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Every great love starts with a great story...
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storytelling
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Nicholas Sparks |
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You may tell a tale that takes up residence in someone's soul, becomes their blood and self and purpose. That tale will move them and drive them and who knows that they might do because of it, because of your words. That is your role, your gift.
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your-gift
inspirational
story-teller
storytelling
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Erin Morgenstern |
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No, no! The adventures first, explanations take such a dreadful time.
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explanations
storytelling
patience
|
Lewis Carroll |
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Writing is something you do alone. Its a profession for introverts who want to tell you a story but don't want to make eye contact while doing it.
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story
writing
eye-contact
profession
creative-process
storytelling
introverts
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John Green |
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There is no doubt fiction makes a better job of the truth.
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truth-telling
truth
on-fiction
storytelling
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Doris May Lessing |
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We tell ourselves stories in order to live.
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storytelling
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Joan Didion |
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Read a thousand books, and your words will flow like a river.
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reading
writing
storytellers
storytelling
novelists
writers
|
Lisa See |
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If history were taught in the form of stories, it would never be forgotten.
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storytelling
|
Rudyard Kipling |
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A story has no beginning or end: arbitrarily one chooses that moment of experience from which to look back or from which to look ahead.
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|
writing
beginning
end
creative-process
storytelling
|
Graham Greene |
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My father used to say that stories are part of the most precious heritage of mankind.
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|
heritage
storytelling
stories
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Tahir Shah |
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I have stolen ideas from every book I have ever read.
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on-writing
storytelling
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Philip Pullman |
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It had been startling and disappointing to me to find out that story books had been written by people, that books were not natural wonders, coming up of themselves like grass. Yet regardless of where they come from, I cannot remember a time when I was not in love with them -- with the books themselves, cover and binding and the paper they were printed on, with their smell and their weight and with their possession in my arms, captured and carried off to myself. Still illiterate, I was ready for them, committed to all the reading I could give them ...
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|
literature
reading
writing
inspiration
storytelling
creativity
|
Eudora Welty |
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The most important things to remember about back story are that (a) everyone has a history and (b) most of it isn't very interesting.
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storytelling
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Stephen King |
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Thus I rediscovered what writers have always known (and have told us again and again): books always speak of other books, and every story tells a story that has already been told.
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storytelling
story-telling
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Umberto Eco |
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But silence is not a natural environment for stories. They need words. Without them they grown pale, sicken and die. And then they haunt you.
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storytelling
|
Diane Setterfield |
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My gripe is not with lovers of the truth but with truth herself. What succor, what consolation is there in truth, compared to a story? What good is truth, at midnight, in the dark, when the wind is roaring like a bear in the chimney? When the lightning strikes shadows on the bedroom wall and the rain taps at the window with its long fingernails? No. When fear and cold make a statue of you in your bed, don't expect hard-boned and fleshless truth to come running to your aid. What you need are the plump comforts of a story. The soothing, rocking safety of a lie.
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|
storytelling
|
Diane Setterfield |
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I think the best stories always end up being about the people rather than the event, which is to say character-driven.
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|
on-writing
storytelling
stories
|
Stephen King |
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The happening and telling are very different things. This doesn't mean that the story isn't true, only that I honestly don't know anymore if I really remember it or only remember how to tell it. Language does this to our memories, simplifies, solidifies, codifies, mummifies. An off-told story is like a photograph in a family album. Eventually it replaces the moment it was meant to capture.
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truth
storytelling
|
Karen Joy Fowler |
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But I'm going to try to tell the truth. Except for the parts I'm leaving out, because there's still stuff I'm just not going to tell you. Get used to it.
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truth
storytelling
|
Robin McKinley |
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Long before I wrote stories, I listened for stories. Listening for them is something more acute than listening to them. I suppose it's an early form of participation in what goes on. Listening children know stories are there. When their elders sit and begin, children are just waiting and hoping for one to come out, like a mouse from its hole.
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|
writing
eudora-welty
storytelling
listening
|
Eudora Welty |
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Whenever I'm asked what advice I have for young writers, I always say that the first thing is to read, and to read a lot. The second thing is to write. And the third thing, which I think is absolutely vital, is to tell stories and listen closely to the stories you're being told.
