|
1d0e07e
|
Yet entertainment--as I define it, pleasure and all--remains the only sure means we have of bridging, or at least of feeling as if we have bridged, the gulf of consciousness that separates each of us from everybody else. The best response to those who would cheapen and exploit it is not to disparage or repudiate but to reclaim entertainment as a job fit for artists and for audiences, a two-way exchange of attention, experience, and the universal hunger for connection.
|
|
entertainment
writing
|
Michael Chabon |
|
802745a
|
This thing that I created, this thing I made as a woman, for other women, is worth something. It's worth exactly the same as what a similar thing, built by a man, for men, is worth.
|
|
writing
|
Jennifer Weiner |
|
11f013d
|
...a man could scarcely make his writing a reason for living unless he believed in the validity of that writing.
|
|
writing
|
Paul Bowles |
|
7a533dc
|
We are destroying all esthetic standards in the name of social justice.
|
|
literature
writing
|
Harold Bloom |
|
6d17a9a
|
You never know, of course, when you write a book what its fate will be. Sink out of sight, soar to the sun-who knows. I love this quote from Frances Mayes. It pretty much sums up the Great Unknown of book writing.
|
|
writing
|
Frances Mayes |
|
2632e8b
|
"I still suspect that most people start out with some kind of ability to tell a story but that it gets lost along the way. Of course, the ability to create life with words is essentially a gift. If you have it in the first place, you can develop it; if you don't have it, you might as well forget it. But I have found that people who don't have it are frequently the ones hell-bent on writing stories. I'm sure anyway that they are the ones who write the books and the magazine articles on how-to-write-short-stories. I have a friend who is taking a correspondence course in this subject, and she has passed a few of the chapter headings on to me--such as, "The Story Formula for Writers," "How to Create Characters," "Let's Plot!" This form of corruption is costing her twenty-seven dollars."
|
|
how-to-write
how-to-write-fiction
talent
technique
writers
writers-on-writing
writing
writing-books
writing-class
writing-fiction
writing-process
writing-skills
writing-talent
|
Flannery O'Connor |
|
b03e08d
|
When you're writing, you're creating something out of nothing ... A successful piece of writing is like doing a successful piece of magic.
|
|
magic
writing
|
Susanna Clarke |
|
b1220d9
|
[The Internet] affects democracy... As more and more citizens express what they think, and defend it in writing, that will change the way people understand public issues. It is easy to be wrong and misguided in your head. It is harder when the product of your mind can be criticized by others. Of course, it is a rare human who admits that he has been persuaded that he is wrong. But it is even rarer for a human to ignore when he has been proven wrong. The writing of ideas, arguments, and criticism improves democracy.
|
|
ideas
internet
open-government
writing
|
Lawrence Lessig |
|
79a116b
|
Somehow it seems to fill my head with ideas--only I don't exactly know what they are!
|
|
confusion
humor
jargon
writing
|
Lewis Carroll |
|
1e8b974
|
And with a practice of writing comes a certain important integrity. A culture filled with bloggers thinks differently about politics or public affairs, if only because more have been forced through the discipline of showing in writing why A leads to B.
|
|
thought-provoking
writing
|
Lawrence Lessig |
|
6796e62
|
Zafar argues that the greatest influence on a writer may be on her psychic dispositions as a writer. Reading Philip Roth, writes Zafar, might clear the way of inhibitions that held you back from writing about reckless desire, the temptations of power, and the immanence of rage, or reading Naipaul might convince you to seize the ego that so wants to be loved, drag it outside, put it up against a wall, and shoot it.
|
|
ego
writers
writing
|
Zia Haider Rahman |
|
b7a42b0
|
Stories migrate secretly. The assumption that whatever we now believe is just common sense, or what we always knew, is a way to save face. It's also a way to forget the power of a story and of a storyteller, the power in the margins, and the potential for change.
|
|
hope
politics
writing
|
Rebecca Solnit |
|
4d1c33f
|
"That night she wrote a hasty sketch and showed it to Oliver. "It's all right," he said. "But I'd take out that stuff about Olympian mountains and the Stygian caverns of the mine. That's about used up, I should think."
|
|
exaggeration
metaphors
mythology
writing
|
Wallace Stegner |
|
e134e1f
|
An ancient writer says of Homer that he touched nothing without somehow honoring and glorifying it.
|
|
rhetoric
writing
|
Edith Hamilton |
|
f3691ad
|
I was becoming addicted to Bombay. There was squalor and poverty, but I had begun to realise my good fortune and would never again forget it.
|
|
india
travel
writing
|
Tahir Shah |
|
ff9b108
|
It's good to go off and write a novel, but don't stop doing writing practice.
|
|
practice
writing
|
Natalie Goldberg |
|
be22dbc
|
Slater used to be a poet, he's nothing now, and he sort of looks on Robby and me with awe because we aren't nothing yet, we haven't given up yet, awed at me because I'm thirty-one and haven't given up yet, and at Robby because he's young and has potential. Most people stop wanting to be a writer around the age of sixteen.
|
|
writing
|
Rick Bass |
|
87896f0
|
After ten standard months I was done, acknowledging the ancient aphorism to the effect that no book or poem is ever finished, merely abandoned.
|
|
completion
writing
|
Dan Simmons |
|
d5defca
|
Starting your book is only the first five miles of a twenty-six-mile marathon that's one-third of a triathlon (authoring, publishing, and entrepreneuring).
|
|
writing
writing-process
|
Guy Kawasaki |
|
c3c5ff7
|
The hospital bulked darkly in the darkness.
|
|
darkness
form
writing
|
William T. Vollmann |
|
abf3965
|
She was a passionate reader, and she thought that reading was one of the noblest efforts of all; in contrast, she found writing to be a great waste of time--a childish self-indulgence, even messier than finger painting--but she admired reading, which she believed was an unselfish activity that provided information and inspiration. She must have thought it a pity that some poor fools had to waste their lives writing in order for us to have sufficient reading material. (page 236)
|
|
writing
|
John Irving |
|
90afc7f
|
"This was the time when all we could talk about was sentences, sentences--nothing else stirred us. Whatever happened in those days, whatever befell our regard, Clea and I couldn't rest until it had been converted into what we told ourselves were astonishingly unprecedented and charming sentences:
|
|
writing
|
Jonathan Lethem |
|
c74c1df
|
"Why does the writer write? The writer writes to serve -- hopelessly he writes in the hope that he might serve -- not himself and not others, but that great cold elemental grace which knows us.
