fea7388
|
How can I make a stranger see her as she stopped in the hall at the foot of the stairs and turned to us? I have never been able to describe even my fictitious characters except by their actions. It has always seemed to me that in a novel the reader should be allowed to imagine a character in any way he chooses: I do not want to supply him with ready-made illustrations. Now I am betrayed by my own technique, for I do not want any other woman substituted for Sarah, I want the reader to see the one broad forehead and bold mouth, the conformation of the skull, but all I can convey is an indeterminate figure turning in the dripping mackintosh, saying, 'Yes, Henry?' and then 'You?
|
|
writing
love
|
Graham Greene |
fb81042
|
"I rather liked him.I asked him to come and see us.' 'Oh Christ !' 'But, Bradley, you mustn't reject people,you musn't just write them of. You must be curious about them. Curiosity is kind of charity.' 'I don't think curiosity is a kind of charity. I think it's a kind of malice.' 'That's what makes a writer, knowing the details.' 'It may make your kind of writer. It doesn't make mine.' 'Here we go again,' said Arnold. 'Why pile up a jumble of "details"? When you start really imagining something you have to forget the details anyhow, they just get in the way. Art isn't the reproduction of oddments out of life.' 'I never said it was!' said Arnold. 'I don't draw direct from life.' 'Your wife thinks you do.' 'Oh that. Oh God.' 'Inquisitive chatter and cataloguing of things one's spotted isn't art. ' 'Of course it isn't -' 'Vague romantic myth isn't art either. Art is imagination. Imagination changes, fuses. Without imagination you have stupid details on one side and empty dreams on the othet.' 'Bradley, I know you -' 'Art isn't chat plus fantasy. Art comes out of endless restraint and silnce.' 'If the silence is endless there isn't any art! It's people without creative gifts who say that more mean worse!' 'One should only complete something when one feels one's bloody privileged to have it all. Those who only do what's easy will never be rewarded by -'
|
|
writing
philosophy
|
Iris Murdoch |
1d0e07e
|
Yet entertainment--as I define it, pleasure and all--remains the only sure means we have of bridging, or at least of feeling as if we have bridged, the gulf of consciousness that separates each of us from everybody else. The best response to those who would cheapen and exploit it is not to disparage or repudiate but to reclaim entertainment as a job fit for artists and for audiences, a two-way exchange of attention, experience, and the universal hunger for connection.
|
|
writing
entertainment
|
Michael Chabon |
d20fdf6
|
But I am a storyteller, and that involves language, for me the English language, that wonderfully rich, complex, and ofttimes confusing tongue. When language is limited, I am thereby diminished, too.
|
|
words
writing
language
storytelling
|
Madeleine L'Engle |
e134e1f
|
An ancient writer says of Homer that he touched nothing without somehow honoring and glorifying it.
|
|
writing
rhetoric
|
Edith Hamilton |
b434b4b
|
Written words, if carefully laid down, represent the civilized ideal of reason.
|
|
writing
|
Brian Herbert |
491641a
|
Teachers say if you write a story you must never name what you're trying to write. Just do it. When it's over you'll know what you've done.
|
|
writing
|
Ray Bradbury |
ed42e56
|
The other six or seven drafts are going to be pure torture. So why not enjoy the first draft, in the hope that your joy will seek and find others in the world who, reading your story, will catch fire, too?
|
|
writing
gusto
zest
ray-bradbury
writers
|
Ray Bradbury |
75d488d
|
I figure whatever I choose to create, I'll be neglecting somebody - so my art may as well make me happy. - Audrey Niffenegger
|
|
writing
writing-books
|
Jen Campbell |
4c3b763
|
I always shot scorpions with the .22 pistol.
|
|
writing
hemingway
|
Ernest Hemingway |
6611a63
|
"By the time I got to high school, I had learned to be more cautious about revealing my dreams. I was reading--and therefore writing--adventure stories. This was before I'd read Isak Dinesen and Mikhail Bulgakov, before Ernest Hemingway and T. Coraghessan Boyle, before I'd read something and really felt it, when writing was still just a compulsion, and my teen-age brain was only bordering on sentience. I filled pages of white space with swashbuckling, rapier-wielding, sidekick-sacrificing, dragon-baiting romance.
|
|
writing
|
Téa Obreht |
b1220d9
|
[The Internet] affects democracy... As more and more citizens express what they think, and defend it in writing, that will change the way people understand public issues. It is easy to be wrong and misguided in your head. It is harder when the product of your mind can be criticized by others. Of course, it is a rare human who admits that he has been persuaded that he is wrong. But it is even rarer for a human to ignore when he has been proven wrong. The writing of ideas, arguments, and criticism improves democracy.
|
|
writing
open-government
ideas
internet
|
Lawrence Lessig |
1e8b974
|
And with a practice of writing comes a certain important integrity. A culture filled with bloggers thinks differently about politics or public affairs, if only because more have been forced through the discipline of showing in writing why A leads to B.
|
|
writing
thought-provoking
|
Lawrence Lessig |
8de9582
|
Why shouldn't I? I demand silently. Why shouldn't I become a famous writer? Like Norman Mailer. Or Philip Roth. And F. Scott Fitzgerald and Hemmingway and all those other men. Why can't I be like them? I mean, what is the point of becoming a writer if no one reads what you've written? Damn Viktor Greene and The New School. Why do I have to keep proving myself all of the time? Why can't I be like L'il, with everyone praising and encouraging me? Or Rainbow, with her sense of entitlement. I bet Viktor Greene never asked Rainbow why she wanted to be a writer. Or what if-I wince-Viktor Greene is right? I'm not a writer after all.
|
|
writing
inspirational
fame
|
Candace Bushnell |
e97210b
|
Every story is an act of trust between a writer and a reader: each story, in the end, is social. Whatever a writer sets down can help or harm a community of which he or she is a part. When I write I can imagine a child in California wishing to give away what he's just seen- a wild animal fleeing though creosote cover in the desert, casting a bright-eyed backward glance or three lines of overheard conversation that seem to contain everything we need understand to repair the gaping rift between body and soul. I look back at that boy turning in glee beneath his pigeons and know it can take a lifetime to convey what you mean, to find the opening. You watch, you set it down. Then you try again.
|
|
writing
stories
|
Barry Lopez |
ff9b108
|
It's good to go off and write a novel, but don't stop doing writing practice.
