period and the idea of the artist as a Sufferer and a Rebel. Probably any of the arts that are not performed in a chorus-line are going to come in for a certain amount of romanticizing, but it seems to me particularly bad to do this to writers and especially fiction writers, because fiction writers engage in the homeliest, and most concrete, and most unromanticizable of all arts. I suppose there have been enough genuinely lonely suffering novelists to make this seem a reasonable myth, but there is every reason to suppose that such cases are the result of less admirable qualities in these writers, qualities which have nothing to do with the vocation of writing itself." fiction-writers lonely-writer novelist novelists-life writers-on-writing writing writing-life writing-mindset writing-myths writing-process Flannery O'Connor
13ac237 How to generate writing ideas, things to write about? Whatever's in front of you is a good beginning. Then move out into all streets. You can go anyplace. Tell me everything you know. Don't worry if what you know you can't prove or haven't studied. knowledge writing Natalie Goldberg
7fd8cd7 It is very important to go home if you want your work to be whole. You don't have to move in with your parents and collect an allowance, but you must claim where you come from and look deep into it. Come to honor and embrace it, or at least, accept it. writing writing-advice Natalie Goldberg
6c5f324 The responsibility of literatuure is to make people awake, present, alive. If the writer wanders, then the reader, too, will wander. writing Natalie Goldberg
6ae18d3 "I did Barbie's dream as a one-off thing, but I found it haunting me; I kept having an image in my head of Martin Tenbones getting killed in real New York. Still, that would've been the end of it...except, by a wild coincidence, a short time later I received a postcard from Jonathan Carroll. He wrote that he'd been following my graphic novel --which was being serialized in magazine at the time--and he was finding a number of very scary similarities between my story and his as yet unpublished novel, . He concluded, "We're like two radio sets tuned to the same goofy channel." I wrote back and said, "I think you're right. What's more, I abandoned a whole storyline after reading , but I keep thinking I ought to return to it." Jonathan then sent me a wonderful letter with this advice: "Go to it, man. Ezra Pound said that every story has already been written. The purpose of a good writer is to write it new. I would very much like to see a Gaiman approach to that kind of story." With that encouragement, I began creating ." interview jonathan-carroll neil-gaiman radio writing Hy Bender
6a3e392 "It's a note. Let me read it for you. 'Couldn't anyone else see that they were all slaves of Satan? I had to cleanse the world of their evil. I am the hand of God. Why else would security have let me into the building with an assault rifle in my suitcase? I am a divine instrument.'" Tommy paused and looked up. "That's all I have so far, but I'll guess I end it with an apology to my mom. What do you think?" evil humor writing Christopher Moore
0cc3567 This is where we work, in the interstices of ignorance, the land of contradiction and silence, planning to convince you with the seemingly known, to resolve - or make usefully vivid - the contradiction, and to make the silence eloquent. understanding writing Julian Barnes
debc5e3 People wonder at the romantic lives of poets and artists, but they should rather wonder at their gift of expression. The occurrences which pass unnoticed in the life of the average man in the existence of a writer of talent are profoundly interesting. It is the man they happen to that makes their significance. authors experiences expression maugham poets w-somerset-maugham writer writing W. Somerset Maugham
10441ec It is a curiosity of writing about angels that, very often, one turns out to be writing about men. writing Donald Barthelme
64ab1ec "Squashed behind The Cloud of Unknowing we discovered a pocket-size spiral notebook with a day-by-day account of the time Justin had stayed with her and her husband after Tommy's death. The writing was legible though it required effort (this was before she took her calligraphy course), but Justin was ecstatic and asked if he could have the little notebook. "This is my history," he said. Later, after he had deciphered every last word: "Boy, was I loved." personal writing Gail Godwin
9e6db0a Don't let characters talk pointlessly--they only talk if there's something to say. sex writing Diana Gabaldon
0e97fa9 I love it for what it tells me about life. I love fiction, strangely enough, for how true it is, If it can tell me something I didn't already know, or maybe suspected but never framed quite that way, or never before had sock me so divinely in the solar plexus, that was a story worth a read. writing Barbara Kingsolver
501d71b All the noise in my brain. I clamp it to the page so it will be still. reader writing Barbara Kingsolver
