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"What is your advice to young writers?" "Drink, fuck and smoke plenty of cigarettes."
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irony
sex
writing
funny
humor
bukowski
smoke
alcohol
cigarettes
authors
ironic
writing-process
drink
writers
sarcasm
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Charles Bukowski |
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"At one time I thought the most important thing was talent. I think now that -- the young man or the young woman must possess or teach himself, train himself, in infinite patience, which is to try and to try and to try until it comes right. He must train himself in ruthless intolerance. That is, to throw away anything that is false no matter how much he might love that page or that paragraph. The most important thing is insight, that is ... curiosity to wonder, to mull, and to muse why it is that man does what he does. And if you have that, then I don't think the talent makes much difference, whether you've got that or not.
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writing
learning-by-doing
trial-and-error
craftsmanship
creative-writing
craft
training
writing-process
talent
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William Faulkner |
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I always worked until I had something done and I always stopped when I knew what was going to happen next. That way I could be sure of going on the next day.
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writing-process
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Ernest Hemingway |
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"There is only one thing a writer can write about: what is in front of his senses at the moment of writing... I am a recording instrument... I do not presume to impose "story" "plot" "continuity"... Insofar as I succeed in Direct recording of certain areas of psychic process I may have limited function... I am not an entertainer..."
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writing-process
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William S. Burroughs |
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you once said to would like to sit beside me while I write. Listen in that case I could not write at all. For writing means revealing one self to excess; that utmost of self-revelation and surrender, in which a human being, when involved with others, would feel he was losing himself, and from which, therefore, he will always shrink as long as he is in his right mind...That is why one can never be alone enough when one writes, why there can never be enough silence around one when one writes, why even night is not night enough.
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writing-life
writing-process
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Susan Cain |
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I was in the book, and the book was in my head, and as long as I stayed inside my head, I could go on writing the book. It was like living in a padded cell, but of all the lives I could have lived at that moment, it was the only one that made sense to me. I wasn't capable of being in the world, and I knew that if I tried to go back into it before I was ready, I would be crushed.
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writing-process
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Paul Auster |
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It's not the writing part that's hard. What's hard is sitting down to write. What keeps us from sitting down is Resistance.
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writing-life
writing
write
writing-process
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Steven Pressfield |
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It's such a confidence trick, writing a novel. The main person you have to trick into confidence is yourself. This is hard to do alone.
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writing
writing-process
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Zadie Smith |
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Some writers are the kind of solo violinists who need complete silence to tune their instruments. Others want to hear every member of the orchestra--they'll take a cue from a clarinet, from an oboe, even. I am one of those. My writing desk is covered in open novels. I read lines to swim in a certain sensibility, to strike a particular note, to encourage rigour when I'm too sentimental, to bring verbal ease when I'm syntactically uptight. I think of reading like a balanced diet; if your sentences are baggy, too baroque, cut back on fatty Foster Wallace, say, and pick up Kafka, as roughage. If your aesthetic has become so refined it is stopping you from placing a single black mark on white paper, stop worrying so much about what Nabokov would say; pick up Dostoyevsky, patron saint of substance over style.
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writing-craft
writing-process
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Zadie Smith |
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All good writers write [terrible first drafts.] This is how they end up with good second drafts and terrific third drafts. . . I know some very great writers, writers you love who write beautifully and have made a great deal of money, and not one of them sits down routinely feeling wildly enthusiastic and confident. Not one of them writes elegant first drafts. All right, one of them does, but we do not like her very much. We do not think that she has a rich inner life or that God likes her or can even stand her. (Although when I mentioned this to my priest friend Tom, he said you can safely assume you've created God in your own image when it turns out that God hates all the same people you do.
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writing-life
writing-craft
writing-process
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Anne Lamott |
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Writing is therapeutic. It helps you cope with issues that seem gargantuan at the time. The process of expressing yourself about a problem, editing your thoughts, and writing some more can help you control issues that you face.
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writing-process
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Guy Kawasaki |
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Collaborating on a film script involves two people sitting in a room separated by the silence of two minds working together.
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writing-life
writing
screenwriting
writing-process
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Darlene Craviotto |
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The pressure disappeared with the first word he put on paper. He thought--while his hand moved rapidly--what a power there was in words; later, for those who heard them, but first for the one who found them; a healing power, a solution, like the breaking of a barrier. He thought, perhaps the basic secret the scientists have not discovered, the first fount of life, is that which happens when a thought takes shape in words.
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words
power-of-words
writing-process
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Ayn Rand |
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So it is that a writer writes many books. In each book, he intended several urgent and vivid points, many of which he sacrificed as the book's form hardened.