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|
storytelling
|
John Green |
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|
A slavish concern for the composition of words is the sign of a bankrupt intellect. Be gone, odious wasp! You smell of decayed syllables.
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storytelling
|
Norton Juster |
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Do you see the story? Do you see anything? It seems to me I am trying to tell you a dream--making a vain attempt, because no relation of a dream can convey the dream-sensation, that commingling of absurdity, surprise, and bewilderment in a tremor of struggling revolt, that notion of being captured by the incredible which is the very essence of dreams...
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|
mind
storytelling
|
Joseph Conrad |
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People take on the shapes of the songs and the stories that surround them, especially if they don't have their own song.
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storytelling
|
Neil Gaiman |
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To read fiction means to play a game by which we give sense to the immensity of things that happened, are happening, or will happen in the actual world. By reading narrative, we escape the anxiety that attacks us when we try to say something true about the world. This is the consoling function of narrative -- the reason people tell stories, and have told stories from the beginning of time.
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|
escape
reading
fiction
interpretation
real-world
narrative
escapism
storytelling
|
Umberto Eco |
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|
Once upon a time there was what there was, and if nothing had happened there would be nothing to tell.
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story
storytelling
|
Charles de Lint |
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Truth for anyone is a very complex thing. For a writer, what you leave out says as much as those things you include. What lies beyond the margin of the text? The photographer frames the shot; writers frame their world. Mrs Winterson objected to what I had put in, but it seemed to me that what I had left out was the story's silent twin. There are so many things that we can't say, because they are too painful. We hope that the things we can say will soothe the rest, or appease it in some way. Stories are compensatory. The world is unfair, unjust, unknowable, out of control. When we tell a story we exercise control, but in such a way as to leave a gap, an opening. It is a version, but never the final one. And perhaps we hope that the silences will be heard by someone else, and the story can continue, can be retold. When we write we offer the silence as much as the story. Words are the part of silence that can be spoken. Mrs Winterson would have preferred it if I had been silent. Do you remember the story of Philomel who is raped and then has her tongue ripped out by the rapist so that she can never tell? I believe in fiction and the power of stories because that way we speak in tongues. We are not silenced. All of us, when in deep trauma, find we hesitate, we stammer; there are long pauses in our speech. The thing is stuck. We get our language back through the language of others. We can turn to the poem. We can open the book. Somebody has been there for us and deep-dived the words. I needed words because unhappy families are conspiracies of silence. The one who breaks the silence is never forgiven. He or she has to learn to forgive him or herself.
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silence
truth
narrative
storytelling
trauma
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Jeanette Winterson |
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All the stories I would like to write persecute me. When I am in my chamber, it seems as if they are all around me, like little devils, and while one tugs at my ear, another tweaks my nose, and each says to me, 'Sir, write me, I am beautiful.
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|
writing
on-writing
storytelling
stories
|
Umberto Eco |
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Writing is saying to no one and to everyone the things it is not possible to say to someone.
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|
writing
storytelling
readers
|
Rebecca Solnit |
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If every event which occurred could be given a name, there would be no need for stories.
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storytelling
stories
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John Berger |
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"People tell stories and it's up to those who listen whether to believe or not." "Shouldn't the storyteller believe it." "The storyteller should tell it."
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storytelling
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Cecelia Ahern |
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I got this story from someone who had no business in the telling of it.
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writing
storytelling
jungle
|
Edgar Rice Burroughs |
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Very young children love and demand stories, and can understand complex matters presented as stories, when their powers of comprehending general concepts, paradigms, are almost nonexistent.
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fiction
narrative
storytelling
stories
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Oliver Sacks |
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I'll go to the south of Sicily in the winter, and paint memories of Arles - I'll buy a piano and Mozart me that - I'll write long sad tales about people in the legend of my life - This part is my part of the movie, let's hear yours
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storytelling
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Jack Kerouac |
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[Janco] paused. His eyes held a distant gleam as if seeing into his past. 'My first practice was a shock. I was a cocky smart aleck--' [Opal] 'Was?' [J] 'Be quiet. I'm telling a story here.