d6fc0f0 "Cainan (sometimes the name is spelled Kainam) was the son of Arpachsad: "And the son grew, and his father taught him writing, and he went to seek for himself a place where he might seize for himself a city. And he found a writing, which former generations had carved on the rock, and he read what was thereon, and he transcribed it and sinned owing to it, for it contained the teaching of the Watchers in accordance with which they used to observe the omens of the sun, moon and stars in all the signs of heaven." Here, then, is the origin of the star worship of the Sabians traced all the way back to the mysterious Watchers--whoever they were, whatever they are--who settled in the Near East in antediluvian times, taught our ancestors forbidden knowledge, broke some fundamental commandment by mating with human women and, as a result, were remembered as being responsbile for the great global cataclysm of the Deluge." astronomy generations knowledge sabians teachings watchers writing Graham Hancock
bfa4fbf Dialogue doesn't take place in a vacuum. Dialogue is contradictory, in that it can either speed up or slow down a passage. sex writing Diana Gabaldon
ae667ee Pointing out the emotion in a scene is like laughing at your own jokes. sex writing Diana Gabaldon
758c824 "Wait," Charlotte said. "I'd like to say something, if I may, Papa." He nodded, and Charlotte stood. Her siblings were still looking very grave. She hoped they were in the proper frame of mind to hear what she had to say, especially Branwell. "I have been thinking a great deal about ... My stories." She nodded significantly to them, willing them to understand that she was not talking about writing so much as about crossing over. "Papa was very wise when he called my writing a childish habit, and I think he understands that, for me, its a dangerous one as well." The small square of paper that had caused such consternation lay in front of her on the table. Now she took it up and held it out, looking at each if her siblings in turn. "Emily. Anne. Branwell." She ripped the paper in half. Emily gasped. " I am renouncing my invented worlds and all who live there. If any of you are in the grip if a similar childish habit"- she raised an eyebrow at her brother - "I challenge you to do the same." challenge charlotte-bronte childish stories writing Lena Coakley
a6180e7 If there's true emotional content in a situation between characters, all you do is reveal it. sex writing Diana Gabaldon
7c7190a Watch a good movie sometime without reference to what's happening but only with attention to how it was photographed; you'll see the change of focus--zoom in, pan out, close-up on face, fade to black, open from above--easily. You want to do that in what you write; it's one of the things that keep people's eyes on the page, though they're almost never conscious of it. sex writing Diana Gabaldon
096141b Just as an effective advertisement or page layout includes a lot of white space, a powerful scene requires immense restraint. Show things as simply as possible. sex writing Diana Gabaldon
0f74c22 Jamie's viewpoint is expressed almost entirely in metaphor: If she was broken, she would slash him with her jagged edges, reckless as a drunkard with a shattered bottle. He's using physical language, but he isn't talking about the physical details of the situation. Claire alludes to her emotion and shows it by her actions, but Jamie is thinking directly in pure emotions. sex writing Diana Gabaldon
8c22690 For a different woman, a different relationship, a different situation, gentleness might have been the proper, the only approach--but not for this woman, in these circumstances. The only thing that will cleanse Claire (and reassure her: look at what she says at the end of it. She feels safe again, having felt the power and violence in him) is violence. And--the most important point here--Jamie pays attention to what she wants, rather than proceeding with his own notion of how it should be, even though it's a sensible notion and the one most people would have. sex writing Diana Gabaldon
3e13c0d C'est en ecrivant qu'on devient ecriveron writing Raymond Queneau
56855cb This is why you use imagery when writing about sex; it's a means both of evoking immediacy and of distilling emotion. sex writing Diana Gabaldon
f981cd5 Norman Mailer enhances the beauty of pugilism by elegantly exploring it. trouble vocabulary writing Davis Miller
cf0b922 "Payne sought clarification. "Vertical or horizontal?" "Horizontal, of course." "Sorry but I can't help you." "Will you pipe down for a minute? Naturally she was dead since I work at a cemetery. Her face struck a chord though. So, I rummaged around in the old Rory memory bank, and Emily is what rings a bell. Didn't we go to school with an Emily? Tenth or eleventh grade, if I recall it correctly." crime-fiction mystery romance suspense thriller writing Ed Lynskey
0b30277 One of the general patterns of good (i.e., striking and memorable) writing is the effect of repetition. If you use a certain element--a plot device, an image, a noticeable phrase--once, readers may or may not notice it consciously, but it doesn't disturb the flow of their reading. If you use that element twice, they won't notice it consciously--but they will notice it subconsciously, and it will add to the resonance of the writing or to their sense of depth and involvement (and if it's a plot device, it will heighten the dramatic tension). But if you use that element three times, everybody will notice it the third time you do it. sex writing Diana Gabaldon