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reading
writing
readers-and-writers
writing-craft
writing-process
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Annie Dillard |
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Go APE: Author a great book, Publish it quickly, and Entrepreneur your way to success. Self-publishing isn't easy, but it's fun and sometimes even lucrative. Plus, your book could change the world.
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writing
writing-process
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Guy Kawasaki |
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A successful self-publisher must fill three roles: Author, Publisher, and Entrepreneur--or APE.
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writing
writing-process
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Guy Kawasaki |
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Then I started to think in Lipp's about when I had first been able to write a story about losing everything. It was up in Cortina d'Ampezzo when I had come back to join Hadley there after the spring skiing which I had to interrupt to go on assignment to Rhineland and the Ruhr. It was a very simple story called 'Out of Season' and I had omitted the real end of it which was that the old man hanged himself. This was omitted on my new theory that you could omit anything if you knew that you omitted and the omitted part would strengthen the story and make people feel something more than they understood.
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writing-process
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Ernest Hemingway |
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Novelists should never allow themselves to weary of the study of real life. If they observed this duty conscientiously, they would give us fewer pictures chequered with vivid contrasts of light and shade; they would seldom elevate their heroes and heroines to the heights of rapture -- still seldomer sink them to the depths of despair; for if we rarely taste the fulness of joy in this life, we yet more rarely savour the acrid bitterness of hopeless anguish.
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real-life-facts
writing-process
novelists
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Charlotte Brontë |
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"There are a lot of ways for a novelist to create suspense, but also really only two: one a trick, one an art.
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writing
writing-craft
writing-advice
writing-process
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Charles Finch |
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Prediction is the business of prophets, clairvoyants, and futurologists. It is not the business of novelists. A novelist's business is lying. The weather bureau will tell you what next Tuesday will be like, and the Rand Corporation will tell you what the twenty-first century will be like. I don't recommend that you turn to the writers of fiction for such information. It's none of their business. All they're trying to do is tell you what they're like, and what you're like -- what's going on -- what the weather is now, today, this moment, the rain, the sunlight, look! Open your eyes; listen, listen. That is what the novelists say. But they don't tell you what you will see and hear. All they can tell you is what they have seen and heard, in their time in this world, a third of it spent in sleep and dreaming another third of it spent in telling lies. [Introduction to The Left Hand of Darkness]
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writing
writing-process
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Ursula K. Le Guin |
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I don't know which is worse--to have a bad teacher or no teacher at all. In any case, I believe the teacher's work should be largely negative. He can't put the gift into you, but if he finds it there, he can try to keep it from going in an obviously wrong direction. We can learn how not to write, but this is a discipline that does not simply concern writing itself but concerns the whole intellectual life. A mind cleared of false emotion and false sentiment and egocentricity is going to have at least those roadblocks removed from its path. If you don't think cheaply, then there at least won't be the quality of cheapness in your writing, even though you may not be able to write well. The teacher can try to weed out what is positively bad, and this should be the aim of the whole college. Any discipline can help your writing: logic, mathematics, theology, and of course and particularly drawing. Anything that helps you to see, anything that makes you look. The writer should never be ashamed of staring. There is nothing that doesn't require his attention.
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education
teaching-writing
writing-class
guidance
observation
writing-process
perception
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Flannery O'Connor |
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People who want to write books do so because they feel it to be the easiest thing they can do. They can read and write, they can afford any of the instruments of book writing such as pens, paper, computers, tape recorders, and generally by the time they have reached this decision, they have had a simple education.
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writing-books
writing-advice
writing-process
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Muriel Spark |
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Starting your book is only the first five miles of a twenty-six-mile marathon that's one-third of a triathlon (authoring, publishing, and entrepreneuring).
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writing
writing-process
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Guy Kawasaki |
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"I still suspect that most people start out with some kind of ability to tell a story but that it gets lost along the way. Of course, the ability to create life with words is essentially a gift. If you have it in the first place, you can develop it; if you don't have it, you might as well forget it. But I have found that people who don't have it are frequently the ones hell-bent on writing stories. I'm sure anyway that they are the ones who write the books and the magazine articles on how-to-write-short-stories. I have a friend who is taking a correspondence course in this subject, and she has passed a few of the chapter headings on to me--such as, "The Story Formula for Writers," "How to Create Characters," "Let's Plot!" This form of corruption is costing her twenty-seven dollars."