|
|
writing
practice
|
Natalie Goldberg |
3655c40
|
I wish I had another chance to write that school composition, 'What I Did Last Summer.' When I wrote it in fifth grade, I was scared and just recorded: 'It was interesting. It was nice. My summer was fun.' I snuck through with a B grade. But I still wondered, How do you really do that? Now it is obvious. You tell the truth and you depict it in detail: 'My mother dyed her hair red and polished her toenails silver. I was mad for Parcheesi and running the sprinkler catching beetles in a mason jar and feeding them grass. My father sat at the kitchen table a lot staring straight ahead, never talking, a Budweiser in his hand.
|
|
writing
natalie-goldberg
|
Natalie Goldberg |
42a73e3
|
If Paul brought the first generation of Christians the useful skills of a trained theologian, Origen was the first great philosopher to rethink the new religion from first principles. As his philosophical enemy, the anti-Christian Porphyry, summed it up, he 'introduced Greek ideas to foreign fables' -- that is, gave a barbarous eastern religion the intellectual respectability of a philosophical defense. Origen was also a phenomenon. As Eusebius put it admiringly, 'even the facts from his cradle are worth mentioning'. Origen came from Alexandria, the second city of the empire and then it's intellectual centre; his father's martyrdom left him an orphan at seventeen with six younger brothers. He was a hard working prodigy, at eighteen head of the Catechetical School, and already trained as a literary scholar and teacher. But at this point, probably in 203, he became a religious fanatic and remained one for the next fifty years. He gave up his job and sold his books to concentrate on religion. he slept on the floor, ate no meat, drank no wine, had only one coat and no shoes. He almost certainly castrated himself, in obedience to the notorious text, Matthew 19:12, 'there are some who have made themselves eunuchs for the kingdom of heaven's sake.' Origen's learning was massive and it was of a highly original kind: he always went back to the sources and thought through the whole process himself. This he learned Hebrew and, according to Eusebius, 'got into his possession the original writings extant among the Jews in the actual Hebrew character'. These included the discovery of lost texts; in the case of the psalms, Origen collected not only the four known texts but three others unearthed, including 'one he found at Jericho in a jar'. The result was an enormous tome, the , which probably existed in only one manuscript now lost, setting out the seven alternative texts in parallel columns. He applied the same principles of original research to every aspect of Christianity and sacred literature. He seems to have worked all day and though most of the night, and was a compulsive writer. Even the hardy Jerome later complained: 'Has anyone read everything Origen wrote?'
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|
writing
|
Paul Johnson |
87896f0
|
After ten standard months I was done, acknowledging the ancient aphorism to the effect that no book or poem is ever finished, merely abandoned.
|
|
writing
completion
|
Dan Simmons |
b03e08d
|
When you're writing, you're creating something out of nothing ... A successful piece of writing is like doing a successful piece of magic.
|
|
magic
writing
|
Susanna Clarke |
c74c1df
|
"Why does the writer write? The writer writes to serve -- hopelessly he writes in the hope that he might serve -- not himself and not others, but that great cold elemental grace which knows us.
|
|
writing
reason
why-writers-write
writers-on-writing
why
writers
|
Joy Williams |
6263174
|
God forbid that I should ever suffer the shame of publishing a book for money, or of having one of my family so demean themselves. How can one tell who might read it? No worthy book has ever been written for gain, I think;
|
|
writing
|
Iain Pears |
be22dbc
|
Slater used to be a poet, he's nothing now, and he sort of looks on Robby and me with awe because we aren't nothing yet, we haven't given up yet, awed at me because I'm thirty-one and haven't given up yet, and at Robby because he's young and has potential. Most people stop wanting to be a writer around the age of sixteen.
|
|
writing
|
Rick Bass |
665df0f
|
[Patricia Highsmith] was a figure of contradictions: a lesbian who didn't particularly like women; a writer of the most insightful psychological novels who, at times, appeared bored by people; a misanthrope with a gentle, sweet nature.
|
|
psychological
writer
nature
people
women
writing
gentle
misanthrope
contradictions
lesbian
novels
insightful
sweet
like
insight
|
Andrew Wilson |
79a116b
|
Somehow it seems to fill my head with ideas--only I don't exactly know what they are!
|
|
writing
humor
jargon
confusion
|
Lewis Carroll |
b43cf71
|
The beauty of Goodreads is that you know you're sowing in a field where everyone, by definition and self-selection, loves to read.
|
|
writing
writing-advice
|
Guy Kawasaki |
926a750
|
When you've worked hard and done well and walked through that doorway of opportunity, you do not slam it shut behind you.
|
|
writing
motivation
|
Guy Kawasaki |
d5defca
|
Starting your book is only the first five miles of a twenty-six-mile marathon that's one-third of a triathlon (authoring, publishing, and entrepreneuring).
|
|
writing
writing-process
|
Guy Kawasaki |
9ee78e6
|
I make books because I love them as objects; because I want to put the pictures and the words together, because I want to tell a story.
|
|
writing
storytelling
stories
|
Audrey Niffenegger |
c90300b
|
The difference between travel writing as fiction is the difference between recording what the eye sees and discovering what the imagination knows. Fiction is pure joy - how sad that I could not reinvent the trip as fiction.
|
|
writing
|
Paul Theroux |
2ce4e0f
|
Did I come into this world thru the womb of my mother the earth just so I could talk and write like everybody else?
|
|
writing
womb
|
Jack Kerouac |
a24dc6b
|
So now you have it. The plot, the whole plot, and nothing but the plot.
|
|
writing
sethos
plot
|
Elizabeth Peters |
d3399a6
|
No fear can stand up to hunger, no patience can wear it out, disgust simply does not exist where hunger is; and as to superstition, beliefs, and what you may call principles, they are less than chaff in a breeze.
|
|
writing
|
Joseph Conrad |
607a587
|
These reasonings will furnish us with an adequate definition of a true critic: that he is a discoverer and collector of writers' faults. Which may be farther put beyond dispute by the following demonstration: that whoever will examine the writings in all kinds, wherewith this ancient sect has honoured the world, shall immediately find, from the whole thread and tenor of them, that the ideas of the authors have been altogether conversant and taken up with the faults and blemishes, and oversights, and mistakes of other writers; and let the subject treated on be whatever it will, their imaginations are so entirely possessed and replete with the defects of other pens, that the very quintessence of what is bad does of necessity distil into their own, by which means the whole appears to be nothing else but an abstract of the criticisms themselves have made.