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storytelling
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Maria V. Snyder |
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What tale do you like best to hear?' 'Oh, I have not much choice! They generally run on the same theme - courtship; and promise to end in the same catastrophe - marriage.
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|
irony
marriage
women
empowerment
love
disharmony
subjection
discord
matrimony
storytelling
inequality
gender
courtship
sarcasm
|
Charlotte Brontë |
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If a storyteller worried about the facts - my dear Lucian, how could he ever get at the truth?
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storytelling
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Lloyd Alexander |
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It was a strange feeling, like touching a void.
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storytelling
|
Haruki Murakami |
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By God, if women had written stories, As clerks had within here oratories, They would have written of men more wickedness Than all the mark of Adam may redress.
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|
men
women
dishonesty
storytelling
inequality
gender
evil
wickedness
|
Geoffrey Chaucer |
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|
Stories are a communal currency of humanity.
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storytelling
|
Tahir Shah |
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It was better to tell such stories close to the river than in a drawing room. Words accumulate indoors, trapped by walls and ceilings. The weight of what has been said can lie heavily on what might yet be said and suffocate it. By the river the air carries the story on a journey: one sentence drifts away and makes way for the next.
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|
storytelling
secrets
|
Diane Setterfield |
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Storytelling was the most honored of all talents, for it benefited everyone.
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talents
storytelling
|
Stephenie Meyer |
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"The principle I always go on in writing a novel is to think of the characters in terms of actors in a play. I say to myself, if a big name were playing this part, and if he found that after a strong first act he had practically nothing to do in the second act, he would walk out. Now, then, can I twist the story so as to give him plenty to do all the way through? I believe the only way a writer can keep himself up to the mark is by examining each story quite coldly before he starts writing it and asking himself it is all right . I mean, once you go saying to yourself, "This is a pretty weak plot as it stands, but if I'm such a hell of a writer that my magic touch will make it okay," you're sunk. If they aren't in interesting situations, characters can't be major characters, not even if you have the rest of the troop talk their heads off about them."
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|
writing
plot
creative-process
storytelling
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P.G. Wodehouse |
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Stories are not like the real world; they aren't held back by what we know is false or true. What's important is how a story makes you feel inside.
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truth
storytelling
|
Tahir Shah |
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|
"Not that the story need be long, but it will take a long while to make it short." [ ; November 16, 1857]"
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|
writing
precision
storytelling
|
Henry David Thoreau |
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|
She couldn't disappoint the whole village. There were no wallscreens here, no newsfeeds or satellites bands, and touring soccer teams were no doubt few and far between. (...), that made stories a valuable commodity, and it probably wasn't very often that a stranger dropped in from the sky.
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storytelling
|
Scott Westerfeld |
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I always wondered why the makers leave housekeeping and cooking out of their tales. Isn't it what all the great wars and battles are fought for -- so that at day's end a family may eat together in a peaceful house? The tale tells how the Lords of Manva hunted & gathered roots & cooked their suppers while they were camped in exile in the foothills of Sul, but it doesn't say what their wives & children were living on in their city left ruined & desolate by the enemy. They were finding food too, somehow, cleaning house & honoring the gods, the way we did in the siege & under the tyranny of the Alds. When the heroes came back from the mountain, they were welcomed with a feast. I'd like to know what the food was and how the women managed it.
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|
housekeeping
storytelling
gender
|
Ursula K. Le Guin |
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|
Children played at those stories; they dreamed about them. They took them to heart and acted as if to live inside them.
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|
fairytales
storytelling
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Gregory Maguire |
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...not stories, but histories. For this too I learned, that a storyteller's tale may end, but history goes on always.
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|
storytelling
stories
|
Jacqueline Carey |
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I keep on going with this sad and hungry and sordid, this limping and mutilated story, because after all I want you to hear it....By telling you anything at all I'm at least believing in you....Because I'm telling you this story I will your existence. I tell, therefore you are.
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|
writer
writing
storytelling
|
Margaret Atwood |
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|
Now, before you make a movie, you have to have a script, and before you have a script, you have to have a story; though some avant-garde directors have tried to dispense with the latter item, you'll find their work only at art theaters.