e1b2889 "But now, after the news of Barthelme's death, this simple fact of or , which I had begun to recognize in a small way already, now became the single most important supplemental piece of information I felt I could know about a writer: more important than his age when he wrote a particular work, or his nationality, his sex (forgive the pronoun), political leanings, even whether he did or did not have, in someone's opinion, any talent. -- just tell me that. The intellectual surface we offer to the dead has undergone a subtle change of texture and chemistry; a thousand particulars of delight and fellow-feeling and forbearance begin reformulating themselves the moment they cross the bar. The living are always potentially thinking about and doing just what we are doing: being pulled through a touchless car wash, watching a pony chew a carrot, noticing that orange scaffolding has gone up around some prominent church. The conclusions they draw we know to be conclusions drawn from how things are now. Indeed, for me, as a beginning novelist, all other living writers form a control group for whom the world is a placebo. The dead can be helpful, needless to say, but we can only guess sloppily about how they would react to this emergent particle of time, which is all the time we have. And when we do guess, we are unfair to them. Even when, as with Barthelme, the dead have died unexpectedly and relatively young, we give them their moment of solemnity and then quickly begin patronizing them biographically, talking about how they "delighted in" x or "poked fun at" y -- phrases that by their very singsong cuteness betray how alien and childlike the shades now are to us. Posthumously their motives become ludicrously simple, their delights primitive and unvarying: all their emotions wear stage makeup, and we almost never flip their books across the room out of impatience with something they've said. We can't really understand them anymore. Readers of the living are always, whether they know it or not, to some degree seeing the work through the living writer's own eyes; feeling for him when he flubs, folding into their reactions to his early work constant subauditional speculations as to whether the writer himself would at this moment wince or nod with approval at some passage in it. But the dead can't suffer embarrassment by some admission or mistake they have made. We sense this imperviousness and adjust our sympathies accordingly. Yet in other ways the dead gain by death. The level of autobiographical fidelity in their work is somehow less important, or, rather, extreme fidelity does not seem to harm, as it does with the living, our appreciation for the work. The living are "just" writing about their own lives; the dead are writing about their irretrievable lives, wow wow wow. Egotism, monomania, the delusional traits of Blake or Smart or that guy who painted the electrically schizophrenic cats are all engaging qualities in the dead." writing Nicholson Baker
bc84620 As a naturally shy person, I loved the anonymity of writing before my career took off. I loved how my stories didn't care about my weight. When I started publishing that writing, I loved that, to my readers, what mattered were the words on the page. Through writing, I was, finally, able to gain respect for the content of my character. feminist writing writing-craft writing-life writing-quotes Roxane Gay
2488ff2 One of the many things I have always loved about writing, not to be confused with publishing, is that all you need is your imagination. It doesn't matter who you are, you can write. Your looks, especially, don't matter. imagination writing Roxane Gay
0146c01 I had no way to stop . I did not write Fahrenheit 451, it wrote me. ray-bradbury writing Ray Bradbury
f676e7b Literary friendship is impossible, it seems; at least, it is impossible for me. Indeed, all male friendships outside of work sometimes seem to be impossible: you look at each other at the restaurant at some point in the conversation and you know that each of you is thinking, man, this is futile, why are we here, we're wasting our time, we have nothing to say, we're not involved in some project together that we can bitch about, we can't flirt, we feel like dummies discussing movies or books, we aren't in some moral bind with a woman that we need to confess, we've each said the other is a genius several times already, and the whole thing is depressing and the tone is false and we might as well go home to our wives and children and rent buddy movies like or or masculinity writing Nicholson Baker
585f67f The thing about life is that life is an infinite subject matter. At any one moment you can say only what' before your mind just then. You have some control over what comes before your mind - you can influence the influx by reading, or by looking through your old notes, or by going to movies, or by talking to people, and you can choose what room of the house or what corner of the yard to sit in, and you can choose to write before or after you've masturbated - this is crucial - and you can choose to tell the truth or not to. And the difficult is that sometimes it's hard to tell the truth because you think that the truth is too personal, or too boring, to tell. Or both. And sometimes it's hard to tell the truth because the truth is hard to see, because it exists in a misty, gray non-space between two strongly charged falsehoods that sound true but aren't. writing Nicholson Baker
cba8fab Almost everybody understands that you have to have something at stake for a story to be good. sex writing Diana Gabaldon
d010541 "Okay. This has to be a credible threat. Ergo, we have to have seen (and heard about) the real damage Randall has done to Jamie thus far; we have to be in no doubt whatever that he'd do real damage to Claire. We can't just say, "Oh, he's such a nasty person, you wouldn't believe..." We have to believe, and therefore appreciate, just what Jamie is doing when he trades what's left of his life for Claire's." sex writing Diana Gabaldon