|
|
writing
jackasses
tails
tubs
pens
critics
flaws
|
Jonathan Swift |
af17bd3
|
Writers have this schizophrenic ability to both participate in their lives and, at the same time, observe themselves participating in their lives.
|
|
writing
participating
writers
|
Edward Albee |
304f7f9
|
As I worked to rebuild the ghost town I had made, I felt keenly that my failure to help Timothy was really only the latest chapter in a lifelong history of inadequacy and powerlessness.
|
|
writing
|
Michael Chabon |
3e26939
|
The day before the Queen's Ball, Father had a visitor--a very young girl with literary aspirations, someone Lord Lytton had recommended visit Father and sent over-and while Father was explaining to her the enjoyment he was having in writing this Drood book for serialisation, this upstart of a girl had the temerity to ask, 'But suppose you died before all the book was written?' [...] He spoke very softly in his kindest voice and said to her, 'One can only work on, you know--work while it is day.
|
|
writing
work
death
charles-dickens
old-age
|
Dan Simmons |
15213f6
|
Writers pay a lot of attention to wordage, because some publishers seem to care more about length than about quality and will automatically reject novels that don't fit their narrow standards of length - or will chop out extra wordage to make a novel fit.
|
|
writing
|
Piers Anthony |
3ad1027
|
Early in 1967 Highsmith's agent told her why her books did not sell in paperback in America. It was, said Patricia Schartle Myrer, because they were 'too subtle', combined with the fact that none of her characters were likeable. 'Perhaps it is because I don't like anyone,' Highsmith replied. 'My last books may be about animals'.
|
|
fiction
writing
likeability
subtle
misanthropy
sold
|
Andrew Wilson |
bc4c558
|
Father is a school ... He always wanted to write books. But he became rich instead, so is not allowed.
|
|
wealth
writing
books
wishes
|
Iain Pears |
b7403f0
|
We shared ideas like sweaters, with easy exchange and lack of ownership.
|
|
writing
sweaters
ideas
|
Ann Patchett |
116559c
|
Say you've just read Faulkner's 'Barn Burning'. Like the son in the story, you've sensed the faults in your father's character. Thinking about them makes you uncomfortable, left alone you'd probably close the book and move on to other thoughts. But instead you are taken in hand by a tall, brooding man with a distinguished limp who involves you and a roomful of other boys in the consideration of what it means to be a son. The loyalty that is your duty and your worth and your problem. The goodness of loyalty and its difficulties and snares, how loyalty might also become betrayal - of the self and the world outside the circle of blood. You've never had this conversation before, not with anyone. And even as its happening you understand that just as your father's troubles with the world - emotional frailty, self-doubt, incomplete honesty - will not lead him to set it on fire, your own loyalty will never be the stuff of tragedy. You will not turn bravely and painfully from your father, as the boy in the story does, but foresake him, without regret. And as you accept that separation, it seems to happen; your father's sad, fleshy face grows vague, and you blink it away and look up to where your teachers leans against his desk, one hand in a coat pocket, the other rubbing his bum knee as he listens desolately to the clever bore behind you saying something about bird imagery.
|
|
writing
loyalty
|
Tobias Wolff |
01bcc40
|
And grade every simile and metaphor from one star to five, and remove any threes or below. It hurts when you operate, but afterwards you feel much better.
|
|
writing
|
David Mitchell |
bb7a0d7
|
The writing of a book may be a solitary business, it is done alone. The writer sits down with paper and pen, or typewriter, and, withdrawn from the world, tries to set down the story that is crying to be written. We write alone, but we do not write in isolation. No matter how fantastic a story line may be, it still comes out of our response to what is happening to us and to the world in which we live.
|
|
writing
|
Madeleine L'Engle |
81198f5
|
To tell a story is always to translate the raw material into a specific shape, to select out of the boundless potential facts those that seem salient.
|
|
writing
|
Rebecca Solnit |
c20fa0a
|
Images are taking over, and writers are a dying breed. The Norman Mailers of today are reduced to writing pun-filled captions for paparazzi photos. Blogs--which were threatening enough to professional writers--are being replaced by video blogs. We writers need to embraced the Second Commandment as our rallying cry for the importance of words. In a literally biblical world, all publications would look like the front page of the Wall Street Journal. Or the way it used to look, anyway.
|
|
writing
page-106
second-commandment
|
A.J. Jacobs |
22523a2
|
It is necessary to write, that much is clear, and to write in a way quite unlike any way which I have employed before.
|
|
writing
truth
self-deception
writers
|
Iris Murdoch |
ee0fe07
|
Even if readers claim that they 'take it all with a grain of salt', they do not really. They yearn to believe, and they believe, because believing is easier than disbelieving, and because anything which is written down is likely to be 'true in a way'.
|
|
reading
fiction
writing
façades
readers
|
Iris Murdoch |
3f8737c
|
I am, I must confess, an obsessive and superstitious letter-writer. When I am troubled I will write any long letter rather than make a telephone call. This is perhaps because I invest letters with magical power. To desiderate something in a letter is, I often irrationally feel, tantamount to bringing it about. A letter is a barrier, a reprieve, a charm against the world, an almost infallible method of acting at a distance. (And, it must be admitted, of passing the buck.) It is a way of bidding time to stop.
|
|
writing
superstitious
obsessive
the-black-prince
iris-murdoch
magical
letters
|
Iris Murdoch |
92c0e3e
|
DYER. No, I am not of your Mind, for the Dialogue was fitted up with too much Facility. Words must be pluckt from Obscurity and nourished with Care, improved with Art and corrected with Application. Labour and Time are the Instruments in the perfection of all Work.
|
|
words
writing
|
Peter Ackroyd |
c789a6d
|
This leads me to the Higher Editing. Take of well-ground Indian Ink as much as suffices and a camel-hair brush proportionate to the inter-spaces of your lines. In an auspicious hour, read your final draft and consider faithfully every paragraph, sentence and word, blacking out where requisite. Let it lie by to drain as long as possible. At the end of that time, re-read and you should find that it will bear a second shortening. Finally, read it aloud alone and at leisure. Maybe a shade more brushwork will then indicate or impose itself. If not, praise Allah and let it go, and 'when thou hast done, repent not.' The shorter the tale, the longer the brushwork and, normally, the shorter the lie-by, and vice versa. The longer the tale, the less brush but the longer lie-by. I have had tales by me for three or five years which shortened themselves almost yearly. The magic lies in the Brush and the Ink. For the Pen, when it is writing, can only scratch; and bottled ink is not to compare with the ground Chinese stick. Experto crede.
