|
19b8726
|
But, soft! what light through yonder window breaks? It is the east, and Juliet is the sun. Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou, her maid, art far more fair than she. Be not her maid, since she is envious; Her vestal livery is but sick and green And none but fools do wear it; cast it off. It is my lady, O, it is my love! Oh, that she knew she were!
|
|
love
balcony-scene
romeo
juliet
plays
romeo-and-juliet
|
William Shakespeare |
|
2418cde
|
It is rare for people to be asked the question which puts them squarely in front of themselves
|
|
literature
life
truth
wisdom
plays
|
Arthur Miller |
|
cb8cb0d
|
I was too young that time to value her, But now I know her. If she be a traitor, Why, so am I. We still have slept together, Rose at an instant, learned, played, eat together, And wheresoe'er we went, like Juno's swans, Still we went coupled and inseparable.
|
|
rosalind
celia
plays
cousins
sisters
|
William Shakespeare |
|
e889ac2
|
This fellow is wise enough to play the fool; And to do that well craves a kind of wit: He must observe their mood on whom he jests, The quality of persons, and the time, And, like the haggard, check at every feather That comes before his eye. This is a practise As full of labour as a wise man's art For folly that he wisely shows is fit; But wise men, folly-fall'n, quite taint their wit.
|
|
poetry
viola
plays
wise
|
William Shakespeare |
|
4906317
|
Under the greenwood tree, Who loves to lie with me And tune his merry note, Unto the sweet bird's throat; Come hither, come hither, come hither. Here shall he see No enemy But winter and rough weather.
|
|
nature
poetry
as-you-like-it
plays
|
William Shakespeare |
|
bb261d4
|
Directing teenage actors is like juggling jars of nitro-glycerine: exhilarating and dangerous.
|
|
musicals
plays
directing
teens
|
Stephen King |
|
629a50f
|
A Chinaman of the T'ang Dynasty--and, by which definition, a philosopher--dreamed he was a butterfly, and from that moment he was never quite sure that he was not a butterfly dreaming it was a Chinese philosopher. Envy him; in his two-fold security.
|
|
stoppard
plays
|
Tom Stoppard |
|
a3cf183
|
We can see the film stars of yesterday in yesterday's films, hear the voices of poest and singers on a record, keep the plays of dead dramatists upon our bookshelves, but the actor who holds his audience captive for one brief moment upon a lighted stage vanishes forever when the curtain falls.
|
|
plays
|
Daphne du Maurier |
|
8026c37
|
GUIL: It [Hamlet's madness] really boils down to symptoms. Pregnant replies, mystic allusions, mistaken identities, arguing his father is his mother, that sort of thing; intimations of suicide, forgoing of exercise, loss of mirth, hints of claustrophobia not to say delusions of imprisonment; invocations of camels, chameleons, capons, whales, weasels, hawks, handsaws -- riddles, quibbles and evasions; amnesia, paranoia, myopia; day-dreaming, hallucinations; stabbing his elders, abusing his parents, insulting his lover, and appearing hatless in public -- knock-kneed, droop-stockinged and sighing like a love-sick schoolboy, which at his age is coming on a bit strong. ROS: And talking to himself. GUIL: And talking to himself.
|
|
madness
humour
plays
|
Tom Stoppard |
|
c278c06
|
Divers alarums and excursions', she read, uncertainly. 'That means lots of terrible happenings, said Magrat. 'You always put that in plays.' Alarums and what?', said Nanny Ogg, who hadn't been listening. Excursions', said Magrat patienly. Oh.' Nanny Ogg brightened a bit. 'The seaside would be nice,' she said. Oh do shut up, Gytha,' said Granny Weatherwax. 'They're not for you. They're only for divers, like it says. Probably so they can recover from all them alarums.
|
|
plays
|
Terry Pratchett |
|
58e0a9c
|
[L]ife is a phenomenon in need of criticism, for we are, as fallen creatures, in permanent danger of worshipping false gods, of failing to understand ourselves and misinterpreting the behaviour of others, of growing unproductively anxious or desirous, and of losing ourselves to vanity and error. Surreptitiously and beguilingly, then, with humour or gravity, works of art--novels, poems, plays, paintings or films--can function as vehicles to explain our condition to us. They may act as guides to a truer, more judicious, more intelligent understanding of the world.