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storytelling
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Arthur C. Clarke |
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You bound him to you with your courage and your tales. You hold him to you now. You captured a wild creature when you had no place you could keep him.
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storytelling
|
Juliet Marillier |
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My father never told us how the stories worked. He didn't reveal the layers, the nuggets of information, the fragments of truth and fantasy. He didn't need to -- because, given the right conditions, the stories activated, sowing themselves.
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storytelling
|
Tahir Shah |
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"I can see how I could write a bold account of myself as a passionate man who rose from humble beginnings to cut a wide swath in the world, whose crimes along the way might be written off to extravagance and love and art, and could even almost believe some of it myself on certain days after the sun went down if I'd had a snort or two and was in Los Angeles and it was February and I was twenty-four, but I find a truer account in the Herald-Star, where it says: "Mr. Gary Keillor visited at the home of Al and Florence Crandall on Monday and after lunch returned to St. Paul, where he is currently employed in the radio show business... Lunch was fried chicken with gravy and creamed peas"."
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truth
storytelling
|
Garrison Keillor |
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Think about the word destroy. Do you know what it is? De-story. Destroy. Destory. You see. And restore. That's re-story. Do you know that only two things have been proven to help survivors of the Holocaust? Massage is one. Telling their story is another. Being touched and touching. Telling your story is touching. It sets you free.
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storytelling
|
Francesca Lia Block |
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The only disadvantage in surviving a dangerous experience lies in the fact that your story of it tends to be anticlimactic. You can never carry on right through the point where whatever it is that threatens your life actually takes it -- and get anybody to believe you. The world is full of sceptics.
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storytelling
|
Beryl Markham |
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"The most powerful words in English are, "Tell me a story."
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imagination
narrative
storytelling
|
Pat Conroy |
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Human beings across every culture I know about require such stories, stories with cool winds and wood smoke. They speak to something deep within us, the capacity to conceptualize, objectify and find patterns, thereby to create the flow of events and perceptions that find perfect expression in fiction. We are built this way, we create stories by reflex, unstoppably. But this elegant system really works best when the elements of the emerging story, whether is is being written or being read, are taken as literal fact. Almost always, to respond to the particulars of the fantastic as if they were metaphorical or allegorical is to drain them of vitality.
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|
writing
genre
storytelling
horror
|
Peter Straub |
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We live in our tales of ourselves, she thought, and ignore as best we can the contradictions, and the lapses, and the abrasions of plot against our mortal souls...
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story
storytelling
|
Gregory Maguire |
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But I have already told the beginning, so right now it's the middle. And Zeb is in the middle of the story about Zeb. He is in the middle of his own story. I am not in this part of the story; it hasn't come to the part with me. But I'm waiting, far off in the future. I'm waiting for the story of Zeb to join up with mine. The story of Toby. The story I am in right now, with you.
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story
storytelling
|
Margaret Atwood |
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I learned to separate the story from the writing, probably the most important thing that any storyteller has to learn-- that there are a thousand right ways to tell a story, and ten million wrong ones, and you're a lot more likely to find one of the latter than the former your first time through the tale. (Introduction to Ender's Game)
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writing
storytelling
|
Orson Scott Card |
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We're wired for story. In a culture of scarcity and perfectionism, there's a surprisingly simple reason we want to own, integrate, and share our stories of struggle. We do this because we feel the most alive when we're connecting with others and being brave with our stories - it's in our biology.
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|
courage
storytelling
stories
|
Brené Brown |
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|
That guy in the corner. Never tells the truth, as a matter of principle. Why answer a question, he says, if you can tell a good story instead?
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storytelling
|
Pete McCarthy |
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|
I can forgive almost any crime if a great story is left in its wake.
|
|
relationships
storytelling
|
Pat Conroy |
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|
Good writing is true writing. If a man is making a story up it will be true in proportion to the amount of knowledge of life that he has and how conscientious he is; so that when he makes something up it is as it would truly be.