|
|
reason
why
why-writers-write
writers
writers-on-writing
writing
|
Joy Williams |
|
fea7388
|
How can I make a stranger see her as she stopped in the hall at the foot of the stairs and turned to us? I have never been able to describe even my fictitious characters except by their actions. It has always seemed to me that in a novel the reader should be allowed to imagine a character in any way he chooses: I do not want to supply him with ready-made illustrations. Now I am betrayed by my own technique, for I do not want any other woman substituted for Sarah, I want the reader to see the one broad forehead and bold mouth, the conformation of the skull, but all I can convey is an indeterminate figure turning in the dripping mackintosh, saying, 'Yes, Henry?' and then 'You?
|
|
love
writing
|
Graham Greene |
|
a24dc6b
|
So now you have it. The plot, the whole plot, and nothing but the plot.
|
|
plot
sethos
writing
|
Elizabeth Peters |
|
ca579c1
|
My father once admonished me to master the laws that govern fine writing until I could weave my words into worlds. If ever I accomplish that feat, I will sign my name to the tale.
|
|
loremaster
writers
writing
|
Brandon Mull |
|
7263dd0
|
I've wanted to write about them for a long while, but it's a tricky subject, always put off for later and perhaps worthy of a better poet, even more stunned by the world than I. But time is short. I write.
|
|
writing
|
Wisława Szymborska |
|
9ee78e6
|
I make books because I love them as objects; because I want to put the pictures and the words together, because I want to tell a story.
|
|
stories
storytelling
writing
|
Audrey Niffenegger |
|
926a750
|
When you've worked hard and done well and walked through that doorway of opportunity, you do not slam it shut behind you.
|
|
motivation
writing
|
Guy Kawasaki |
|
75d488d
|
I figure whatever I choose to create, I'll be neglecting somebody - so my art may as well make me happy. - Audrey Niffenegger
|
|
writing
writing-books
|
Jen Campbell |
|
f403a47
|
Art, its completeness, its formedness, its finishedness, had no power to console. Words, on the other hand, were a lifeline.
|
|
words
writing
|
Diane Setterfield |
|
8de9582
|
Why shouldn't I? I demand silently. Why shouldn't I become a famous writer? Like Norman Mailer. Or Philip Roth. And F. Scott Fitzgerald and Hemmingway and all those other men. Why can't I be like them? I mean, what is the point of becoming a writer if no one reads what you've written? Damn Viktor Greene and The New School. Why do I have to keep proving myself all of the time? Why can't I be like L'il, with everyone praising and encouraging me? Or Rainbow, with her sense of entitlement. I bet Viktor Greene never asked Rainbow why she wanted to be a writer. Or what if-I wince-Viktor Greene is right? I'm not a writer after all.
|
|
fame
inspirational
writing
|
Candace Bushnell |
|
99d899c
|
For discipline is imposed not just on oneself but on those in one's orbit.
|
|
habits
life-of-the-writer
routine
writing
|
Philip Roth |
|
958afb7
|
Writing is the witness to myself about myself. Whatever others say of me or how they interpret me is a simulacrum of their own devising.
|
|
writing
|
Amy Tan |
|
b0ddce2
|
"Careless and not particularly biting, it was easier to shrug off than anything in the first book which depicted me as an inarticulate zombie confused by the irony of Randy Newman's "I Love L.A."
|
|
writing
|
Bret Easton Ellis |
|
8bd8c82
|
If you're a writer, the problem is that, when you try to call a halt to thinking about your novel-in-progress, your imagination still keeps going; you can't shut it off.
|
|
writing
|
John Irving |
|
bb7a0d7
|
The writing of a book may be a solitary business, it is done alone. The writer sits down with paper and pen, or typewriter, and, withdrawn from the world, tries to set down the story that is crying to be written. We write alone, but we do not write in isolation. No matter how fantastic a story line may be, it still comes out of our response to what is happening to us and to the world in which we live.
|
|
writing
|
Madeleine L'Engle |
|
c789a6d
|
This leads me to the Higher Editing. Take of well-ground Indian Ink as much as suffices and a camel-hair brush proportionate to the inter-spaces of your lines. In an auspicious hour, read your final draft and consider faithfully every paragraph, sentence and word, blacking out where requisite. Let it lie by to drain as long as possible. At the end of that time, re-read and you should find that it will bear a second shortening. Finally, read it aloud alone and at leisure. Maybe a shade more brushwork will then indicate or impose itself. If not, praise Allah and let it go, and 'when thou hast done, repent not.' The shorter the tale, the longer the brushwork and, normally, the shorter the lie-by, and vice versa. The longer the tale, the less brush but the longer lie-by. I have had tales by me for three or five years which shortened themselves almost yearly. The magic lies in the Brush and the Ink. For the Pen, when it is writing, can only scratch; and bottled ink is not to compare with the ground Chinese stick. Experto crede.
|
|
writing
|
Rudyard Kipling |
|
81198f5
|
To tell a story is always to translate the raw material into a specific shape, to select out of the boundless potential facts those that seem salient.
|
|
writing
|
Rebecca Solnit |
|
fe35fa6
|
Stories aren't made of language: they're made of something else. A little earlier I said that stories were about life; perhaps they're made of life.
|
|
stories
writing
writing-advice
|
Philip Pullman |
|
502cb88
|
I am like a prisoner who is trying to escape from jail by the wrong route. For all one knows, that door may stand open, although I continue to dig a tunnel with a teaspoon.
|
|
writing
|
John Cheever |
|
6cbd8a7
|
I tell him getting stuck is the commonest trouble of all. Usually, I say, your mind gets stuck when you're trying to do too many things at once. What you have to do is try not to force words to com. That just gets you more stuck. What you have to do now is separate out the things and do them one at a time. You're trying to think of what to and what to say at the same time and that's too hard. So separate them out. Just make a list of all the things you want to say in any old order. Then later we'll figure out the right order.
|
|
writing
writing-process
|
Robert M. Pirsig |
|
6b5d763
|
The quiet lines matter as much as the noisy ones.
|
|
writing
|
Colum McCann |
|
67c56e3
|
It is winter proper; the cold weather, such as it is, has come to stay. I bloom indoors in the winter like a forced forsythia; I come in to come out. At night I read and write, and things I have never understood become clear; I reap the harvest of the rest of the year's planting. The woods are acres of sticks: I could walk to the Gulf of Mexico in a straight line. When the leaves fall, the striptease is over; things stand mute and revealed. Everywhere skies extend, vistas deepen, walls become windows, doors open.
