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If you want to really hurt you parents, and you don't have the nerve to be gay, the least you can do is go into the arts. I'm not kidding. The arts are not a way to make a living. They are a very human way of making life more bearable. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven's sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possible can. You will get an enormous reward. You will have created something.
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arts-and-humanities
creative-process
writing
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Kurt Vonnegut |
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Writing is something you do alone. Its a profession for introverts who want to tell you a story but don't want to make eye contact while doing it.
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creative-process
eye-contact
introverts
profession
story
storytelling
writing
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John Green |
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One must still have chaos in oneself to be able to give birth to a dancing star.
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creative-process
creativity
inspirational
mental-illness
outsider
self-discovery
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Friedrich Nietzsche |
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Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you've been to college. And I realize some of you may be having trouble deciding whether I am kidding or not. So from now on I will tell you when I'm kidding. For instance, join the National Guard or the Marines and teach democracy. I'm kidding. We are about to be attacked by Al Qaeda. Wave flags if you have them. That always seems to scare them away. I'm kidding. If you want to really hurt your parents, and you don't have the nerve to be gay, the least you can do is go into the arts. I'm not kidding. The arts are not a way to make a living. They are a very human way of making life more bearable. Practicing an art, no matter how well or badly, is a way to make your soul grow, for heaven's sake. Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possibly can. You will get an enormous reward. You will have created something.
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creative-process
humor
writing
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Kurt Vonnegut |
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A story has no beginning or end: arbitrarily one chooses that moment of experience from which to look back or from which to look ahead.
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beginning
creative-process
end
storytelling
writing
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Graham Greene |
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This tremendous world I have inside of me. How to free myself, and this world, without tearing myself to pieces. And rather tear myself to a thousand pieces than be buried with this world within me.
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creative-imagination
creative-process
inner-world
world-building
writing
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Kafka Franz |
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Go for broke. Always try and do too much. Dispense with safety nets. Take a deep breath before you begin talking. Aim for the stars. Keep grinning. Be bloody-minded. Argue with the world. And never forget that writing is as close as we get to keeping a hold on the thousand and one things--childhood, certainties, cities, doubts, dreams, instants, phrases, parents, loves--that go on slipping , like sand, through our fingers.
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courage
creative-process
empowerment
experience
guenter-grass
memory
record-of-life
strength
writing
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Salman Rushdie |
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Every morning I jump out of bed and step on a landmine. The landmine is me. After the explosion, I spend the rest of the day putting the pieces together.
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construction
creative-process
destruction
writers
writing
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Ray Bradbury |
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A story is not like a road to follow ... it's more like a house. You go inside and stay there for a while, wandering back and forth and settling where you like and discovering how the room and corridors relate to each other, how the world outside is altered by being viewed from these windows. And you, the visitor, the reader, are altered as well by being in this enclosed space, whether it is ample and easy or full of crooked turns, or sparsely or opulently furnished. You can go back again and again, and the house, the story, always contains more than you saw the last time. It also has a sturdy sense of itself of being built out of its own necessity, not just to shelter or beguile you.
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creative-process
discovery
exploration
stories
writing
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Alice Munro |
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Writing is thinking. To write well is to think clearly. That's why it's so hard.
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creative-process
precision
thinking
thought
writing
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David McCullough |
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There was a moment when I changed from an amateur to a professional. I assumed the burden of a profession, which is to write even when you don't want to, don't much like what you're writing, and aren't writing particularly well.
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creative-process
professionalism
writing
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Agatha Christie |
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"Actually, writers have no business writing about their own works. They either wax conceited, saying things like: 'My brilliance is possibly most apparent in my dazzling short story, "The Cookiepants Hypotenuse."' Or else they get unbearably cutesy: 'My cat Ootsywootums has given me all my best ideas, hasn't oo, squeezums?"
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creative-process
criticism
critique
inspiration
on-writing
reviewing
reviews
writers
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Connie Willis |
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The discipline of creation, be it to paint, compose, write, is an effort towards wholeness.