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writing
how-to-write
how-to-write-fiction
writing-skills
writing-class
writing-talent
writing-fiction
writing-books
writers-on-writing
technique
writing-process
talent
writers
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Flannery O'Connor |
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The mind has plenty of ways of preventing you from writing, and paralysing self-consciousness is a good one. The only thing to do is ignore it, and remember what Vincent van Gogh said in one of his letters about the painter's fear of the blank canvas - the canvas, he said, is far more afraid of the painter.
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writing
writing-advice
writing-process
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Philip Pullman |
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At it's best,the sensation of writing is that of any unmerited grace. It is handed to you, but only if you look for it. You search, you break your heart, your back, your brain, and then - and only then - it is handed to you. From the corner of your eye you see motion. Something is moving through the air and headed your way.
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writing-process
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Annie Dillard (Author) |
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<< L'ecrit ca arrive comme le vent, c'est nu, c'est de l'encre, c'est l'ecrit, et ca passe comme rien d'autre ne passe dans la vie, rien de plus, sauf elle, la vie. >>
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writing-process
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Marguerite Duras |
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I wrote the last sentence of in early April and stumbled out of my apartment and into the beautiful spring feeling panicked and amazed. There is no single experience in my life as a writer to match that moment, the blue of the sky and the breeze drifting in from the bay. I had done the thing I had always wanted to do: I had written a book, all the way to the end. Even if it proved to be terrible, it was mine.
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writing-process
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Ann Patchett |
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When writers stop believing in their own stories, readers tend to sense it.
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writing-process
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Tracy Kidder |
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You are lucky to be one of those people who wishes to build sand castles with words, who is willing to create a place where your imagination can wander.
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words
writing-life
writer
writing
imagination
writing-inspiration
sandcastles
writing-quotes
writing-philosophy
writing-craft
writing-advice
writing-process
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Anne Lamott |
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"I went on steadily trying to 'find out how to'; but I wrote two or three novels without feeling that I had made much progress. It was not until I wrote "Ethan Frome" that I suddenly felt the artisan's full control of his implements. When "Ethan Frome" first appeared I was severely criticized by the reviewers for what was considered the clumsy structure of the tale. I had pondered long on this structure, had felt its peculiar difficulties, and possible awkwardness, but could think of no alternative which would serve as well in the given case: and though I am far from thinking "Ethan Frome" my best novel, and am bored and even exasperated when I am told that it is, I am still sure that its structure is not its weak point."
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structure
writing-process
novel
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Edith Wharton |
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I tell him getting stuck is the commonest trouble of all. Usually, I say, your mind gets stuck when you're trying to do too many things at once. What you have to do is try not to force words to com. That just gets you more stuck. What you have to do now is separate out the things and do them one at a time. You're trying to think of what to and what to say at the same time and that's too hard. So separate them out. Just make a list of all the things you want to say in any old order. Then later we'll figure out the right order.
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writing
writing-process
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Robert M. Pirsig |
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A writer cannot really grasp what he has written. It is not like a building or a sculpture; it cannot be seen whole. It is only a kind of smoke seized and printed on a page.
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writing-philosophy
writing-process
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James Salter |
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"Don't give in to doubt. Never be discouraged if your first draft isn't what you thought it would be. Given skill and a story that compels you, muster your determination and make what's on the page closer to what you have in your mind. The chances are that you'll never make them identical. That's one reason I'm still hitting the keyboard. Obsessed by the secrets of my past, I try to put metaphorical versions of them on the page, but each time, no matter how honest and hard my effort, what's in my mind hasn't been fully expressed, compelling me to keep trying. To paraphrase a passage from John Barth's "Lost in the Funhouse," I'll die telling stories to myself in the dark. But there's never enough time. There was never enough time."
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writing-life
writing-craft
writing-advice
writing-process
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David Morrell |
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"So they spread the paintings on the lawn, and the boy explained each of them. "This is the school, and this is the playground, and these are my friends." He stared at the paintings for a long time and then shook his head in discouragement. "In my mind, they were a whole lot better." Isn't that the truth? Every morning, I go to my desk and reread yesterday's pages, only to be discouraged that the prose isn't as good as it seemed during the excitement of composition. In my mind, it was a whole lot better. Don't give in to doubt. Never be discouraged if your first draft isn't what you thought it would be. Given skill and a story that compels you, muster your determination and make what's on the page closer to what you have in your mind."
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writing-life
writing-craft
writing-advice
writing-process
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David Morrell |
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It wasn't by accident that the Gettysburg adress was so short. The laws of prose writing are immutable as those of flight, of mathematics, of physics. Fr letter to Maxwell Perkins 1945
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writing-process
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Ernest Hemingway |
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The Russian-born novelist's writing habits were famously peculiar. Beginning in 1950, he composed first drafts in pencil on ruled index cards, which he stored in long file boxes. Since Nabokov claimed, he pictured an entire novel in complete form before he began writing it, this method allowed him to compose passages out of sequence, in whatever order he pleased...