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truth
good-writing
life-experience
storytelling
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Ernest Hemingway |
b8b06c0
|
The present is never tidy, or certain, or reasonable, and those who try to make it so once it becomes the past succeed only in making it seem implausible.
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|
writing
perspective
storytelling
|
William Manchester |
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|
The more history I learn, the more the world fills up with stories.
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|
storytelling
|
Sarah Vowell |
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|
"Francie always remembered what that kind teacher told her. "You know, Francie, a lot of people would think that these stories that you're making up all the time were terrible lies because they are not the truth as people see the truth. In the future, when something comes up, you tell exactly how it happened but write down for yourself the way you think it should have happened. Tell the truth and write the story. Then you won't get mixed up."
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|
writing
truth
writing-advice
teachers
storytelling
stories
|
Betty Smith |
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|
Disenchantment is the blessing of becoming yourself.
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storytelling
|
Rebecca Solnit |
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|
dstnh hrgz bh pyn nmy rsnd. rwy st khh m`mwl Sdysh r dr nqTh y jdhb w hnrmndnh qT` my khnd; khl hmh sh hmyn st.
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story
storytelling
|
J.D. Salinger |
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|
These stories become what we know, what we understand, and what we are, or, perhaps we should say, what we have become, or can perhaps be.
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storytelling
|
Salman Rushdie |
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|
Greatness is a transitory experience. It is never consistent. It depends in part on the myth-making imagination of humankind. The person who experiences greatness must have a feeling for the myth he is in. He must reflect what is projected upon him.
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|
leadership
storytelling
|
Frank Herbert |
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|
This is the squalid, or moving, part of the story, and the scene changes. The people change, too. I'm still around, but from here on in, for reasons I'm not at liberty to disclose, I've disguised myself so cunningly that even the cleverest reader will fail to recognize me.
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|
narration
storytelling
|
J.D. Salinger |
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|
I make books because I love them as objects; because I want to put the pictures and the words together, because I want to tell a story.
|
|
writing
storytelling
stories
|
Audrey Niffenegger |
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|
I can change the story. I am the story.
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|
storytelling
|
Jeanette Winterson |
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|
Were the stories we told each other true? Who knows? At the best of times, a story is a slippery thing. Perhaps that was why it changed with each telling. Or is that the nature of all stories, the reason for their power?
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|
story
storytelling
mythology
|
Chitra Banerjee Divakaruni |
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|
Miss Appleby, her library books, and her story-telling sessions were very popular with all the children in Heavenly Valley. To Nancy and Plum they were a magic carpet that whisked them out of the dreariness and drudgery of their lives at Mrs. Monday's and transported them to palaces in India, canals in Holland, pioneer stockades during the Indian wars, cattle ranches in the West, mountains in Switzerland, pagodas in China, igloos in Alaska, jungles in Africa, castles in England, slums in London, gardens in Japan, or most important of all, into happy homes where there were mothers and fathers and no Mrs. Mondays or Marybelles.
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|
libraries
storytelling
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Betty MacDonald |
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|
But I am a storyteller, and that involves language, for me the English language, that wonderfully rich, complex, and ofttimes confusing tongue. When language is limited, I am thereby diminished, too.
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|
words
writing
language
storytelling
|
Madeleine L'Engle |
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|
The stories shatter. Or you wear them out or leave them behind. Over time the story of the memory loses its power. Over time you become someone else. Only when the honey turns to dust are you free.
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|
time
love
honey
storytelling
|
Rebecca Solnit |
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|
In the course of time, Michael Strogoff reached a high station in the Empire. But it is not the history of his success, but the history of his trials, which deserves to be related.
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storytelling
|
Jules Verne |
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|
Pheoby's hungry listening helped Janie to tell her story.
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storytelling
|
Zora Neale Hurston |
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I learn about how stories work for the same reason that soldiers learn how to strip a rifle. You should, too.
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storytelling
stories
|
Mike Carey |
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|
"It might be most dramatically effective to begin the tale at the moment when Arnold Baffin rang me up and said, "Bradley, could you come round here please, I think I have just killed my wife."