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craft
creative-process
painting
wholeness
writing
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Madeleine L'Engle |
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So much in writing depends on the superficiality of one's days. One may be preoccupied with shopping and income tax returns and chance conversations, but the stream of the unconscious continues to flow undisturbed, solving problems, planning ahead: one sits down sterile and dispirited at the desk, and suddenly the words come as though from the air: the situations that seemed blocked in a hopeless impasse move forward: the work has been done while one slept or shopped or talked with friends.
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creative-process
daily-life
preoccupations
subconscious
superficiality
writing
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Graham Greene |
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"I never had any doubts about my abilities. I knew I could write. I just had to figure out how to eat while doing this.
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author-quotes
creative-process
earning-a-living
gift
humor
inspirational-quotes
quotes
self-confidence
self-support
talent
writing
writing-life
writing-quotes
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Cormac McCarthy |
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People talk about books that write themselves, and it's a lie. Books don't write themselves. It takes thought and research and backache and notes and more time and more work than you'd believe.
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creative-process
writing
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Neil Gaiman |
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"Creative work is often driven by pain. It may be that if you don't have something in the back of your head driving you nuts, you may not do anything. It's not a good arrangement. If I were God, I wouldn't have done it that way.
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creation
creative-process
driving-forces
hardship
pain
writing
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Cormac McCarthy |
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If the artist does not fling himself, without reflecting, into his work, as Curtis flung himself into the yawning gulf, as the soldier flings himself into the enemy's trenches, and if, once in this crater, he does not work like a miner on whom the walls of his gallery have fallen in; if he contemplates difficulties instead of overcoming them one by one ... he is simply looking on at the suicide of his own talent.
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creative-process
determination
devotion
empowerment
energy
talent
writing
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Honoré de Balzac |
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"The irritating question they ask us -- us being writers -- is: "Where do you get your ideas?" And the answer is: Confluence. Things come together. The right ingredients and suddenly: "
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confluence
creative-process
ideas
writing
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Neil Gaiman |
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"The principle I always go on in writing a novel is to think of the characters in terms of actors in a play. I say to myself, if a big name were playing this part, and if he found that after a strong first act he had practically nothing to do in the second act, he would walk out. Now, then, can I twist the story so as to give him plenty to do all the way through? I believe the only way a writer can keep himself up to the mark is by examining each story quite coldly before he starts writing it and asking himself it is all right . I mean, once you go saying to yourself, "This is a pretty weak plot as it stands, but if I'm such a hell of a writer that my magic touch will make it okay," you're sunk. If they aren't in interesting situations, characters can't be major characters, not even if you have the rest of the troop talk their heads off about them."
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creative-process
plot
storytelling
writing
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P.G. Wodehouse |
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An artist without ideas is a mendicant; barren, he goes begging among the hours.
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artist
creative-process
creativity
ideas
inspiration
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Irving Stone |
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"One of the dumbest things you were ever taught was to write what you know. Because what you know is usually dull. Remember when you first wanted to be a writer? Eight or ten years old, reading about thin-lipped heroes flying over mysterious viny jungles toward untold wonders? That's what you wanted to write about, about what you didn't know. So. What mysterious time and place don't we know?" [
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craft
creative-process
dullness
familiarity
inventiveness
knowledge
limitations
writing
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Ken Kesey |
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"I can still remember the miraculous feeling of writing a sentence, then more sentences, telling a story. The first thing I wrote was a one-page summary of Robinson Crusoe and I am so sorry I do not have it any more; it was at that moment I became an author." [As quoted in the
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creative-process
writers
writing
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Henning Mankell |
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There is seven-eights of it under water for every part that shows. Anything you know you can eliminate and it only strengthens your iceberg. It is the part that doesn't show. If a writer omits something because he does not know it then there is a hole in the story. (Interview with , 1958)
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creative-process
omission
writing
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Ernest Hemingway |
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I've had to keep defining and defending myself as a writer every single day of my adult life -- constantly reminding and re-reminding my soul and the cosmos that I'm very serious about the business of creative living, and that I will never stop creating, no matter what the outcome, and no matter how deep my anxieties and insecurities may be.