|
|
writing
|
Rudyard Kipling |
2384198
|
The artist committing himself to his calling has volunteered for hell.
|
|
writing
write
artist
|
Steven Pressfield |
f064531
|
Any curly-haired boy can write windswept ballads. You have to crush people's heads. That's the only way to make those fuckers listen.
|
|
writing
music
|
Don DeLillo |
6cbd8a7
|
I tell him getting stuck is the commonest trouble of all. Usually, I say, your mind gets stuck when you're trying to do too many things at once. What you have to do is try not to force words to com. That just gets you more stuck. What you have to do now is separate out the things and do them one at a time. You're trying to think of what to and what to say at the same time and that's too hard. So separate them out. Just make a list of all the things you want to say in any old order. Then later we'll figure out the right order.
|
|
writing
writing-process
|
Robert M. Pirsig |
f6e4310
|
Whether the underlying cause of your dependency is a chemical imbalance, unresolved events from the past, beliefs you hold that are inconsistent with what is true, an inability to cope with current conditions, or a combination of these four causes, know this: not only are all the causes of dependency within you, but all the solutions are within you as well.
|
|
writer
depression
writing
books
author
los-angeles-rehab
rehab-center
holistic-treatment
malibu-rehab
alcohol-rehab
drug-rehab
holistic-health
passages-ventura
substance-abuse
passages-malibu
addiction-cure
addiction-treatment-center
alcohol-abuse
chris-prentiss
drug-abuse
quotes
|
Chris Prentiss |
4d31ca8
|
She used to write all the time,' Elizabeth explained, 'before she lost all that weight. Remember? When she was the butt of everyone's jokes instead of the girl all the boys want to date?
|
|
writing
weight-loss
sweet-valley
|
Francine Pascal |
5c6e881
|
"I stretched out on the bed and slept. It was twilight when I awakened and turned on the light. I felt better, no longer tired. I went to the typewriter and sat before it. My thought was to write a sentence, a single perfect sentence. If I could write one good sentence I could write two and if I could write two I could write three, and if I could write three I could write forever. But suppose I failed? Suppose I had lost all of my beautiful talent? Suppose it had burned up in the fire of Biff Newhouse smashing my nose or Helen Brownell dead forever? What would happen to me? Would I go to Abe Marx and become a busboy again? I had seventeen dollars in my wallet. Seventeen dollars and the fear of writing. I sat erect before the typewriter and blew on my fingers. Please God, please Knut Hamsun, don't desert me now. I started to write and I wrote: "The time has come," the Walrus said, "To talk of many things: Of shoes--and ships--and sealing wax-- Of cabbages--and kings--" I looked at it and wet my lips. It wasn't mine, but what the hell, a man had to start someplace." --
|
|
writing
persistence
|
John Fante |
68cc804
|
THE BASIC UNIT of writing practice is the timed exercise.
|
|
writing
unit
practice
|
Natalie Goldberg |
15b4e54
|
"That was enough dialogue for a few pages - he had to get into some fast, red-hot action.
|
|
writing
fiction-writing
pulp-fiction
pulp
writers
|
Cornell Woolrich |
ab2a1ab
|
I wasn't that good you know. What I was was a guy who could write a little, publishing in magazines surrounded by people who couldn't write at all. So I looked pretty good. But I never thought I was that good at all. All that I thought was that I tried to tell the truth.
|
|
writer
writing
noir-fiction
|
Cornell Woolrich |
958afb7
|
Writing is the witness to myself about myself. Whatever others say of me or how they interpret me is a simulacrum of their own devising.
|
|
writing
|
Amy Tan |
502cb88
|
I am like a prisoner who is trying to escape from jail by the wrong route. For all one knows, that door may stand open, although I continue to dig a tunnel with a teaspoon.
|
|
writing
|
John Cheever |
b0ddce2
|
"Careless and not particularly biting, it was easier to shrug off than anything in the first book which depicted me as an inarticulate zombie confused by the irony of Randy Newman's "I Love L.A."
|
|
writing
|
Bret Easton Ellis |
a73201d
|
Enmerson's interest is in the workshop phase, the birthing stage of art, not the museum moment, the embalming phase. Poetry mimics Creation and is therefore sacred. More precisely, just as God may indeed be a verb (as Mary Daly insists), poetry is the act of . The process of poetry also mimics the process of nature. 'This expression or naming is not art, but a second nature, grown out of the first, as a leaf out of a tree. What we call nature is a certain self-regulated motion or change.' Another aspect of nature is genius, which, as Emerson observes, 'is the activity which repairs the decays of things.
|
|
nature
poetry
writing
definition-of-genius
mary-daly
workshop
writing-tips
ralph-waldo-emerson
emerson
transcendentalism
decay
creative-process
genius
process
|
Robert D. Richardson |
b5cd4b9
|
The only duty of the dreamer is to tell the truth about the dream.
|
|
writing
honesty
dreams
truth
|
Jane Yolen |
976fd4d
|
Just remember this, when the scream at last has ended and you've turned on the lights: by the rules of the game, I must always lie.
|
|
writing
|
Margaret Atwood |
0561bd9
|
Anyway, you don't know what's going to happen. I'm only just thickening the plot. --I'd say it was pretty thick already. Thick plots are my specialty. If you want a thinner kind, look elsewhere.
|
|
writing
thick-plot
plot
|
Margaret Atwood |
28c76d4
|
"Nothing expresses Kafka's innermost sense of self more profoundly than his lapidary definition of "writing as a form of prayer": he was a writer. Not a man who wrote, but one to whom writing was the only form of being, the only means of defying death in life." --
|
|
writing
life
kafka
writers
|
Ernst Pawel |
06bd501
|
Fritz had to stop himself from interrupting when Karl spoke about the difficulty of working. Stories are just as hard as clocks to put together, and they can go wrong just as easily--as we shall soon see with Fritz's own story in a page or two. Still, Fritz was an optimist, and Karl was a pessimist, and that makes all the difference in the world.
|
|
writing
optimism
clockwork
working
pessimism
difficulties
|
Philip Pullman |
fe35fa6
|
Stories aren't made of language: they're made of something else. A little earlier I said that stories were about life; perhaps they're made of life.
|
|
writing
writing-advice
stories
|
Philip Pullman |
38d2893
|
I realized Jack [Kerouac] was deeply committed to writing. Kesey was just as deeply committed to living and experiencing the lives of others; for him writing was just a part of living.