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|
opening
narrator
the-black-prince
iris-murdoch
dramatic
narrative
meta
storytelling
|
Iris Murdoch |
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|
"Roger left the cricket stumps and they went into the drawing room. Grandpapa, at the first suggestion of reading aloud, had disappeared, taking Patch with him. Grandmama had cleared away the tea. She found her spectacles and the book. It was Black Beauty. Grandmama kept no modern children's books, and this made common ground for the three of them. She read the terrible chapter where the stable lad lets Beauty get overheated and gives him a cold drink and does not put on his blanket. The story was suited to the day. Even Roger listened entranced. And Deborah, watching her grandmother's calm face and hearing her careful voice reading the sentences, thought how strange it was that Grandmama could turn herself into Beauty with such ease. She was a horse, suffering there with pneumonia in the stable, being saved by the wise coachman. After the reading, cricket was anticlimax, but Deborah must keep her bargain. She kept thinking of Black Beauty writing the book. It showed how good the story was, Grandmama said, because no child had ever yet questioned the practical side of it, or posed the picture of a horse with a pen in its hoof. "A modern horse would have a typewriter," thought Deborah, and she began to bowl to Roger, smiling to herself as she did so because of the twentieth-century Beauty clacking with both hoofs at a machine. ("The Pool")"
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|
story
storytelling
horse
children-s-books
stories
|
Daphne du Maurier |
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|
The worst of such stories is that the triumphant romancers can always be put to confusion and crushed by the very details in which real life is so rich and which these unhappy and involuntary story-tellers neglect as insignificant trifles. Oh, they have no thought to spare for such details, their minds are concentrated on their grand invention as a whole, and fancy any one daring to pull them up for a trifle! But that's how they are caught.
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|
story-teller
small-details
storyteller
storytelling
story-telling
|
Fyodor Dostoyevsky |
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|
The old-fashioned sins of reading is the only sense that matters.
|
|
openness
intuition
storytelling
|
Harold Bloom |
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It was always the best way of finding out information; just go and ask a woman who keeps her eyes and ears open and who likes to talk. It always worked. It was no use asking men; they simply were not interested enough in other people and the ordinary doings of people. That is why the real historians of Africa had always been the grandmothers, who remembered the lineage and the stories that went with it.
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historians
storytelling
gossip
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Alexander McCall Smith |
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One of the problems of being a storyteller is the cultivated ability to extrapolate; in every situation all the come to me.
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writing
imagination
what-ifs
storytelling
writers
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Madeleine L'Engle |
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The audience can endorse the triviality of modern art, but they can't like it.
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audience
modern-art
storytelling
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David Mamet |
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[I]f you set out to mention everything you would never be done, and that's what counts, to be done, to have done. Oh, I know, even when you mention only a few of the things there are you do not get done either, I know, I know. But it's a change of muck. And if all muck is the same muck that doesn't matter, it's good to have a change of muck, to move from one heap to another, from time to time, fluttering you might say, like a butterfly, as if you were ephemeral.
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meaning
life
storytelling
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Samuel Beckett |
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[Y]ou cannot mention everything in its proper place, you must choose, between the things not worth mentioning and those and those even less so.
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writing
storytelling
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Samuel Beckett |
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"Henry Luce to his Time magazine writers: "Tell the history of our time through the people who make it."
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writing
leadership
motivation
narrative
storytelling
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Walter Isaacson |
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Properly told, stories are able to operate on two levels. On the surface, they deal with involving a range of facts related to a given time and place, a local culture and a social group--and it is these specifics that tend to bore us whenever they lie outside of our own experience. But then, a layer beneath the particulars, the are hidden: the psychological, social and political themes that transcend the stories' temporal and geographical settings and are founded on unvarying fundamentals of human nature.
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specifics
universalism
storytelling
stories
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Alain de Botton |
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Stories were heirlooms in these parts.
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leadership
inspiration
motivation
narrative
legacy
storytelling
parenthood
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Robert Kurson |
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There will always be reservations, things one must leave out, events one can't explain without handing over a full map of one's life, unfolding it, making clear that all the lines and contours stand for long days and nights when things were bad or good, or when things were too small to be described at all: when things just were. This is a life.