|
|
philosopher-s-stone
philosophy
reading
soul
spirit
walking
winter
wonder
writing
|
Annie Dillard |
|
5c6e881
|
"I stretched out on the bed and slept. It was twilight when I awakened and turned on the light. I felt better, no longer tired. I went to the typewriter and sat before it. My thought was to write a sentence, a single perfect sentence. If I could write one good sentence I could write two and if I could write two I could write three, and if I could write three I could write forever. But suppose I failed? Suppose I had lost all of my beautiful talent? Suppose it had burned up in the fire of Biff Newhouse smashing my nose or Helen Brownell dead forever? What would happen to me? Would I go to Abe Marx and become a busboy again? I had seventeen dollars in my wallet. Seventeen dollars and the fear of writing. I sat erect before the typewriter and blew on my fingers. Please God, please Knut Hamsun, don't desert me now. I started to write and I wrote: "The time has come," the Walrus said, "To talk of many things: Of shoes--and ships--and sealing wax-- Of cabbages--and kings--" I looked at it and wet my lips. It wasn't mine, but what the hell, a man had to start someplace." --
|
|
persistence
writing
|
John Fante |
|
3afb8b9
|
The isolated imagination is easily corrupted by theory, but the writer inside his community seldom has such a problem.
|
|
writing
writing-groups
|
Flannery O'Connor |
|
43311a4
|
For me and most of the other writers I know, writing is not rapturous. In fact, the only way I can get anything written at all is to write really, really shitty first drafts.
|
|
on-writing
the-writing-process
write
writer
writing
writing-advice
|
Anne Lamott |
|
30b6e3e
|
"My novel's about Brooklyn." "The tree? Or the kids or the murderers or the junkies?" Vivaldo swallowed. "All of them." "That's quite an assignment. And if you don't mind my saying so, it sounds just a little bit old fashioned." He put his hand before his mouth and burped. "Brooklyn's been done. And done."
|
|
writing
|
James Baldwin |
|
426c597
|
The birds are in their trees, the toast is in the toaster, and the poets are at their windows. [...] The proofreaders are playing the ping-pong game of proofreading, glancing back and forth from page to page, the chefs are dicing celery and potatoes, and the poets are at their windows because it is their job for which they are paid nothing every Friday afternoon.
|
|
poets
writing
|
Billy Collins |
|
3e26939
|
The day before the Queen's Ball, Father had a visitor--a very young girl with literary aspirations, someone Lord Lytton had recommended visit Father and sent over-and while Father was explaining to her the enjoyment he was having in writing this Drood book for serialisation, this upstart of a girl had the temerity to ask, 'But suppose you died before all the book was written?' [...] He spoke very softly in his kindest voice and said to her, 'One can only work on, you know--work while it is day.
|
|
charles-dickens
death
old-age
work
writing
|
Dan Simmons |
|
06bd501
|
Fritz had to stop himself from interrupting when Karl spoke about the difficulty of working. Stories are just as hard as clocks to put together, and they can go wrong just as easily--as we shall soon see with Fritz's own story in a page or two. Still, Fritz was an optimist, and Karl was a pessimist, and that makes all the difference in the world.
|
|
clockwork
difficulties
optimism
pessimism
working
writing
|
Philip Pullman |
|
3f8737c
|
I am, I must confess, an obsessive and superstitious letter-writer. When I am troubled I will write any long letter rather than make a telephone call. This is perhaps because I invest letters with magical power. To desiderate something in a letter is, I often irrationally feel, tantamount to bringing it about. A letter is a barrier, a reprieve, a charm against the world, an almost infallible method of acting at a distance. (And, it must be admitted, of passing the buck.) It is a way of bidding time to stop.
|
|
iris-murdoch
letters
magical
obsessive
superstitious
the-black-prince
writing
|
Iris Murdoch |
|
68cc804
|
THE BASIC UNIT of writing practice is the timed exercise.
|
|
practice
unit
writing
|
Natalie Goldberg |
|
0add7f9
|
It is generally supposed, and not least by Catholics, that the Catholic who writes fiction is out to use fiction to prove the truth of the Faith, or at the least, to prove the existence of the supernatural. He may be. No one certainly can be sure of his low motives except as they suggest themselves in his finished work, but when the finished work suggests that pertinent actions have been fraudulently manipulated or overlooked or smothered, whatever purposes the writer started out with have already been defeated. What the fiction writer will discover, if he discovers anything at all, is that he himself cannot move or mold reality in the interests of an abstract truth. The writer learns, perhaps more quickly than the reader, to be humble in the face of what-is. What-is is all he has to do with; the concrete is his medium; and he will realize eventually that fiction can transcend its limitations only by staying within them.
|
|
fiction
fiction-writing
writing
writing-fiction
|
Flannery O'Connor |
|
28c76d4
|
"Nothing expresses Kafka's innermost sense of self more profoundly than his lapidary definition of "writing as a form of prayer": he was a writer. Not a man who wrote, but one to whom writing was the only form of being, the only means of defying death in life." --
|
|
kafka
life
writers
writing
|
Ernst Pawel |
|
f6e4310
|
Whether the underlying cause of your dependency is a chemical imbalance, unresolved events from the past, beliefs you hold that are inconsistent with what is true, an inability to cope with current conditions, or a combination of these four causes, know this: not only are all the causes of dependency within you, but all the solutions are within you as well.
|
|
addiction-cure
addiction-treatment-center
alcohol-abuse
alcohol-rehab
author
books
chris-prentiss
depression
drug-abuse
drug-rehab
holistic-health
holistic-treatment
los-angeles-rehab
malibu-rehab
passages-malibu
passages-ventura
quotes
rehab-center
substance-abuse
writer
writing
|
Chris Prentiss |
|
4d31ca8
|
She used to write all the time,' Elizabeth explained, 'before she lost all that weight. Remember? When she was the butt of everyone's jokes instead of the girl all the boys want to date?
|
|
sweet-valley
weight-loss
writing
|
Francine Pascal |
|
01bcc40
|
And grade every simile and metaphor from one star to five, and remove any threes or below. It hurts when you operate, but afterwards you feel much better.