|
|
writing
ken-kesey
jack-kerouac
|
Sterling Lord |
d7a5063
|
You wrote something easily in youth, and later you came to see how difficult it all was.
|
|
youth
writing
|
A.S. Byatt |
a4f9cff
|
And speaking of this wonderful machine: [840] I'm puzzled by the difference between Two methods of composing: , the kind Which goes on solely in the poet's mind, A testing of performing words, while he Is soaping a third time one leg, and , The other kind, much more decorous, when He's in his study writing with a pen. In method B the hand supports the thought, The abstract battle is concretely fought. The pen stops in mid-air, then swoops to bar [850] A canceled sunset or restore a star, And thus it physically guides the phrase Toward faint daylight through the inky maze. But method is agony! The brain Is soon enclosed in a steel cap of pain. A muse in overalls directs the drill Which grinds and which no effort of the will Can interrupt, while the automaton Is taking off what he has just put on Or walking briskly to the corner store [860] To buy the paper he has read before.
|
|
literature
writing
pencil
paper
pen
teaching
|
Vladimir Nabokov |
c720075
|
For writers - even sportswriters - bad news is always easier than good, since it is, after all, more familiar.
|
|
writing
writers
|
Richard Ford |
67c56e3
|
It is winter proper; the cold weather, such as it is, has come to stay. I bloom indoors in the winter like a forced forsythia; I come in to come out. At night I read and write, and things I have never understood become clear; I reap the harvest of the rest of the year's planting. The woods are acres of sticks: I could walk to the Gulf of Mexico in a straight line. When the leaves fall, the striptease is over; things stand mute and revealed. Everywhere skies extend, vistas deepen, walls become windows, doors open.
|
|
winter
reading
writing
spirit
wonder
philosophy
philosopher-s-stone
walking
soul
|
Annie Dillard |
717dcd5
|
I do not so much write a book as sit up with it, as with a dying friend. During visiting hours, I enter its room with dread and sympathy for its many disorders. I hold its hand and hope it will get better. This tender relationship can change in a twinkling. If you skip a visit or two, a work in progress will turn on you.
|
|
writer
writing
the-literary-process
the-writing-process
the-writing-life
write
|
Annie Dillard |
5b3c02c
|
A pencil is a wand and a weapon. Be careful. Protect yourself. It can be glorious.
|
|
writing
|
Terry Tempest Williams |
397bdc3
|
Have you noticed how just trying to impose any sort of chronology on events makes it seem as though a lot of time has been occupied?
|
|
writing
|
James Hamilton-Paterson |
426c597
|
The birds are in their trees, the toast is in the toaster, and the poets are at their windows. [...] The proofreaders are playing the ping-pong game of proofreading, glancing back and forth from page to page, the chefs are dicing celery and potatoes, and the poets are at their windows because it is their job for which they are paid nothing every Friday afternoon.
|
|
poets
writing
|
Billy Collins |
3868884
|
For that is what you are, that is who you are - you are an author. You cannot cease to write any more than you can cease to breathe...This difficult season will pass - your eyes and mind will inevitably be opened once more to the wealth of ideas all around you...And even if the ideas around you fall short of what you seek - even if, as you say, you have not the heart to write... perhaps it is your heart you ought to write of. - Laurie to Jo, on writing
|
|
writer
writing
inspiration
writing-from-the-heart
ideas
|
Trix Wilkins |
8e1aefa
|
Unless we remember we cannot understand.
|
|
understanding
writing
|
E.M. Forster |
2c497c1
|
"I refuse to give readers an uplifting faux experience engineered to comfort them and perpetuate the sociopolitical and economic status quo." "Who died and made you Bertolt Brecht?"
|
|
humorous
writing
|
Chuck Palahniuk |
8d5ece0
|
The real Julian Wells didn't die in a cherry-red convertible, overdosing on a highway in Joshua Tree while a choir soared over the sound track.
|
|
fiction
writing
reality
|
Bret Easton Ellis |
2d2210e
|
The audience-- the book's actual cast-- quickly realized what had happened. The reason the movie dropped everything that made the novel real was because there was no way the parents who ran the studio would ever expose their children in the same black light the book did. The movie was begging for our sympathy whereas the book didn't give a shit. And attitudes about drugs and sex had shifted quickly from 1985 to 1987 (and a regime change at the studio didn't help) so the source material-- surprisingly conservative despite its surface immorality-- had to be reshaped.
|
|
writing
|
Bret Easton Ellis |
30b6e3e
|
"My novel's about Brooklyn." "The tree? Or the kids or the murderers or the junkies?" Vivaldo swallowed. "All of them." "That's quite an assignment. And if you don't mind my saying so, it sounds just a little bit old fashioned." He put his hand before his mouth and burped. "Brooklyn's been done. And done."
|
|
writing
|
James Baldwin |
2554d9c
|
...but it seems to me there is something beyond words--any words--all words--something that always escapes you when you try to grasp it--and yet leaves something in your hand which you wouldn't have had if you hadn't reached for it.
|
|
writing
|
L.M. Montgomery |
47220ec
|
Her love of words is a private passion - one she would rather not share. In the house of her childhood though everything had to be shared. If she tried to hold anything back, they would search and find the hidden places. Her written words, discovered, read were just the source of more pain and punishment. This was why she loved poetry. They did not always understand it so they left it alone.
|
|
poetry
writing
memoir
|
Bell Hooks |
d536666
|
They looked at her quizzically, came at her with assumptions, presumptions, what they believed was intimate knowledge of her. She felt unarmed, by comparison; disadvantaged.
|
|
writing
self-exposed
vulnerability
|
Lorrie Moore |
6b5d763
|
The quiet lines matter as much as the noisy ones.
|
|
writing
|
Colum McCann |
23104f4
|
In Literature it is only the wild that attracts us.
|
|
literature
writing
tameness
wildness
|
Henry David Thoreau |
54ad404
|
We were all journalists, professional truth-seekers, but one thing we knew about the truth that laymen were prone to disregard was that it need not be literal or factual; the unpredictable human personality was itself a fact.