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narrative
storytelling
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Colm Tóibín |
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"Marriageability" was the original title of "The Harvest."
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storytelling
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Amy Hempel |
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Story telling or teachable moments, provides us with a vast reference base of real life antidotes for possible future problems. They not only entertain and give us a resource of proven solutions, but they also help shape and mold our character. Therefore, when we don't take our time to communicate with our kids, then we rob them of critical life lessons that we and our forefathers learn the hard way - lessons that they would needlessly have to learn through trial and error themselves.
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life-lessons
family-conversations
life-antidotes
pep-talk
proven-solutions
teachable-moments
talking-with-children
trial-and-error
real-talk
guidance
real-life
warnings
storytelling
parenting
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Drexel Deal |
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When you see a filmmaker getting too fancy... you can bet he's worried either about his story or his ability to tell it.
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storytelling
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Walter Dean Myers |
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For at least twenty minutes, she handed out the story.
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storytelling
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Markus Zusak |
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Once upon a time--which, when you come to think of it, is really the only proper way to begin a story--the only way that really smacks of romance and fairyland--
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magic
l-m-montgomery
fairy-tale
storytelling
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L.M. Montgomery |
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"Fairy tales have been with us for a very long time.
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kate-forsyth
storytelling
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Kate Forsyth |
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A related point: The job of the imagination, in making a story from experience, may be not to gussy the story up but to tone it down. The fact is, the world is unbelievably strange and human behavior is frequently so weird that no kind of narrative except farce or satire can handle it. The function of the storyteller's imagination sometimes is simply to make it more plausible.
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fiction
writing
life
storytelling
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Ursula K. Le Guin |
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So (and this would have happened earlier, but I am only remembering it now): I am visiting her one afternoon.
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nonlinear
the-only-story
storytelling
memory
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Julian Barnes |
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Philosophic thoughts allow people to use human reason and imagination to consider eternal matters and explore the ramifications of their own transience. American author Joan Didion postulated that we tell ourselves stories in order to live. Conceivably a personal crisis propels a person to delve into creating a guiding philosophy for living with reduced mental and emotional turmoil. Alternatively, perhaps we tell stories to examine, explain, and justify our failures.
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story
story-of-life
story-of-my-life
story-of-your-life
writing-memoir
telling-stories
story-of-a-soul
memoir-writing
storytelling
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Kilroy J. Oldster |
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An ancient metaphor: thought is a thread, and the raconteur is a spinner of yarns - but the true storyteller, the poet, is a weaver.
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storytelling
thought
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Robert Bringhurst |
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I would have written this next part into the story if anybody would have believed it. But who would have? I was there and I didn't believe it.
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storytelling
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Amy Hempel |
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Soll ich dir eine Geschichte erzahlen? Nein. Warum nicht? Der Junge sah ihn an und wandte den Blick ab. Warum nicht? Diese Geschichten sind nicht wahr. Das mussen sie auch nicht sein. Es sind Geschichten. Ja. Aber in den Geschichten helfen wir andauernd jemanden, dabei tun wir das in Wirklichkeit gar nicht. Warum erzahlst du mir nicht eine Geschichte? Ich will nicht. Okay. Ich habe keine Geschichten zu erzahlen. Du konntest mir eine Geschichte uber dich selbst erzahlen. Die Geschichten uber mich kennst du alle. Du warst dabei. Du hast Geschichten in deinem Inneren, von denen ich nichts weiss. Du meinst, so was wie Traume? Ja. Oder einfach Sachen, uber die du nachdenkst. Ja, aber Geschichten sollen doch schon sein. Nicht unbedingt. Du erzahlst immer schone Geschichten. Kennst du denn keine schonen? Meine haben mehr mit dem wirklichen Leben zu tun. Und meine nicht? Deine nicht. Nein. Der Mann betrachtete ihn. Und das wirkliche Leben ist ziemlich ubel? Was denkst du denn? Tja, ich denke, es gibt uns noch. Es sind viele schlimme Sachen passiert, aber es gibt uns immer noch. Ja. Du findest das nicht so toll. Es ist okay.
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storytelling
stories
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Cormac McCarthy |