|
|
writing
|
David Mitchell |
|
607a587
|
These reasonings will furnish us with an adequate definition of a true critic: that he is a discoverer and collector of writers' faults. Which may be farther put beyond dispute by the following demonstration: that whoever will examine the writings in all kinds, wherewith this ancient sect has honoured the world, shall immediately find, from the whole thread and tenor of them, that the ideas of the authors have been altogether conversant and taken up with the faults and blemishes, and oversights, and mistakes of other writers; and let the subject treated on be whatever it will, their imaginations are so entirely possessed and replete with the defects of other pens, that the very quintessence of what is bad does of necessity distil into their own, by which means the whole appears to be nothing else but an abstract of the criticisms themselves have made.
|
|
critics
flaws
jackasses
pens
tails
tubs
writing
|
Jonathan Swift |
|
b5cd4b9
|
The only duty of the dreamer is to tell the truth about the dream.
|
|
dreams
honesty
truth
writing
|
Jane Yolen |
|
92c0e3e
|
DYER. No, I am not of your Mind, for the Dialogue was fitted up with too much Facility. Words must be pluckt from Obscurity and nourished with Care, improved with Art and corrected with Application. Labour and Time are the Instruments in the perfection of all Work.
|
|
words
writing
|
Peter Ackroyd |
|
2d2210e
|
The audience-- the book's actual cast-- quickly realized what had happened. The reason the movie dropped everything that made the novel real was because there was no way the parents who ran the studio would ever expose their children in the same black light the book did. The movie was begging for our sympathy whereas the book didn't give a shit. And attitudes about drugs and sex had shifted quickly from 1985 to 1987 (and a regime change at the studio didn't help) so the source material-- surprisingly conservative despite its surface immorality-- had to be reshaped.
|
|
writing
|
Bret Easton Ellis |
|
2384198
|
The artist committing himself to his calling has volunteered for hell.
|
|
artist
write
writing
|
Steven Pressfield |
|
180ad12
|
In the last twenty years the colleges have been emphasizing creative writing to such an extent that you almost feel that any idiot with a nickel's worth of talent can emerge from a writing class able to write a competent story. In fact, so many people can now write competent stories that the short story as a medium is in danger of dying of competence. We want competence, but competence by itself is deadly. What is needed is the vision to go with it, and you do not get this from a writing class.
|
|
talent
writing
writing-class
writing-skill
writing-talent
|
Flannery O'Connor |
|
b7403f0
|
We shared ideas like sweaters, with easy exchange and lack of ownership.
|
|
ideas
sweaters
writing
|
Ann Patchett |
|
15213f6
|
Writers pay a lot of attention to wordage, because some publishers seem to care more about length than about quality and will automatically reject novels that don't fit their narrow standards of length - or will chop out extra wordage to make a novel fit.
|
|
writing
|
Piers Anthony |
|
116559c
|
Say you've just read Faulkner's 'Barn Burning'. Like the son in the story, you've sensed the faults in your father's character. Thinking about them makes you uncomfortable, left alone you'd probably close the book and move on to other thoughts. But instead you are taken in hand by a tall, brooding man with a distinguished limp who involves you and a roomful of other boys in the consideration of what it means to be a son. The loyalty that is your duty and your worth and your problem. The goodness of loyalty and its difficulties and snares, how loyalty might also become betrayal - of the self and the world outside the circle of blood. You've never had this conversation before, not with anyone. And even as its happening you understand that just as your father's troubles with the world - emotional frailty, self-doubt, incomplete honesty - will not lead him to set it on fire, your own loyalty will never be the stuff of tragedy. You will not turn bravely and painfully from your father, as the boy in the story does, but foresake him, without regret. And as you accept that separation, it seems to happen; your father's sad, fleshy face grows vague, and you blink it away and look up to where your teachers leans against his desk, one hand in a coat pocket, the other rubbing his bum knee as he listens desolately to the clever bore behind you saying something about bird imagery.
|
|
loyalty
writing
|
Tobias Wolff |
|
bc4c558
|
Father is a school ... He always wanted to write books. But he became rich instead, so is not allowed.
|
|
books
wealth
wishes
writing
|
Iain Pears |
|
15b4e54
|
"That was enough dialogue for a few pages - he had to get into some fast, red-hot action.
|
|
fiction-writing
pulp
pulp-fiction
writers
writing
|
Cornell Woolrich |
|
bceec9b
|
Now, practically even better news than that of short assignments is the idea of shitty first drafts. All good writers write them.
|
|
author
first-drafts
write
writer
writing
|
Anne Lamott |
|
28c11c8
|
It's always wrong of course to say that you can't do this or you can't do that in fiction. You can do anything you can get away with, but nobody has ever gotten away with much.
|
|
writers-on-writing
writing
writing-fiction
writing-style
|
Flannery O'Connor |
|
47220ec
|
Her love of words is a private passion - one she would rather not share. In the house of her childhood though everything had to be shared. If she tried to hold anything back, they would search and find the hidden places. Her written words, discovered, read were just the source of more pain and punishment. This was why she loved poetry. They did not always understand it so they left it alone.
|
|
memoir
poetry
writing
|
Bell Hooks |
|
5b3c02c
|
A pencil is a wand and a weapon. Be careful. Protect yourself. It can be glorious.
|
|
writing
|
Terry Tempest Williams |
|
304f7f9
|
As I worked to rebuild the ghost town I had made, I felt keenly that my failure to help Timothy was really only the latest chapter in a lifelong history of inadequacy and powerlessness.
|
|
writing
|
Michael Chabon |
|
8d5ece0
|
The real Julian Wells didn't die in a cherry-red convertible, overdosing on a highway in Joshua Tree while a choir soared over the sound track.
|
|
fiction
reality
writing
|
Bret Easton Ellis |
|
54ad404
|
We were all journalists, professional truth-seekers, but one thing we knew about the truth that laymen were prone to disregard was that it need not be literal or factual; the unpredictable human personality was itself a fact.
|
|
truth
writing
|
Walter Kirn |
|
3868884
|
For that is what you are, that is who you are - you are an author. You cannot cease to write any more than you can cease to breathe...This difficult season will pass - your eyes and mind will inevitably be opened once more to the wealth of ideas all around you...And even if the ideas around you fall short of what you seek - even if, as you say, you have not the heart to write... perhaps it is your heart you ought to write of. - Laurie to Jo, on writing
|
|
ideas
inspiration
writer
writing
writing-from-the-heart
|
Trix Wilkins |
|
c20fa0a
|
Images are taking over, and writers are a dying breed. The Norman Mailers of today are reduced to writing pun-filled captions for paparazzi photos. Blogs--which were threatening enough to professional writers--are being replaced by video blogs. We writers need to embraced the Second Commandment as our rallying cry for the importance of words. In a literally biblical world, all publications would look like the front page of the Wall Street Journal. Or the way it used to look, anyway.
