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What has our culture lost in 1980 that the avant-garde had in 1890? Ebullience, idealism, confidence, the belief that there was plenty of territory to explore, and above all the sense that art, in the most disinterested and noble way, could find the necessary metaphors by which a radically changing culture could be explained to its inhabitants.
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art
avant-garde
confidence
culture
david-foster-wallace
ebullience
idealism
irony
meta-modernism
metaphor
post-ironic
postmodernism
shia-lebouf
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Robert Hughes |
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The problem with making a virtual world of oneself is akin to the problem with projecting ourselves onto a cyberworld: there's no end of virtual spaces in which to seek stimulation, but their very endlessness, the perpetual stimulation without satisfaction, becomes imprisoning.
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boredom
cyber
cyberworld
david-foster-wallace
depression
dissatisfaction
distractions
emptiness
empty
endlessness
facebook
facebook-addiction
facebook-quotes
filler
first-world-problems
jonathan-franzen
loneliness
lonely
problems
robinson-crusoe
satisfaction
solitary
solitude
stimulation
suicide
virtual
void
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Jonathan Franzen |
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"When David Markson wrote in June to complain about an author's getting an award he though should have been his, Wallace gently warned him away from the pitfall of envy: "Mostly I try to remember how lucky I am to be able to write, and doubly, triply lucky I am that anyone else is willing to read it, to say nothing of publishing it. I'm no pollyanna - this keeping-the-spirits-up shit is hard work, and I don't often do it well. But I try... Life is good"
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david-foster-wallace
david-markson
genius
infinite-jest
modesty
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D.T. Max |