|
|
writing
truth
|
Walter Kirn |
0add7f9
|
It is generally supposed, and not least by Catholics, that the Catholic who writes fiction is out to use fiction to prove the truth of the Faith, or at the least, to prove the existence of the supernatural. He may be. No one certainly can be sure of his low motives except as they suggest themselves in his finished work, but when the finished work suggests that pertinent actions have been fraudulently manipulated or overlooked or smothered, whatever purposes the writer started out with have already been defeated. What the fiction writer will discover, if he discovers anything at all, is that he himself cannot move or mold reality in the interests of an abstract truth. The writer learns, perhaps more quickly than the reader, to be humble in the face of what-is. What-is is all he has to do with; the concrete is his medium; and he will realize eventually that fiction can transcend its limitations only by staying within them.
|
|
fiction
writing
writing-fiction
fiction-writing
|
Flannery O'Connor |
180ad12
|
In the last twenty years the colleges have been emphasizing creative writing to such an extent that you almost feel that any idiot with a nickel's worth of talent can emerge from a writing class able to write a competent story. In fact, so many people can now write competent stories that the short story as a medium is in danger of dying of competence. We want competence, but competence by itself is deadly. What is needed is the vision to go with it, and you do not get this from a writing class.
|
|
writing
writing-class
writing-skill
writing-talent
talent
|
Flannery O'Connor |
28c11c8
|
It's always wrong of course to say that you can't do this or you can't do that in fiction. You can do anything you can get away with, but nobody has ever gotten away with much.
|
|
writing
writing-fiction
writing-style
writers-on-writing
|
Flannery O'Connor |
3afb8b9
|
The isolated imagination is easily corrupted by theory, but the writer inside his community seldom has such a problem.
|
|
writing
writing-groups
|
Flannery O'Connor |
bba631a
|
You want to avoid at all costs drawing your characters on those that already exist in other works of fiction. You must learn about people from people, not from what you read. Your reading should confirm what you've observed in the world.
|
|
reading
writing
|
Anne Lamott |
bceec9b
|
Now, practically even better news than that of short assignments is the idea of shitty first drafts. All good writers write them.
|
|
writer
writing
first-drafts
author
write
|
Anne Lamott |
43311a4
|
For me and most of the other writers I know, writing is not rapturous. In fact, the only way I can get anything written at all is to write really, really shitty first drafts.
|
|
writer
writing
the-writing-process
writing-advice
write
on-writing
|
Anne Lamott |
c2e4244
|
There may be a Nurse Ratched-like listing of things that must be done right this moment: foods that must come out of the freezer, appointments that must be canceled or made, hairs that must be tweezed. But you hold an imaginary gun to your head and make yourself stay at the desk.
|
|
writer
writing
bird-by-bird
the-writing-process
writing-help
writing-advice
write
on-writing
|
Anne Lamott |
8bd8c82
|
If you're a writer, the problem is that, when you try to call a halt to thinking about your novel-in-progress, your imagination still keeps going; you can't shut it off.
|
|
writing
|
John Irving |
7140b46
|
What crannies of untouched perception can you explore? What autumn was it that moon entered your life? When was it that you picked blueberries at their quintessential moment? How long did you wait for your first true bike? Who were your angels? What are you thinking of? Not thinking of? Writing can give you confidence, can train you to wake up.
|
|
writing
natalie-goldberg
|
Natalie Goldberg |
5776a37
|
"Writing, too, is 90 percent listening. You listen so deeply to the space around you that it fills you, and when you wrote, it pours out of you. If you can capture that reality around you, your writing needs nothing else. You don't only listen to the air, the chair, and the door. And go beyond the door. Take in the sound of the season, the sound of the color coming in through the windows. Listen to the past, future, and present right where you are. Listen with your whole body, not only with your ears, but with your hands, your face, and the back of your neck. Listening is receptivity. The deeper you can listen, the better you can write. You can take in the way things are without judgment, and the next day you can write the truth about the way things are." ...If you can capture the way things are that's all the poetry you ever need."
|
|
writing
natalie-goldberg
memoir
|
Natalie Goldberg |
fefd39e
|
"Anyway, it's a pretty good story," I said. "You have to admit." "Yeah?" He crumpled up the Kleenex, having dispatched the solitary tear. "You can have it. I'm giving it to you. After I'm gone, write it down. Explain everything. Make it mean something. Use a lot of those fancy metaphors of yours. Put the whole thing in proper chronological order, not like this mishmash I'm making you. Start with the night I was born. March second, 1915. There was a lunar eclipse that night, you know what that is?" "When the earth's shadow falls across the Moon." "Very significant. I'm sure it's a perfect metaphor for something. Start with that." "Kind of trite." I said. He threw the Kleenex at my head. It bounced off my cheek and fell on the floor. I bent to pick it up. Somewhere in its fibers, it held what may have been the last tear my grandfather ever shed. Out of respect for his insistence on the meaninglessness of life--his, everyone's--I threw it into the wastebasket by the door."
|
|
writing
|
Michael Chabon |
0500369
|
I want to read and write and be very quiet.
|
|
writing
|
Martha Gellhorn |
d1c6c8c
|
"Only one-tenth of what you write will make it into your manuscript, but when you knock on that tenth" - I rap my knuckles on the table - "you'll hear oaken solidity, not sawdust and glue."
|
|
writing
|
David Mitchell |
6577d4a
|
Most of my writing life consist of nothing more than unglamorous, disciplined labor. I sit at my desk and I work like a farmer, and that's how it gets done.
|
|
live
writing
work
|
Elizabeth Gilbert |
be38aad
|
Hershey is so bent on avoiding cliche that each sentence is as tortured as an American whistleblower.
|
|
writing
|
David Mitchell |
ca6ffed
|
I'm only a kind of book doctor. I can give books new bindings, rejuvenate them a little, stop the bookworms from eating them, and prevent them from losing their pages over the years like a man loses his hair. But inventing the stories in them, filling new, empty pages with right words-- I can't do that. That's a very different trade. A famous writer once wrote, 'An author can be seen as three things: a storyteller, a teacher, or magician-- but a magician, the enchanter, is in the ascendant.
|
|
magic
writing
|
Cornelia Funke |
08593f3
|
How long has it been since you wrote a story where your real love or real hatred somehow got onto the paper? When was the last time you dared release a cherished prejudice so it slammed the page like a lightning bolt? What are the best things and the worst things in your life, and when are you going to get around to whispering or shouting them?
|
|
writing
|
Ray Bradbury |
ad1ffbf
|
If he (John Adams) could not control events, he could at least record them for posterity - perhaps the ultimate form of control.
