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a35d265 What has our culture lost in 1980 that the avant-garde had in 1890? Ebullience, idealism, confidence, the belief that there was plenty of territory to explore, and above all the sense that art, in the most disinterested and noble way, could find the necessary metaphors by which a radically changing culture could be explained to its inhabitants. art avant-garde confidence culture david-foster-wallace ebullience idealism irony meta-modernism metaphor post-ironic postmodernism shia-lebouf Robert Hughes
4b414cf The problem with making a virtual world of oneself is akin to the problem with projecting ourselves onto a cyberworld: there's no end of virtual spaces in which to seek stimulation, but their very endlessness, the perpetual stimulation without satisfaction, becomes imprisoning. boredom cyber cyberworld david-foster-wallace depression dissatisfaction distractions emptiness empty endlessness facebook facebook-addiction facebook-quotes filler first-world-problems jonathan-franzen loneliness lonely problems robinson-crusoe satisfaction solitary solitude stimulation suicide virtual void Jonathan Franzen
26c0234 "When David Markson wrote in June to complain about an author's getting an award he though should have been his, Wallace gently warned him away from the pitfall of envy: "Mostly I try to remember how lucky I am to be able to write, and doubly, triply lucky I am that anyone else is willing to read it, to say nothing of publishing it. I'm no pollyanna - this keeping-the-spirits-up shit is hard work, and I don't often do it well. But I try... Life is good" david-foster-wallace david-markson genius infinite-jest modesty D.T. Max