|
|
page-106
second-commandment
writing
|
A.J. Jacobs |
|
c2e4244
|
There may be a Nurse Ratched-like listing of things that must be done right this moment: foods that must come out of the freezer, appointments that must be canceled or made, hairs that must be tweezed. But you hold an imaginary gun to your head and make yourself stay at the desk.
|
|
bird-by-bird
on-writing
the-writing-process
write
writer
writing
writing-advice
writing-help
|
Anne Lamott |
|
23104f4
|
In Literature it is only the wild that attracts us.
|
|
literature
tameness
wildness
writing
|
Henry David Thoreau |
|
0561bd9
|
Anyway, you don't know what's going to happen. I'm only just thickening the plot. --I'd say it was pretty thick already. Thick plots are my specialty. If you want a thinner kind, look elsewhere.
|
|
plot
thick-plot
writing
|
Margaret Atwood |
|
38d2893
|
I realized Jack [Kerouac] was deeply committed to writing. Kesey was just as deeply committed to living and experiencing the lives of others; for him writing was just a part of living.
|
|
jack-kerouac
ken-kesey
writing
|
Sterling Lord |
|
717dcd5
|
I do not so much write a book as sit up with it, as with a dying friend. During visiting hours, I enter its room with dread and sympathy for its many disorders. I hold its hand and hope it will get better. This tender relationship can change in a twinkling. If you skip a visit or two, a work in progress will turn on you.
|
|
the-literary-process
the-writing-life
the-writing-process
write
writer
writing
|
Annie Dillard |
|
8e1aefa
|
Unless we remember we cannot understand.
|
|
understanding
writing
|
E.M. Forster |
|
7140b46
|
What crannies of untouched perception can you explore? What autumn was it that moon entered your life? When was it that you picked blueberries at their quintessential moment? How long did you wait for your first true bike? Who were your angels? What are you thinking of? Not thinking of? Writing can give you confidence, can train you to wake up.
|
|
natalie-goldberg
writing
|
Natalie Goldberg |
|
397bdc3
|
Have you noticed how just trying to impose any sort of chronology on events makes it seem as though a lot of time has been occupied?
|
|
writing
|
James Hamilton-Paterson |
|
5776a37
|
"Writing, too, is 90 percent listening. You listen so deeply to the space around you that it fills you, and when you wrote, it pours out of you. If you can capture that reality around you, your writing needs nothing else. You don't only listen to the air, the chair, and the door. And go beyond the door. Take in the sound of the season, the sound of the color coming in through the windows. Listen to the past, future, and present right where you are. Listen with your whole body, not only with your ears, but with your hands, your face, and the back of your neck. Listening is receptivity. The deeper you can listen, the better you can write. You can take in the way things are without judgment, and the next day you can write the truth about the way things are." ...If you can capture the way things are that's all the poetry you ever need."
|
|
memoir
natalie-goldberg
writing
|
Natalie Goldberg |
|
2c497c1
|
"I refuse to give readers an uplifting faux experience engineered to comfort them and perpetuate the sociopolitical and economic status quo." "Who died and made you Bertolt Brecht?"
|
|
humorous
writing
|
Chuck Palahniuk |
|
3ad1027
|
Early in 1967 Highsmith's agent told her why her books did not sell in paperback in America. It was, said Patricia Schartle Myrer, because they were 'too subtle', combined with the fact that none of her characters were likeable. 'Perhaps it is because I don't like anyone,' Highsmith replied. 'My last books may be about animals'.
|
|
fiction
likeability
misanthropy
sold
subtle
writing
|
Andrew Wilson |
|
2554d9c
|
...but it seems to me there is something beyond words--any words--all words--something that always escapes you when you try to grasp it--and yet leaves something in your hand which you wouldn't have had if you hadn't reached for it.
|
|
writing
|
L.M. Montgomery |
|
22523a2
|
It is necessary to write, that much is clear, and to write in a way quite unlike any way which I have employed before.
|
|
self-deception
truth
writers
writing
|
Iris Murdoch |
|
976fd4d
|
Just remember this, when the scream at last has ended and you've turned on the lights: by the rules of the game, I must always lie.
|
|
writing
|
Margaret Atwood |
|
d7a5063
|
You wrote something easily in youth, and later you came to see how difficult it all was.
|
|
writing
youth
|
A.S. Byatt |
|
ee0fe07
|
Even if readers claim that they 'take it all with a grain of salt', they do not really. They yearn to believe, and they believe, because believing is easier than disbelieving, and because anything which is written down is likely to be 'true in a way'.
|
|
façades
fiction
readers
reading
writing
|
Iris Murdoch |
|
a4f9cff
|
And speaking of this wonderful machine: [840] I'm puzzled by the difference between Two methods of composing: , the kind Which goes on solely in the poet's mind, A testing of performing words, while he Is soaping a third time one leg, and , The other kind, much more decorous, when He's in his study writing with a pen. In method B the hand supports the thought, The abstract battle is concretely fought. The pen stops in mid-air, then swoops to bar [850] A canceled sunset or restore a star, And thus it physically guides the phrase Toward faint daylight through the inky maze. But method is agony! The brain Is soon enclosed in a steel cap of pain. A muse in overalls directs the drill Which grinds and which no effort of the will Can interrupt, while the automaton Is taking off what he has just put on Or walking briskly to the corner store [860] To buy the paper he has read before.
|
|
literature
paper
pen
pencil
teaching
writing
|
Vladimir Nabokov |
|
f064531
|
Any curly-haired boy can write windswept ballads. You have to crush people's heads. That's the only way to make those fuckers listen.
|
|
music
writing
|
Don DeLillo |
|
bba631a
|
You want to avoid at all costs drawing your characters on those that already exist in other works of fiction. You must learn about people from people, not from what you read. Your reading should confirm what you've observed in the world.
|
|
reading
writing
|
Anne Lamott |
|
af17bd3
|
Writers have this schizophrenic ability to both participate in their lives and, at the same time, observe themselves participating in their lives.
|
|
participating
writers
writing
|
Edward Albee |
|
ab2a1ab
|
I wasn't that good you know. What I was was a guy who could write a little, publishing in magazines surrounded by people who couldn't write at all. So I looked pretty good. But I never thought I was that good at all. All that I thought was that I tried to tell the truth.