f0e9d04 Daniel C. Dennett, un filosofo della Tufts University che ne sa sia di neuroscienze che di informatica, sostiene che la coscienza stessa ha un aspetto essenzialmente narrativo, radicato nell'evoluzione biologica del cervello. Non ho la competenza per riassumere le argomentazioni di Dennett, ma vengo persuaso d'acchito dalle sue conclusioni - perlomeno se considerate come una narrazione esplicativa. Egli concepisce la coscienza essenzialmente come <>; concepisce il se come un come se, un <> - in breve, una fantastica e incessante narrazione. <>, afferma il professor Dennett - storie che rivediamo e rettifichiamo in continuazione e che in continuazione rivedono e rettificano noi stessi. A questo punto vi chiedo: il meditare su domande del genere ha mai reso chicchessia uno scrittore migliore? Non sarebbe piu saggio se un narratore meditasse sulla casistica dell'amore, sui particolari di un tramonto, o magari sulle vicissitudini della nave spaziale U.S.S. Enterprise? Forse si, forse no. Ma nel porci domande del genere, come nel creare di continuo situazioni ipotetiche, facciamo quello che ci viene naturale - che forse viene piu naturale ad alcune persone che ad altre. nonfiction writing John Barth
a5182dc But it wouldn't have half the power of a story in which Jamie and Claire truly conquer real evil and thus show what real love is. Real love has real costs--and they're worth it. I've always said all my books have a shape, and Outlander's internal geometry consists of three slightly overlapping triangles. The apex of each triangle is one of the three emotional climaxes of the book: 1) when Claire makes her wrenching choice at the stones and stays with Jamie, 2) when she saves Jamie from Wentworth, and 3) when she saves his soul at the abbey. It would still be a good story if I'd had only 1 and 2--but (see above), the Rule of Three. A story that goes one, two, three, has a lot more impact than just a one-two punch. sex writing Diana Gabaldon
896d344 To some extent, emotions are universal and can be treated that way; no matter what the participants' orientation or preference, they have sex for the same reasons and can experience the same array of emotions in the process. But there are three important distinctions to be made: 1. The logistics of physiology 2. The basics of sexual attraction 3. Cultural impact on character and situation sex writing Diana Gabaldon
900c170 Writing, which was both painful and palliative for me, turned out to be my own way of giving blood in a crisis. I can only hope this unit of words will have a longer shelf life than the forty-two days of a unit of blood, as this critical time blends seamlessly into the next one. timelessness writing Barbara Kingsolver
09579d8 It is widely rumored, and also true, that I wrote my first novel in a closet. writing Barbara Kingsolver
ef9ceb8 "Men have external genitalia, while women have internal genitalia. This simple difference makes a lot of difference in how they write about themselves--and how you might write about your characters. Male writers don't often address internal sensation in a character, because they don't experience it (and probably often don't realize consciously that it's there). This accounts for a lot of Really Terrible sex scenes written by men (if you look at the "Bad Sex-Scene Awards" in any given year, you'll see that the vast majority are done by male writers)." sex writing Diana Gabaldon
e157cfc [...] the day when male writers can speak for women is speeding by. Fast. writer writing Julie Phillips
0f886fe "I suppose you must feel some bitterness against the historians," Roger ventured. "All the writers who got it wrong--made him out to be a hero. I mean, you can't go anywhere in the Highlands without seeing the Bonnie Prince on toffee tins and souvenir tourist mugs." Claire shook her head, gazing off in the distance. The evening mist was growing heavier, the bushes beginning to drip again from the tips of their leaves. "Not the historians. No, not them. Their greatest crime is that they presume to know what happened, how things come about, when they only have what the past chose to leave them behind--for the most part, they think what they were meant to think, and it's a rare one that sees what really happened, behind the smokescreen of artifacts and paper." There was a faint rumble in the distance. The evening passenger train from London, Roger knew. You could hear the whistle from the manse on clear nights. "No, the fault lies with the artists," Claire went on. The writers, the singers, the tellers of tales. It's them that take the past and re-create it to their liking. Them that could take a fool and give you back a hero, take a sot and make him a king." "Are they all liars, then?" Roger asked. Claire shrugged. In spite of the chilly air, she had taken off the jacket to her suit; the damp molded the cotton shirt to show the fineness of collarbone and shoulder blades. "Liars?" she asked. "Or sorcerers? Do they see the bones in the dust of the earth, see the essence of a thing that was, and clothe it in new flesh, so the plodding beast reemerges as a fabulous monster?" writing Diana Gabaldon
6929140 People who can read and write expertly, as you can, are miracles and, in my opinion, entitle us to suspect we might be civilized after all. miracles reading writing Kurt Vonnegut Jr.
