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The universe is made of stories, not of atoms.
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muriel-rukeyser
inspirational
craft
writers
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Muriel Rukeyser |
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"At one time I thought the most important thing was talent. I think now that -- the young man or the young woman must possess or teach himself, train himself, in infinite patience, which is to try and to try and to try until it comes right. He must train himself in ruthless intolerance. That is, to throw away anything that is false no matter how much he might love that page or that paragraph. The most important thing is insight, that is ... curiosity to wonder, to mull, and to muse why it is that man does what he does. And if you have that, then I don't think the talent makes much difference, whether you've got that or not.
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writing
learning-by-doing
trial-and-error
craftsmanship
creative-writing
craft
training
writing-process
talent
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William Faulkner |
a6ce768
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The discipline of creation, be it to paint, compose, write, is an effort towards wholeness.
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writing
craft
painting
creative-process
wholeness
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Madeleine L'Engle |
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There is only one thing that you write for yourself, and that is a shopping list.
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writing
reasons
craft
why
readers
writers
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Umberto Eco |
4ee6e14
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Writing a novel is actually searching for victims. As I write I keep looking for casualties. The stories uncover the casualties.
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writing
victims
craft
novels
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John Irving |
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"One of the dumbest things you were ever taught was to write what you know. Because what you know is usually dull. Remember when you first wanted to be a writer? Eight or ten years old, reading about thin-lipped heroes flying over mysterious viny jungles toward untold wonders? That's what you wanted to write about, about what you didn't know. So. What mysterious time and place don't we know?" [
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limitations
writing
inventiveness
dullness
familiarity
craft
creative-process
knowledge
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Ken Kesey |
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"In working-class France, when an apprentice got hurt, or when he got tired, the experienced workers said "It is the trade entering his body."
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writing
work
craft
trade
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Annie Dillard |
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Blackadder was fifty-four and had come to editing Ash out of pique. He was the son and grandson of Scottish schoolmasters. His grandfather recited poetry on firelight evenings: Marmion, Childe Harold, Ragnarok. His father sent him to Downing College in Cambridge to study under F. R. Leavis. Leavis did to Blackadder what he did to serious students; he showed him the terrible, the magnificent importance and urgency of English literature and simultaneously deprived him of any confidence in his own capacity to contribute to, or change it. The young Blackadder wrote poems, imagined Dr Leavis's comments on them, and burned them.
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literature
poetry
writing
craft
skill
self-confidence
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A.S. Byatt |
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No. Not yet. A craftsman only. But I dream to be an artist. I pray that someday, if I work with enough care, if I am very very lucky, I will make a weapon that is a work of art. Call me an artist then, and I will answer.
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craft
artist
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William Goldman |
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Writing is a craft, being an author is work, and having readers and a following is a gift.
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writing
work
followers
craft
readers
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Michael J. Kannengieser |
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Ending a novel is almost like putting a child to sleep - it can't be done abruptly.
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writing
craft
novels
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Colm Tóibín |
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To make the world. To make it again and again. To make it in the very maelstrom of its undoing.
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craft
creation
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Cormac McCarthy |