|
|
noir-fiction
writer
writing
|
Cornell Woolrich |
|
a73201d
|
Enmerson's interest is in the workshop phase, the birthing stage of art, not the museum moment, the embalming phase. Poetry mimics Creation and is therefore sacred. More precisely, just as God may indeed be a verb (as Mary Daly insists), poetry is the act of . The process of poetry also mimics the process of nature. 'This expression or naming is not art, but a second nature, grown out of the first, as a leaf out of a tree. What we call nature is a certain self-regulated motion or change.' Another aspect of nature is genius, which, as Emerson observes, 'is the activity which repairs the decays of things.
|
|
creative-process
decay
definition-of-genius
emerson
genius
mary-daly
nature
poetry
process
ralph-waldo-emerson
transcendentalism
workshop
writing
writing-tips
|
Robert D. Richardson |
|
c720075
|
For writers - even sportswriters - bad news is always easier than good, since it is, after all, more familiar.
|
|
writers
writing
|
Richard Ford |
|
d536666
|
They looked at her quizzically, came at her with assumptions, presumptions, what they believed was intimate knowledge of her. She felt unarmed, by comparison; disadvantaged.
|
|
self-exposed
vulnerability
writing
|
Lorrie Moore |
|
f9f7e96
|
Sometimes it's beautiful and we fall in love with all that story. Even after a thousand pages we don't want to leave the world the writer has made for us, or the make-believe people who live there. You wouldn't leave after two thousand pages, if there were two thousand. The Rings trilogy of J.R.R.Tolkien is a perfect example of this. A thousand pages of hobbits hasn't been enough for three generations of post-World War II fantasy fans; even when you add in that clumsy, galumphing dirigible of an epilogue, The Silmarillion, it hasn't been enough. Hence Terry Brooks, Piers Anthony, Robert Jordan, the questing rabbits of Watership Down, and half a hundred others. The writers of these books are creating the hobbits they still love and pine for; they are trying to bring Frodo and Sam back from the Grey Havens because Tolkien is no longer around to do it for them.
|
|
hobbits
lotr
tolkien
writing
|
Stephen King |
|
a3bf42b
|
I suppose one has to be desperate, to be a successful writer. One has to reach a rock-bottom at which one can afford to let everything go hang. One has got to damn the public, chance one's living, say what one thinks, and be oneself. Then something may come out.
|
|
writing
|
T.H. White |
|
82b12b2
|
Thus all art is propaganda and ever must be, despite the wailing of the purists. I stand in utter shamelessness and say that whatever art I have for writing has been used always for propaganda for gaining the right of black folk to love and enjoy. I do not care a damn for any art that is not used for propaganda. But I do care when propaganda is confined to one side while the other is stripped and silent.
|
|
history
propaganda
writing
|
W.E.B. Du Bois |
|
aa3bd66
|
"I have plenty of information now, but I can't get it into words. I'm afraid it's too big a task for me. I wonder if I will find everything in life too big for my abilities. Well, time will tell." Theodore Roosevelt, writing in naval history in his spare time while in law school" --
|
|
discipline
self-confidence
writing
|
Doris Kearns Goodwin |
|
f79dd82
|
"There is one myth about writers that I have always felt was particularly pernicious and untruthful--the myth of the "lonely writer," the myth that writing is a lonely occupation, involving much suffering because, supposedly, the writer exists in a state of sensitivity which cuts him off, or raises him above, or casts him below the community around him. This is a common cliche, a hangover probably from the romantic period and the idea of the artist as a Sufferer and a Rebel. Probably any of the arts that are not performed in a chorus-line are going to come in for a certain amount of romanticizing, but it seems to me particularly bad to do this to writers and especially fiction writers, because fiction writers engage in the homeliest, and most concrete, and most unromanticizable of all arts. I suppose there have been enough genuinely lonely suffering novelists to make this seem a reasonable myth, but there is every reason to suppose that such cases are the result of less admirable qualities in these writers, qualities which have nothing to do with the vocation of writing itself."
|
|
fiction-writers
lonely-writer
novelist
novelists-life
writers-on-writing
writing
writing-life
writing-mindset
writing-myths
writing-process
|
Flannery O'Connor |
|
a18cde6
|
Until writing was invented, man lived in acoustic space: boundless, directionless, horizonless, in the dark of the mind, in the world of emotion, by primordial intuition, by terror. Speech is a social chart of this bog.
|
|
language
reading
sound
speech
writing
|
Marshall McLuhan |
|
be38aad
|
Hershey is so bent on avoiding cliche that each sentence is as tortured as an American whistleblower.
|
|
writing
|
David Mitchell |
|
feae4ac
|
"One journalist complemented another that his article on a dispute, "had made both sides see themselves as they are."
|
|
communication
objectivity
writing
|
Doris Kearns Goodwin |
|
db8c931
|
When I first began to write, I had been a child for most of my life, and my childhood memories were vivid and potent, and the forces that shaped me, Most of them have grown fainter with time, and whenever I write one down, I give it away: it ceases to have the shadowy life of memory and becomes fixed in letters: it ceases to be mine; it loses that mobile unreliability of the live.
|
|
memory
nostalgia
writing
|
Rebecca Solnit |
|
ad1ffbf
|
If he (John Adams) could not control events, he could at least record them for posterity - perhaps the ultimate form of control.
|
|
journalism
perspective
writing
|
Joseph J. Ellis |
|
8e9a29e
|
By the time these stories were written, six decades had passed since the crucifixion. In that time, the evangelists had heard just about every conceivable objection to the resurrection, and they were able to create narratives to counter each and every one of them.
|
|
resurrection
writing
|
Reza Aslan |
|
c76b899
|
This is what is behind the special relationship between tale and travel, and, perhaps, the reason why narrative writing is so closely bound up with walking. To write is to carve a new path through the terrain of the imagination, or to point out new features on a familiar route. To read is to travel through that terrain that the author as guide - a guide one may not always agree with our trust, but who can at least be counted upon to take one somewhere. I have have often wished that my sentences could be written out as a single line running into distances so that it would be clear that a sentence is likewise a road and reading is traveling.
|
|
traveling
walking
writing
|
Rebecca Solnit |
|
c89c09e
|
[T]hey are trying to find the right word, to choose, finally, the one that is most exact, most incisive. It's a process of sifting, which is exhausting and, at times, exasperating. Writers can't avoid it. The heart of the craft lies there.