cf95bc3 For a few weeks you got up at six to compose short stories at the kitchen table with while Amanda slept in the other room. Then your night life started getting more interesting and complicated, and climbing out of bed became harder and harder. You were gathering experience for a novel. You went to parties with writers, cultivated a writerly persona. You wanted to be Dylan Thomas without the paunch. F. Scott Fitzgerald without the crack-up. You wanted to skip over the dull grind of actual creation. writing Jay McInerney
fe59cec "You have always wanted to be a writer. Getting the job at the magazine was only your first step toward literacy celebrity. You used to write what you believed to be urbane sketches infinitely superior to those appearing in the magazine every week. You sent them up to Fiction; they came back with polite notes. "Not quite right for us now, but thanks for letting us see this." You would try to interpret the notes: what about the word now-do they mean that you should submit this again, later? It wasn't the notes so much as the effort of writing that discouraged you." writing Jay McInerney
8889ee9 So while our art cannot, as we wish it could, save us from wars, privation, envy, greed, old age, or death, it can revitalize us amidst it all. writing Ray Bradbury
6b32db9 Art consist of a writer or painter's psychosis extirpated on the canvas of his choosing, a truism whether one is inspecting a Vincent Van Gogh masterpiece or deciphering the incomprehensible utterings and dissociated ramblings of one of the Philistines framed in the picaresque novel 'Confederacy of Dunces, written by American novelist John Kennedy Toole (1937-1969). essayist memoir-writing writers-on-writing writers-quotes writers-voice writing writing-philosophy writing-process writing-style Kilroy J. Oldster
a107ad8 She liked the way the words sounded. She imagined them floating above her in a comic-strip bubble words writing Kate DiCamillo
6574ce4 After the third [San Miguel], I am likely to announce that all writing is fantasy anyway: that to set any event down in print is immediately to begin to lie about it, thank goodness; and that it's no less absurd and presumptuous to try on the skin of a bank teller than that of a Bigfoot or a dragon. authorship fantasy writing Peter S. Beagle
86334ba Too many words for one book--truth might be stranger than fiction, but it needs a better editor. editor fiction truth writing David Benioff
7d3beb1 "Before he wrote about them," said Quilty, pretending to read the guidebook out loud, "Hemingway shot his characters. It was considered an unusual but not unheard-of creative method. Still, even within literary circles, it is not that widely discussed." writing Lorrie Moore
73d9084 If I can give one bit of advice to any drama major, high school theater kid, or inmate who is reading this in a prison library with dreams of being cast in he prison play, its this: write your own part. It is the only way I've gotten anywhere. It is much harder work, but sometimes you ave to take destiny into your own hands. inspiration writing Mindy Kaling
b86e24e Write your own part. It's the only way I've ever gotten anywhere. It is much harder work, but sometimes you have to take destiny into your own hands. It is much harder work, but sometimes you have to take destiny into your own hands. It forces you to think about what your strengths really are, and once you find them, you can showcase them, and nobody can stop you. women writing writing-process Mindy Kaling
db1e43f Do you have the courage? Do you have the courage to bring forth this work? The treasures that are hidden inside you are hoping you will say yes. [Author was quoting Jack Gilbert, which he reportedly had said to a student] writing Elizabeth Gilbert
db3018d Fiction is like wrestling with angels-you do not expect to win, but you do expect to come away from the experience changed. fiction reading writing Jane Yolen
58fa832 I claim no victory. But there was blood on my gloves when I hung them up. When was the last time you did a story like that, out of pure indignation? writing Ray Bradbury
05b336b He wrote very well in those days, as it happens, much better than he does now. He had absolute convictions, and style is nothing more than the absolute conviction of possessing a style. latin-american-authors style writing writing-quotes Ricardo Piglia
d4a133c I wrote that book anyhow, because I needed to write it for my own intimate purposes - and also because I was curious to see if I could convey my emotional experiences adequately on paper. reason-for-writing reasons-for-writing why-i-write why-to-write why-we-write why-write writing writing-inspiration writing-motivation Elizabeth Gilbert
86382a8 Most of my writing life, to be perfectly honest, is not freaky, old-timey, voodoo-style Big Magic. Most of my writing life consists of nothing more than unglamorous, disciplined labor. I sit at my desk and I work like a farmer, and that's how it gets done. Most of it is not like fairy dust in the least. writing writing-life Elizabeth Gilbert
faf15f3 I simply vowed to the universe that I would write forever, regardless of the result. I promised that I would try to be brave about it, and grateful, and as uncomplaining as I could possibly be. I also promised that I would never ask writing to take care of me financially, but that I would always take care of it - meaning that I would always support us both, by any means necessary. I did not ask for any external rewards for my devotion; I just wanted to spend the rest of my life as near to writing as possible - forever close to that source of all my curiosity and contentment. writing Elizabeth Gilbert