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creative-process
writing
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Elizabeth Gilbert |
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"It's very important to write things down instantly, or you can lose the way you were thinking out a line. I have a rule that if I wake up at 3 in the morning and think of something, I write it down. I can't wait until morning -- it'll be gone." [
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creative-process
ideas
memory
notes
writing
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Mary Oliver |
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[W]hen I put Jorge in the library I did not yet know he was the murderer. He acted on his own, so to speak. And it must not be thought that this is an 'idealistic' position, as if I were saying that the characters have an autonomous life and the author, in a kind of trance, makes them behave as they themselves direct him. That kind of nonsense belongs in term papers. The fact is that the characters are obliged to act according to the laws of the world in which they live. In other words, the narrator is the prisoner of his own premises.
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creative-process
fictional-universe
writing
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Umberto Eco |
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Enmerson's interest is in the workshop phase, the birthing stage of art, not the museum moment, the embalming phase. Poetry mimics Creation and is therefore sacred. More precisely, just as God may indeed be a verb (as Mary Daly insists), poetry is the act of . The process of poetry also mimics the process of nature. 'This expression or naming is not art, but a second nature, grown out of the first, as a leaf out of a tree. What we call nature is a certain self-regulated motion or change.' Another aspect of nature is genius, which, as Emerson observes, 'is the activity which repairs the decays of things.
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creative-process
decay
definition-of-genius
emerson
genius
mary-daly
nature
poetry
process
ralph-waldo-emerson
transcendentalism
workshop
writing
writing-tips
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Robert D. Richardson |
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There is a kind of despair involved in creation which I am sure any artist knows all about. In art, as in morality, great things go by the board because at the crucial moment we blink our eyes. When is the crucial moment? Greatness is to recognize it and be able to hold it and to extend it. But for most of us the space between 'dreaming on things to come' and 'it is too late, it is all over' is too tiny to enter. And so we let each thing go, thinking vaguely that it will always be given to us to try again. Thus works of art, and thus whole lives of men, are spoilt by blinking and moving quickly on. I often found that I had ideas for stories, but by the time I had thought them out in detail they seemed to me hardly worth writing, as if I had already 'done' them: not because they were bad, but because they already belonged to the past and I had lost interest. My thoughts were soon stale to me. Some things I ruined by starting them too soon. Others by thinking them so intensely in my head that they were over before they began. Projects would change in a second from hazy uncommitted dreams into unsalvageable ancient history. Whole novels existed only in their titles.
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creative-process
crucial-moment
elusive
inspiration
iris-murdoch
the-black-prince
writer
writing
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Iris Murdoch |
b9f5fd4
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"Every few weeks she would shut herself up in her room, put on her scribbling suit, and "fall into a vortex" as she expressed it, writing away at her novel with all her heart and soul, for till that was finished she could find no peace. Her "scribbling suit" consisted of a black woollen pinafore on which she could wipe her pen at will, and a cap of the same material, adorned with a cheerful red bow, into which she bundled her hair when the decks were cleared for action. This cap was a beacon to the inquiring eyes of her family, who during these periods kept their distance, merely popping in their heads semi-occasionally, to ask, with interest, "Does genius burn, Jo?" They did not always venture even to ask this question, but took an observation of the cap, and judged accordingly. If this expressive article of dress was drawn low upon the forehead, it was a sign that hard work was going on; in exciting moments it was pushed rakishly askew; and when despair seized the author it was plucked wholly off, and cast upon the floor. At such times the intruder silently withdrew; and not until the red bow was seen gayly erect upon the gifted brow, did any one dare address Jo."
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creative-process
writing
writing-life
writing-process
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Louisa May Alcott |
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"The fundamental unity of the Sequence and Simultaneity points of view became plain; the concept of interval served to connect the static and the dynamic aspect of the universe. How could he have stared at reality for ten years and not seen it? There would be no trouble at all in going on. Indeed he had already gone on. He was there. He saw all that was to come in this first, seemingly casual glimpse of the method, given him by his understanding of a failure in the distant past. The wall was down. The vision was both clear and whole. What he saw was simple, simpler than anything else. It was simplicity: and contained in it all complexity, all promise. It was revelation. It was the way clear, the way home, the light. The spirit in him was like a child running out into the sunlight. There was no end, no end. ...
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creative-process
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Ursula K. Le Guin |