|
|
writing
|
Jhumpa Lahiri |
|
fac1ad8
|
Since language is the only tool with which writers can reflect and shape a culture, it must be transformed into art. Language is not a limitation on the art of literature; it is a glorification. It has been the scaffolding inside which nations and philosophies have been built, and the language of literature has added the ornamental pediment by which the culture is remembered.
|
|
language
legacy
literature
writers
writing
|
E.L. Konigsburg |
|
fefd39e
|
"Anyway, it's a pretty good story," I said. "You have to admit." "Yeah?" He crumpled up the Kleenex, having dispatched the solitary tear. "You can have it. I'm giving it to you. After I'm gone, write it down. Explain everything. Make it mean something. Use a lot of those fancy metaphors of yours. Put the whole thing in proper chronological order, not like this mishmash I'm making you. Start with the night I was born. March second, 1915. There was a lunar eclipse that night, you know what that is?" "When the earth's shadow falls across the Moon." "Very significant. I'm sure it's a perfect metaphor for something. Start with that." "Kind of trite." I said. He threw the Kleenex at my head. It bounced off my cheek and fell on the floor. I bent to pick it up. Somewhere in its fibers, it held what may have been the last tear my grandfather ever shed. Out of respect for his insistence on the meaninglessness of life--his, everyone's--I threw it into the wastebasket by the door."
|
|
writing
|
Michael Chabon |
|
8dee5b1
|
"I contend that good children's stories are always about the Getting of Wisdom. That's another way of saying, "Let your characters grow. Up." And good stories for adults are about the Holding of Wisdom. Another way of saying, "Recognize you are grown up." --
|
|
writing
|
Jane Yolen |
|
b4744be
|
- Voglio dire che io fiuto le belle storie a chilometri di distanza. Quindi non tenti di nascondermene una. Sputi fuori, forza, e in cambio si guadagna una fetta di questo fantastico dolce con i buchi - soggiunse in tono scherzoso.
|
|
writing
|
Cornelia Funke |
|
95906b4
|
I would like to hear your life as you heard it, coming at you, instead of hearing it as I do, a sober sound of expectations reduced, desires blunted, hopes deferred or abandoned, chances lost, defeats accepted, griefs borne. I don't find your life uninteresting, as Rodman does. I would like to hear it as it sounded while it was passing. Having no future of my own, why shouldn't I look forward to yours.
|
|
obsession
past
writing
|
Wallace Stegner |
|
8d0063a
|
There is a kind of despair involved in creation which I am sure any artist knows all about. In art, as in morality, great things go by the board because at the crucial moment we blink our eyes. When is the crucial moment? Greatness is to recognize it and be able to hold it and to extend it. But for most of us the space between 'dreaming on things to come' and 'it is too late, it is all over' is too tiny to enter. And so we let each thing go, thinking vaguely that it will always be given to us to try again. Thus works of art, and thus whole lives of men, are spoilt by blinking and moving quickly on. I often found that I had ideas for stories, but by the time I had thought them out in detail they seemed to me hardly worth writing, as if I had already 'done' them: not because they were bad, but because they already belonged to the past and I had lost interest. My thoughts were soon stale to me. Some things I ruined by starting them too soon. Others by thinking them so intensely in my head that they were over before they began. Projects would change in a second from hazy uncommitted dreams into unsalvageable ancient history. Whole novels existed only in their titles.
|
|
creative-process
crucial-moment
elusive
inspiration
iris-murdoch
the-black-prince
writer
writing
|
Iris Murdoch |
|
98af8a4
|
Be fearless. Write what you want. Write how you want. Create art.
|
|
writing
|
Beth Revis |
|
7b24c32
|
I can arrange words on a page but I can't seem to organize books on a shelf. Over the years, My Secret has shelved thousands and thousands, held each one in his hands. He thinks they might have seeped into him, through his skin, as much as the books he's read. At night and on his days off we spend hours talking about writing. He reads three or four books at a time. When he's not working at the bookstore he goes to other bookstores around the city and browses until closing time. Holding more volumes in his hands, filling himself up with words.
|
|
book-sellers
books
francesca-lia-block
the-thorn-necklace
words
writing
|
Francesca Lia Block |
|
d1404fe
|
One can forgive Shakespeare anything, except one's own bad lines.
|
|
oscar-wilde
shakespeare
writing
|
Peter Ackroyd |
|
1836504
|
That economics has a considerable conceptual apparatus with an appropriate terminology can not be a serious ground for complaint. Economic phenomena, ideas, instruments of analysis exist. They require names. Education in economics is, in considerable measure, an introduction to this terminology and to the ideas that it denotes. Anyone who has difficulties with the ideas should complete his education or, following an exceedingly well-beaten path, leave the subject alone. It is sometimes said that the economist has a special obligation to make himself understood because his subject is of such great and popular importance. By this rule the nuclear physicist would have to speak in monosyllables.
|
|
writing
|
John Kenneth Galbraith |
|
a5b1b38
|
Correct spelling, correct punctuation, correct grammar. Hundreds of rules for itsy-bitsy people. No one could remember all that stuff and concentrate on what he was trying to write about. It was all table manners, not derived from any sense of kindness or decency or humanity, but originally from an egotistic desire to look like gentlemen and ladies. Gentlemen and ladies had good table manners and spoke and wrote grammatically. It was what identified one with the upper classes. In Montana, however, it didn't have this effect at all. It identified one, instead, as a stuck-up Eastern ass.
|
|
grammar
montana
rules-of-english-language
writing
|
Robert M. Pirsig |
|
a765b3d
|
"Henry Luce to his Time magazine writers: "Tell the history of our time through the people who make it."
|
|
leadership
motivation
narrative
storytelling
writing
|
Walter Isaacson |
|
7fd8cd7
|
It is very important to go home if you want your work to be whole. You don't have to move in with your parents and collect an allowance, but you must claim where you come from and look deep into it. Come to honor and embrace it, or at least, accept it.
|
|
writing
writing-advice
|
Natalie Goldberg |
|
13ac237
|
How to generate writing ideas, things to write about? Whatever's in front of you is a good beginning. Then move out into all streets. You can go anyplace. Tell me everything you know. Don't worry if what you know you can't prove or haven't studied.
|
|
knowledge
writing
|
Natalie Goldberg |
|
b1e65ec
|
Writing and reading decrease our sense of isolation. They deepen and widen and expand our sense of life: they feed the soul. When writers make us shake our heads with the exactness of their prose and their truths, and even make us laugh about ourselves or life, our buoyancy is restored. We are given a shot at dancing with, or at least clapping along with, the absurdity of life, instead of being squashed by it over and over again. It's like singing on a boat during a terrible storm at sea. You can't stop the raging storm, but singing can change the hearts and spirits of the people who are together on that ship.