bb87889 Critics always praise precision in writing, and some great writers (Joyce, Beckett, Gustave Flaubert) are masters of clarity--but one of the great (and seldom mentioned) resources of fiction is vagueness. writing Edmund White
0612e96 Poetry aims for an economy of truth--loose and useless words must be discarded, and I found that these loose and useless words were not separate from loose and useless thoughts. Poetry was not simply the transcription of notions--beautiful writing rarely is. I wanted to learn to write, which was ultimately, still, as my mother had taught me, a confrontation with my own innocence, my own rationalizations. Poetry was the processing of my thoughts until the slag of justification fell away and I was left with the cold steel truths of life. writing Ta-Nehisi Coates
ed65e59 Sometimes writing is hard. You know what's not hard? Watching Netflix. That's easy. writing Beth Revis
4c2c15d I'm fond of joking that when I get stuck in writing, I'll kill a character or blow something up (in the novel...usually). writing Beth Revis
d82f79c Escribir es un oficio que se aprende, pero que nadie puede ensenar. El dia que entienda usted lo que eso significa sera cuando empiece a aprender a ser escritor. writing Carlos Ruiz Zafón
74d0ed2 Escribio su nombre y contemplo como la tinta se secaba poco a poco. El placer de la pagina en blanco, que al principio siempre olia a misterio y a promesa, se desvanecio por ensalmo. Tan pronto como uno empezaba a colocar las primeras palabras comprobaba que en la escritura, como en la vida, la distancia entre intenciones y resultados iba pareja con la inocencia con que se acometian unas y se aceptaban los otros. escritura lettering writing Carlos Ruiz Zafón
1534ba0 I was learning the craft of poetry, which really was an intensive version of what my mother had taught me all those years ago -- the craft of writing as the art of thinking. Poetry aims for an economy of truth -- loose and useless words were not separate from loose and useless thoughts. Poetry was not simply the transcription of notions -- beautiful writing rarely is. I wanted to learn to write, which was ultimately, still, as my mother had taught me, a confrontation with my own innocence, my own rationalizations. Poetry was the processing of my thoughts until the slag of justification fell away and I was left with the cold steel truths of life. writing Ta-Nehisi Coates
a333c63 Escribir es reescribir. Se escribe para uno mismo y se reescribe para los demas. writing Carlos Ruiz Zafón
2e6f0c0 Julian me habia dicho alguna vez que un relato es una carta que el autor se escribe a si mismo para contarse cosas que de otro modo no podria averiguar. Hacia tiempo que Julian se preguntaba si habia perdido la razon. ?Sabe el loco que esta loco? writing Carlos Ruiz Zafón
b594118 Escribiria sobre gente y lugares que yo conociera, y haria que mis personajes hablaran un lenguaje cotidiano. Y dejaria que el sol se levantara y se pusiera de la forma normal y tranquila que hace normalmente, sin hacer muchas alharacas al respecto. Si tuviera que introducir un villano en mi historia, le daria una oportunidad (...) Supongo que hay algunos hombres malvados en el mundo, pero hay que andar un buen rato para encontrarlos. ana-la-de-tejas-verdes anne-of-green-gables anne-of-the-island villains writing writing-inspiration L.M. Montgomery
caebd80 I needed a drink. I needed a lot of life insurance. I needed a vacation. What I had was a coat, a hat and a gun. hard-boiled inspirational writing Raymond Chandler
9bd51b2 I have kept this diary doggedly, day by day, because I believe a continuous record, no matter how full of trivialities, will always gradually reveal something of the subconscious mind behind it. I've never regretted keeping a diary yet. There are always a few nuggets of literary value under all that sand. gay-men writing Christopher Isherwood
bb8e3a5 And I thought about women. All these books, and how long had it taken for women to write their share, and why were their still so few women poets and novelists, and even fewer who were considered to be important? writing Jeanette Winterson
32e997e My between-books strategy was reading voraciously and on a whim. leisure writing Erik Larson
c48ad88 Art is about the individual, the individual commitment not tethered to reward. For the maker, and later the reader or the viewer or the listener, there is no obvious reward. There is only the thing-in-itself, because you want it, because you're drawn to it. It speaks to the part of us that is fully human, the part that belongs only to ourselves, not mechanized, socialized, pacified, integrated, but voice-to-voice, across time, singing a song pitched to the human ear, singing of destiny, of fear, of loss, of hope, of renewal, of change, of connection, of all the subtle and fragile relationships between men and women, their children, their country, and all the things not measured or understood by the census figures and the gross national product. humanity writing Jeanette Winterson
