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What has our culture lost in 1980 that the avant-garde had in 1890? Ebullience, idealism, confidence, the belief that there was plenty of territory to explore, and above all the sense that art, in the most disinterested and noble way, could find the necessary metaphors by which a radically changing culture could be explained to its inhabitants.
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metaphor
irony
idealism
confidence
avant-garde
ebullience
meta-modernism
shia-lebouf
david-foster-wallace
post-ironic
art
culture
postmodernism
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Robert Hughes |
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The problem with making a virtual world of oneself is akin to the problem with projecting ourselves onto a cyberworld: there's no end of virtual spaces in which to seek stimulation, but their very endlessness, the perpetual stimulation without satisfaction, becomes imprisoning.
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suicide
solitude
loneliness
satisfaction
depression
cyberworld
endlessness
facebook-addiction
filler
first-world-problems
virtual
solitary
stimulation
distractions
dissatisfaction
facebook-quotes
david-foster-wallace
jonathan-franzen
boredom
facebook
cyber
emptiness
problems
robinson-crusoe
empty
void
lonely
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Jonathan Franzen |
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"When David Markson wrote in June to complain about an author's getting an award he though should have been his, Wallace gently warned him away from the pitfall of envy: "Mostly I try to remember how lucky I am to be able to write, and doubly, triply lucky I am that anyone else is willing to read it, to say nothing of publishing it. I'm no pollyanna - this keeping-the-spirits-up shit is hard work, and I don't often do it well. But I try... Life is good"
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david-foster-wallace
david-markson
infinite-jest
genius
modesty
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D.T. Max |