|
|
writing
journalism
perspective
|
Joseph J. Ellis |
98af8a4
|
Be fearless. Write what you want. Write how you want. Create art.
|
|
writing
|
Beth Revis |
a765b3d
|
"Henry Luce to his Time magazine writers: "Tell the history of our time through the people who make it."
|
|
writing
leadership
motivation
narrative
storytelling
|
Walter Isaacson |
63af7ee
|
"How to preside over your own internal disorder? Finding the "I" that can represent the pack of you is the first challenge of the memoirist."
|
|
writing
writing-process
|
Tracy Kidder |
e92ed31
|
When I was a boy, Ray Bradbury picked stories from his books of short stories he thought younger readers might like and published them as R Is for Rocket and S Is for Space. Now I was doing the same sort of thing, and I asked Ray if he'd mind if I called this book M Is for Magic. (He didn't.) M is for magic. All the letters are, if you put them together properly. You can make magic with them, and dreams, and, I hope, even a few surprises...
|
|
writing
ray-bradbury
stories
|
Neil Gaiman |
a3bf42b
|
I suppose one has to be desperate, to be a successful writer. One has to reach a rock-bottom at which one can afford to let everything go hang. One has got to damn the public, chance one's living, say what one thinks, and be oneself. Then something may come out.
|
|
writing
|
T.H. White |
b9f5fd4
|
"Every few weeks she would shut herself up in her room, put on her scribbling suit, and "fall into a vortex" as she expressed it, writing away at her novel with all her heart and soul, for till that was finished she could find no peace. Her "scribbling suit" consisted of a black woollen pinafore on which she could wipe her pen at will, and a cap of the same material, adorned with a cheerful red bow, into which she bundled her hair when the decks were cleared for action. This cap was a beacon to the inquiring eyes of her family, who during these periods kept their distance, merely popping in their heads semi-occasionally, to ask, with interest, "Does genius burn, Jo?" They did not always venture even to ask this question, but took an observation of the cap, and judged accordingly. If this expressive article of dress was drawn low upon the forehead, it was a sign that hard work was going on; in exciting moments it was pushed rakishly askew; and when despair seized the author it was plucked wholly off, and cast upon the floor. At such times the intruder silently withdrew; and not until the red bow was seen gayly erect upon the gifted brow, did any one dare address Jo."
|
|
writing-life
writing
creative-process
writing-process
|
Louisa May Alcott |
b36fe20
|
"I feel like the secretary to the morning whose only/ responsibility is to take down its bright, airy dictation/
|
|
poetry
writing
small-joys
mundane
|
Billy Collins |
65c2ace
|
"In the same essay, Said (who is reviewing Peter Stansky and William Abrams, co-authors obsessed with the Blair/Orwell distinction) congratulates them on their forceful use of tautology: This is rather extraordinary. Orwell did indeed meet Garrett in Liverpool in 1936, and was highly impressed to find that he knew him already through his pseudonymous writing--under the name Matt Lowe--for John Middleton Murry's Adelphi. As he told his diary:
|
|
poverty
writing
politics
tautology
edward-said
george-orwell
economics
|
Christopher Hitchens |
a5b1b38
|
Correct spelling, correct punctuation, correct grammar. Hundreds of rules for itsy-bitsy people. No one could remember all that stuff and concentrate on what he was trying to write about. It was all table manners, not derived from any sense of kindness or decency or humanity, but originally from an egotistic desire to look like gentlemen and ladies. Gentlemen and ladies had good table manners and spoke and wrote grammatically. It was what identified one with the upper classes. In Montana, however, it didn't have this effect at all. It identified one, instead, as a stuck-up Eastern ass.
|
|
writing
rules-of-english-language
montana
grammar
|
Robert M. Pirsig |
bf04dbc
|
Da dove devo cominciare? Intanto, va chiarita subito una cosa fondamentale: un romanziere non scrive mai tutto quello che sa sui suoi personaggi. I lettori non devono venire a sapere tutto. Alcuni aspetti e meglio che restino un segreto fra lo scrittore e le sue creature.
|
|
writing
|
Cornelia Funke |
d2791f1
|
Books are not written about proper children. They would be so dull no one would read them.
|
|
writing
kidslit
manners
|
L.M. Montgomery |
fd7bb52
|
"It may be that the most striking thing about members of my literary generation in retrospect will be that we were allowed to say absolutely anything without fear of punishment. Our American heirs may find it incredible, as most foreigners do right now, that a nation would want to enforce as a law something which sounds more like a dream, which reads as follows: "Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof, or abridging the freedom of the press, or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances." How could a nation with such a law raise its children in an atmosphere of decency? It couldn't--it can't. So the law will surely be repealed soon for the sake of children."
|
|
literary-freedom
literature
writing
freedom-of-the-press
first-amendment
constitution
free-speech
writers
|
Kurt Vonnegut Jr. |
13ac237
|
How to generate writing ideas, things to write about? Whatever's in front of you is a good beginning. Then move out into all streets. You can go anyplace. Tell me everything you know. Don't worry if what you know you can't prove or haven't studied.
|
|
writing
knowledge
|
Natalie Goldberg |
c1fac72
|
We're always thinking we should be writing no matter what else we might be doing. It's not fun. The life of an artist isn't easy. You're never free unless you are doing your art.
|
|
writing
inspirational
|
Natalie Goldberg |
748ad10
|
"I think this story-writing business is the foolishest yet," scoffed Marilla. "You'll get a pack of nonsense into your heads and waste time that should be put to your lessons. Reading stories is bad enough but writing them is worse."
|
|
reading
writing
marilla-cuthbert
|
L. M. Montgomery |
6c5f324
|
The responsibility of literatuure is to make people awake, present, alive. If the writer wanders, then the reader, too, will wander.
|
|
writing
|
Natalie Goldberg |
7fd8cd7
|
It is very important to go home if you want your work to be whole. You don't have to move in with your parents and collect an allowance, but you must claim where you come from and look deep into it. Come to honor and embrace it, or at least, accept it.
|
|
writing
writing-advice
|
Natalie Goldberg |
82b12b2
|
Thus all art is propaganda and ever must be, despite the wailing of the purists. I stand in utter shamelessness and say that whatever art I have for writing has been used always for propaganda for gaining the right of black folk to love and enjoy. I do not care a damn for any art that is not used for propaganda. But I do care when propaganda is confined to one side while the other is stripped and silent.