|
|
literature
reading
words
writing
|
Anne Lamott |
|
2dab91a
|
"But we were chumps and we knew it. As makers of sentences we were practically fetal, beneath notice, unlaunched, fooling around in our spare time or on somebody else's dime. Nobody loved our sentences as we loved them, and so they congealed or grew sour on our tongues. We barely glanced at our wall-scribblings for fear of what a few weeks or even hours might expose in our infatuations. Our photocopied fortune slips we'd find in muddy clogs in storm drains, tangled with advertising flyers, unheeded. Our manuscripts? Those were unspeakable secrets, kept not only from the world but from each other.
|
|
writing
|
Jonathan Lethem |
|
b36fe20
|
"I feel like the secretary to the morning whose only/ responsibility is to take down its bright, airy dictation/
|
|
mundane
poetry
small-joys
writing
|
Billy Collins |
|
fbf3479
|
Only now, years after having read though the works of Shakespeare, Dickens, Scott, Poe, Balzac did he realise that even the most prolific writer created only one novel; throw away the individual bindings and the whole of each man's writing constituted one book: the true and complete portrait of himself. An artist had one thing to say, and one only; he might flail about, seek new techniques, forms, colour combinations, subjects, but intrinsically he would always paint the same canvas, write the same book.
|
|
writing
|
Irving Stone |
|
1ae5db9
|
[Y]ou cannot mention everything in its proper place, you must choose, between the things not worth mentioning and those and those even less so.
|
|
storytelling
writing
|
Samuel Beckett |
|
b80cceb
|
You'll be amazed how much you have in common with Edith Wharton (who struggled to feel worthy of success), Louisa May Alcott (who badly needed money), Madaleine L'Engle (who could have papered an entire house with her rejection letters) and other writers...
|
|
impostor-syndrome
women-writers
writing
|
Nava Atlas |
|
76e3508
|
"He had entered another imaginative world, one connected to the beginning of his life as a writer, to the Napoleonic world that had been a lifelong metaphor for the power of art, for the empire of his own creation He began to dictate notes for a new novel, "fragments of the book he imagines himself to be writing." As if he were now writing a novel of which his own altered consciousness was the dramatic center, he dictated a vision of himself as Napoleon and his own family as the Imperial Bonapartes....William and Alice he grasped with his regent hand, addressing his 'dear and most esteemed brother and sister.' To them, to whom he had granted countries, he now gave the responsibility of supervising the detailed plans he had created for 'the decoration of certain apartments, here of the Louvre and Tuileries, which you will find addressed in detail to artists and workment who take them in hand.' He was himself the 'imperial eagle.' Taking down the dictation, Theodora [his secretary] felt it to be almost more than she could bear. 'It is a heart-breaking thing to do, though, there is the extraordinary fact that his mind retain the power to frame perfectly characteristic sentences."
|
|
creativity
death
delirium
hallucination
imagination
language
novel-writing
novelists
sentence-structure
syntax
writing
|
Fred Kaplan |
|
b9f5fd4
|
"Every few weeks she would shut herself up in her room, put on her scribbling suit, and "fall into a vortex" as she expressed it, writing away at her novel with all her heart and soul, for till that was finished she could find no peace. Her "scribbling suit" consisted of a black woollen pinafore on which she could wipe her pen at will, and a cap of the same material, adorned with a cheerful red bow, into which she bundled her hair when the decks were cleared for action. This cap was a beacon to the inquiring eyes of her family, who during these periods kept their distance, merely popping in their heads semi-occasionally, to ask, with interest, "Does genius burn, Jo?" They did not always venture even to ask this question, but took an observation of the cap, and judged accordingly. If this expressive article of dress was drawn low upon the forehead, it was a sign that hard work was going on; in exciting moments it was pushed rakishly askew; and when despair seized the author it was plucked wholly off, and cast upon the floor. At such times the intruder silently withdrew; and not until the red bow was seen gayly erect upon the gifted brow, did any one dare address Jo."
|
|
creative-process
writing
writing-life
writing-process
|
Louisa May Alcott |
|
4753e09
|
I struggled with a nebulous work which seemed now a , now a vast novel, wherein a hero not unlike myself pursued, amid ghostly incidents, a series of reflections about life and art.
|
|
iris-murdoch
meta
plot
struggling
the-black-prince
writer
writing
|
Iris Murdoch |
|
2d1ed3d
|
"Tell me something wonderful," he said to Dane. "Tell me that we are going to die dreamfully and loved in our sleep." "You're always writing one of your plays on the phone," said Dane. "I said, something wonderful. Say something about springtime." "It is sloppy and wet. It is a beast from the sea." "Ah," said Harry."
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dreams
like-life
lorrie-moore
love
loved
plays
reality
sloppy
springtime
wet
writing
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Lorrie Moore |
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bf04dbc
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Da dove devo cominciare? Intanto, va chiarita subito una cosa fondamentale: un romanziere non scrive mai tutto quello che sa sui suoi personaggi. I lettori non devono venire a sapere tutto. Alcuni aspetti e meglio che restino un segreto fra lo scrittore e le sue creature.
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writing
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Cornelia Funke |
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bf34f12
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Remember that you own what happened to you.
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life
ownership
writing
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Anne Lamott |
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c1fac72
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We're always thinking we should be writing no matter what else we might be doing. It's not fun. The life of an artist isn't easy. You're never free unless you are doing your art.
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inspirational
writing
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Natalie Goldberg |
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748ad10
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"I think this story-writing business is the foolishest yet," scoffed Marilla. "You'll get a pack of nonsense into your heads and waste time that should be put to your lessons. Reading stories is bad enough but writing them is worse."
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marilla-cuthbert
reading
writing
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L. M. Montgomery |
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5517c17
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"Ayon kay Georges Simenon, ang dahilan daw ng pagsusulat n'ya ay "to exorcise the demon in me." Totoo yon para sa karamihan ng mga manunulat. Ang pagpuksa sa mga personal na demonyo ang nagsilbing makina sa likod ng mga di na mabilang na sanaysay, kwento, at tula. Ang manunulat ay biktima ng isang sumpa na para sa karaniwang tao ay ligo lang ang katapat."
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pagsusulat
writing
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Bob Ong |