680e0aa Though he had spoken of the subject many times, in the silence of his room he added the powerful kind of phrasing that would not have occurred to him as he spoke, because it's origins were in the collaboration of hand and pen. writing Mark Helprin
c393967 The manager of my line told me, You never put anything down except to be read. Every word ever written is written to be read and if some go unread that's only chance, failure, they're like grubs that die without changing. words writing China Miéville
4da3f95 There is no such thing as reproduction, only acts of production. children parenting writing Andrew Solomon
1562f29 (Cyril and Alice talking about Maude Avery and her books) 'I occasionally get letters from students asking for help with their theses.' 'And do you offer it?' 'No. It's all there in the books themselves. There's nothing much I can add that would be of any use to anyone.' 'You're right,' said Alice. 'So why any of them feel the need to talk about their work in public or give interviews is beyond me. If you didn't say what you wanted to say in the pages themselves, then surely you should have done another draft.' (p. 271) interpretation-of-literature writing John Boyne
8973b98 A story that has nothing but action and plot is a pretty poor affair; and some great stories have neither. writing Ursula K. Le Guin
5b584ca A related point: The job of the imagination, in making a story from experience, may be not to gussy the story up but to tone it down. The fact is, the world is unbelievably strange and human behavior is frequently so weird that no kind of narrative except farce or satire can handle it. The function of the storyteller's imagination sometimes is simply to make it more plausible. fiction life storytelling writing Ursula K. Le Guin
8f0cf2e You've finally written it? That's great! She asked me if I'd read to her from it and I said no. Just a paragraph? No. A sentence? No. Half a sentence! One word? No. A letter? I said okay, that I would read the first letter of the novel. She smiled and closed her eyes and sort of burrowed into her bed like she was preparing herself for a delicious treat. I asked her if she was ready and she nodded, still smiling, eyes closed. I stood and cleared my throat and paused and then began to read. L. She sighed and lifted her chin to the ceiling, opened her eyes and told me it was beautiful, BEAUTIFUL, and true, the best thing I'd written yet. sharing sisters writing Miriam Toews
13ba21a "You can write great books," the great man continued. "Or you can have kids. It's up to you." [...] Writing was a practice. The more you wrote, the better a writer you became, and the more books you produced. Excellence plus productivity, that was the formula for sustained success, and time was the coefficient of both. Children, the great man said, were notorious thieves of time. [...] Writers need to be irresponsible, ultimately, to everything but the writing, free of commitments to everything but the daily word count. Children, by contrast, needed stability, consistency, routine, and above all, commitment. In short, he was saying, children are the opposite of writing." parenting writing writing-life Michael Chabon
e32c503 Zapochnakh da pisha v obkr'zhenie, koeto tv'rde silno me tlaskashe k'm tselom'drie. Pisaneto togava beshe moralen akt. Pisaneto sega kato che li chesto e lisheno ot smis'l. Poniakoga os'znavam slednoto: che ako pisaneto ne oznachava domogvane do suetata i prekhodnostta kato s'vkupnost ot vsichki neshcha, to niama smis'l. Che ako ne oznachava nepremenno slivane na vsichki neshcha v edno-edinstveno, neokachestvimo po svoiata s'shchnost neshcho, pisaneto niama drug smis'l, osven samoizt'kvane. No nai-chesto niamam mnenie, vizhdam, che vsichki poleta sa otkriti, siakash ne s'shchestvuvat veche steni, siakash napisanoto ne znae veche k'de da se dene, za da se skrie, za da se os'shchestvi, za da se prochete, siakash izkonnata mu neblagopristoinost ne se zachita veche, no ne se zamisliam po-d'lboko nad tova. then writing Marguerite Duras
996c7bd l ynbGy llns 'n yuTl`n `ushWqhnW `l~ m yD`n min ktub writing العشاق الكتابة Marguerite Duras
2fd11b2 fbm nWy kntu 'ktb .. twjWb lHdyth `n lktb , whdh m l ytHmWlh lrjl , l ytHmWlwn mr'@an tktb. nWh 'mrun l yuTq blnsb@ l~ lrjl , shqW `l~ ljmy` men writing الرجال الكتابة الكتب Marguerite Duras
2000336 There was a shop on Lexingon that advertised passport pictures. I like to go sometimes. I keep them in a little album. Mostly they're of me, except for one, which ia of Isaac, aged five, and another of my cousin, the locksmith. He was an amateur photographer and one day he showed me how to make a pinhole camera. This was the spring of 1947. I stood in the back of his tiny shop watching him fix the photographic paper inside the box. He told me to sit, and shone a lamp on my face. Then he removed the cover over the pinhole. I sat so still I was hardly breathing. When it was finished we went into the darkroom and dropped it in the developing pan. We waited. Nothing. Where I should have been there was only scratchy grayness. My cousin insisted we do it again, so we did it again, and again, nothing. Three times he tried to take a picture of me with the pinhole camera, and three times I failed to appear. My cousin couldn't understand it. He cursed the man who sold him the paper, thinking he'd been given a bad batch. But I knew he hadn't. I knew that the way others had lost a leg or an arm, I'd lost whatever the thing is that makes people indelible. I told my cousin to sit in the chair. He was reluctant, but finally he agreed. I took a photograph of him, and as we watched the paper in the developing pan his face appeared. He laughed. And I laughed, too. It was I who'd taken the picture, and if it was proof of his existence, it was also proof of my own. He let me keep it. Whenever I took it out of my wallet and looked at him, I knew I was really looking at me. writing Nicole Krauss
