111fa2e
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When, however, one reads of a witch being ducked, of a woman possessed by devils, of a wise woman selling herbs, or even of a very remarkable man who had a mother, then I think we are on the track of a lost novelist, a suppressed poet, of some mute and inglorious Jane Austen, some Emily Bronte who dashed her brains out on the moor or mopped and mowed about the highways crazed with the torture that her gift had put her to. Indeed, I would venture to guess that Anon, who wrote so many poems without signing them, was often a woman.
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dignity
empowerment
feminism
gender
history
misogyny
persecution
social-norms
suppression
witches
women
women-writers
writing
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Virginia Woolf |
c7ea542
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Women and fiction remain, so far as I am concerned, unsolved problems.
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fiction
gender
on-fiction
problems
women
women-writers
|
Virginia Woolf |
2f2b7bf
|
Women have sat indoors all these millions of years, so that by this time the very walls are permeated by their creative force, which has, indeed, so overcharged the capacity of bricks and mortar that it must needs harness itself to pens and brushes and business and politics.
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|
artists
arts
careers
creativity
empowerment
encroachment
gender
liberation
occupation
restrictions
skills
women
women-writers
|
Virginia Woolf |
2acec2b
|
Does rough weather choose men over women? Does the sun beat on men, leaving women nice and cool?' Nyawira asked rather sharply. 'Women bear the brunt of poverty. What choices does a woman have in life, especially in times of misery? She can marry or live with a man. She can bear children and bring them up, and be abused by her man. Have you read Buchi Emecheta of Nigeria, Joys of Motherhood? Tsitsi Dangarembga of Zimbabwe, say, Nervous Conditions? Miriama Ba of Senegal, So Long A Letter? Three women from different parts of Africa, giving words to similar thoughts about the condition of women in Africa.' 'I am not much of a reader of fiction,' Kamiti said. 'Especially novels by African women. In India such books are hard to find.' 'Surely even in India there are women writers? Indian women writers?' Nyawira pressed. 'Arundhati Roy, for instance, The God of Small Things? Meena Alexander, Fault Lines? Susie Tharu. Read Women Writing in India. Or her other book, We Were Making History, about women in the struggle!' 'I have sampled the epics of Indian literature,' Kamiti said, trying to redeem himself. 'Mahabharata, Ramayana, and mostly Bhagavad Gita. There are a few others, what they call Purana, Rig-Veda, Upanishads ... Not that I read everything, but ...' 'I am sure that those epics and Puranas, even the Gita, were all written by men,' Nyawira said. 'The same men who invented the caste system. When will you learn to listen to the voices of women?
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arundhati-roy
buchi-emecheta
feminism
gender-equality
indian-literature
meena-alexander
miriama-ba
novels
poverty
suffering
susie-tharu
tsitsi-dangarembga
women
women-s-fiction
women-writers
|
Ngũgĩ wa Thiong’o |
d0ecf42
|
I told you in the course of this paper that Shakespeare had a sister; but do not look for her in 's of the poet. She died young--alas, she never wrote a word. She lies buried where the omnibuses now stop, opposite the Elephant and Castle. Now my belief is that this poet who never wrote a word and was buried at the crossroads still lives. She lives in you and in me, and in many other women who are not here tonight, for they are washing up the dishes and putting the children to bed. But she lives; for great poets do not die; they are continuing presences; they need only the opportunity to walk among us in the flesh.
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|
dignity
dreams
empowerment
equality
feminism
fiction
gender
opportunities
poetry
self-determination
social-norms
women
women-writers
|
Virginia Woolf |
7f74547
|
Every woman feels. It just takes the right man to make things combust.
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|
lover
lovers
men
men-and-women
relationship
relationships
romance
sex
women
women-s-fiction
women-writers
|
Barbara Delinsky |
2ea5eba
|
When the truth emerges, it can't be ignored. Nor will it wait.
|
|
honesty-quotes
telling-the-truth
truth
women
women-s-fiction
women-writers
|
Barbara Delinsky |
ae506b1
|
Being friends is different from being lovers. It's a sea change.
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|
friendship
love
love-story
lovequotes
lovers
relationships
romance
women
women-s-fiction
women-writers
|
Barbara Delinsky |
45f20aa
|
"What did we talk about? I don't remember. We talked so hard and sat so still that I got cramps in my knee. We had too many cups of tea and then didn't want to leave the table to go to the bathroom because we didn't want to stop talking. You will think we talked of revolution but we didn't. Nor did we talk of our own souls. Nor of sewing. Nor of babies. Nor of departmental intrigue. It was political if by politics you mean the laboratory talk that characters in bad movies are perpetually trying to convey (unsuccessfully) when they Wrinkle Their Wee Brows and say (valiantly--dutifully--after all, they didn't write it) "But, Doctor, doesn't that violate Finagle's Constant?" I staggered to the bathroom, released floods of tea, and returned to the kitchen to talk. It was professional talk. It left my grey-faced and with such concentration that I began to develop a headache. We talked about Mary Ann Evans' loss of faith, about Emily Bronte's isolation, about Charlotte Bronte's blinding cloud, about the split in Virginia Woolf's head and the split in her economic condition. We talked about Lady Murasaki, who wrote in a form that no respectable man would touch, Hroswit, a little name whose plays "may perhaps amuse myself," Miss Austen, who had no more expression in society than a firescreen or a poker. They did not all write letters, write memoirs, or go on the stage. Sappho--only an ambiguous, somewhat disagreeable name. Corinna? The teacher of Pindar. Olive Schriener, growing up on the veldt, wrote on book, married happily, and ever wrote another. Kate Chopin wrote a scandalous book and never wrote another. (Jean has written nothing.). There was M-ry Sh-ll-y who wrote you know what and Ch-rl-tt- P-rk-ns G-lm-an, who wrote one superb horror study and lots of sludge (was it sludge?) and Ph-ll-s Wh--tl-y who was black and wrote eighteenth century odes (but it was the eighteenth century) and Mrs. -nn R-dcl-ff- S-thw-rth and Mrs. G--rg- Sh-ld-n and (Miss?) G--rg-tt- H-y-r and B-rb-r- C-rtl-nd and the legion of those, who writing, write not, like the dead Miss B--l-y of the poem who was seduced into bad practices (fudging her endings) and hanged herself in her garter. The sun was going down. I was blind and stiff. It's at this point that the computer (which has run amok and eaten Los Angeles) is defeated by some scientifically transcendent version of pulling the plug; the furniture stood around unknowing (though we had just pulled out the plug) and Lady, who got restless when people talked at suck length because she couldn't understand it, stuck her head out from under the couch, looking for things to herd. We had talked for six hours, from one in the afternoon until seven; I had at that moment an impression of our act of creation so strong, so sharp, so extraordinarily vivid, that I could not believe all our talking hadn't led to something more tangible--mightn't you expect at least a little blue pyramid sitting in the middle of the floor?"