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writing-process
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Mason Currey |
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Concentrate on sharpening your memory and peeling your sensibility. Cut every page you write by at least one third. Stop constructing those piffling little similes of yours. Work out what it is you want to say. Then say it in the most direct and vigorous way you can. Eat meat. Drink blook. Give up your social life and don't think you can have friends. Rise in the quiet hours of the night and prick your fingertips and use the blood for ink; that will cure you of persiflage!
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writing-life
writing-craft
writing-process
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Hilary Mantel |
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The trouble is, writing the damn thing is like unscrewing your skull and pouring the contents of your brain into an empty tank. The tank has a shape, more or less - has more or less defined edges, a bottom and sides. But what it mostly has is volume: a hungry space I've somehow got to fill.
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writing-process
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Mike Carey & Peter Gross |
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Process is nothing; erase your tracks. The path is not the work. I hope your tracks have grown over; I hope birds ate the crumbs; I hope you will toss it all and not look back.
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writing-process
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Annie Dillard |
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"Allen Ginsberg instructs: "First thought, best thought." Oh, to have my every spontaneous thought count as poetry! No draft after draft like a draft horse. Clayton Eshleman, laughing, said, "'First thought best thought' is not 'First best ' Ginsberg does rewrite. I'm sure he does."
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writing-life
writing-craft
writing-process
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Maxine Hong Kingston |
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Novels were not arguments; a story worked, or it didn't, on its own merits. What did it matter if a detail was real or imagined? What mattered was that the detail seemed real, and that it was absolutely the best detail for the circumstance. That wasn't much of a theory, but it was all Ruth could truly commit herself to at the moment. It was time to retire that old lecture, and her penance was to endure the compliments of her former credo.
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writing-craft
writing-process
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John Irving |
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Once they got into the idea of seeing directly for themselves they also saw there was no limit to the amount they could say. It was a confidence building assignment too, because what they wrote, even though seemingly trivial, was nevertheless their own thing, not a mimicking of someone else's.
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nothing-to-say
writing-craft
practice
writing-process
writers
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Robert M. Pirsig |
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Where do [writers] get [their] ideas? And the answer is that no one knows where the come from and nobody should know. They evolve in thin air, they float down from some mysterious heaven, and we reach and grab one, to grasp in our imagination, and to make it our own. One writer might overhear a conversation in a cafe and a whole novel will be built from that moment. Another might see an article in a newspaper and a plot will suggest itself immediately. Another might hear about an unpleasant incident that happened to a friend of a friend in a supermarket . . . .
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writing-process
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John Boyne |
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Now the thing is no longer a vision: it is paper.
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writing-process
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Annie Dillard |
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"Every few weeks she would shut herself up in her room, put on her scribbling suit, and "fall into a vortex" as she expressed it, writing away at her novel with all her heart and soul, for till that was finished she could find no peace. Her "scribbling suit" consisted of a black woollen pinafore on which she could wipe her pen at will, and a cap of the same material, adorned with a cheerful red bow, into which she bundled her hair when the decks were cleared for action. This cap was a beacon to the inquiring eyes of her family, who during these periods kept their distance, merely popping in their heads semi-occasionally, to ask, with interest, "Does genius burn, Jo?" They did not always venture even to ask this question, but took an observation of the cap, and judged accordingly. If this expressive article of dress was drawn low upon the forehead, it was a sign that hard work was going on; in exciting moments it was pushed rakishly askew; and when despair seized the author it was plucked wholly off, and cast upon the floor. At such times the intruder silently withdrew; and not until the red bow was seen gayly erect upon the gifted brow, did any one dare address Jo."
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writing-life
writing
creative-process
writing-process
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Louisa May Alcott |
342bbcd
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Nobody whispers it in your ear. It is like something you memorized once and forgot. Now it comes back and rips away your breath. You find and finger a phrase at a time; you lay it down cautiously, as if with tongs, and wait suspended until the next one finds you: Ah yes, then this; and yes, praise be, then this.
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writing-process
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Annie Dillard |
63af7ee
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"How to preside over your own internal disorder? Finding the "I" that can represent the pack of you is the first challenge of the memoirist."
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writing
writing-process
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Tracy Kidder |
a99c47b
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Eating words and listening to them rumbling in the gut is how a writer learns the acid and alkali of language. It is a process at the same time physical and intellectual. The writer has to hear language until she develops perfect pitch, but she also has to feel language, to know it sweat and dry. The writer finds the words are visceral, and when she can eat them, wear them, and enter them like tunnels she discovers the alleged separation between word and meaning between writer and word is theoretical.