e51738f When secrets are unspoken and unwritten they are lodged safely in the mind, but writing them down seems to let them loose and give them the power to spread like pollen on the air and enter into other minds. secrets writing P.D. James
aec6197 To her, writing is making stock and reading is sipping broth, but only the spoken word is the full roasted chicken. writing Yann Martel
aa9dbdf "Tate explained that James was able to achieve this magic through the use of the first-person narrator. Tate said that the first person is the most difficult form because the writer is locked inside the head of the narrator and can't get out. He can't say "meanwhile, back at the ranch" as a transition to another subject because he is imprisoned forever inside the narrator. But so is the reader! And that is the strength of the first-person narrative. The reader does not see that the governess is the villainess because what the governess sees is all the reader ever sees." puzzle unreliable-narrator villain writing Robert M. Pirsig
3a69eda The problem of self-loathing isn't new. What's new is the idea that it's the people with the history of greatest injustice who have the greatest right to be heard, and that the time has come for the arts not just to make room for them but to be dominated by them. representation writers writing Sigrid Nunez
bca3173 Anthropomorphism, I've decided, is inescapable, and though I might try to hide it I no longer fight it. dogs grieving love suicide writing Sigrid Nunez
cecb080 Rather than write about what you know, you told us, write about what you Assume that you know very little and that you'll never know much until you learn how to see. knowledge observation seeing writing Sigrid Nunez
a78cdca A friend of mine who is working on a memoir says, I hate the idea of writing as some kind of catharsis, because it seems like that can't possibly produce a good book. You cannot hope to console yourself for your grief by writing, warns Natalia Ginzburg. Turn then to Isak Dinesen, who believed that you could make any sorrow bearable by putting into into a story or telling a story about it. grief loss sorrow writing Sigrid Nunez
042b098 Many writers, good writers who ought to know better, focus so tightly on the structure demanded by a crime story that they lose track of the fact that they are writing a novel. Accusations of both sensationalism and trivialisation are, alas, often justified. fiction genre genre-fiction technique thriller writing Laurie R. King
b3fa4a3 You want to anchor the scene with physical details, but by and large it's better to use sensual details rather than overtly sexual ones. sex writing Diana Gabaldon
fead8f6 It's not what's happened or what's about to happen; what's important is the sense of emotional uncertainty between the characters and the delicacy of the mutual trust being established. sex writing Diana Gabaldon
d54fefa You don't need to know the purpose as you write, but when you read over something you've written, you should be able to point to any given element--be that a line of dialogue, a descriptive phrase, a plot point--and say why it's there. sex writing Diana Gabaldon
f226234 We have a rich literature. But sometimes it's a literature too ready to be neutralized, to be incorporated into the ambient noise. This is why we need the writer in opposition, the novelist who writes against power, who writes against the corporation or the state or the whole apparatus of assimilation. We're all one beat away from becoming elevator music. novelists opposition revolution writers writing Don DeLillo
b3545ff Times change and discoveries are made that render earlier techniques and approaches less effective. Change is inevitable. To remain rigid when the whole world is changing and advancing is to invite misfortune. The AA program in particular is challenged with an opportunity of unprecedented magnitude. addiction addiction-cure addiction-treatment alcoholics-anonymous challenge change chris-prentiss opportunity reading writing Chris Prentiss
ea99b1f Writing, I am convinced, is the least appreciated of all the creative arts. Only a miniscule portion of the population engages in sculpting or painting or composing but everyone writes - whether it be letters, invitations, shopping lists...It is not far-fetched, therefore, for anyone with a smattering of self-esteem to believe that if he or she had the time, and the desire, an acceptable book or article could be produced. writing Og Mandino
1197902 "Don't go overboard in avoiding "said." Basically, "said" is the default for dialogue, and a good thing, too; it's an invisible word that doesn't draw attention to itself." sex writing Diana Gabaldon
ec35828 As a rule of thumb, four consecutive lines of dialogue is about as much as you want to have without a tag. sex writing Diana Gabaldon
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