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women
women-writers
|
Joanna Russ |
13774ee
|
No black woman writer in this culture can write 'too much'. Indeed, no woman writer can write 'too much'...No woman has ever written enough
|
|
women-writers
writing
|
Bell Hooks |
405f7ec
|
"What did we talk about? I don't remember. We talked so hard and sat so still that I got cramps in my knee. We had too many cups of tea and then didn't want to leave the table to go to the bathroom because we didn't want to stop talking. You will think we talked of revolution but we didn't. Nor did we talk of our own souls. Nor of sewing. Nor of babies. Nor of departmental intrigue. It was political if by politics you mean the laboratory talk that characters in bad movies are perpetually trying to convey (unsuccessfully) when they Wrinkle Their Wee Brows and say (valiantly--dutifully--after all, they didn't write it) "But, Doctor, doesn't that violate Finagle's Constant?" I staggered to the bathroom, released floods of tea, and returned to the kitchen to talk. It was professional talk. It left my grey-faced and with such concentration that I began to develop a headache. We talked about Mary Ann Evans' loss of faith, about Emily Bronte's isolation, about Charlotte Bronte's blinding cloud, about the split in Virginia Woolf's head and the split in her economic condition. We talked about Lady Murasaki, who wrote in a form that no respectable man would touch, Hroswit, a little name whose plays "may perhaps amuse myself," Miss Austen, who had no more expression in society than a firescreen or a poker. They did not all write letters, write memoirs, or go on the stage. Sappho--only an ambiguous, somewhat disagreeable name. Corinna? The teacher of Pindar. Olive Schriener, growing up on the veldt, wrote on book, married happily, and ever wrote another. Kate Chopin wrote a scandalous book and never wrote another. (Jean has written nothing.). There was M-ry Sh-ll-y who wrote you know what and Ch-rl-tt- P-rk-ns G-lm-an, who wrote one superb horror study and lots of sludge (was it sludge?) and Ph-ll-s Wh--tl-y who was black and wrote eighteenth century odes (but it was the eighteenth century) and Mrs. -nn R-dcl-ff- S-thw-rth and Mrs. G--rg- Sh-ld-n and (Miss?) G--rg-tt- H-y-r and B-rb-r- C-rtl-nd and the legion of those, who writing, write not, like the dead Miss B--l-y of the poem who was seduced into bad practices (fudging her endings) and hanged herself in her garter. The sun was going down. I was blind and stiff. It's at this point that the computer (which has run amok and eaten Los Angeles) is defeated by some scientifically transcendent version of pulling the plug; the furniture stood around unknowing (though we had just pulled out the plug) and Lady, who got restless when people talked at suck length because she couldn't understand it, stuck her head out from under the couch, looking for things to herd. We had talked for six hours, from one in the afternoon until seven; I had at that moment an impression of our act of creation so strong, so sharp, so extraordinarily vivid, that I could not believe all our talking hadn't led to something more tangible--mightn't you expect at least a little blue pyramid sitting in the middle of the floor?" --
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|
women
women-writers
|
Joanna Russ |
b76c031
|
The only way to leave the circle, to stop dancing with the jailer, is to find a way to preserve one's individuality, that unique which evades description but differentiates one human being from the other.
|
|
totalitarianism
women-writers
|
Azar Nafisi |
5cb726f
|
Confrontation is what happens when you are less than honest and you get caught.
|
|
honesty
honesty-quotes
relationship-problems
truth
truth-telling
women
women-s-fiction
women-writers
|
Barbara Delinsky |
b1f0145
|
Some women are born with an instinct for knowing how things work--and what to do when they break.
|
|
women
women-s-fiction
women-s-strength
women-writers
|
Barbara Delinsky |
b80cceb
|
You'll be amazed how much you have in common with Edith Wharton (who struggled to feel worthy of success), Louisa May Alcott (who badly needed money), Madaleine L'Engle (who could have papered an entire house with her rejection letters) and other writers...
|
|
impostor-syndrome
women-writers
writing
|
Nava Atlas |
d747ec1
|
..the expectations of Republican Motherhood - in which women's obligations were the instilling of civic virtue in offspring and the moral maintenance of their husbands.
|
|
women-s-rights
women-writers
|
Rebecca Traister |
9cfd168
|
The only way to leave the circle, to stop dancing with the jailer, is to find a way to preserve one's individuality, that unique quality which evades description but differentiates one human being from the other.
|
|
totalitarianism
women-writers
|
Azar Nafisi |