|
|
understanding
criticism
poems
humor
life
paintings
self-understanding
plays
films
gravity
art
novels
vanity
desire
|
Alain de Botton |
|
9fcbc22
|
I set up and staged hundreds of ends-of-the-world and watched, enthralled, as they played themselves out.
|
|
world
plays
|
Annie Dillard |
|
f7e1dfe
|
It is often said that what sets Shakespeare apart is his ability to illuminate the workings of the soul and so on, and he does that superbly, goodness knows, but what really characterizes his work - every bit of it, in poems and plays and even dedications, throughout every portion of his career - is a positive and palpable appreciation of the transfixing power of language. remains an enchanting work after four hundred years, but few could argue that it cuts to the very heart of human behaviour. What it does is take, and give, a positive satisfaction in the joyous possibilities of verbal expression.
|
|
shakespeare
poems
dedications
four-hundred-years
goodness-knows
joyous-possibilities
transfixing
verbal-expression
workings-of-the-soul
the-soul
enchanting
human-behavior
power-of-language
plays
human-behaviour
possibilities
william-shakespeare
|
Bill Bryson |
|
b11b793
|
"Hamlet' dwarfs 'Hamilton' - it dwarfs pretty much everything - but there's a revealing similarity between them. Shakespeare's longest play leaves its audience in the dark about some basic and seemingly crucial facts. It's not as if the Bard forgot, in the course of all those words, to tell us whether Hamlet was crazy or only pretending: He wanted us to wonder. He forces us to work on a puzzle that has no definite answer. And this mysteriousness is one reason why we find the play irresistible.
|
|
shakespeare
musicals
plays
writing-craft
questions
|
Lin-Manuel Miranda and Jeremy McCarter |
|
3c6bd5c
|
And I was a Child again, watching the bright World. But the Spell broke when at this Juncture some Gallants jumped from the Pitt onto the Stage and behaved as so many Merry-Andrews among the Actors, which reduced all to Confusion. I laugh'd with them also, for I like to make Merry among the Fallen and there is pleasure to be had in the Observation of the Deformity of Things. Thus when the Play resumed after the Disturbance, it was only to excite my Ridicule with its painted Fictions, wicked Hypocrisies and villainous Customs, all depicted with a little pert Jingle of Words and a rambling kind of Mirth to make the Insipidnesse and Sterility pass. There was no pleasure in seeing it, and nothing to burden the Memory after: like a voluntarie before a Lesson it was absolutely forgotten, nothing to be remembered or repeated.
|
|
crowds
plays
audiences
entertainment
play
|
Peter Ackroyd |
|
b174e19
|
DYER. (Sits down) There was nothing that I recall save that the Sunne was a Round flat shining Disc and the Thunder was a Noise from a Drum or a Pan. VANNBRUGGHE. (Aside) What a Child is this! (To Dyer) These are only our Devices, and are like the Paint of our Painted Age. DYER. But in Meditation the Sunne is a vast and glorious Body, and Thunder is the most forcible and terrible Phaenomenon: it is not to be mocked, for the highest Passion is Terrour.
|
|
plays
thunder
sun
symbolism
|
Peter Ackroyd |
|
2d1ed3d
|
"Tell me something wonderful," he said to Dane. "Tell me that we are going to die dreamfully and loved in our sleep." "You're always writing one of your plays on the phone," said Dane. "I said, something wonderful. Say something about springtime." "It is sloppy and wet. It is a beast from the sea." "Ah," said Harry."
|
|
writing
reality
dreams
love
like-life
lorrie-moore
wet
loved
plays
springtime
sloppy
|
Lorrie Moore |
|
96cf23a
|
Aristotle's account of the Katharsis of tragedy was a philosophic presentation of a truth that Homo religiosus had always understood intuitively: a symbolic, mythical or ritual presentation of events that would be unendurable in daily life can redeem and transform them into something pure and even pleasurable.
|
|
literature
philosophy
plays
|
Karen Armstrong |