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writing-process
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Jeanette Winterson |
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"I would write: "The soft melting hunk of butter trickled in gold down the stringy grooves of the split yam." Or: "The child's clumsy fingers fumbled in sleep, feeling vainly for the wish of its dream." "The old man huddled in the dark doorway, his bony face lit by the burning yellow in the windows of distant skycrapers." My purpose was to capture a physical state or movement that carried a strong subjective impression, an accomplishment which seemed supremely worth struggling for. If I could fasten the mind of the reader upon words so firmly that he would forget words and be conscious only of his response, I felt that I would be in sight of knowing how to write narrative."
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swooning-over-sentences
writing-advice
on-writing
writing-process
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Richard Wright |
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In writing I am seduced by the sound of words and by the interaction of their sound and sense.
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writing-process
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Barbara W. Tuchman |
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"There is one myth about writers that I have always felt was particularly pernicious and untruthful--the myth of the "lonely writer," the myth that writing is a lonely occupation, involving much suffering because, supposedly, the writer exists in a state of sensitivity which cuts him off, or raises him above, or casts him below the community around him. This is a common cliche, a hangover probably from the romantic period and the idea of the artist as a Sufferer and a Rebel. Probably any of the arts that are not performed in a chorus-line are going to come in for a certain amount of romanticizing, but it seems to me particularly bad to do this to writers and especially fiction writers, because fiction writers engage in the homeliest, and most concrete, and most unromanticizable of all arts. I suppose there have been enough genuinely lonely suffering novelists to make this seem a reasonable myth, but there is every reason to suppose that such cases are the result of less admirable qualities in these writers, qualities which have nothing to do with the vocation of writing itself."
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writing-life
writing
fiction-writers
lonely-writer
novelists-life
writing-mindset
writing-myths
novelist
writers-on-writing
writing-process
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Flannery O'Connor |
6c834ac
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She was strangely unaware that she could look and see freshly for herself, as she wrote, without primary regard for what had been said before.
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creative-writing
zen
writing-process
writers
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Robert M. Pirsig |
2c0b9bb
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He singled out aspects of Quality such as unity, vividness, authority, economy, sensitivity, clarity, emphasis, flow, suspense, brilliance, precision, proportion, depth and so on; kept each of these as poorly defined as Quality itself, but demonstrated them by the same class reading techniques. He showed how the aspect of Quality called unity, the hanging-togetherness of a story, could be improved with a technique called an outline. The authority of an argument could be jacked up with a technique called footnotes, which gives authoritative reference. Outlines and footnotes are standard things taught in all freshman composition classes, but now as devices for improving Quality they had a purpose. And if a student turned in a bunch of dumb references or a sloppy outline that showed he was just fulfilling an assignment by rote, he could be told that while his paper may have fulfilled the letter of the assignment it obviously didn't fulfill the goal of Quality, and was therefore worthless.
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learning
outlines
what-is-quality
how-to-write
research
rhetoric
writing-craft
quality
writing-process
teaching
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Robert M. Pirsig |
b86e24e
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Write your own part. It's the only way I've ever gotten anywhere. It is much harder work, but sometimes you have to take destiny into your own hands. It is much harder work, but sometimes you have to take destiny into your own hands. It forces you to think about what your strengths really are, and once you find them, you can showcase them, and nobody can stop you.
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women
writing
writing-process
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Mindy Kaling |
1a4e4e9
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I've found my productive-writing-to-screwing-around ratio to be one to seven. So, for every eight hour day of writing, there is only one good productive hour of work being done. The other seven hours are preparing for writing: pacing around the house, collapsing cardboard bxes for recycling, reading the DVD extras pamphlet from BBC Pride & Prejudice, getting snacks lined up for writing, and YouTubing toddlers who learned the 'Single Ladies' dance. I know. Isn't that horrible? So, basically, writing this piece took me the time between Thanksgiving and Christmas.
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writing-process
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Mindy Kaling |
6b32db9
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Art consist of a writer or painter's psychosis extirpated on the canvas of his choosing, a truism whether one is inspecting a Vincent Van Gogh masterpiece or deciphering the incomprehensible utterings and dissociated ramblings of one of the Philistines framed in the picaresque novel 'Confederacy of Dunces, written by American novelist John Kennedy Toole (1937-1969).
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writing
memoir-writing
writers-voice
writing-style
essayist
writers-on-writing
writing-philosophy
writers-quotes
writing-process
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Kilroy J. Oldster |