|
|
history
writing
propaganda
|
W.E.B. Du Bois |
b4744be
|
- Voglio dire che io fiuto le belle storie a chilometri di distanza. Quindi non tenti di nascondermene una. Sputi fuori, forza, e in cambio si guadagna una fetta di questo fantastico dolce con i buchi - soggiunse in tono scherzoso.
|
|
writing
|
Cornelia Funke |
c6843d8
|
His life was unrecorded; who is there to write down the lives of ordinary people?
|
|
writing
|
Alexander McCall Smith |
0a23a6b
|
The words come at my call but who calls whom?
|
|
writing
|
Jeanette Winterson |
e41a1b8
|
I had come to the conclusion - based on experience - that the only real way of learning to write a novel was probably to write a novel.
|
|
writing
on-writing
|
Diana Gabaldon |
6857729
|
There's a little trick called the Rule of Three: if you use any three of the five senses, it will make the scene immediately three-dimensional.
|
|
sex
writing
|
Diana Gabaldon |
207d343
|
Good sex scene is about the exchange of emotions, not bodily fluids
|
|
sex
writing
|
Diana Gabaldon |
2cbe5a9
|
"If Laura was so prolific with poems, and in truth she was, then what was the problem with Megan's request? Couldn't Laura, with a little doing, keep stringing together line after line of words and construct, in time, a novel? It seemed logical, but there was the matter of finding an idea and sustaining it. Only fire could do that. The fire of rebellion. Mario Vargas Llosa had not used the term "fire" exactly, but rather had discussed the presence of "seditious roots" that could "dynamite the world" the writer inhabited. He claimed that writing stories was an exercise in freedom and quarreling--out-and-out rebellion, whether or not the writer was conscious of it. And this rebellion, Vargas Llosa reminded his readers, was why the Spanish Inquisition had strictly censored works of fiction, prohibiting them for three hundred years in the American colonies."
|
|
writer
writing
novel-writing
writing-a-novel
mario-vargas-llosa
|
L.L. Barkat |
4f39b9f
|
I was only good at one thing: words. I had read more, much more, than anybody else, and I knew how words worked in the way that some boys knew how engines worked.
|
|
writing
|
Jeanette Winterson |
f89d15d
|
Dimenticano che la vita non e qui. Altre leggi, nero su bianco, vigono qui. Un batter d'occhio durera quanto dico io, si lascera dividere in piccole eternita piene di pallottole fermate in volo. Non una cosa avverra qui se non voglio. Senza il mio assenso non cadra foglia, ne si pieghera stelo sotto il punto del piccolo zoccolo. C'e dunque un mondo di cui reggo le sorti indipendenti? Un tempo che lego con catene di segni? Un esistere a mio comando incessante? La gioia di scrivere. Il potere di perpetuare. La vendetta d'una mano mortale.
|
|
writing
|
Wisława Szymborska |
ee81e1a
|
"I think "taste" is a social concept and not an artistic one. I'm willing to show good taste, if I can, in somebody else's living room, but our reading life is too short for a writer to be in any way polite. Since his words enter into another's brain in silence and intimacy, he should be as honest and explicit as we are with ourselves."
|
|
writing
taste
|
John Updike |
f60da6c
|
Shigure: G'morning. Tohru: Good morning! Yuki: Um, Shigure, it's . Why don't you get a sleep pattern? Shigure: I became an author so I wouldn't have to.
|
|
writing-life
writing
|
Natsuki Takaya |
76e3508
|
"He had entered another imaginative world, one connected to the beginning of his life as a writer, to the Napoleonic world that had been a lifelong metaphor for the power of art, for the empire of his own creation He began to dictate notes for a new novel, "fragments of the book he imagines himself to be writing." As if he were now writing a novel of which his own altered consciousness was the dramatic center, he dictated a vision of himself as Napoleon and his own family as the Imperial Bonapartes....William and Alice he grasped with his regent hand, addressing his 'dear and most esteemed brother and sister.' To them, to whom he had granted countries, he now gave the responsibility of supervising the detailed plans he had created for 'the decoration of certain apartments, here of the Louvre and Tuileries, which you will find addressed in detail to artists and workment who take them in hand.' He was himself the 'imperial eagle.' Taking down the dictation, Theodora [his secretary] felt it to be almost more than she could bear. 'It is a heart-breaking thing to do, though, there is the extraordinary fact that his mind retain the power to frame perfectly characteristic sentences."
|
|
writing
death
imagination
sentence-structure
syntax
delirium
hallucination
novel-writing
language
novelists
creativity
|
Fred Kaplan |
b1e65ec
|
Writing and reading decrease our sense of isolation. They deepen and widen and expand our sense of life: they feed the soul. When writers make us shake our heads with the exactness of their prose and their truths, and even make us laugh about ourselves or life, our buoyancy is restored. We are given a shot at dancing with, or at least clapping along with, the absurdity of life, instead of being squashed by it over and over again. It's like singing on a boat during a terrible storm at sea. You can't stop the raging storm, but singing can change the hearts and spirits of the people who are together on that ship.
|
|
words
literature
reading
writing
|
Anne Lamott |
7b24c32
|
I can arrange words on a page but I can't seem to organize books on a shelf. Over the years, My Secret has shelved thousands and thousands, held each one in his hands. He thinks they might have seeped into him, through his skin, as much as the books he's read. At night and on his days off we spend hours talking about writing. He reads three or four books at a time. When he's not working at the bookstore he goes to other bookstores around the city and browses until closing time. Holding more volumes in his hands, filling himself up with words.
|
|
words
writing
books
book-sellers
francesca-lia-block
the-thorn-necklace
|
Francesca Lia Block |
c89c09e
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[T]hey are trying to find the right word, to choose, finally, the one that is most exact, most incisive. It's a process of sifting, which is exhausting and, at times, exasperating. Writers can't avoid it. The heart of the craft lies there.
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writing
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Jhumpa Lahiri |
32d8b54
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Li i libri erano ammassati dappertutto. Non erano solo sugli scaffali come nelle altre case, no: da loro erano accatastati sotto i tavoli, sulle sedie, negli angoli piu remoti. Ce n'erano in cucina e in bagno, sul televisore e nell'armadio; pile basse e pile alte. Grossi, piccoli, vecchi, nuovi... libri e ancora libri. Accoglievano Meggie sulla tavola apparecchiata per la colazione, invitanti; l'aiutavano a scacciare la noia... e qualche volta la mandavano lunga distesa per terra!
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writing
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Cornelia Funke |